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Travelogue of me and my wife's honeymoon trip to Switzerland. We covered mainly the southern, southwestern and central switzerland. The experience was breathtaking with each alpine scenery taking our breath away.
Shots taken on day 7 for one of the most impressive highlights along this vacation. We head up to Jungfraujoch and took a glacier hike to Monchsjochhutte. An ardous 1.5hour hike to the hut but the views there together with a superb lunch made our day. Ice/Snow and fun filled afternoon. Memories at this Top of Europe were what we will remember for years to come.
Capturing some reflections of the Alps in the glass panels.
The Acropolis of Athens is an ancient citadel located on a rocky outcrop above the city of Athens and contains the remains of several ancient buildings of great architectural and historical significance, the most famous being the Parthenon. The word acropolis is from the Greek words ἄκρον (akron, "highest point, extremity") and πόλις (polis, "city"). The term acropolis is generic and there are many other acropoleis in Greece. During ancient times the Acropolis of Athens was known also more properly as Cecropia, after the legendary serpent-man, Cecrops, the supposed first Athenian king.
First Day of classes on the campus of Eastern Illinois University in Charleston, Illinois on August 25, 2025. (FSL)
The Lackawanna Valley, c. 1856
George Inness
West Building, Main Floor — Gallery 64
The Lackawanna Valley in northeastern Pennsylvania was home to the Lenni-Lenape peoples for centuries before the arrival of Europeans.
The word Lackawanna comes from a Lenape term meaning “stream that forks,” which describes the Lackawanna River. The dark, jagged tree stumps in this image by George Inness reveal that the area, once densely wooded, was cleared to make way for industry. He painted this for the Delaware, Lackawanna and Western Railroad Company to advertise a rail network that would link Pennsylvania coal mines with new markets.
Inness shows the train moving across a new bridge and track through a landscape altered by development. In contrast, works by Hudson River School artists celebrate seemingly unspoiled American wilderness.
We look across and down into a valley with a person sitting near a tall tree and a train puffing smoke beyond, all enclosed by a band of mountains in the distance in this horizontal landscape painting. Closest to us, several broken, jagged tree stumps are spaced across the painting’s width. A little distance away and to our left, the person wears a yellow, broad-brimmed hat, red vest, and gray pants. He reclines propped on his left elbow near a walking path beside a tall, slender tree with golden leaves. The green meadow stretching in front of him is dotted with tree stumps cut close to the ground. Beyond the meadow, puffs of white smoke trail behind a long steam locomotive that crosses a bridge spanning a tree-filled ravine, headed to our left. The ravine creates a diagonal line across the canvas, moving subtly away from us to our left. The train has climbed out of the valley, away from a cluster of brick-red buildings. The most prominent structure is a train roundhouse, a large building with a high, domed roof to the right of the tracks. Smoke rises from chimneys on long, warehouse-like buildings, and a steeple and smaller structures suggest a church and homes to our left. Hazy in the distance, a row of mountains lines the horizon, which comes about halfway up the composition. The sky above deepens from pale, shell pink over the mountains to watery, pale blue above. The artist signed the work in tiny letters in the lower left corner: “G. Inness.”
Rather than celebrating nature in the tradition of the Hudson River School, George Inness' Lackawanna Valley seems to commemorate the onset of America's industrial age. While documenting the achievements of the Delaware, Lackawanna, and Western Railroad, Inness has also created a topographically convincing view of Scranton, Pennsylvania. The artist took relatively few liberties with his composition, but in compliance with the wishes of his corporate patron, he intentionally exaggerated the prominence of the railroad's yet-to-be-completed roundhouse. His inclusion of numerous tree stumps in the picture's foreground, although accurate, lends an important note of ambiguity to the work.
Whether it is read as an enthusiastic affirmation of technology or as a belated lament for a rapidly vanishing wilderness, this painting exemplifies a crucial philosophical dilemma that confronted many Americans in the 1850s; expansion inevitably necessitated the widespread destruction of unspoiled nature, itself a still-powerful symbol of the nation's greatness. Although it was initially commissioned as an homage to the machine, Inness' Lackawanna Valley nevertheless serves as a poignant pictorial reminder of the ephemeral nature of the American Dream.
More information on this painting can be found in the Gallery publication American Paintings of the Nineteenth Century, Part I, pages 350-354, which is available as a free PDF.
Born in Newburgh, New York, in 1825, George Inness was raised in New York City and Newark, New Jersey. His early life was disrupted by severe illness, and he had as a result little formal academic or artistic education. In Newark, he studied with the itinerant painter John Jesse Barker, and in New York, probably in 1843, with the French-born landscape painter, Régis François Gignoux. Inness visited Italy in 1850. In 1853 he visited France, where he studied French Barbizon landscape painting, admiring especially the work of the most radical of the Barbizon artists, Théodore Rousseau. This was, in the influence on his style, the most decisive experience of Inness' artistic life. In the early 1860s Inness moved from New York to Medfield, Massachusetts. In 1864, he moved to Eagleswood, New Jersey. At Eagleswood he was introduced to the teaching of Emanuel Swedenborg. It became his religious faith, and determined, too, the increasingly allusive, expressive, and almost mystical character of his later art.
Inness lived in Italy from 1870 to 1874 and in France briefly in 1875, when he returned to America. In 1876 he settled in Montclair, New Jersey. He lived in Montclair for the rest of his life, but traveled widely, often for the sake of his health, to Niagara Falls, Virginia, California, and Tarpon Springs, Florida.
He died on a trip to Scotland in 1894.
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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The Spirit of the Old Gold and Black was the feature band at a Band Competition at Bassett High School in Bassett, Virginia.
Premier Ford joined the Lieutenant Governor of Ontario, Honourable Elizabeth Dowdeswell, Minister of Citizenship and Multiculturalism, Michael Ford, Secretary of the Cabinet, Michelle DiEmanuele, and Speaker Ted Arnott for a flag raising ceremony and 21-gun salute to celebrate the coronation of His Majesty King Charles III and Her Majesty the Queen at Queen's Park.
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Le premier ministre Ford s’est joint à la lieutenante-gouverneure de l’Ontario, l’honorable Elizabeth Dowdeswell, ministre de la Citoyenneté et du Multiculturalisme, Michael Ford, secrétaire du Cabinet, Michelle DiEmanuele, et au président Ted Arnott pour une cérémonie de lever du drapeau et une salve de 21 coups de canon pour célébrer le couronnement de Sa Majesté le roi Charles III et de Sa Majesté la reine à Queen’s Park.
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This official Ontario Government photograph is being made available only for publication by news organizations and/or for personal use by the subject(s) of the photograph. The photograph may not be manipulated in any way.
© King's Printer for Ontario, 2023
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Cette photographie officielle du Gouvernement de l’Ontario n'est disponible que pour la publication par les organismes de nouvelles ou l'impression, pour un usage personnel, par le ou les sujets de la photographie. Interdiction formelle de manipuler la photographie
© Imprimeur du Roi pour l'Ontario, 2023
Ruth Proctor's Weight of Air consists of two parts installed at Ham House and Garden. Inflatable sculptures fill the porticoes at the front of the house, while circular diagrams are added to the plats at the rear.
Find out more about Garden of Reason on our blog: gardenofreason.tumblr.com
Or follow us on Twitter @GardenofReason
Numen / For Use, Tape Florence,
30.04.2011 - 20.05.2011
making of - installation in the courtyard of Palazzo Strozzi, Firenze.
photo: Martino Margheri
Nehemiah 2:9 (ANIV)
So I went to the governors of Trans-Euphrates and gave them the king's letters. The king had also sent army officers and cavalry with me.
DRAWING NOTES:
TIME OF DAY:
Unspecified in the Bible narrative. I have set this scene at mid day.
LIGHTING NOTES:
The sun (high in the sky) illuminates this scene, casting shadows below and behind Figures and objects.
CHARACTERS PRESENT:
From left to right (foreground): 3 cavalrymen on (2 on horseback, 1 standing by his horse beckoning his fellows in through the gate), Nehemiah, the governor of this particular fort/town, a little man in green (the governor’s aide) & two soldier bodyguards with spears, escorting the governor.
In the background, 2 soldiers on the wall, 1 angry looking soldier walking up some stairs towards the others.
RESEARCH/ADDITIONAL NOTES:
In this picture we can see Nehemiah handing over a letter to a governor of the Trans-Euphrates region of the Persian empire. Notice that the cross-looking horse behind him is nudging Nehemiah with its nose to encourage him to hand the letter over!
Nehemiah's first mission to Jerusalem took place between 445 and 443 B.C. (13 years after Ezra) which was in the middle of the Achaemenid era (c. 550 – 330 B.C. ) of Persian history, founded by Cyrus the Great.
The Achaemenid era is also known as the Persian empire; based in modern-day Iran, it was the largest empire by that point in history, spanning a total of 2.1 million square miles (5.5 million square kilometres).
Notice that I had originally intended to show Nehemiah meeting the governor at the city gate, with some of the city walls behind the figures. Many more cavalrymen featured in this version of the scene also. In the end I decided that a scene inside the walled city was more likely... after all, I can’t imagine an important man like a governor going out his own city gates to meet Nehemiah on the road!
I did some research to find out about ancient Persian costume & discovered that soldiers seem to have worn quite brightly coloured clothing. The images I have seen show soldiers in padded tunics (which would offer some protection to them in battle). They wore trousers that look very similar to those we wear today. Being a nation who relied on horseback riding, almost all Persians seem to have preferred wearing trousers, which enabled riding so much more easily than if they wore longer robes. Persian shoes seem to have a pointed, upturned tip.
I decided that the governor might wear more elaborate clothing, of brighter colour, and opted for him to wear a yellow tunic top, the colour of which is also reflected in the spear pennants of his body guards. In ancient times, people’s wealth, position and status was often demonstrated in the clothing that they wore, so clearly this important man would be “dressed to impress”! [1]
An article (see link below) on Wikipedia can identify and name some of the clothing worn in Persia.
en.wikipedia.org/wiki/Persian_clothing
The Persians rode horses, covering them with an ornate saddle blanket, as shown in my drawing. Interestingly, the Persian cavalrymen at this time would have ridden without stirrups (as shown in my drawing), since these items had not yet been invented. [2]
Notice that Nehemiah is handing over king Artaxerxes I’s letter to the governor. At this time in history, letters would not have been made of paper [3] , but typically would have been clay tablets, inscribed by stylus, and then baked to preserve the writing as a permanent record. This particular letter (in Nehemiah’s hand) has a wooden surround, overlaid with purple silk, complete with the king’s gold seal of authority.
The title "Governor of Trans-Euphrates" refers to a provincial official in the Persian Empire, responsible for overseeing the region west of the Euphrates River. This area, known as "Beyond the River" in some translations, included territories such as Judah, Samaria, and other neighboring regions. The role of the governor was crucial in maintaining Persian control and implementing imperial policies in these territories.
The position of Governor of Trans-Euphrates is mentioned in several books of the Bible, particularly in the context of the post-exilic period when the Jewish people were returning from Babylonian captivity to rebuild Jerusalem and the Temple. One notable governor mentioned in the Bible is Tattenai, who appears in the Book of Ezra.
Historical Context
The Persian Empire, under rulers such as Cyrus the Great and Darius I, was known for its administrative efficiency and tolerance of local customs and religions. The empire was divided into several satrapies or provinces, each governed by a satrap or governor. The Governor of Trans-Euphrates was responsible for collecting taxes, maintaining order, and ensuring loyalty to the Persian king.
The position required balancing the interests of the local populations with the demands of the empire. Governors like Tattenai had to navigate complex political and social dynamics, as they dealt with diverse groups, including the returning Jewish exiles, Samaritans, and other local inhabitants.
[Source: biblehub.com/topical/g/governor_of_trans-euphrates.htm]
[1]
An interesting article on Achaemenid era (c. 550 – 330 B.C.) clothing can be read here:
www.craftestan.co.uk/persian-luxury-clothing-in-the-ancie...
[2]
“Saddles were first developed and created as early as around 800 B.C.. The earliest saddles were probably little more than pads placed on the backs of horses, but over time, they evolved into more complex pieces of tack. The first effective stirrup most likely appeared about 1,000 years later, around 200-300 A.D. It is believed that the stirrup was invented in Asia, though the exact location is unknown. No one really recognizes who produced the stirrup or even where the inventor lives in Asia. The stirrup was a game-changer for riding, as it allowed riders to stay on their horses even during fast movements or rough terrain.”
[Source: www.cavaletticollection.co.uk/news/post/a-brief-history-o...]
[3]
The birth of paper, as we know it today, took place under the Chinese Han Dynasty in AD 105. Ts'ai Lun, a court official, invented a papermaking process which primarily used rags (textile waste) as the raw material with which to make paper.
[Source: www.cepi.org/ad-105-china-birthplace-of-paper/]
Why not visit my website & see all the cartoons there? www.biblecartoons.co.uk
Underwater Odyssey snorkeling sea tour in Pattaya 16 December 2024
One of the best for observing the tropical underwater world, guided snorkeling tour from Pattaya City to Samae Sarn National Park. In the first half of the day there will be a speed boat trip with snorkeling near a group of uninhabited islands, where Nemo fish and sea turtles live. And secondary, after a delicious lunch - time to relax at Hat Nang Ram, the beach in Sattahip. Snorkeling equipment, meal and transfer are provided.
Details and reservation online: thai-online.tours
Instant reservation: +66-838-383-539
WhatsApp: +66-838-383-539
Viber: +66-838-383-539
Telegram: @thaionlinetours
E-mail info@thai-online.org
Read in Russian language: thai-online.org/
Around the world excursions and guided tours: www.7stars-tours.com. Use the link to search best deals and online reservations with the lowest prices!
ALL THINGS TO DO IN PATTAYA
All the best, newest, popular and not expensive excursions in Pattaya - on our THAI-ONLINE website. Can read and download the price with all of our proposals.
Reserve excursions in Pattaya online +668-3838-3539
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Religious tour, Sak Yant tattoos
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Exclusive overnight excursions
Package tours to Thailand and not only
TOURIST OFFERS IN OTHER COUNTRIES:
“Cuatro años de lucha por un contrato justo”: Sakuma Brothers Farms workers of Familias Unidas por la Justicia march for a fair labor contract and against exploitation and abuse: Burlington, Washington, Monday, July 11, 2016.
Sign reads: An injury to one, an injury to all.
Industrial Workers of the World.
Whatcom--Skagit. One Big Union.
Sign reads: Campesino power.
On October 25, the annual Spirit of Life Gala took over the Hyatt Regency in Huntington Beach, CA to honor an incredible philanthropist and industry leader, Adrian Foley. Through his tireless efforts to raise funds for City of Hope, along with that of his incredible team of lieutenants, he has had a direct hand in moving research forward, and improving treatment for the patients afflicted by cancer and other life-threatening illnesses throughout the world.
The cornerstone was laid in 1892, the year Ellis Island opened. The Founders built the seven Chapels of the Tongues to commemorate the major immigrant groups that were pouring into the building and the city. The cathedral hosts people of all faiths; i.e., Priests, Rabbis, Monks and Imams share the pulpit.
During the Blessing of the Bicycles, hundreds of cyclists, including bike messengers, wheel into the Great Crossing. Animals, including camels, are blessed at the Feast of St. Francis
DSCF5387-2
The coffin of Bakenmut is one of the finest examples of painted wooden coffins made for the priests of Amen and their families at Thebes during Dynasty 21 and early Dynasty 22. The pharaohs of this time were no longer buried in the Valley of the Kings, but instead built tombs in the Delta, far to the north, where they resided. Security was lax in the Theban necropolis. The coffins and funerary goods of the wealthy citizens of Thebes were placed in unmarked and undecorated family tombs cut into the cliffs on the west bank of the Nile. All the care and detail that in more prosperous times were devoted to the decoration of the tomb chapel were now lavished on the elaborately painted coffins. Every available surface is crowded with religious scenes, images of funerary gods and goddesses, protective spells, and magical symbols. The deceased appears mummiform. An elaborate floral collar entirely covers the upper body, exposing only the separately attached hands (now lost). A pair of red "mummy braces" are crossed over the chest, their point of intersection marked by a winged sun disk. The lower body is covered with tiny figures modeled in gesso against a yellow background, which gives the effect of gold inlaid with glass or semiprecious stone. The decoration on the interior features two deified dead kings of Dynasty 18. Although these rulers had lived centuries before, memory of their greatness was still very much alive. The main scene near the top depicts Tuthmosis III, the great military pharaoh, who lived 500 years before Bakenmut. Posed as a mummy, the ruler wears a brilliant feathered garment enfolding him with falcon’s wings. The scene below features back-to-back seated images of Amenhotep I, regarded as the patron of the Theban cemetery and worshiped as a local god there.
Egypt, Thebes, Third Intermediate (1069–715 BCE), Dynasties 21–22
gessoed and painted sycamore fig
Overall: 68 cm (26 3/4 in.)
Did you know...
Originally another smaller coffin was placed inside this outer coffin and in that the deceased with a mummy board would have rested.
Gift of the John Huntington Art and Polytechnic Trust
Scenes from the United Nations Observance of the International Day for the Elimination of Violence against Women held on Wednesday, 22 November 2023, 10:00 am – 11:30 am (EST) at the ECOSOC Chamber, at the United Nations Headquarters in New York.
The 16 Days of Activism against Gender-Based Violence is an annual campaign that begins on 25 November, the International Day for the Elimination of Violence against Women and ends on International Human Rights Day on 10 December.
Led by civil society, the campaign is supported by the United Nations through the Secretary General’s UNiTE by 2030 to End Violence against Women initiative.
The global theme of this year’s 16 Days of Activism against Gender-based Violence is “UNITE! Invest to prevent violence against women and girls” which emphasizes the need for funding prevention strategies to proactively stop gender-based violence.
The theme further aligns with the 2024 priority theme of the Commission on the Status of Women, which is "Accelerating Gender Equality and Empowerment of Women and Girls" by addressing poverty, strengthening institutions, and incorporating a gender perspective into financing.
Read More: www.unwomen.org/en/news-stories/in-focus/2023/11/in-focus...
Photo: UN Women/Ryan Brown
Group Pictures of Christmas Party 2018 at PNHS Baclaran "IMG_7456"; 1/50 sec at f/6.3, ISO 400, Manual, 0 EV, Pattern Metering, 18 mm Focal Length, flash fired, 5 Star/s Rating; Shot at Parañaque National High School - Baclaran, Rimas Street, Dimasalang Extension, Baclaran, Parañaque, Metro Manila. (14°31'50" N 120°59'56" E, 13.1 ft); Taken Last December 14, 2018 10:04:06 AM; Uploaded on December 18, 2018 1:40:58 AM; Photo by Glendale Lapastora. All Rights Reserved.
Karen and Terry were tonight’s only two council members to show up to a hastily put together meeting in the Tannahill centre to view the latest “Making Of Ferguslie Park” green regeneration project still under consideration.
Along with two labour mps and two council members who presented the project that should spans from the top to the bottom of Ferguslie park, will need allot of funding as well as luck when bids are put forward.
There was also talk about opening up the old burn that once run round the two sides of Craigalea School and under the old railway through the Inkerman fields. This idea was brought forward to reduce the flooding Blackstoun road has seen over the years.
All in all things moved well but as Karen said, Ill be dead before all of this is complete… Let`s hope not 😉 #
March 16th 2023
defiantpose@talktalk.net
I love the way the morning sun glistens on the grasses - it is especially beautiful when there is a slight breeze.
Photos of The 2009 Penn Relay Carnival
-- egad apparel