View allAll Photos Tagged PyrocatHD
Original exposure and development:
8th May 2022, mid-afternoon
Chamonix 810V, Rodenstock APO-Sironar S 240mm f/5.6
Ilford FP4+ 10x8 @ 125
560mm bellows
3” f/5.6
510-Pyro 5:500, 10' 20ºC, Stearman SP810 tray
3x 30” tap water wash/stop
4min fix in Ilford Rapid Fixer (currently out of Alkaline fixer; may reinstitute 1min sodium sulphite hypoclear)
wash: 10 fill/dump 1l tap water, 10 agitations per litre
Ilfotol rinse
Print:
15th May 2022 / 22ºC / 52% RH
10x8 contact print from Ilford FP4+ negative on 14x11 Bergger Cot320
3ml Fotospeed argyrotype sensitiver, 1 drop of tween20 solution (mix of 1 drop and 5 drops distilled water)
Paper dried 4hrs20mins, no prehumidification
35mins daylight exposure, overcast/rain, 2.41pm
5mins wash in 1.5l distilled water with squeeze of lemon juice
5mins wash in 1.5l tap water
3mins fix in hypo
1hr final soak
Dried flat for 24hrs
Digitized with Nikon D800E/85PC-E, stitch of two shifted frames.
Photographed November 2018 / KW Praktiflex 35mm SLR (2nd generation M40 lens mount) with Carl Zeiss Jena 5cm/3.5 🔺T lens. Film was KENTMERE 400 bulk stock metered at ASA 200 developed in PYROCAT-HD (5ml A + 25ml B > 600ml, 7min 10secs, 20*C). Negative scanned to digital in a JUMBL scanner unit; image was processed & finished in Flickr. Cropped to 4:3 aspect.
4x5 Ilford FP4 Plus negative
Tachihara field camera
90mm Schneider Super Angulon lens
Epson V850 scanner
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Hasselblad 500 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on old Agfa Record-Rapid RRN 111
Two trays development:
Catechol
SE1 Sepia
Selenium 1+10 40s
Bleach 1+100 1min
MT3 50:120:900 45s
Viradon 3min
Rolleiflex 2.8C
Ilford FP4+
EI 160
Pyrocat-HD (1:1:100) @ 20° @ 21 min. w/ gentle inversions every 3 min.
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Foma 542 II
Catechol/SE1 Sepia
Toned in Carbon
From 'A Process of Reclamation' An ongoing series investigating Natures reclaiming of the Slate Quarries of the English Lake district.
Emerald Isle, NC
October, 2019
Ilford FP4+
PyrocatHD Semi Stand, 1.5:1:150, 48 mins
Canon New F-1
Canon FD 80-200mm f4L
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Speed Graphic with 7" Kodak Aero Ektar - Ilford FP4 developed in Pyrocat-HD.
Printed on Foma 133
Developed in Moersch SE2 Warm
Toned in Carbon / Viradon
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Photographed November 2018 / Rolleiflex Original model 614 (circa 1931) with Carl Zeiss Jena Tessar 7.5cm/3.8 lens. Film was ILFORD 3200 DELTA PRO metered at ASA 800 developed in PYROCAT-HD (sodium carbonate version...5ml A + 50ml B > 600ml, 8min @ 20*C). Negative was illuminated on a light panel and scanned with an iPad mini using FilmScanner app. The image was processed & finished in Flickr.Enlarged slightly from full frame.
@hakone, kanagawa, nov/2010
Hasselblad 503cx
Carl Zeiss T* Planar 80mm F2.8
Fuji 100 ACROS / Pyrocat-HD
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From archive..
My comments will delay...
have a nice weekend!
Original exposure details (and see previously posted scan):
25th April 2020 3:15pm
Chamonix 810V
Nikkor-W 300 f/5.6
Ilford FP4+ 8x10
760mm bellows extension, with extension board
(Working distance 550mm)
1min 20 seconds f/16
Stearman SP810 tray, Pyrocat HD 2:2:100, 12’, 21ºC
Acetic acid stop, TF-4 Fix, Hypoclear, wash, Ilfotol rinse
Print:
31st May 2020, afternoon
28ºC, relative humidity 45%
3ml Fotospeed Argyrotype sensitizer + 1 drop of let-down Tween 20, Bergger Cot320 11x14" paper.
Paper dried for approx 30 mins before exposure.
8'15" in full sun, Lotus 12x16" frame
5mins wash in 1.5l distilled water + squeeze lemon juice
5mins wash in 1.5l tap water
3mins wash in 2% hypo (4.5tbps to 1.5l tap water)
1 hour final soak (30mins face down, 30mins face up) in 3l tap water. Dried on clothes rack for a few hours, then dried for 2 days under boards (usually a week, but unseasonably hot weather!)
@kita-yatsugatake, nagano, feb/2013
Hasselblad 503cx
Carl Zeiss CF T* Planar 80mm F2.8
YA3
Kodak 400TMY-2 / Pyrocat-HD
--
しんきろう めざし
船は進む
幻の国へ
たどりつくため
墨絵の世界の
眠りを揺ぶるため
-- 墨絵の国へ / サディスティック・ミカ・バンド
# explored
.
05-Mar-2024 14:40
Ilford FP4+ rated @ EI 80
Developed in PyrocatHD (1+1+100) for 11 mins @ 20C
Pre-Wash : 6 mins
Inversions first 30 sec
2 Inversions every 30 sec
Two water Stop Baths of 1 min
Alkali Fixer - Clearing time 90 seconds
Fix time total : 3 Minutes
Initial Rinse to remove fixer : 1 minute
Inversion washes for 10 minutes, multiple water changes
Ilford Surfactant : 2 mins
Bronica SQAi + 80mm
Highlight = 14
Shadow = 10
Midpoint = 12
Filters : None
Final LV=12
1/8 sec @ f22
Photographed March 2018 / Canon L3 rangefinder & Canon LTM 50mm/1.2 lens. Kentmere 400 bulk film rated ASA 320 developed in PYROCAT-HD (5ml A + 25ml B > 600ml, 7mln @ 20*C). Negative scanned in a JUMBL scanner box unit, image processed & finished in Flickr.
Shot on Rollei Infrared film with Bronica ETRSi, Zenzanon 50 PE, Hoya R72. Developed in Pyrocat HD 1:1:100 for 14 minutes @ 20°C, presoaked for 2 minutes.
Re-edited inc. square crop
5th July 2019
Chamonix 810V
Nikkor-SW 150 f/8
Ilford FP4+ 8x10
8” f/32
A few degrees of front swing
N-2 development, BTZS tubes, Pyrocat HD 2:2:100, 5’40”, 22ºC
Acetic acid stop, TF-4 Fix, Hypoclear, 30min wash
Gold tone added to highlights in post.
@motosu-lake, yamanashi, may/2012
Hasselblad 503cx
Carl Zeiss CF T* Planar 80mm F2.8
Fuji 100 ACROS / Pyrocat-HD
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願はくは 花の下にて 春死なん、そのきさらぎの望月のころ
-- 西行
"Let me die in spring under the blossoming trees, let it be around that full moon of Kisaragi month."
-- Saigyo Hoshi (en.wikipedia.org/wiki/Saigy%C5%8D_H%C5%8Dshi)
.
... on a cold and rainy April morning.
Shot on Foma 100 film with Bronica ETRSi, Zenzanon 100 PE, no filter. Developed in Pyrocat HD 1:1:100 for 14 minutes, presoaked for 2 minutes.
Kirkjufell in Snæfellsnes, viewed from the west.
FP4+ in Pyrocat-HD. Mamiya 7II.
Fomabrom 111 in Moersch ECO.
Photographed November 2017 / Rollei B35 pocket viewfinder camera (Triotar 40mm/3.5). Rollei RPX 400 bulk stock rated ASA 320 developed in PYROCAT-HD (5ml A + 25ml B > 600ml, 7min 10secs, 20*C). Negative was scanned in a JUMBL scanner box; image processed & finished in Flickr.
One of my favorite places in all of the South to go visit is Savannah, GA. With each trip, I find myself concentrating more and more on the presence of those gorgeous live oaks so carefully preserved throughout it's downtown area.
One afternoon while Lauren was paying a visit to the Blick Art Materials, I took the 8x10 for an exploratory visit along Oglethorpe. Every few blocks, there's a new square with it's own personality and stunning live oaks. During this long exposure, I met a gentleman that worked as a health inspector. We chatted about film photography, and he gave me a short list of top-notch restaurants to visit.
Tachihara 8x10 Double Extension
Fujinon-W 250mm f/6.7
~5 min. @ f/64ish + front rise, tilt
Efke IR 820c + R72 filter
14 min. in Pyrocat HD 2:2:100
September 21, 2016
Leica iiif, Voigtlander 21mm f/4
Fomapan 100 in Pyrocat HD 1:1:100 12:00
Scanned w/ PrimeFilm XE, SilverFast8
Post process PS Elements, Silver Efex Pro
Cropped from 35mm negative
While we were visiting Maine, my partner surprised me with a ferry ride to Iselboro. There was about an hour wait for the ferry, so I had a great opportunity while waiting to photograph the area surrounding the dock which was in Lincolnville, ME
I've often gazed longingly out at this expanse of reeds and waterfowl, usually heading out to further locations on the point itself. This is about halfway through the rising tide, earlier and the little island is surrounded by mudflats decorated with bird tracks; later the little island disappears completely in the slow briny swell. It was early that morning as I waited for the light to rise, and a family of Coyotes joyously howled in the hills to the left making it feel wild and remote.
Last week I made an early morning trip to Rock House, in the Hocking Hills. This was the first time I'd been there during the cold season, and I'm so glad I made the trip. Conditions were about 30 degrees colder than I would have liked, but the light snow covering frozen to the trees was a highlight to the morning.
I made a video about the trip you can watch here:
Tachihara 8x10 Double Extension
Schneider Super Symmar-XL 150mm
8 sec. @ f/45 + front Rise
Ilford FP4+ @ ISO 64
Pyrocat HD 1.5:1.5:100
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Agfa Isola pinhole with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Oriental New Seagull G4
Two trays lith:
SE5 / D / E - Catechol / NH4Cl / G
Selenium toned
A field of spring flowers, as seen in near infrared spectrum. Shot with a red filter + polarizer to keep the Wood effect subdued, and the white flowers separate from grass.
Shot on Rollei Infrared film with Bronica ETRSi, Zenzanon 50 PE, Hoya 25A+linear polarizer. Developed in Pyrocat HD 1:1:100 for 14 minutes @ 20°C, presoaked for 2 minutes.
After a green Christmas and only a couple of days into an early January cold snap I didn't expect that much more than a thin crust of ice clinging to the Lake Erie shore. Instead I found ice hills taller than me extending 100 metres or so out from the usual shore line. I managed to follow the old concrete pier to get out far enough to include the slushy water in the composition, otherwise heading out onto the ice seemed too dangerous.
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Karlos 6x6 pinhole with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Agfa Portriga 118
Two trays lith development
Selenium toned
I guess one could say, conservatively that there are maybe 100,000 pictures a day taken of the Golden Gate. It's an icon, well placed, and even on the most blustery day, it stands as a metaphore for all that is good, strong, well designed and built.
In the presence of the bridge, 'she' somehow seems alive. The vehicle sounds clamor, rattle, and roar, echoeing across the "Gate", the mile wide span that seems preposterous to bridge. With her feet anchored on the bay bedrock and her head in the clouds of fog, misted and damp all the year long - there she majestically stands, strong and true.
Sure winter can be a pain, but look at the way it transformed the surface of this lake into a desert scene.