View allAll Photos Tagged NegativeLabPro
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Lomography Color Negative 800
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None
A slight crop as - upside down on the ground glass - I didn't notice the car roof poking in from the bottom of the frame...
Intrepid 4x5 black mk5 | Nikon Nikkor W 210mm f/5.6 | Kodak Portra 160
Digitized with Canon EOS R - EF 100mm macro f/2,8L IS | Kaiser slimlite plano | Between two sheets of ANR glass.
Home developed in Tetenal Colortec C-41 Stock | 3:15 / 38gr | C-41 | Ilford agitation
Negative Lab Pro v3.0.2 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Standard | LUT: Frontier
Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: Cinematic - Rich | WB: Cine-D | LUT: Pakon
Strobist Info:
*RB67 Pro SD with K/L 90mm f/3.5
*Kodak Portra 160
*Main Light - Westcott FJ400 with 82 inch soft silver PLM (Parabolic Umbrella) with diffusion cover camera left
- Home developed with Flic Film C-41
san francisco, ca
taken 9 selptember 2024
rolleiflex 3.5f
zeiss planar 75mm/ 3.5
kodak portra 800
Scanned with dslr
Home developed
cinestill cs41
3 min 30 sec
Nikon N80 | Nikon AF-S Zoom-Nikkor 80-200mm f/2.8D IF-ED | Kodak UltraMax 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Voigtlander R2M / Portra 400 / Negative Lab Pro / Plustek 8300 AI
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
Leica M6 TTL | Leica Summicron-M 50mm f/2.0 | Kodak Tri-X 400
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in Ilfotec DD-X 1:4 | 8 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Soft | WB: None | LUT: Frontier
Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80 | Ilford FP4+ 125 @ 200, +1 dev
Digitized with GFX 50S with 120mm f/4 Pentax Macro | Kaiser Slimlite Plano | Digitaliza 120mm Holder
Home developed in Ilfotec DD-X 1:4 | 13 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Cinematic - Log | WB: None | LUT: Frontier
testing close up settings on the Dual Range lens
foothills, Boise, ID
Taken 14 April 2023
Leica m3
Leica Summicron 50mm Dual Range
JCH StreetPan 400
downtown Boise, ID
Mamiya 7ii
Mamiya 50mm f/4.5
Kodak Portra 400
Home developed
Cinestill CS41
3 min 30 sec
Blackpool Seafront
Bronica SQ-Ai | Zenza Bronica 80mm f2.8 PS | Ilford HP5+ 400
Digitized with Nikon Z7 / 60mm Micro Nikkor / Negative Supply Pro Riser MK3 | Raleno LED Light Panel | Lomography Digitaliza
Home developed in Adox XT-3 Replenished Stock | 8m 30s at 20c | Ilford Standard Agitaion
Negative Lab Pro v2.4.2 | Color Model: None | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: None
friends on the corner, Boise, ID
Taken 29 June 2023
Leica m3
Leica Summicron 50mm Dual Range
JCH StreetPan 400
Kiev 88 | Volva-3 80mm f/2.8 | Fujifilm Pro400h
Scanned with Canoscan 8800f | 120 w/ acrylic ANR sheet
Home developed in Unicolor C-41 | 102 degrees / 3:30 min | Agitation
downtown Boise, ID
Take 9 February 2024
Leica m6
Leica Summicron 35mm/2
Ilford HP5 Plus 400
Home developed
Ilford Ilfotec DD-X 1:4 8 min
2022
Alpine A480 (Hypercar), 6 Hours of Spa-Francorchamps
Canon A-1, nFD 35mm f/2.8, Kodak Pro Image 100
DSLR scan
Website | Instagram | FaceBook | Flickr
Late Night Adventures in Film
Tokyo
Japan
2020/02/17~24
A collection of late night adventures, shooting with 35mm film again. It's been many, many years since I last used a film camera and it was very hit and miss process as all the years on digital have really spoiled us. This particular adventure saw me trying out Lomo800's low light capabilities on the colourful backstreets of Ebisu, Meguro and Ogikubo.
Camera: Canon AE-1 Program with 50mm f/1.4 and 85mm f/1.8nFD lenses.
Film: Lomography Colour Negative 35mm ISO800.
#日本 #Japan #東京 #Tokyo #夜 #Night #35mm #ISO800 #Cinematic #Canon #AE-1Program #FDlens #Film #Lomography #Lomo800 #Analog #Analogue #FilmCamera #istillshootfilm #Plustek8200 #NegativeLabPro #Lightroom
2022
Glickenhaus SCG 007 LMH #708, Toyota GR010 Hybrid #7 & #8, Alpine A480 #36 (Hypercar), Race start of the 6 Hours of Spa- Francorchamps
Canon A-1, Canon 35mm f/2.8, Kodak Portra 400
DSLR scan
Hasselblad 501cm | Zeiss Makro-Planar 4/120 T* CFi | Kodak Tri-X 400 @ 320
Scanned with Epson V850 | Stock
Home developed in Kodak HC-100 Dil B (1+31) | 6 minutes / 70c | Inversion
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80mm | Kodak Tri-X 400 @ 800
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Ilfotec DD-X 1:4 | 10 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Highlight Hard | WB: None | LUT: Frontier
Mamiya RZ67 Proii | Mamiya 110mm f2.8 | Ilford HP5+ 400
Scanned with Epson V600
Home developed in Ilfotec HC 1+31 | 6.5 mins @ 20°C | Gentle Tumble
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
Chamonix 45F-2 | Fujinon SWD 90mm f/5.6 | Kodak Ektar 100 | Toyo 69/45 Roll Film Holder
Digitized with Nikon D7200 & Micro-Nikkor 55mm f/2.8 AI-s | Raleno PLV-S192 | Valoi 360 120 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-AVG | LUT: None
are human rights
downtown boise, id
taken 24 april 2025
part of my stickering boise project
hasselblad 500cm
hasselblad ziess planar 80mm/2.8
cinestill 400d
Scanned with dslr
Home developed
cinestill cs41
3 min 30 sec
san francisco, ca
taken 9 september 2024
rolleiflex 3.5f
zeiss planar 75mm/ 3.5
kodak portra 160
+2 dev
Scanned with dslr
Home developed
cinestill cs41
pushed 2 stops
4 min 55 sec
Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: Cinematic - Rich | WB: Kodak | LUT: Natural
Blackpool Seafront
Bronica SQ-Ai | Zenza Bronica 80mm f2.8 PS | Ilford HP5+ 400
Digitized with Nikon Z7 / 60mm Micro Nikkor / Negative Supply Pro Riser MK3 | Raleno LED Light Panel | Lomography Digitaliza
Home developed in Adox XT-3 Replenished Stock | 8m 30s at 20c | Ilford Standard Agitaion
Negative Lab Pro v2.4.2 | Color Model: None | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: None
Frostastadhavatn lake near Landamannalaugar in the Highlands of Iceland. In September of 2018 we drove the F225 into Landamannalaugar for some day hiking. It was an amazing drive with fantastic views.
Taken with a Canon FTb, 24mm f/2.8 , and Kodak Ektar 100. The negative was “scanned” using a Nikon D7000 and edited in Lightroom.
Chamonix 45F-2 | Nikon Nikkor-SW 90mm f/4.5 | Kodak Portra 160
Scanned with Epson V850 Photo Pro | Epson V850 filmtray
Home developed in Tetenal Colortec C-41 Stock | 3:30 / 38gr | C-41 | Ilford agitation
Negative Lab Pro v3.0.2 | Color Model: Noritsu | Pre-Sat: 3 | Tone Profile: Linear | LUT: Natural
subtle selfie in the North End, Boise ID
Taken 28 February 2023
Leica m6
Leica APO-Summicron 50mm f/2
JCH Streetpan 400
chinatown, san francisco, ca
taken 7 september 2024
rolleiflex 3.5f
zeiss planar 75mm/ 3.5
fuji pro 400h
Scanned with dslr
Home developed
cinestill cs41
3 min 30 sec
This is the other debacle developing that happened. This was actually the original WTH?!? moment. But I was testing my newly CLA'd Rollei and thought maybe there was an issue. Well that was quickly eliminated when I had another roll of Portra come back shot with my Hasselblad looking similar on frames (both on the negatives NOT scan related). I have ruled out the film because this was a 5 pack and 2 other rolls came back completely fine. From what I could uncover online it looks like it maybe be due to the trays used at the lab and the chemicals dripping down the holes in the trays and laying on the emulsion. I think I could wash the film and see if it turns out better, but I probably won't. If anyone has any better thoughts on why this happened I would love to understand it.
bike parts in the alley, North End, Boise, ID
Taken 27 July 2023
Rolleiflex 3.5F
Zeiss Planar Planar 75mm/ 3.5
Portra 400