View allAll Photos Tagged NegativeLabPro
Nikon N80 | Nikon AF Nikkor 50mm f/1.4D | Kodak ColorPlus 200
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Fujifilm Klasse W | Kodak ColorPlus 200
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80mm | Ilford Delta 400 Professional 400 @ 200
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in Rodinal 1:50 | 20 minutes @ 20ºC
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Hard | WB: Auto-Neutral | LUT: Frontier
Mamiya 7ii
Mamiya 50mm f/4.5
Lomography Red Scale 200
Scanned with DSLR
Home developed
Cinestill CS41
3 min 30 sec
The nature of the seen exists for the seer alone. The entire world-process exists for serving the soul. Matter has no existence or reality without consciousness that lends reality to it. Matter cannot be known to exist without consciousness, and if consciousness is taken away from matter, it will cease to exist. Tadartha Eva Drishyasya Atma – Sutra 21 ॐ Adorations to Sage Pantajali
Leica M6 Re-Issue / 35mm Summilux f1.4 Steel-Rim (Re-Issue)
Kodak Ektar 100 / Plustek 8300AI Scanner / Negative Lab Pro
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known as Sri Govindaji (29 years of age) initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80mm | Ilford FP4+ 125
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in Ilfotec DD-X 1:4 | 10 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Hard | WB: None | LUT: Frontier
Now let’s talk film scanning… I got this photo scanned by a film lab on the Fuji Frontier SP-3000 and after that I scanned my film with my Leica SL3 camera on the VALOI 360 kit, and using Negative Lab Pro to convert the negative. Now of course the question is… Which version do you like better? Comment on your favorite!
Photo 1 (Scanned on Leica SL3)
Photo 2 (Scanned on Fuji Frontier SP-3000)
Camera: Pentax 67ii
Lens: SMC Pentax 67 105mm f2.4
Film: Kodak Portra 800
Valencia, Ciudad de las Artes y las Ciencias.
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Rolleicord Vb
Fuji Neopan Acros 100 II
HC-110 20ºC 5'
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Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Cinematic - Flat | WB: Auto-Neutral | LUT: Frontier
Chamonix 45F-2 | Fujinon W 180mm f/5.6 | Kodak Portra 160 @ 125
Scanned with Epson Perfection V800 Photo
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank, B's Reel
Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-AVG | LUT: None
Nikon F80
Nikkor 28-80mm f/3.5-5.6 D
Trupint FG+ (expired 2003 shot @100asa)
Lab Developed.
Home scanned and converted with Negative Lab Pro
Nikon FM3A | Nikon AF Nikkor 35mm f/2D | Rollei Paul & Reinhold 640
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 9:00/68F
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
Hasselblad 501CM | Zeiss Planar 2.8/80 | Lomography Lomochrome Purple 100-400 200
Scanned with Nikon D750 w/55 3.5 | Raleno LED Panel | Essential Film Holder V3
Lab developed in
Negative Lab Pro v2.2.0 | Color Model: Frontier | Pre-Sat: 5 | Tone Profile: Linear | WB: None | LUT: Frontier
Installation in the Garment District by by Patricia Gonzalez and Carlos Franqui
Leica MP
Zeiss 50mm Planar
Fujifilm Superia 400
The River Yarrow water course created when the Yarrow Reservoir was connected to Anglezarke Reservoir around 1850 when the Reservoir Chain was created.
Intrepid Camera 4x5 Mk 5 | Schneider-Kreuznach 150mm F5.6 Symmar S | Ilford HP5+ 400
Digitized with Nikon Z7 / 60mm Micro Nikkor / Negative Supply Pro Riser MK3 | Raleno LED Light Panel | Glass Sheets
Home developed in Adox XT-3 Replenished Stock | 8m 30s at 20c | Ilford Standard Agitaion
Negative Lab Pro v2.4.2 | Color Model: None | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: None
abandoned battery now a golden gate observation area
san francisco, ca
taken 8 september 2024
rolleiflex 3.5f
zeiss planar 75mm/ 3.5
fuji pro 400h 400
Scanned with dslr
Home developed
cinestill cs41
3 min 30 sec
Nikon N80 | Nikon AF Nikkor 28mm f/2.8D | Kentmere Pan 400 @ 800
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 9:30/68F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Ilford Delta 3200
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder
Home developed in Kodak HC-110 1+15 | 8:00/68F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Hasselblad 501CM | Zeiss Planar 2.8/80 | HP5+ 400 @ 250
Scanned with NIkon D810 w/ 105 2.8 G | Raleno LED Panel | Essential Film Holder V3
Home developed in HC-110 1+31 | 20c | Standard
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear | WB: Auto-Neutral | LUT: Frontier
Strobist Info:
*RB67 Pro SD with K/L 90mm f/3.5
*Kodak Portra 160
*Main Light - Westcott FJ400 with 82 inch soft silver PLM (Parabolic Umbrella) with diffusion cover camera left
- Home developed with Flic Film C-41
morning, foothills Boise, ID
Taken 26 July 2023
Hasselblad 500 c/m
Zeiss Planar 80mm/2.8
Kodak Tri-X 400
I had this same shot (but it's own frame) that I posted n color. I took this frame and converted it to bw.
san francisce, ca
taken 9 september 2024
rolleiflex 3.5f
zeiss planar 75mm/ 3.5
fuji pro 400h
converted to bw
Scanned with dslr
Home developed
cinestill cs41
3 min 30 sec
Lomo Sprocket Rocket
Lomo Turquoise Film
Negative Lab Pro v3.0.2 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Camera: Fuji GA645Zi
Lens:Super-EBC Fujinon Zoom Lens 1:4.5-6.9 f=55-90mm
Shot on Shanghai GP3 100 220 at EI 100, developed in 510-Pyro (1+300) for 90 minutes. Agitation: 1 inversion every 15 min
Vairagya: Dispassion - Towards all that is Illusory & Perishable. Viveka: Discrimination - Between Self and Not-Self.
Leica M6 Re-Issue / Leica 35mm Summilux f1.4 Steel-Rim (Re-issue) / Kodak Ektar 100 Plustek 8300AI Scanner / Negative Lab Pro
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known as Sri Govindaji (29 years of age) initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
Heavy snow, no customers, everyone watching the snow fall.
Hasselblad 501CM | Zeiss Planar 2.8/80 | Kodak Plus-X 125
Digitized with Nikon D750 w/55 3.5 | Raleno LED Panel | Essential Film Holder V3
Home developed in Kodak HC-110 Dil. E (1+47) | 12minutes 18C
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: Frontier
Canon TX | Canon CanonFD 50mm f2 | Kodak Ultramax 400
Scanned with EpsonV600
Home developed in Cinestill C41 | 3.5 min at 102 deg F
Negative Lab Pro v2.2.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Standard | LUT: Frontier
Yashica Mat 124G
Fujifilm Neopan Acros II
Developed with Rodinal
Negative Lab Pro v3.0.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Cinematic - Rich | WB: Auto-Neutral | LUT: Frontier
Nikon N80 | Nikon AF-S Nikkor-Zoom 80-200mm f/2.8D IF-ED | Silberra Color 160
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Warm | LUT: None
Fujifilm GA645Zi | 800T 400
Digitized with Nikon Zf | NIKKOR Z MC 105/2.8 VR S | Negative Supply 97CRI | 3d Printed 120 holder
Home developed in Cinestill Cs41 1:1 | 3.5min @ 39C | AGO Processor
Negative Lab Pro v3.0.2 | Color Model: Noritsu | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier