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We are working on a photobooth for our 5 year celebration party.
We are using Arduino, OpenFrameworks and the Canon DSLR SDK to trigger a 500D - the images will be distributed through an Apache server and picked up by some Flash applications running on a LCD screen and a projector...
working on the new OF release.
adding normals to the outlined boxes so they render properly with lighting.
Platform: Open Source Code (Pure Data, openFrameworks, other) and Arduino
Date Work Completed: May 7, 2016
Principal Production Credits: Grayson Earle
Relationship: Created in the 2016 Micro-Residency, a team led by artist Grayson Earle created W.U.R.M., an immersive video game experience that used entirely open source code and Arduino. The piece premiered for a New York audience during Creative Tech Week, and will tour to future locations. In addition, plans are underway to hold international and/or multi-location W.U.R.M. events with the players in different cities, states, or countries.
working on simultaneous gamma and color calibration of a dual projector system using an uncalibrated camera
Ascenders & Descenders is a typographic reinterpretation of Merce Cunningham's dancing hands as recorded by OpenEnded Group for the Loops project. The piece cannot exist without the feeble words that huff and puff to make sense of Merce's work. It is, in a sense, a Cunningham dance work reconstructed from textual deconstructions of other Cunningham dance works. Each finger has an associated excerpt from an article, review, or essay on Cunningham from the last five decades. These texts become the ink with which each finger manifests its movements. Each text is dynamically typeset in three dimensional space along the curves traced by his fingertips.
I got OpenCV working with my particle painting program in open frameworks. Still a work in progress.
Ascenders & Descenders is a typographic reinterpretation of Merce Cunningham's dancing hands as recorded by OpenEnded Group for the Loops project. The piece cannot exist without the feeble words that huff and puff to make sense of Merce's work. It is, in a sense, a Cunningham dance work reconstructed from textual deconstructions of other Cunningham dance works. Each finger has an associated excerpt from an article, review, or essay on Cunningham from the last five decades. These texts become the ink with which each finger manifests its movements. Each text is dynamically typeset in three dimensional space along the curves traced by his fingertips.