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A beautiful historic Scottish Fishing bay dating back to the 1700's, under duress due to problems between the "Owner" and local fishermen who have utilised this historic harbour as they and their fore fathers have done for hundreds of years .
I revisited today Tuesday 27th August 2019 , I was disappointed to see concrete barriers blocking access to cars and fishing boats , sad circumstances indeed , though I still managed to capture as much of the bays charm a I could , its ongoing battle and new concrete blocks preventing access made me feel unhappy and sad, any ways I have pasted some of my previous comments and news items reference this pathetic situation below for your perusal, I am on the side of the fishermen , its a sad tale indeed.
Check my previous posts in my Cove Bay folder for photos of the harbour in its glory days that I have taken over the years before this nonsense raised its ugly head.
Previous Posts
I love this bay, its a beautiful tranquil place, however after reading news reports on a court judgement 13/7/2018 forcing the fisher men to remove their boats within 28 days it saddened me, hence I made a trip today Friday 13th July 2018 to capture the views and scenery before this unpopular ruling is implemented, what a sad situation indeed, I have included the news report on the legal wrangle at the end of this description.
Cove is a 20 minute drive from my home in Aberdeen Scotland, it was a pleasure to visit today and capture the tranquility that it presented.
Scattered across the harbour are stones with various sealife characters carved into them.
Cove Bay is a suburb on the south-east edge of Aberdeen, Scotland.
Today Cove is home to over 7000 people. It is a popular residential location owing to its extremely village-like status.
It is a quiet suburb just at the edge of the City and in 2015 won the Silver award for Scotland in bloom. Nearby Altens and Tullos Industrial Estates, affording ample employment opportunities.
History
Cove Bay is situated to the east of the ancient Causey Mounth, which road was built on high ground to make passable this only available medieval route from coastal points south from Stonehaven to Aberdeen.
This ancient trackway specifically connected the River Dee crossing (where the Bridge of Dee is located) via Portlethen Moss, Muchalls Castle and Stonehaven to the south.
The route was that taken by William Keith, 7th Earl Marischal and the Marquess of Montrose, who led a Covenanter army of 9000 men in the battle of the Civil War in 1639.
Cove Bay was a village in the extreme north-east corner of Kincardine, governed from Stonehaven, until 1975, when it was added to the City of Aberdeen. Though simply referred to as Cove, in the 19th and early 20th centuries it was known as The Cove, becoming Cove Bay around 1912.
Industry
Cove has been noted for industries such as granite, which was quarried in several locations to the south of the village. Owing to its close-grained texture, Cove granite was one of the hardest in north-east Scotland and proved highly resistant to frost, making it ideal for causeway stones used in the construction of roads. It was widely exported to cities in England, including Billingsgate Market in London.
Fishing
The village itself sprung up around the fishing industry, with the boats berthed on a shingle beach, a gap in the rocks that afforded a natural harbour. During this time, it is estimated that approximately 300 people lived in the area. In the mid 19th century the fishing was at its height, which, over years, has included cod, haddock, salmon, herring and shellfish. The piers and breakwater were constructed in 1878. At the end of World War I the fishing began to decline. At present only a couple of boats pursue shellfish on a part-time basis.
Between 1894 and 1937, Cove also housed a fishmeal factory, the Aberdeen Fish Meal Factory, which was located at the edge of the cliffs. It produced quality manure which was exported to both Europe and America. It became locally known as "the stinker" because of the processing odour, which was highlighted by the Aberdeen entertainer Harry Gordon in a parody entitled A Song of Cove.
Amenities
Retail
Cove has just had a brand new Co-operative built just off of Earnshugh Circle.
To the west of Loirston Road is the Cove Shopping Centre, which overlooks Loirston Primary School. This houses a pharmacist, the Wee China Chinese takeaway/Chip shop, Ruby Tuesdays beauty salon and the Harr Rock cafe (Cove's second).
Within the new development of cove a local Sainsbury's has opened. There is also the Harr Rock Cafe (the first one), a hairdressers and a gift shop within the new development.
There are also 2 RS McColl newsagents. One located at Bervie Brow in Altens, and a second located on the corner of Loirston Road and Cove Road which also houses a Post Office.
Hospitality
The Cove Bay hotel is located on Colsea Road. There is also The Aberdeen Altens Hotel in Altens, which has 216 bedrooms, making it the largest of the three Thistle Hotels in Aberdeen.
There is also a pub, the Langdykes which now has an Indian restaurant situated inside called The Curry lounge which you can sit in or take away.
Transport
Bus services to and from Cove and the wider area of Aberdeen are available. These are run by First Aberdeen with the numbers 3 (to Mastrick) and the 18 to Dyce, via Kincorth. Stagecoach also cover cove partially, with numbers 7A & 8 (Both to the City Centre).
Healthcare
Cove Bay has its own medical centre, the Cove Bay Medical Centre. It was originally located on Catto Walk, but moved to a new facility off Earns Hugh Road. Cove Dental Care has since moved into the old surgery building.
Sport
Cove is currently home to two football teams: Cove Rangers, who currently play in the Highland Football League, they temporarily play in Harlow Park, Inverurie, as their old home Allan park was demolished to make way for housing. Cove Thistle, who hold amateur status. Sunday amateur team Cove Revolution folded in 2010.
There are also many youth teams in the area that are run by Cove Youth FC. The Cove Youth FC area SFA credited community club, organizing players from 6 years old up to 19 years old. They also have a girls section. The Cove Community Football Trust is run by Cove Rangers FC, Cove Thistle FC and Cove Youth FC.
Other Amenities
A state-of-the-art library was recently built between Loirston Primary School and the Cove Shopping Centre. There are blueprints for a local sports centre to also be built in the near future.
Education
Cove has two primary schools, Charleston Primary School and Loirston Primary School. Most secondary pupils attend the nearby Kincorth Academy, but some choose to go to Portlethen Academy.
Future Developments
Aberdeen Gateway[edit]
Construction on a new Aberdeen Gateway industrial development began in 2008. It will see new offices and industrial units built to the south of the village. Current tenants at the site include National Oilwell Varco (NOV), Driving Standards Agency and Hydrasun. A Community football pitch is also inlcluded within the development.
Cove Academy
Plans for a secondary school in Cove have now been approved and will be situated alongside Wellington Road. It is thought that once this is built pupils from Cove, Torry as well as Kincorth will attend this school.
The Legal Wrangle - Landowner V Fishermen - Judgement 13/7/18
Fishermen told to move boats from Cove Bay after legal dispute
Fishermen have been told to move their boats from an Aberdeen bay after a long-running dispute.
Several fishermen were fighting an eviction order on behalf of landowner Pralhad Kolhe at Cove Bay, where they had been fishing for many years.
In a written judgement, a sheriff has given them 28 days to move their boats and equipment from Mr Kolhe's land.
However, Sheriff Andrew Miller also ordered the removal of obstructions to vehicular access onto the pier.
The case was heard at Aberdeen Sheriff Court earlier this year.
One of the fisherman, Jim Adam, told a court he was "stunned" to receive a legal letter telling him to remove his boat.
He had been fishing from Cove Bay since 1966.
'We were hopeful'
The first day of the hearing heard the letter said the landowner, who lives in a house overlooking the harbour, was unable to make use of his land for amenity purposes and that he did not wish Mr Adam's vessel, or any other vessel, on his land.
In the ruling, Sheriff Miller also gave Mr Kolhe 28 days to remove the obstructions to vehicle access to the pier.
Mr Adam told BBC Scotland: "We are disappointed, we were hopeful.
"The good news is at least for the recreational folks they have got vehicle access."
News Report From P&J Aberdeen
A campaign group could use new powers to try to buy the land at the centre of a long-running dispute over access to Cove Harbour.
Councillors in Aberdeen agreed yesterday to investigate using the purchase powers contained in the Community Empowerment Scotland Act 2015 to finally resolve the stand-off.
The proposal was backed after Jim Adam, chairman of the Cove Fishermen Association, delivered an emotional plea to Aberdeen City Council’s petitions committee yesterday.
He outlined the group’s ongoing disagreement with the landowner, Pralhad Kohle, over vehicle access to the harbour-side.
Mr Adam highlighted the historical use of the harbour since the 1700s for fishing boats and recreational users, showing members photographs as evidence.
He also said the denial of emergency access to the harbour would create safety issues, and spoke of a strong community spirit in the village.
Cove Councillor Neil Cooney stated: “Boats have been fishing out of Cove since mediaeval times; we need to retain that heritage.”
Committee convener Alan Donnelly said: “You would think, with 11,000 signatures, that the owner would take it seriously and come along.”
He added: “We are moving today that the council refers the petition to the landowner, with the hope that they can come to an amicable solution.
“And request a report to the communities, housing and infrastructure committee to investigate the viability of the community to use the new Community Empowerment Scotland Act 2015 to purchase the land.”
Speaking afterwards Mr Adam said: “We are very encouraged by the support from the council. It’s very positive and has opened up a number of avenues, but we would like there to be an amicable solution.
“The Community Empowerment Act is a very useful tool, but it would be a last resort.”
Mr Kohle, who was not in attendance, owns a house overlooking the bay and some of the land at the harbour below.
Scotland’s First Minister has pledged to investigate the “suffering” faced by the Cove Harbour fishing community as a result of a devastating fire and a dispute with the landlord.
The first minister promised action after being warned the Scottish Government risked ignoring a group whose livelihoods had been threatened by recent events.
Ms Sturgeon said the government wanted “to do everything we possibly can” to help communities faced with difficulties after the Cove Harbour situation was raised with her.
In January, thousands of pounds worth of damage was caused when a fire, thought to be deliberate, destroyed five vessels, boating equipment, a shed and fishing gear.
The community has also been involved in a long-running battle with landowner Pralhad Kolhe, a plastic surgeon who had sought to evict the fishermen’s fleet of traditional vessels from the part of the harbour he owns.
The Cove Fisherman’s Association had a four-year legal battle with Mr Kolhe, and lost their fight to dock their small fleet of traditional vessels at a particular part of Cove Harbour last year.
Last August the remaining vessels at the site were finally moved from Mr Kolhe’s land to a small corner of the harbour. The judgement said access to the pier for walkers and vehicles should be maintained.
After January’s fire, North East MSP Liam Kerr wrote to Rural Economy Secretary Fergus Ewing asking for support for the fishermen.
Mr Ewing replied say he was “very saddened” by the disaster but financial support would be “limited”.
Yesterday Mr Kerr raised Cove Harbour with Ms Sturgeon in the Scottish Parliament.
Mr Kerr told the first minister the Cove Harbour fishing community was “suffering” and faced “significant” legal costs.
The Tory MSP said the fishermen had requested a meeting with Mr Ewing “but to no avail”.
And he asked Ms Sturgeon to persuade Mr Ewing to meet the community and “not risk ignoring a community facing the loss of their livelihoods”.
The First Minister said: “Of course we want to do everything we possibly can to help any community experiencing difficulties.
“I am not aware beyond what the member has just said of the content of the correspondence to Fergus Ewing.
“But I am happy to give an undertaking to look into that and if Fergus Ewing thinks there is help the Scottish Government can offer – certainly to meet with those affected.”
A group of Aberdeen fishermen who lost a court case last year have been hit with a legal fee bill of around £45,000 – just days after their cherished vessels were destroyed in a malicious fire.
The Cove Fishermen’s Association was forced to move its boats at Cove Harbour last year after a court ruled in favour of landowner Pralhad Kolhe – who owns sections of the historic bay.
Mr Kolhe has been seeking to remove the small fleet of boats from his land, but in the months since the court’s decision, the fishermen have continued their activities by keeping their remaining vessels in a much smaller pocket of the harbour not under the landowner’s control, further away from the shoreline
Today is our third anniversary and a long journey just begin.
May God always keeps us together to finish later.
Regimental number - 1712
Place of birth - Sydney New South Wales
School - State School, MIldura, Victoria
Religion - Church of England
OccupationLabourer
Address - Walnut Avenue, Mildura, Victoria
Marital status - Single
Age at embarkation - 18
Next of kin - Mother, Mrs Anne Cramp, Walnut Avenue, Mildura, Victoria
Previous military service - Cadets
Enlistment date - 16 February 1916
Rank on enlistment - Private
Unit name - 37th Battalion, 1st Reinforcement
AWM Embarkation Roll number - 23/54/2
Embarkation details - Unit embarked from Melbourne, Victoria, on board HMAT A11 Ascanius on 27 May 1916
Rank from Nominal Roll - Private
Unit from Nominal Roll - 37th Battalion
Fate - Killed in Action 5 October 1917
Place of death or wounding - Ploegsteert, Belgium
Age at death - 18
Age at death from cemetery records - 18
Place of burial - Tyne Cot Cemetery (Plot XXIII, Row A, Grave No. 20), Paschendaele, Belgium
Panel number, Roll of Honour,
Australian War Memorial - 128
Miscellaneous information from
cemetery records - Parents: Edward and Annie CRAMP, 117 Orange Avenue, Mildura, Victoria
War service: Western Front
SHIP DESIGN - VS 485 MK III
CLASSIFICATION - BUREAU VERITAS
BUILDER - HELLESØY VERFT AS, HULL NO 149
PORT OF REGISTRY - NASSAU
FLAG - BAHAMAS
MMSI - 311000256
IMO NUMBER - 9620982
DELIVERY - JUNE 2012
CALL SIGN - C6BG5
REGISTERED OWNER: Rem PSV AS
MAIN DIMENSIONS
LENGTH O.A - 85.00m
LENGTH P.P - 77.65m
BREADTH - 20.00m
MAX DRAFT - 7.16m
GROSS TONNAGE - 4,344mt
NET TONNAGE - 1,800mt
DEADWEIGHT - 5,549mt
LIGHTWEIGHT - 3,072mt
CLASS NOTATIONS
SUPPLY VESSEL OIL RECOVER SHIP -OIL PRODUCT,
UNRESTRICTED NAVIGATION
COMF-NOISE 3 COMF-VIB 3,
CPS(WBT), AUT-UMS,
SYS-NEQ-OSV, CLEANSHIP SUPER,
ICE CLASS ID, DYNAPOS AM/AT R,
SDS, IG,
ERN 99.99.99.96, NOFO 2009
ENVIRONMENT AND CARGO CONTROL PLANTS
Incinerator: Saniterm SH 20 SM/SR
Steam generator: 1600kW, Parat Halvorsen AS
Hot Liquid Cargo Tank: 1x 146m3
Tank Cleaning: Per Gjerdrum AS
Special Cargo Tanks: Stainless Steel Tanks for Methanol
Inert Gas System: N2 Generator, membrane separation
Cargo Manifolds: Centre/Aft each side inside “Safe haven”
MACHINERY AND PROPELLER PLANTS
Main Engines/Gen.: 4x 1825kW CAT 3516B-DSG
Emergency Generator: 1x 200kW Volvo Penta D9A
Main Propulsion: 2x 2300kW SteerProp SP 35 CRP
FWD Azimuth: 1x 880kW Brunvoll
FWD Tunnel Thrusters: 2x 1000kW Brunvoll
CARGO CAPACITIES NOFO 2009
Deck Cargo: 2800mt
Deck Area: 1004m2
, 59.8m x 16.8m free space
Deck Strength: 10mt/m2
Fuel Oil: 903m3
Liquid Mud (SG 2.8): 703m3
, Agitators in all tanks
Brine (SG 2.5): 418m3
Base Oil: 203m3
Pot Water: 1007m3
Drill Water/Ballast: 2470m3
Methanol: 145m3
Special Product: 146m3
Slop: 186m3
ORO: 1803m3
Cement/Bar/Bent: 440m3
NAVIGATION
Bridge Consoles: Aft, fwd. and both Wings Operation
Control Office: Located on Bridge
Autopilot: Furuno AP 50
DP System: Kongsberg K Pos DP 2
Joystick System: Kongsberg C-Joy Constant
DP Motion System 1: Seatex MRU 2
DP Motion System 1: Seatex MRU 5
Fanbeam: Kongsberg Laser Mk 4,2
DGPS: 2x Furuno GP 150
Wind Sensor: 2x Kongsberg Maritime
Radar 1: Furuno FAR 2137 S
Radar 2: Furuno FCR 2827 Chart Radar
Echo Sounder: Furuno FE 700
Gyro: 3x Simrad GC 80
Speed Repeater: Skipper IR 300
VDR: Furuno VR 3000
GPS: 2x Furuno GP 150
Bridge Watch: VICO system NAUT/OSV
ECDIS: Tecdis T 2138
Speed log: Furuno DS 80
SPEED AND FUEL CONSUMPTION
Full speed: 15.0 knots, 21.5 mt/d
Service speed: 12.5 knots, 12.0 mt/d
Economic speed: 11.0 knots, 9.7 mt/d
DP operation: 4.8 mt/d at position keeping
Harbour mode: 1.4 mt/d
CARGO HANDLING EQUIPMENT
1x TTS Marine 3mt/15m GPK knuckle crane
1x TTS Marine 3mt/15m GPT telescopic jig
1x NDM SWM 8mt capstans aft
6x NDM SWL 3mt cargo securing winches
1x NDM TU SWL 15mt Tugger Winch
LIFE SAVING EQUIPMENT
Ship Certificate: 23 persons
Life Rafts: 4x 25 persons Unitron
MOB: 1x NORSAFE
MOB Davit: 1x HLT 3500 TTS
Survival Suits: 23 SOLAS Immersion Suits
Survival suits according to rules
COMMUNICATION
Navtex: Furuno NX-700 B
Radar Transponder: 2x Jotron Tron SART
DSC Terminal: Furuno FS-2570 C
AIS: Furuno FA 150
EPIRB manual: Jotron 45 SX
EPIRB Free Float: Jotron Tron 40 S Mk II
Radio Station: SSB, MF, HF, Furuno FS-1570
VHF Portable: 3x Jotron Tron TR 20 GMDSS
VHF Station: Furuno FM-8800 S
UHF Portable: 5x Motorola GP 340
Inmarsat C: Furuno Felcom 15
Intercom: Zenitel ACM 144 66/VO
Sound System: Vingtor VSS 111
Emergency: Vingtor VSP 211 L
PA System: Zenitel VPA 120, 240 and 400
Sat. Communication: +47 55 62 81 53
Mobile Phone NOR: +47 46 90 79 06
Mobile Phone UK: +44 77 33 33 50 14
Vessel E-Mail: captain@mistral.remoffshore.no
ACCOMMODATION
Outfitted for 22 persons in spacious and comfortable
facilities.
Single Cabins: 15 with bathrooms
Double Cabins: 4 with bathrooms
Hospital: 1 Highest standard
Office: 1 fully outfitted
Day Room: 2 comfortably outfitted
Gymnasium: 1 fully outfitted
Entertainment: In Day Rooms and all Cabins
Antiroll Tank: 1x 440m3 + 1x 160m
Number 9 now has a few days off while The Marqess takes The Great Britain up the West Highland line, but will resume Great Britain duties with the Edinburgh to York leg of the final days journey to London. The West Coast Class 47 had just arrived on the rear of the train hauled by Black 5 44871 and had dragged it into the yard ready for The Marquess to couple up to the rear half. The Black 5 continuing with the front half to Inverness and Kyle Of Lochalsh. 10 of 18.
Number: 16
Owner: Rowland & Goodwin
Reg No: JDY888Y
Chassis: Bedford VAS5 (CT104531)
Bodywork: Plaxton Supreme C29F (838PJS4C001)
New: 1/83
Number 6, Friargate.
Photograph by Beth Hayes (PHS)
Image courtesy of the Preston Historical Society. www.prestonhistoricalsociety.org.uk/
© Preston Historical Society.
Wat Phra Kaew (Thai: วัดพระแก้ว, rtgs: Wat Phra Kaeo, IPA: [wát pʰráʔ kɛ̂ːw], Pronunciation, English: Temple of the Emerald Buddha; full official name Wat Phra Si Rattana Satsadaram, Thai: วัดพระศรีรัตนศาสดาราม, IPA: [wát pʰráʔ sǐː rát.ta.náʔ sàːt.sa.daː.raːm]) is regarded as the most sacred Buddhist temple (wat) in Thailand. The Emerald Buddha housed in the temple is a potent religio-political symbol and the palladium (protective image) of Thai society. It is located in Phra Nakhon District, the historic centre of Bangkok, within the precincts of the Grand Palace.
The main building is the central phra ubosot, which houses the statue of the Emerald Buddha. According to legend, this Buddha image originated in India where the sage Nagasena prophesized that the Emerald Buddha would bring "prosperity and pre-eminence to each country in which it resides", the Emerald Buddha deified in the Wat Phra Kaew is therefore deeply revered and venerated in Thailand as the protector of the country. Historical records however dates its finding to Chiang Rai in the 15th century where, after it was relocated a number of times, it was finally taken to Thailand in the 18th century. It was enshrined in Bangkok at the Wat Phra Kaew temple in 1782 during the reign of Phutthayotfa Chulalok, King Rama I (1782–1809). This marked the beginning of the Chakri Dynasty of Thailand, whose present sovereign is Bhumibol Adulyadej, King Rama IX.
The Emerald Buddha, a dark green statue, is in a standing form, about 66 centimetres tall, carved from a single jade stone ("emerald" in Thai means deep green colour and not the specific stone). It is carved in the meditating posture in the style of the Lanna school of the northern Thailand. Except for the Thai King and, in his stead, the Crown Prince, no other persons are allowed to touch the statue. The King changes the cloak around the statue three times a year, corresponding to the summer, winter, and rainy seasons, an important ritual performed to usher good fortune to the country during each season.
HISTORY
In 1767, the Kingdom of Ayutthaya fell to the Burmese, and King Taksin then moved the capital to Thonburi where he built the old palace beside Wat Arun on the west bank of Chao Phraya River. In 1778, Taksin's army under the command of Chao Phraya Chakri (who later became Rama I) captured Vientiane and took the Emerald Buddha back to Thonburi.
In 1782, King Rama I succeeded to the throne and founded the Chakri Dynasty, and he decided to move the capital across the river to Bangkok as it would be better protected from attack. The site chosen for the palace is situated between two old wats, Wat Pho and Wat Mahathat, an area inhabited by Chinese residents who were then moved to the present Chinatown. He started the construction of the Grand Palace so that the palace may be ready for his coronation in 1785. Wat Phra Kaew, which has its own compound within the precinct of the palace, was built to house the Emerald Buddha, which is considered a sacred object that provides protection for the kingdom. Wat Phra Kaew was completed in 1784. The formal name of Wat Phra Kaeo is Phra Sri Rattana Satsadaram, which means "the residence of the Holy Jewel Buddha."
Wat Phra Kaew has undergone a number of renovations, restoration and additions in its history, particularly during the reign of King Rama III and Rama IV. Rama III started the renovations and rebuilding in 1831 for the 50th Anniversary of BangkoK of 1832, while Rama IV's restoration was completed by Rama V in time for the Bangkok Centennial celebrations in 1882. Further restoration was undertaken by Rama VII on Bangkok's 150th Anniversary in 1932, and by Rama IX for the 200th Anniversary in 1982.
EMERALD BUDDHA
It is not known when the statue of the Emerald Buddha was made, but it is generally believed that it was crafted in 14th-century Thailand. However, there are also claims that the statue originated in India or Sri Lanka. None of these theories can be firmly established as none of the historians could get a close look at the statue.
According to one account, the Emerald Buddha was found in Chiang Rai, Lanna in 1434, after a lightning storm struck a temple. The Buddha statue fell down and later became chipped, and the monks, after removing the stucco around the statue, discovered that the image was a perfectly made Buddha image from a solid piece of green jade. The image was moved a few time to various temples, first to Lampang, then to Chiang Mai, from where it was removed by prince Chao Chaiyasetthathirat to Luang Prabang, when his father died and he ascended the throne of both Lanna and Lan Xang, in 1551. The statue remained the it to his new capital of Lan Xang in Vientiane in the 1560s. The statue remained there for twelve years. King Chaiyasetthathirat then shifted it to his new capital of Lan Xang in Vientiane in the 1560s. He took the Emerald Buddha with him and the image remained in Vientiane for 214 years until 1778.
In the reign of King Taksin, Chao Phya Chakri (who later became Rama I) defeated Vientiane and moved the Emerald Buddha from Vientiane to Thonburi where it was installed in a shrine close to Wat Arun. When Chao Phra Chakri took over the throne and founded the Chakri Dynasty of the Rattanakosin Kingdom, he shifted his capital across the river to its present location in Bangkok. The Emerald Buddha was also moved across the river with pomp and pageantry and installed in the temple of Wat Phra Keaw.
LEGENDS
There a number of legends associated with the Emerald Buddha. It was said the iconic image of the Emerald Buddha was made by Nagasena, a saint in Pataliputra (present day Patna), India, who, with the help of Hindu god Vishnu and demigod Indra, had the Emerald Buddha image made. Nagasena predicted that:
The image of the Buddha is assuredly going to give to religion the most brilliant importance in five lands, that is in Lankadvipa (Sri Lanka), Ramalakka, Dvaravati, Chieng Mai and Lan Chang (Laos).
The Emerald Buddha image was taken to Sri Lanka after three hundred years in Pataliputra to save it during a civil war. In 457, King Anuruth of Burma sent a mission to Ceylon with a request for Buddhist scriptures and the Emerald Buddha, in order to promote Buddhism in his country. These requests were granted, but the ship lost its way in a storm during the return voyage and landed in Cambodia. When the Thais captured Angkor Wat in 1432 (following the ravage of the bubonic plague), the Emerald Buddha was taken to Ayutthaya, Kamphaeng Phet, Laos and finally Chiang Rai, where the ruler of the city hid it, and was later found.
ARCHITECTURE
Wat Phra Kaeo has a plethora of buildings within the precincts of the Grand Palace, which covers a total area of over 94.5 hectares. It has over 100 buildings with “200 years royal history and architectural experimentation” linked to it. The architectural style is named as Rattanakosin style (old Bangkok style). The main temple of the Emerald Buddha is very elegantly decorated and similar to the temple in ancient capital of Ayudhya. The roof is embellished with polished orange and green tiles, the pillars are inlaid in mosaic and the pediments are made of rich marble, installed around 18th century. The Emerald Buddha is deified over an elevated altar surrounded by large gilded decorations. While the upper part of this altar was part of the original construction, the base was added by King Rama III. Two images of the Buddha, which represent the first two kings of the Chakri dynasty, flank the main image. Over the years, the temple has retained its original design. However, minor improvements have been effected after its first erection during Rama I's reign; wood-work of the temple was replaced by King Rama III and King Chulalongkorn; during King Mongkut's reign, the elegant doors and windows and the copper plates on the floor were additions, Rama III refurbished the wall painting (indicative of the universe according to Buddhist cosmology) and several frescoes that display the various stages of the Buddha's life; three chambers were added on the western side by King Mongkut; in the chamber known as 'Phra Kromanusorn' at the northern end, images of Buddha have been installed in honour of the kings of Ayutthaya; and in the 19th century, In Khong, a famous painter executed the wall murals. The entry to the temple is from the third gate from the river pier.The entrance is guarded by a pair of yakshis (mythical giants – 5 metres high statues). The eponymous image Buddha in brilliant green colour is 66 centimetres (26 in) in height with a lap width of 48.3 centimetres. It is carved in a yogic position, known as Virasana (a meditation pose commonly seen in images in Thailand and also in South India, Sri Lanka and Southeast Asia). The pedestal on which the Emerald Buddha deified is decorated with Garuda (the mythical half-man half-bird form, a steed of Rama, who holds his mortal enemy Naga the serpent in his legs) motifs It is central to Thai Buddhism. The image made with a circular base has a smooth top-knot that is finished with a "dulled point marking at the top of the image". A third eye made in gold is inset over the elevated eyebrows of the image. The image appears divine and composed, with the eyes cast downward. The image has a small nose and mouth (mouth closed) and elongated ears. The hands are seen on the lap with palms facing upwards.
The entire complex, including the temples, is bounded by a compound wall which is one of the most prominent part of the wat is about 2 kilometres length. The compound walls are decorated with typically Thai murals, based on the Indian epic Ramayana. In Thai language these murals are known to form the Ramakian, the Thai national epic, which was written during the reign of Rama I. The epic stories formed the basic information to draw the paintings during the reign of King Rama I (1782–1809). These paintings are refurbished regularly. The murals, in 178 scenes, starting with the north gate of the temple illustrates the complete epic story of Ramayana sequentially, in a clockwise direction covering the entire compound wall. The murals serve to emphasise human values of honesty, faith, and devotion.
There are twelve salas that were built by Rama I, around the temple. They house interesting artefacts of regions such as Cambodia and Java. One of these salas had an inscription of Ramkamhaeng, which was shifted, in 1924, to the National Library. During the reign of King Mongkut, the Phra Gandharara – small chapel on the southwest corner – and a tall belfry were new additions.
WORSHIP AND CEREMONIES
Early in the Bangkok period, the Emerald Buddha used to be taken out of its temple and paraded in the streets to relieve the city and countryside of various calamities (such as plague and cholera). However, this practice was discontinued during Rama IV's reign as it was feared that the image could get damaged during the procession and also a practical line of thinking that Rama IV held "that diseases are caused by germs, not by evil spirits or the displeasure of the Buddha". The image also marks the changing of the seasons in Thailand, with the king presiding over the seasonal ceremonies.
Like many other Buddha statues in Thailand, the Emerald Buddha is dressed in a seasonal costume. It is a significant ritual held at this temple. In this ritual, dress of the deity is changed three times a year to correspond to the seasons. In summer it is a pointed crown of gold and jewels, and a set of jewelled ornaments that adorns the image from the shoulders to the ankles. In winter, a meshed dressing gown or drapery made of gold beads, which covered from the neck down like a poncho is used. During the rainy months, a top-knot headdress studded with gold, enamel and sapphires; the gold attire in the rainy season is draped over the left shoulder of the deity, only with the right shoulder left bare while gold ornaments embellish the image up to the ankles. The astrological dates for the ritual ceremonies, at the changing of the seasons, followed are in the 1st Waning Moon of Lunar Months 4, 8 and 12 (around March, July and November). The costume change ritual is performed by the Thai king who is the highest master of ceremonies for all Buddhist rites. On each occasion, the king himself "cleans the image by wiping away any dust that has collected and changing the headdress of the image". Then a king's royal attendant climbs up and performs the elaborate ritual of changing garments of the image as the king is chanting prayers to the deity. On this occasion, the king sprinkles water over the monks and the faithful who have assembled to witness the unique ritual and seeks blessings of the deity for good fortune during the upcoming season. The two sets of clothing not in use at any given time are kept on display in the nearby Pavilion of Regalia, Royal Decorations and Coins in the precincts of the Grand Palace. While Rama I initiated this ritual for the hot season and the rainy season, Rama III introduced the ritual for the winter season. The robes, which the image adorns, represents that of monks and King's depending on the season, a clear indication of highlighting its symbolic role "as Buddha and the King", which role is also enjoined on the Thai King who formally dresses the Emerald Buddha image.
A ceremony that is observed in the wat is the Chakri Day (begun on April 6, 1782), a national holiday to honour founding of the Chakri dynasty. On this day, the king attends the ceremony. The present king Rama IX, with his Queen, and entourage of the royal family, the Prime Minister, officials in the Ministry of Defence, and other government departments, first offer prayers at the Emerald Buddha temple. This is followed by visit to the pantheon to pay homage to the images of past Chakri rulers that are installed there.
The coronation ceremony, which marks the crowning of the king, is an important event of the Chakri dynasty. One such recent event took place when the present Rama IX was crowned the King. On this occasion, the King came to the Chapel Royal- the Wat Phra Keo – in a procession wearing a 'Great Crown'. After entering the chapel, the king made offerings of gold and silver flowers to the deity and also lighted candles. He also paid homage to the images of Buddha that represented the past kings of the dynasty. In the presence of assembled elite clergy of the kingdom, he took a formal vow of his religion and his steadfastness to 'Defend the Faith'.
RULES OF ENTRY AND CONDUCT
The sacred temples in Thailand follow a dress code, which is strictly followed. Men must wear long pants and sleeved shirts and shoes; women must wear long skirts. Visitors who arrive dressed otherwise may rent appropriate clothing items at the entry area of the temple. It is compulsory to remove the shoes before entering the temple, as a sign of respect of the Buddha, as is the practice in all other temples in Thailand. While offering prayers before the Buddha image, the sitting posture should avoid any offensive stretching of feet towards the deity; the feet should be tucked in towards the back.
OTHER MONUMENTS
While the surrounding portico of the shrine is an example of Thai craftsmanship, the perimeter of the temple complex has 12 open pavilions. These were built during the reign of Rama I. There is plethora of monuments in the temple complex. These are:Grand PalaceThe former residence of the King, the Grand Palace, adjoins the temple. The King makes use of this Grand Palace for ceremonial functions such as the Coronation Day. The King’s present residence is to the north of this Grand Palace and is known as the Chitlada Palace. The four structures surrounding the temple have history of their own. At the eastern end is the Borombhiman Hall (built in French architectural design), which was the residence of King Rama VI, now used as guest house for visiting foreign dignitaries. It has the dubious distinction of having been used as the operational headquarters and residence of General Chitpatima who attempted a coup, in 1981. The building to the west is the Amarindra hall, earlier a hall of Justice, now used for formal ceremonies. The Chakri Mahaprasat is the largest hall in the Grand Palace, built in 1882 by British architects, the architecture of which is fusion of Italian renaissance and Traditional Thai architecture. This style is called farang sai chada, (meaning: "Westerner wearing a Thai crown") as each wing has a shrine (mandap) crowned by a spire. Ashes of the Chakri kings (five ancestors) are enshrined in the largest of these shrines, also known as the pantheons, that were rebuilt after a fire in 1903 during Rama IV's reign. Ashes of the Chakri princess who could not become kings are enshrined in an adjoining hall. The throne room and the reception hall are on the first floor, while the ground floor houses a collection of weapons. The inner palace had the King’s harem (the practice was discontinued during King Rama VI's time who decreed the one wife rule), which was guarded by well trained female guards. Another hall in the palace is the 'Dusit hall' in Ratanokosin-style, which runs from east to west, which was initially an audience hall but now converted into a funerary hall for the Royal family. Royal family corpses are kept here for one year before they are cremated in a nearby field. There is also a garden which was laid during rama IV's reign. The garden depicts a "Thai mountain-and-woods-fable" mountain scenes where the coming of age ritual of shaving the topknot of the Prince is performed.PagodasThe temple grounds also depict three pagodas to its immediate north, which represent the changing centres of Buddhist influence. One such shrine to the west of the temple is the Phra Si Ratana Chedi, a 19th-century stupa built in Sri Lankan style enshrining ashes of the Buddha.Library
Rama I also built a library in Thai style, in the middle of the complex, known as the "Phra Mondop". The library houses an elegantly carved Ayutthaya-style mother-of-pearl doors, bookcases with the Tripitaka (sacred Buddhist manuscripts), human-and dragon-headed nagas (snakes), and images of Chakri kings.
During the 19th century, the Royal Pantheon was built in Khmer style to the east of the temple, which is kept open for only one day in year, in the month of October to commemorate the founding of the Chakri dynasty.
Model of Angkor WatThe temple complex also contains a model of Angkor Wat (the most sacred of all Cambodian shrines). In 1860, King Mongkut ordered his generals to lead 2,000 men to dismantle Angkor Wat and take it to Bangkok. Modern scholars suggested that the king wanted to show that Siam was still in control of Cambodia, as France was seeking to colonise Cambodia at that time. However, the king's order could not be fulfilled. A royal chronicle written by Lord Thiphakorawong (Kham Bunnag), then foreign minister, recorded that many Thai men fell ill after entering Cambodian wilderness. The chronicle also stated that forest-dwelling Khmer people ambushed the Thai army, killing many leading generals. King Mongkut then ordered the construction of the model within Wat Phra Kaew, instead of the real Angkor Wat that could not be brought to Bangkok. Mongkut died before he could see the model. Its construction was completed in the reign of his son, Chulalongkorn.Hermit statue
A hermit's bronze image, which is believed to have healing powers, is installed in a sala on the western side of the temple. It is near the entry gate. It is a black stone statue, considered a patron of medicine, before which relatives of the sick and infirm pay respects and make offerings of joss sticks, fruit, flowers, and candles.
EIGHT TOWERS
On the eastern side of the temple premises there are eight towers or prangs, each of a different colour. They were erected during the reign of Rama I and represent eight elements of Buddhism.
ELEPHANT STATUES
Statues of elephants, which symbolize independence and power, are seen all around the complex. As Thai kings fought wars mounted on elephants, it has become customary for parents to make their children circumambulate the elephant three times with the belief that that it would bring them strength. The head of an elephant statue is also rubbed for good luck; this act of the people is reflected in the smoothness of the surface of elephant statues here.
WIKIPEDIA
DH2482 - Taxed.
I was recently very kindly given a disc of old car show photos from the mid to late 70's which were found on glass slides in a skip and then scanned to disc, i thought i'd uploaded them to here, there are over 1100 images so it could take me a while!
I have passed Marylebone many time, either in a taxi or underneath on the Tube, and have always meant to go in. And with a morning spent in the area last month, I walked over Euston Road to find all three doors open, and a good number of people coming and going.
From the outside it could be a City Wren church, inside it has lots of space and a fine painted chancel.
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St Marylebone Parish Church is a place of active and engaged Christian witness, set at the very heart of central London. With a history stretching back nearly 900 years, those of us who worship here continue seek to offer God worship that has long been renowned for musical and liturgical excellence and to serve the diverse community in which we are set.
For more than 30 years, St Marylebone, just a few metres from Harley Street, has pioneered the work of Christian healing and, as well as being home to the internationally respected St Marylebone Healing and Counselling Centre, which offers low-cost analytical psychotherapy and spiritual direction, the Crypt at St Marylebone also houses an innovative NHS doctor’s surgery - the Marylebone Health Centre. Our work is enhanced by maintaining close and active links with some of medicine’s Royal Colleges and through our provision of chaplaincy to The London Clinic and King Edward VII’s Hospital.
St Marylebone has a flourishing Young Church, which complements our two schools: The St Marylebone Church of England School, an Outstanding Academy, National Teaching School and Maths Hub, and The St Marylebone Church of England Bridge School, a Free Special School working with secondary school age students who have speech, language and communication difficulties. Alongside our two schools St Marylebone works closely with the Royal Academy of Music and the University of Westminster, providing chaplaincy services to both, and also with Regent’s University.
As a parish church in the Diocese of London, we share a vision of a Church for this great world city that is Christ-centred and outward looking. By God’s grace we seek to be more confident in speaking and living the Gospel of Jesus Christ, more compassionate in serving others with the love of God the Father and more creative in reaching new people and places in the power of the Spirit.
Construction of the present church was first considered in 1770. A site was given in Paddington Street and plans were prepared by Sir William Chambers, Architect to the King, but the scheme was abandoned and the land purchased for a burial ground. In 1810-11 the present site was secured, and it was intended that this building should be another Chapel of Ease supporting the work of the nearby Parish Church.
Plans were prepared by Thomas Hardwick, who was a pupil of Sir William Chambers, and the foundation stone was laid on 5 July 1813. Later, it was decided to enlarge the building and make it the Parish Church; the present tower was erected, the front widened, and the gigantic Corinthian-columned Portico built. A vaulted crypt extended under the whole area of the church, with extensive catacombs under the west side.
These catacombs were bricked up in 1853, and in the mid-1980s, with due authority, the coffins were removed from the crypt for reinternment at Brookwood Cemetery in Surrey and the crypt was transformed into the present-day Healing and Counselling Centre, Sacrament Chapel, Jerusalem Chapel and NHS Marylebone Health Centre.
The present parish church, opened in February 1817, is the fourth known parish church building to serve this parish.
The first, established sometime in the early 12th century, was dedicated to St John the Evangelist and was the parish church of the manors of Tyburn and Lisson (Lillestone); it stood on what is now Oxford Street, on a site near Stratford Place. Indeed, it is thought that the open courtyard of Stratford Place is the graveyard of the first parish church.
By 1400, St John's had fallen into disrepair and was demolished; a new parish church was built opposite Tyburn Manor House (now the site of the Duchess of Devonshire Wing of The London Clinic). The site of this parish church and its successor church (is now the Old Church Memorial Garden at the north end of Marylebone High Street); Francis Bacon was married in this Church on the 11th May 1606.
In 1740, a new parish church was built on the same site and here you will find buried one of the founders of Methodism, Charles Wesley, along with other members of his family. He is commemorated by an obelisk memorial. Here it was that Lord Byron was christened, and here Lord Nelson attended services and, on the 3rd May 1803, brought his daughter by Lady Hamilton (who had herself been married here) to be baptised. This parish church was associated with many famous figures and the interior was used by William Hogarth for the ‘Marriage of the Rake’ in his ‘Rake’s Progress’ cycle of paintings. Some of the many memorials that crowded its walls, including a memorial to the cupbearer to Ann of Denmark and Queen Henrietta Maria, may be seen in the present parish church’s stairways, to which they were transferred when the old parish church was demolished (following damage in World War II) in 1949. Other people connected with this building include: James Figg, James Gibbs, Edmond Hoyle, John Rysbrack, John Allen, James Ferugson, Alan Ramsay, Stephen Storace, the dukes of Portland and Caroline Watson.
The present parish church was originally built (at a cost of some £80,000.00) without its fine Roman Renaissance style frescoed apse; this was added in 1884 by Thomas Harris. The original position of the altar was in what is now the Choir, just below the cross built into the ceiling. This altar (before which Robert Browning married Elizabeth Barrett in 1846) can be seen in the Holy Family Chapel. Above it hangs the painting of the Holy Family donated to the new parish church by Benjamin West, PRA (1738 -1820).
The parish church of 1817 is reputed to have sat 3,000 people and, above the present gallery, a second gallery (the remains of which can be seen either side of the organ) wrapped around three sides of the building.
The present organ, one of the finest recital instruments in the country, was built by Rieger Orgelbau of Austria and was commissioned in July 1987; it was a joint venture between the parish church and the neighbouring Royal Academy of Music. The organ pipes, which can be seen at the ends of the first floor galleries, belong to earlier instruments.
Charles Dickens and his family lived for many years next door to the parish church in Devonshire Terrace. He brought his son here to be baptised and the ceremony is described in his novel Dombey and Son.
Bomb damage sustained during World War II destroyed the stained glass windows and also the Georgian roof. Fragments of the destroyed windows were collected and set in the windows you see today.
The fine crystal chandeliers were relocated here in 1968 from the old Council Chamber in St Marylebone Town Hall when the Borough of St Marylebone merged with other metropolitan boroughs of Middlesex to form the City of Westminster.
A fine collection of memorials adorn the walls of the parish church; many of them belonging to colonial administrators and governors and members of the East India Company
St Marylebone Parish Church has always had a fine musical tradition and today the professional choir of ten voices is supported by the Director of Music, the Assistant Director of Music and an Organ Scholar. Sir John Stainer wrote his Oratorio Crucifixion for the choir in 1886 and it has been performed every year since.
The Browning Room, which commemorates the marriage of the poets Robert Browning and Elizabeth Barrett here on 12th September 1846, has a stained glass window gifted by The Browning Society of Winnipeg. Two fine brass bas reliefs of the poets can also be found in this room.
The fine apse, the mahogany benches and choir stalls together with the gilded English baroque decorative scheme all date from the mid-1880s and were designed by Thomas Hardwick. Work begun in 1884 and a memorial stone laid by Mrs Gladstone can be seen on the outside wall of the apse. The decoration of the apse was carried out by Edward Armitage, RA; his decorative scheme once included murals between the great windows on the gallery level but these were painted over in the late 1940s.
A Christian place of worship has served his part of central London for 900 years. Every London parish church north of Oxford Street, to the east of the Edgware Road and to the west of Cleveland Street, has been ‘planted’ by the Rector and Wardens of this parish. In 2016, the Heritage Lottery Fund awarded the parish church a grant of nearly £4 million to help complete an ambitious programme of works that will repair the ravages of time, extend the crypt and help tell the story of St Marylebone from rural hamlet to urban metropolis. St Marylebone, by God’s Grace, continues its work of Changing Lives and Shaping Community.
The Revd Canon Stephen Evans, Rector
www.stmarylebone.org/index.php?option=com_content&vie...
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St Marylebone Parish Church is an Anglican church on the Marylebone Road in London. It was built to the designs of Thomas Hardwick in 1813–17. The present site is the third used by the parish for its church. The first was further south, near Oxford Street. The church there was demolished in 1400 and a new one erected further north. This was completely rebuilt in 1740–42, and converted into a chapel-of-ease when Hardwick's church was constructed. The Marylebone area takes its name from the church. Located behind the church is St Marylebone School, a Church of England school for girls.
The first church for the parish was built in the vicinity of the present Marble Arch c.1200, and dedicated to St John the Evangelist.
A new, small church built on the same site opened in April 1742. It was an oblong brick building with a small bell tower at the west end. The interior had galleries on three sides. Some monuments from the previous church were preserved in the new building.In 1818 it became a chapel-of-ease to the new parish church which superseded it .[4] It was demolished in 1949, and its site, at the northern end of Marylebone High Street is now a public garden.[5]
Charles Wesley lived and worked in the area and sent for the church's rector John Harley and told him "Sir, whatever the world may say of me, I have lived, and I die, a member of the Church of England. I pray you to bury me in your churchyard."[citation needed] On his death, his body was carried to the church by eight clergymen of the Church of England and a memorial stone to him stands in the gardens in High Street, close to his burial spot. One of his sons, Samuel, was later organist of the present church.
It was also in this building that Lord Byron was baptised in 1788, Nelson's daughter Horatia was baptised (Nelson was a worshipper here), and Richard Brinsley Sheridan was married to Elizabeth Ann Linley. This is also the church in which the diplomat Sir William Hamilton married Emma Hart (Amy Lyon), later the lover of Admiral Horatio Nelson.[citation needed] The architect James Gibbs was buried there in 1751.[6] The crypt was the burial place of members of the Bentinck family, including William Cavendish-Bentinck, 3rd Duke of Portland (died 1809)
Construction of a new church was first considered in 1770, with plans prepared by Sir William Chambers and leadership given by the 3rd and 4th Dukes of Portland (owners of much of the area, by now a wealthy residential area to the west of London that had outgrown the previous church), but the scheme was abandoned and the land donated for it in Paddington Street purchased for a burial ground.
In 1810–11[citation needed] a site was secured to build a chapel-of-ease on the south side of the new road near Nottingham Place.[8] facing Regent's Park.[9] Plans were drawn up by Chambers's pupil Thomas Hardwick [10] and the foundation stone was laid on 5 July 1813. When construction was almost complete, it was decided that this new building should serve as the parish church, and so alterations were made to the design. On the north front, towards the new road, a Corinthian portico with eight columns (six columns wide, and two deep at the sides), based on that of the Pantheon in Rome, replaced the intended four-column Ionic portico surmounted by a group of figures. A steeple was built, instead of a planned cupola.[11] No changes were made to the design of the interior, but plans to build houses on part of the site were abandoned.[12]
Entrance to the church from the north is through three doorways beneath the portico, each leading into a vestibule.[13] There are arched windows above the outer doorways. A blank panel above the central one was intended to house a bas-relief depicting Christ's entry into Jerusalem. Hardwick's church was basically rectangular in plan, with two small extensions behind the entrance front, and two wings placed diagonally flanking the far end (the liturgical east),[14] which originally housed private galleries equipped with chairs, tables and fireplaces.[15][16] Two tiers of galleries, supported on iron columns ran around three sides of the church.[17] The organ case was immediately above the altar screen; in the centre of the organ case was an arched opening with a "transparent painting" by Benjamin West, of the angel appearing to the shepherds. Other church furniture included a large pulpit and reading desk and high box pews.
The steeple, placed over the central vestibule, rises around 75 feet (23 m) above the roof (and thus about 120 feet (37 m) above the ground).[18] It is in three storeys;the first, square in plan, contains a clock, the second circular in plan, has twelve Corinthian columns supporting an entablature, while the third is in the form of a miniature temple raised on three steps and surrounded by eight caryatids, with arched openings between them. The whole structure is topped by a dome and weathervane.[19]
The vaulted crypt, extending under the whole church, with extensive catacombs under the west side was used for burials until being bricked up in 1853. Since 1987, following the reinterment of the 850 coffins it previously contained at Brookwood Cemetery in Surrey, it has housed a healing and counselling centre.
The church was completed in 1817, at an overall cost of £80,000.
A local resident was Charles Dickens (1812–1870), in Devonshire Terrace, whose son was baptised in this church (a ceremony fictionalised in "Dombey and Son"). Robert Browning and Elizabeth Barrett were married in this phase of the church in 1846 (their marriage certificate is preserved in the church archives). The church was also used in location filming for the 1957 film recounting their story, The Barretts of Wimpole Street.[20]
Composer Sir John Stainer wrote an oratorio specifically for the choir at St Marylebone; The Crucifixion was first performed in the church on 24 February 1887, which was the day after Ash Wednesday. It has been performed annually at the church ever since, usually on Good Friday.
Golden Number Ratio Divine Proportion Compositions Fine Art Photography Dr. Elliot McGucken : Using the Nature's Golden Cut to Exalt Nature Photography!
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Ansel Adams used the golden ratio in his photography too:
www.youtube.com/watch?v=WFlzAaBgsDI
www.youtube.com/watch?v=zrOUX3ZCl7I
The Fibonacci Numbers are closely related to the golden ratio, and thus they also play a prominent role in exalted natural and artistic compositions!
I'm working on a far deeper book titled The Golden Ratio Number for Photographers. :)
The famous mathematician Jacob Bernoulli wrote:
The (golden spiral) may be used as a symbol, either of fortitude and constancy in adversity, or of the human body, which after all its changes, even after death, will be restored to its exact and perfect self.
Engraved upon Jacob’s tombstone is a spiral alongside the words, "Eadem Mutata Resurgo," meaning "Though changed, I shall rise again." And so it is that within the Golden Ratio Principle, the golden harmonies rise yet again.
The golden ratio is oft known as the divine cut, the golden cut, the divine proportion, the golden number, and PHI for the name of the architect of the Parthenon Phidias. It has exalted classical art on down through the millennia and it can exalt your art too!
Ask me anything about the golden ratio! :) I will do my best to answer!!
Enjoy my Fine Art Ballet instagram too!
Dr. Elliot McGucken's Golden Ratio Principle: The Golden Number Ratio Principle: Dr. E’s Golden Ratio Principle: The golden ratio exalts beauty because the number is a characteristic of the mathematically and physically most efficient manners of growth and distribution, on both evolutionary and purely physical levels. The golden ratio ensures that the proportions and structure of that which came before provide the proportions and structure of that which comes after. Robust, ordered growth is naturally associated with health and beauty, and thus we evolved to perceive the golden ratio harmonies as inherently beautiful, as we saw and felt their presence in all vital growth and life—in the salient features and proportions of humans and nature alike, from the distribution of our facial features and bones to the arrangements of petals, leaves, and sunflowers seeds. As ratios between Fibonacci Numbers offer the closest whole-number approximations to the golden ratio, and as seeds, cells, leaves, bones, and other physical entities appear in whole numbers, the Fibonacci Numbers oft appear in nature’s elements as “growth’s numbers.” From the dawn of time, humanity sought to salute their gods in art and temples exalting the same proportion by which all their vital sustenance and they themselves had been created—the golden ratio. the golden number, rectangle, and spiral!
In the Jersey Bus & Boat Tours fleet, Temsa ex YJ58 FEX heads down to Greve De Lecq on the islands north coast. 01/04/18
Not that number 10 though! This is an imposter doorway, which lives in Adam Street, off The Strand in London.
It has a few similarities at a casual glance, but don't think it would really pass for the Prime Minister's residence ...
Yamaha has a number of pure sports bike in its portfolio and some bigger displacement bikes has been launched in India including Yamaha R1, Yamaha R15, Yamaha VMAX. The company intends to launch its most popular sports bike in India that is Yamaha YZF R6. This sports bike has crossed a good number of milestones on racing track. In fact, this is the dream sports for any professional biker. The bike lovers in India eagerly waiting for the launch of the Yamaha YZF R6 that can be brought anytime in India.