View allAll Photos Tagged NegativeLabPro
Nikon Nikonos V | Nikon Nikkor 35mm F2.5 | Fuji Neopan Acros II 100
Scanned with Epson v800 | Epson
Kodak HC110 B
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Cinematic - Rich | WB: Auto-Neutral | LUT: Frontier
Intrepid 4x5 Mk4 | Fujinon SWD 90mm f/5.6 | Ilford FP4 Plus 125
Scanned with Epson Perfection V800 Photo
Home developed in Kodak HC-110 1+31 | 9:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
The pipe organ at Manchester Cathedral
Nikon FE | Voigtlander 58mm f1.4 SL-II Nokton | Kentmere 400 400
Digitized with Nikon Z7 / 60mm Micro Nikkor | Raleno LED Light Panel | Nikon ES-2
Home developed in Adox XT-3 Replenished Stock | 9 mins at 20c | Ilford Standard Agitaion
Negative Lab Pro v2.4.2 | Color Model: None | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: None
Intrepid 4x5 Camera
Kodak Portra 400
Coney Island, Brooklyn
Negative Lab Pro v3.0.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Construction everywhere, inside and out, Boise, ID
Taken 9 march 2023
Leica M6
Leica Summicron 35 mm f/2
Lomography Color 800
Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Kodak UltraMax 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None
Olympus XA | Zuiko 35mm f/2.8 | Ilford HP5+ 400 @ 800, +1 dev
Digitized with Fuji X-E3 with 80mm macro | Flash
Home developed in Ilfosol 3
Negative Lab Pro v2.1.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Highlight Hard | WB: Auto-Neutral
Fujifilm GA645Zi | Ilford HP5+ 400 @ @ 400
Digitized with Nikon Zf | NIKKOR Z MC 105/2.8 VR S | Negative Supply 97CRI | 3D Printed Block
Home developed in Kodak D-76 1:3 | 20min @ 20C | AGO Processor
Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier
Nikon N80 | Nikon AF Nikkor 50mm f/1.4D | Kodak UltraMax 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None
Fuji GA645zi | Fujinon Super-EBC Fujinon 55-90mm 4.5-6.9 | Ilford HP5+ 400 @ 250
Scanned with NIkon D810 w/ 105 2.8 G | Raleno Light Panel | Essential Film Holder V3
Home developed in Kodak HC-110 Dil. B (1+31) | 5 Minutes | Kodak Standard
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
Nikon FE | Nikkor 85mm F2 AI | Delta 400 400 @ 800, +1 dev
Scanned with Nikon D7000 | Light table | EFH
Home developed in Ilfotec DD-X 1+4 | 10:30/20
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Cinematic - Rich | WB: None | LUT: None
Chamonix 45F-2 | Fujinon W 180mm f/5.6 | Ilford FP4 Plus 125
Digitized with Sony a7R III & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Negative Supply 4x5 Film Holder
Home developed in Kodak HC-110 1+31 | 9:00/68F | SP-445 Tank
Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier
Yashica Mat 124G
Rollei Retro 80S
Rodinal 1:100 1 hora desatendido
Escaneado con cámara digital
Procesado con NPL y Lightroom
Crooked Edge Waterfall, found in Tigers Clough
Intrepid Camera 4x5 Mk 5 | Nikon Nikkor-SW 90mm f4.5 | Ilfoird Delta 100 400 @ 100
Digitized with Nikon Z7 / 60mm Micro Nikkor / Negative Supply Pro Riser MK3 | Raleno LED Light Panel | Glass Sheets
Home developed in Adox XT-3 Replenished Stock | 8m at 20c | Ilford Standard Agitaion
Negative Lab Pro v2.4.2 | Color Model: None | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: None
harlem, ny
taken 10 august 2024
mamiya 7ii
mamiya 43mm f/4.5
kikipan 320
Scanned with dslr
Home developed
kodak d76
8min 23sec/ 24°
Fujifilm Klasse W | Kentmere Pan 400
Digitized with Nikon D7200 & Micro-Nikkor 55mm f/2.8 AI-s | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: None
Intrepid 4x5 MK4 | Fujinon W 180mm f/5.6 | Arista EDU Ultra 100
Scanned with Epson Perfection V800 Photo
Home developed in Kodak HC-110 1+63 | 8:00/68F | SP-445 tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None
Leica M6 Re-Issue / Leica 35mm Summilux f/1.4 / Kodak Ektar 100 / Plustek 8300AI Scanner / Negative Lab Pro
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
12th Street laundromat, Boise, ID
Taken 18 February 2024
Leica m6
Leica Summicron 35mm/2
Ilford HP5 Plus 400
Home developed
Kodak D76
Nikon FM3a | Nikon AF Nikkor 50mm f/1.4D | Kentmere Pan 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: Frontier
- Nikon F2A Photomatic
- Nikkor 50mm AIS f/1.4
- Kodak Gold 200
*Home developed with Flic Film C41
*Scanned with Plustek OpticFilm 8200i SE
*Converted with Negative Lab Pro
Nikon FM3A | Nikon AF Nikkor 35mm f/2D | Rollei Paul & Reinhold 640
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 9:00/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
Nikon FM3A | Nikon AF Nikkor 50mm f/1.4D | Rollei Paul & Reinhold 640
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 9:00/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
Ilford HP5+ 400
Scanned with Nikon Coolscan V ED
Home developed in Ilford DDX 1:4 | 9:00 at 20 | Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier
These scans are from a short trip to Portugal during my first year learning to shoot develop black & white 35mm film. The Voigtlander R2M was the camera at the time paired with Tri-x 400. I enjoyed how remote and scenic the countrysides were. The weather was cold and overcast most of the trip with small windows of sunlight. Street photography in this city was a joy as well! Lately I've been re-scanning my negatives with the Plustek 8300 AI and Im impressed at the information it can pick up. I highly recommend it. The scanner comes with Silverfast SE software and as a final step I convert the DNG Files with Negative Lab Pro's Lightroom plugin.
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
These scans are from a short trip to Portugal during my first year learning to shoot develop black & white 35mm film. The Voigtlander R2M was the camera at the time paired with Tri-x 400. I enjoyed how remote and scenic the countrysides were. The weather was cold and overcast most of the trip with small windows of sunlight. Street photography in this city was a joy as well! Lately I've been re-scanning my negatives with the Plustek 8300 AI and Im impressed at the information it can pick up. I highly recommend it. The scanner comes with Silverfast SE software and as a final step I convert the DNG Files with Negative Lab Pro's Lightroom plugin.
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ