View allAll Photos Tagged NegativeLabPro
Yashica Mat 124G
Rollei Retro 80S
Rodinal 1:100 1 hora desatendido
Escaneado con cámara digital
Procesado con NPL y Lightroom
Linhof Technorama 612 PCII | Schneider Kreuznach APO-Symmar 135mm f5.6 | Ilford SFX 200 R72 Infrared Filter @ 200
2022
Oreca 07 #5 Team Penske (LMP2), 6 Hours of Spa-Francorchamps
Canon A-1, nFD 50mm f/1.8, Kodak Pro Image 100
DSLR scan
whiteclouds, id
taken 9 june 2024
mamiya 7ii
mamiya 43mm f/4.5
kodak portra 400
scanned with dslr
home developed
cinestill cs41
3 min 30 sec
Mamiya 7 + 65mm | Kodak Tri-X 400
Scanned with Sony A7RIII & Sigma 70mm macro
Converted with Negative Lab Pro
san francisco, ca
taken 7 september 2024
rolleiflex 3.5f
zeiss planar 75mm/ 3.5
kodak portra 160
+2 dev
Scanned with dslr
Home developed
cinestill cs41
pushed 2 stops
4 min 55 sec
Nikon Nikonos V | Nikon Nikkor 35mm F2.5 | Fuji Neopan Acros II 100
Scanned with Epson v800 | Epson
Kodak HC110 B
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Soft | WB: Auto-Neutral | LUT: Frontier
downtown Boise alley
Taken 6 February 2024
Leica m6
Leica Summicron 35mm/2
Ilford HP5 Plus 400
Home developed
Ilford DD-X 1:4
Intrepid 4x5 Mk4 | Nikkor SW 65mm f/4 | Ilford FP4 Plus 125
Scanned with Epson Perfection V800 Photo
Home developed in Kodak HC-110 1+31 | 9:30/68F | SP-445 Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Nikon Nikonos V | Nikon Nikkor 35mm F2.5 | Fuji Neopan Acros II 100
Kodak HC110 B
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Leica M6 Re-Issue / Leica 21mm Super-Elmar f/3.4 / Fuji 400 / Plustek 8300AI Scanner / Negative Lab Pro
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
Cameradactyl OG, 135mm Optar lens, Portra 400, Calumet 6x9 roll film holder. Scanned with a Fujifilm XT2, Minolta Celtic 50mm/3.5 macro lens. Processed with Negative Lab Pro in Lightroom.
Website | Instagram | FaceBook | Flickr
Late Night Adventures in Film
Tokyo
Japan
2020/02/17~24
A collection of late night adventures, shooting with 35mm film again. It's been many, many years since I last used a film camera and it was very hit and miss process as all the years on digital have really spoiled us. This particular adventure saw me trying out Lomo800's low light capabilities on the colourful backstreets of Ebisu, Meguro and Ogikubo.
Camera: Canon AE-1 Program with 50mm f/1.4 and 85mm f/1.8nFD lenses.
Film: Lomography Colour Negative 35mm ISO800.
#日本 #Japan #東京 #Tokyo #夜 #Night #35mm #ISO800 #Cinematic #Canon #AE-1Program #FDlens #Film #Lomography #Lomo800 #Analog #Analogue #FilmCamera #istillshootfilm #Plustek8200 #NegativeLabPro #Lightroom
Canon Canonet QL17
40mm f1.7
Kodak Portra 400
2024
This one was focused to infinity without thinking about it, but it retains a painterly quality and consistency with the previous photo that I think is nice.
これは無意識に無限遠にピントが合っていたけど、前の写真と同じような絵画的な雰囲気と一貫性があって、いい感じだと思う。
boise, id
taken 25 may 2024
mamiya 7ii
mamiya 43mm f/4.5
cinestill 50d
scanned with dslr
home developed
cinestill cs41
3 min 30 sec
Taken with:
Minolta 110 Zoom SLR MKII (subminiature camera)
Lomography Orca B&W 100 Film 110
Developed in Rodinal 1:100 30 min 20°C (68°F)
- Kodak Portra 400
- Mamiya RB67 Pro SD with K/L 90mm f/3.5
Strobist Info:
*Godox AD400 Pro with Godox ML-CD15 Diffusion Dome
- Home developed with Flic Film C-41
Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80 | Ilford HP5+ 400
Digitized with GFX 50S with 120mm f/4 Pentax Macro | Kaiser Slimlite Plano | Digitaliza 120mm Holder
Home developed in Ilfotec DD-X 1:4 | 9 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Shadow Hard | WB: None | LUT: Frontier
Rolleiflex 3.5f (k4f) | Carl Zeiss Planar | Kodak TMAX 400 @ EI 800
Barry Thornton Two-Bath Stock A and B | 22C | Inversion
Olympus OM-2n | Olympus Zuiko 100mm f/2.0 | Kodak Portra 400 @ 200
Scanned with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Negative Lab Pro v2.2.0 | Color Model: Noritsu | Pre-Sat: 3 | Tone Profile: LAB - Highlight Soft | WB: Fuji | LUT: Frontier
North End hoop, Boise, ID
Mamiya 7ii
Mamiya 50mm f/4.5
Lomography Color 400
Scanned with DSLR
Home developed
Cinestill CS41
3 min 30 sec
Scanning software: Vuescan
Image edited by Negative Lab Pro/ Trial
Number of samples: 16
Number of passes: 2
I am pretty satisfied with results. For me, with my Nikon scanner, this is the solution to devitalize negatives.
Keith Haring murals painted on handball walls
Crack is Wack Park in East Harlem
Contax T2
Fujifilm Fujicolor 200
An American Airlines Boeing 737-823 takes off from runway 5 at Norfolk International Airport. Home developed Kodak Pro Image 100 using the Film Photography Project's C-41 home development kit. Camera = Nikon F100 - Lens = AF Nikkor 200mm f:1/2.8 G. Scanned using the Nikon ES-2 adapter and a Nikon D5600. Still learning how to master the art of home development.
nestled in, Agnes
Taken 16 August 2023
Rolleiflex 3.5F
Zeiss Planar 75mm/ 3.5
Cinestill BWXX 250-1600
Home Developed Ilford Ilfotec-DDX
Intrepid 4x5 MK4 | Fujinon W 180mm f/5.6 | Kodak Ektar 100 | Toyo 69/45 Roll Film Holder
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder
Home developed in Arista C-41 | 3:59/102F | Paterson Tank
Negative Lab Pro v2.2.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | LUT: None
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica Voigtlander Nokton Vintage Line 50mm f/1.5 Aspherical II VM Multi-Coated | Expired Kodak Tmax 400 2004 400 @ 100
Scanned with Negative Supply Co. | Negative Supply Co. | Negative Supply Co.
Ilford DDX
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier
Intrepid 4x5 MK4 | Fujinon SWD 1:5.6/90 | Arista EDU Ultra 100
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | pixl-latr
Home developed in Kodak HC-110 1+63 | 7:00/68F | SP-445 tank
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Shadow Hard | WB: Auto-Neutral | LUT: None
Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Lomography Color Negative 800
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None