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A play on the game "pin the tail on the donkey"... with robots! The robots move around and you have to "pin" the eyes on the robot.
My first go around with openFrameworks!
the openFrameworks team made it stupid easy to plug and play a kinect. Can't wait to keep messing around.
The three artworks are Masks from Joel Gethin Lewis, which augments and adds to captured video of a viewer, using generative Baroque art inspired masks. Delicate Boundaries from Chris Sugrue which imagines a space in which the worlds inside our digital devices can move into the physical world. Small bugs made of light, crawl out of the computer screen onto the human bodies that make contact with them. Body Paint from Mehmet (Memo) Atken which explores how whole bodies can be used as brushes with which to paint a virtual canvas, using camera and projection technology.
first fm scan. only 256 images, fairly small frequency range. this is the resulting frequency image, a corollary to the usual phase image. which is one step before generating the disparity.
here i'm using a dft to determine the frequency of each pixel.
using mirrors to turn a single kinect into 5 kinects, scanning all sides of an object simultaneously.
Ascenders & Descenders is a typographic reinterpretation of Merce Cunningham's dancing hands as recorded by OpenEnded Group for the Loops project. The piece cannot exist without the feeble words that huff and puff to make sense of Merce's work. It is, in a sense, a Cunningham dance work reconstructed from textual deconstructions of other Cunningham dance works. Each finger has an associated excerpt from an article, review, or essay on Cunningham from the last five decades. These texts become the ink with which each finger manifests its movements. Each text is dynamically typeset in three dimensional space along the curves traced by his fingertips.