View allAll Photos Tagged PyrocatHD
Konica Press 2 (a.k.a. Koni Omega Rapid M), Bergger Pancro 400@320, Pyrocat-HD 1+2+100 @ 21'C, 18 min, Poland 2023
Photographed November 2017 / Rollei 35B miniature 35mm camera with Triotar 40mm/3.5 lens ( a Cooke Triplet) Rollei RPX 400 rated ASA 320 developed in PYROCAT-HD (5ml A + 25ml B > 600ml, 7min 10sec,20*C). Negative was scanned to SD card in a JUMBL scanner image was processed & finished in Flickr.
Some mornings hiking the trails at Hocking Hills are more successful than others. The mornings with the highest success rate for me always start with some unpleasant rain, and finish with a stream or two of that late morning sunlight.
Immediately after making yet another similar composition to this previous upload:
www.flickr.com/photos/mat4226/19721410203/in/dateposted-p...
I saw this beautiful highlight occurring and had to catch it quickly. Down went the tripod, on went the camera and long lens.
Tachihara 8x10 Double Extension
Nikkor T ED 600mm f/9
1/4 sec. @ f/22ish + front rise, tilt
Ilford HP5+ @ ASA 200
14 min. in Pyrocat HD 1:1.5:100
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Select Sepia VC
Developed in SE1 Sepia
Toned in Thiourea/Siena/Carbon
Scenes from my visit to the WW & F Railway in Alna, Maine.
Photo Details:
Camera: Pentacon Six TL
Lens: 80mm Biometar
Film: Kodak TMax400
Developer: Pyrocat-HD
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Holga with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Forte PW17
Two trays lith development
Selenium toned
Photographed November 2017 : Canon FP with Canon Lens Mount Convertor 'P' & HELIOS-44 58mm/2, early silver 13 blade version. Rollei RPX 400 bulk film rated ASA 320 developed in pyrocat-HD (5ml A + 25ml B > 600ml, 7min, 20*C). Negative scanned to SD card in a JUMBL scanner; image processed & finished in Flickr.
One of the shots from my recent visit to lighthouse pier at Port Maitland. I love this location but something always seems to keep my from making the hour's drive West along the Lake Erie shore whenever I think of heading that way. Luckily my optometrist relocated to a new office not far from here so I dual purposed the drive for my appointment..
Photographed June 2020 / Rolleiflex 4cmx4cm (baby Rolleiflex) TLR Camera with Carl Zeiss Jena Tessar 6cm/3.5 lens. The film was ILFORD HP5+ cut from 120 and re-spooled to 127 format, metered ASA 200 developed in PYROCAT-HD (3.3ml A + 33ml B > 400ml, 7min, 20*C). The negative was illuminated on a light panel and scanned with a Pentax k3 DSLR and Rodenstock RODAGON 60mm/4 enlarging lens on a helicoid extension tube system. The image was edited on an iPad mini using the Snap Seed application: full frame scan of entire negative area without trimming.
I've not learnt yet that this shop in an alley is really a lot darker than you think. Next time ....
09-Aug-2023 12:50
Ilford Delta 100 rated @ EI 100
Ebony 45SU
Rodenstock 180mm f/5.6 Apo-Sironar-S
Semistand in PyrocatHD 1+1+100 for 16 mins @ 20C
Pre-Wash 5 mins
Inversions for first 30 sec
Two Inversions every 5 mins
Two water Stop Baths - 1 min each
Ilford Rapid Fixer (1+4) for 4 mins
Wash with repeated changes of water for 10 mins
Ilford Surfactant : 2 mins
Front Rise : 1 cm down
Front Tilt : 3 deg forward
Mid tone LV = 13
Highlight = 16
Shadow = 11
Filters : Orange (-1), 2 Stops hard grad on sky
Final LV=12
1/8 sec @ f22
03-Jul-2023 17:20 - Ilford HP5+ 400 @ EI 400
Developed in PyrocatHD 1+1+90 (7+7+630) : 17 mins @ 20C
Two "stop" washes in water, 1 minute each
Ilford Rapid Fix : 4 mins
10 Minutes washing with several water changes
2 mins Ilford Ilfotol (1.5ml + 600ml)
Bronica SQAi + 50mm
Highlight = 17
Shadow = 10
Midpoint = 12
Filters : Orange -2
Final LV=10
1/15 sec @ f16
the intrepid camera mk IV
fujinon SW 90mm f/8
kodak tri-x 320
pyrocat-hd 1+1+100, 11,5 min, 21'C
Modernism through the ages: 1937 (center), 1981-82 (right, background), 2021-22 (left, under construction).
testing my Gift Carl Zeiss Push-On GREEN FILTER on my HASSELBLAD 501CM 80mm f2.8 CFE Planar T*. I loaded with a 2016 dated FOMA PAN 100 which I processed in my Home-Made PYROCAT HD formula for 12 mins @ 20oC There is not a great deal of difference.
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Alpa 12WA with Schneider 47mm XL - 6x9 with Rollei Infrared IR 400
developed in Pyrocat-HD.
Printed on Sterling.
Two trays Lith development:
SE5
B/G/NH4Cl
Konica Press 2 (a.k.a. Koni Omega Rapid M), Bergger Pancro 400@320, Pyrocat-HD 1+2+100 @ 21'C, 18 min, Poland 2023
Hasselblad 501CM
Carl Zeiss Distagon 3.5/60 T* CF
Hasselblad Orange filter
f16
1/4th second
Gitzo GT3532LS
Arca-Swiss Z1
Kodak T-Max 100
Developed in Pyrocat-HD 1:1:5:95 A:B:IPA:water at 22 °C for 15 mins (minimal agitation)
Digitised using 16-shot pixel-shift capture
Toned
(best viewed fullscreen in the lightbox)
4x5 Ilford Delta 100 negative
Tachihara field camera
90mm Schneider Super Angulon lens
Epson V850 scanner
Photographed February 2018 / Ricoh "35" deluxe rangefinder camera with RIKEN 4.5cm/2.8 lens. Film was FOMAPAN 100 rated ASA 80 developed in PYROCAT-HD (5ml A + 25ml B > 600ml, 5min 25sec @ 20*C). Negative scanned in a JUMBL scanner box unit; image processed & finished in Flickr.
Scenes from my visit to the WW & F Railway in Alna, Maine.
Photo Details:
Camera: Pentacon Six TL
Lens: 50mm Flektogon
Film: Kodak TMax400
Developer: Pyrocat-HD
Photographed February 2019 / Leica iiif 35mm rangefinder with LOMO T-43 , 40mm/4 lens...East meets West (T-43 lens block hacked from a Smena-8M camera into an Industar M39 focussing mount...see the album LOMO T-43). Film was Rollei RPX 400 bulk stock metered ASA 200 developed in PYROCAT-HD (5ml A + 50ml B > 600ml, 7min, 20*C). Negative was digitalised in a JUMBL scanner box unit; image was processed and finished in Flickr.
Photographed April 2020 / Canon AT-1 SLR 35mm film camera with Canon FD 24mm/2.8 lens on tripod. The film was Rollei RPX 400 metered ASA 200 developed in sodium carbonate version PYROCAT-HD with added glycin (5ml A + 50ml B + 0.100g glycin > 600ml, 6min 15sec, 20*C).
Storm clouds on a windy day.
Mamiya 645 Pro, HP5+ rated 500 ISO, developed in Pyrocat-HD.
Printed on RCMG DeLuxe in Bromophen.
Every time I load up some Ilford FP4+ to go shoot down at Hocking, I'm always pleasantly surprised with what I take home. My most recent trips to Old Man's Cave were no different.
Easily the least loved portion of Old Man's Cave trail is the Lower Falls as it drains and meanders downstream to connect with the Cedar Falls trail. This particular morning following three consecutive days of rain finally did the area some justice.
Tachihara 8x10 Double Extension
Schneider Super Symmar-XL 150mm
16 sec. @ f/45ish + front rise
Ilford FP4+ @ ASA 80
10 min. in Pyrocat HD 1:1.5:100
During my last calendar year of focusing on the Hocking Hills region of Ohio, I visited the Cedar Falls portion of the Buckeye Trail far more than any other.
It's a high risk, high reward area, as there are a lot of openings in the tree line for light to stream. Even when you get a muggy, hazy morning in the middle of winter, there's still something interesting to help you make a picture.
Tachihara 8x10 Double Extension
Fujinon-W 250mm f/6.7
2 sec. @ f/22ish + tilt
Ilford HP5+ @ ASA 200
14 min. in Pyrocat HD 1:1.5:100
Photographed November 2017 / Kodak 66 model III medium format 120 camera with ANASTON 75mm/4.5 lens. ILFORD HP5 PLUS rated ASA 320 developed in pyrocat-HD (5ml A + 25ml B > 600ml, 7min @ 20*C). Negative was illuminated on a light panel and scanned with an iPad mini using Film Scanner app. Image was processed & finished in Flickr.
@ohmachi, nagano, sep/2012
Hasselblad SWC/M
Carl Zeiss CF T* Biogon 38mm F4.5
Fuji 100 ACROS / Pyrocat-HD
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「蕎麦の花」は秋の季語。
蕎麦はまだ花でもてなす山路かな --芭蕉
.
Photographed December 2017 / Rollei 35 miniature 35mm viewfinder Film Camera with Schneider Kreuznach S-Xenar 40mm/3.5 lens. The film was Rollei RPX 400 metered ASA 320 developed in PYROCAT-HD.
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Hasselblad 500 C/M with ROLLEI Infrared IR 400 and developed in Pyrocat-HD.
Printed on Tetenal -TT Baryt Sepia.
Two trays lith:
SE5-D-E / Ω-Catechol-B
While a very fun location to hike almost any time of year, Rock House is by far the trickiest to photograph. The large rock formations are set back far enough that even in the most subdued light can pose a challenge of extreme contrast range. That leaves a film photographer with few choices as to what type of film developer they'll use to represent the scene.
The easy way out would be to let the background blow out and take more detail in the rock. Or maybe even bracket and *gasp* stitch together an HDR in post. When applicable, I try to never do either. This shot is yet another in a long line of examples why I love Pyrocat HD.
Tachihara 8x10 Double Extension
Schneider Super Symmar-XL 150mm f/5.6
10 min. @ f/32ish + front rise
Ilford HP5+ @ ASA 200
Pyrocat HD 1:1.5:100
Photographed November 2017 : Canon FP with Canon Lens Mount Convertor 'P' & HELIOS-44, 58mm/2 lens.Rollei RPX 400 rated ASA 320 developed in PYROCAT-HD (5ml A + 25ml B > 600ml, 7min @ 20*C). Negative scanned to SD card in a JUMBL scanner; image processed & finished in Fkickr.
Los Osos Oaks State Natural Reserve, San Luis Obispo, CA
Ebony RW810, 300mm f/5.6 Rodenstock Apo-Sironar-N, Kodak Ektascan B/RA CRT X-Ray film, Processed in a unicolor drum, Pyrocat HD 1:1:100, Bronze toned in CS4
View large: farm3.staticflickr.com/2832/13280719683_c8a6843b8d_o.jpg
Zone VI Ultralight 4x5 (cropped to 1x1)
Caltar II-N MC 150mm 5.6
Yellow #12 filter
f/14 1/30
Ilford FP4+ (100)
Pyrocat-HD 1+1+100 20c 18 minutes, minimal agitation
Epson V850
Digital toning
Tip of the hat to Stephen Byard, whose agitation scheme for FP4+ in Pyrocat-HD I mimicked.
Strangely, the yellow filter did not really bring the sky down much at all.