View allAll Photos Tagged PyrocatHD
Photographed November 2018 / Rolleiflex TLR 'original model' circa. 1931 with Carl Zeiss Jena Tessar 7.5cm/4.5 lens. Film was ILFORD 3200 DELTA PRO metered at ASA 800 developed in PYROCAT-HD ...sodium carbonate version (5ml A + 50ml B > 600ml, 8min @ 20*C). Negative was illuminated on a light panel and scanned with an iPad mini using the film scanner app. A medium grey zone V reference negative was used to obtain 'correct' scanning exposure. Image was processed and finished in Flickr. Image cropped very slightly from full frame.
Zone VI Ultralight 4x5
Caltar II-N MC 150mm 5.6, yellow #12 filter
f/32 1/2
Ilford FP4+ (100)
Pyrocat-HD 1+1+100 20c 18 minutes, minimal agitation
Epson V850
In Explore 6 May 24. Sincere thanks to all who view, fave, and/or comment.
09-Dec-2022 12:47 - Ilford Pan F @ EI 50
2 min pre wash @ 20C
Developed in PyrocatHD (A=2.5ml + B=2.5ml + Water=625mm)
Semi-stand - 35 mins (N) @ 20C
3 post dev water wash of 5 inversions @ 20C
John Finch Alkali Fix 1+4 : 4 mins @ 20C
5,5,10,15,20 inversion washes
Final Water bath with 2 drops of Ilfotol
Bronica SQAi + 150mm
Highlight = 12
Shadow = 9
Midpoint = 10
Filter : None
Final EV = 10
Reciprocity 2sec goes to 4 sec
4 sec @ f32
Pioneer Air Museum
Kingsbury Aerodrome
Kingsbury, TX
Chamonix 045N-2
Schneider Super Angulon 75mm f/8 @f/16
Fuji Acros 100
Pyrocat HD 1:1:100
Cropped to panorama
Swansboro, NC
October, 2019
Expired 2007 Ilford Delta 400 Pro @ ISO 125
PyrocatHD Semi Stand, 1.5:1:150, 48 mins
Canon New F-1
Canon FDn 50mm/f1.4
Canon EOS 1N-RS with Sigma 135mm f1.8 on 20 year expired bulk roll Pan F+
Developed in Pyrocat HD 2.5:2.5:500 72deg f, 30 min with 1 min agitation at start, then 30 sec at 10 and 20 min.
25-Oct-2022 12:30
Rollei IR400 ISO 400 rated @ EI 400
Ebony 45SU
Schneider Super Symmar XL110 f5.6
Rodenstock 150-S
4 mins prewash
Developed in Pyrocat HD 5 + 5 + 500 16 mins (N) @ 20C
Two water Stop Baths - 1 min each
Ilford Rapid Fixer (1+4) for 4 mins
10 mins washing
2 mins Ilfotol 1+ 500
Back Tilt : 2 deg back
Mid tone LV = 14
Highlight = 16
Shadow = 12
Filters : Red (-2.5)
Final LV=10
1/15 sec @ f24
Final digitised version
Print: 26th March 2022 / 22ºC / 43% RH
10x8 contact print from Ilford FP4+ negative, trimmed slightly, on 14x11 Bergger Cot320
3ml Fotospeed sensitiver, 1 drop of tween20 solution (mix of 1 drop and 5 drops distilled water)
Paper dried 1hr5mins, no prehumidification
8’30” daylight exposure in full sun, 1:35pm
5mins wash in 1.5l distilled water with squeeze of lemon juice
5mins wash in 1.5l tap water
3mins fix in hypo
1hr final soak
Original exposure:
2nd June 2021, 2.15pm
Chamonix 810V, Rodenstock Apo-Sironar S 240mm f/5.6
Ilford FP4+ 125 (EI 64) 10x8
400mm bellows extension
11” f/5.6, Lee #23A light red filter
Stearman Press SP810, Pyrocat HD 2:2:100, 8’53” for N, 21ºC
Acetic acid stop, TF4 Fix, Hypoclear
Digitised with Nikon D800E and 85PC-E tilt-shift, stitch of two frames.
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Hasselblad 500 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Oriental New Seagull 30x40
Lith development in Moersch SE5
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Hasselblad 500 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Orwo BN 118
Lith development in Champion Novolith
Siena/Bleach/Carbon
FP4+ negative developed in Pyrocat-HD. Mike Ware “new” cyanotype on Arches hot press watercolor paper.
I read somewhere that the new Cyanotype exhibited longer tonal range. That may be so - but so far I’m finding very low contrast / minimal range negatives are faring better. Could be I’m not nailing the exposure, and/or that I’m doing something wrong in the processing/clearing.
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In Explore, 2/20/25. Genuine thanks to all for the many views, faves, and comments.
It was amazing how often the sky kept changing this day. I took another exposure two minutes after this without moving the camera on the tripod and it looks completely different.
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Hasselblad 500 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Foma 532 Nature
Two trays development:
Catechol+FB
SE1 Sepia
Carbon / Thiourea
Waiting for my sushi to be prepared. This is Kits Sushi in the same building we live in. They do take-out as well as table service. Really handy too - about 20ft from the door to us. I am thinking of just having a basket and lowering - with note what I want. John would be happy to do it.
Bolehill Quarry, The Peak District, Derbyshire.
Linhof Technikardan S45
Schneider-Kreuznach Super-Symmar 5.6/110 XL
20mm front fall
1° front left swing
f32
2 seconds
Fuji Acros 100 (EI 50)
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in Pyrocat-HD 1:1:100 at 22 °C for 14 mins (minimal agitation) using a modified Paterson Orbital
Digitised using 16-shot pixel-shift capture
Toned
Best viewed fullscreen in the lightbox (Press L + F11)
Zone VI Ultralight 4x5
Caltar II-N MC 150mm 5.6
f/32 1/15
Ilford FP4+ (100)
Pyrocat HD 1+1+100 20c 18 minutes, minimal agitation
Epson V850
Photographed May 2020 / Canon AT-1 SLR 35mm film camera with Canon FD 24mm/2.8 Lens. Film was Kodak TRI-X (expired January 2002) metered ASA 200 developed in sodium carbonate version PYROCAT-HD with added glycin (5ml A + 50ml B + 0.100g glycin > 600ml, 6min 15sec, 20*C).
Photographed November 2017 : Canon FP with Canon Lens Mount Convertor 'P' & HELIOS-44, 58mm/2, early 13 blade 'silver' version. Rollei RPX 400 bulk stock rated ASA 320 developed in PYROCAT-HD (5ml A & 25ml B > 600ml, 7min,20*C). Negative scanned to SD card in JUMBL scanner; image processed & finished in Flickr.cropped to 4:3 ratio.
Photographed December 2017 / Rollei 35TE miniature 35mm film camera (Tessar 40mm/3.5). Rollei RPX 400 rated ASA 320 developed in Pyrocat-HD (5ml A + 25ml B > 600ml, 7min @ 20* C). Negative scanned to SD card with a JUMBL scanner, image processed & finished in Flickr. Cropped to 16:9.
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Hasselblad 500 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on 60's Agfa Brovira BEH 111 (6)
Lith development in LD20
Slightly toned in Selenium
From 'A Process of Reclamation' An ongoing series investigating Natures reclaiming of the Slate Quarries of the English Lake district.
On my way back from a business appointment in Indiana, I was driving along US-30 right near the OH/IN border and just had to find a place to stop and capture the one good thing amongst the boring flat land. If you've never been there before, there are 50+ wind turbines there, all positioned just right to catch the best of the wind even on a slightly windy day. They're also so far spaced apart that it's nearly impossible to tell from the highway at 70mph. >__<
Red filters and fast shutter speeds typically don't reside in the same sentence, but I did the best I could to "freeze" the turbines while gaining the most drama from the blue skies.
Eastman Commercial B 8x10
Goerz 14" Red Dot Artar f/9
1/100th @ f/32 + Red Filter
Ilford HP5+, N Development
Pyrocat HD 1:1:100
@kita-yatsugatake, nagano, feb/2013
Hasselblad 503cx
Carl Zeiss CF T* Planar 80mm F2.8
YA3
Kodak 400TMY-2 / Pyrocat-HD 1:1:150
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“Memories warm you up from the inside. But they also tear you apart.”
― Haruki Murakami, Kafka on the Shore
# explored
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It's been quite a while since there were holiday pictures in this household. As the Christmas Eve snow started to blanket the ground, I rounded up Lauren and the dogs for a quick studio portrait session. You can check out the behind the scenes here:
Sinar P2 8x10
Schneider Symmar 480mm f/8.4
1/125 @ f/22
TMAX 100 @ ISO 80
Kodak HC110 Dil. B
Broncolor Grafit @ 1600J
Broncolor Hazylight @ 2-oclock
Last few of my Test of 'CINESTILL XX Double-X' film in my 1978 HASSELBLAD 500C/M and results are now sharper since I got the Focus Screen seated properly.
Fort Macon
Bogue Banks, NC
July, 2017
Wista 45VX
Nikkor W 135mm f/5.6 at f/22
Arista EDU Ultra 100 (Fomapan) at ISO 50
Pyrocat HD 1:1:100, 11 min at 20C
Over exposed this one a bit. Reciprocity failure on Fomapan 100 is a bear to get right when adjusting exposure time!
Photographed December 2017 / Rollei 35 miniature 35mm viewfinder Film Camera with Schneider Kreuznach 40mm/3.5 lens. The film was Rollei RPX 400 metered ASA 320 developed in PYROCAT-HD.
This is perhaps a little more optimistic in feel than the real thing, but that's why I like it. 5" roll film (FP4) in a Roundshot camera. Developed in Pyrocat HD
4x5 Ilford HP5 Plus negative
Tachihara field camera
75mm Schneider Super Angulon lens
Epson V850 scanner
Photographed July 2017 / Kodak2C Autographic Jr. (1916-1924) with Bausch & Lomb Rapid Rectilinear lens. The film was FOMAPAN 400 120 roll film metered ASA 250 developed in PYROCAT-HD. The negative was illuminated on a light table and scanned with an iPad mini using the filmScanner app.
Photographed May 2024 / Olympus OM-1 35mm SLR film camera with w-Olympus 28mm/2 lens. The film was ILFORD PAN 400 bulk stock metered ASA 320 and developed in glycol version Pyrocat-HD using sodium carbonate as alkali. The negative was digitalised via a PENTAX k3 DSLR and the image rendered on an iPad 9th Generation using the Snapseed application: full frame scan of entire negative area without trimming.
Some mornings shooting landscapes are more productive than others. There will be times where you put in all your hard work, show up, and there's just nothing waiting for you on the other side of the camera. Other times, you'll feel like you're walking onto a set, and all you have to do is press the shutter release. On a dreary morning earlier this past May, the latter happened.
My film shooting buddy Matt Gagle and I took a trip down to Hocking Hills, only to be poured on for about three hours. When the rain settled for a bit, we made our way from Old Man's Cave to Cedar Falls. Matt saw some excellent light filtering in, and we both bee-lined for the shot.
Tachihara 8x10 Double Extension
Schneider Symmar-S 360mm
~4 sec. @ f/8ish
Ilford HP5+ @ ASA 200
14 min. in Pyrocat HD 1:1.5:100