View allAll Photos Tagged NegativeLabPro

Mamiya 7ii | Lomo 800

Canham DLC45 | Schneider Kreuznach Symmar-S 210mm f/5.6 | Ilford HP5+ 400

 

Scanned with Epson V850 | Epson Fluid Mount Holder

 

Home developed in Kodak HC-110 1+31 | 5min/20c | Inversion

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kentmere Pan 400

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

 

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

 

Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

Yellowstone National Park at the Yellowstone Canyon

 

Contax T2

Kodak Portra 400 film

Nikon FM3A | Nikon AF Nikkor 50mm f/1.4D | Kodak Ektachrome E100

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

 

Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-AVG | LUT: None

Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80 | Ilford HP5+ 400

 

Digitized with GFX 50S with 120mm f/4 Pentax Macro | Kaiser Slimlite Plano | Digitaliza 120mm Holder

 

Home developed in Ilfotec DD-X 1:4 | 9 minutes @ 20ºC

 

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Shadow Hard | WB: None | LUT: Frontier

Olympus OM-1

Zuiko OM 50mm f1.4

Kodak Portra 400

Nikon F3 / Plustek 8300AI Scanner / Portra 160 / Negative Lab Pro

 

www.Chancenkosigomez.com

www.Instagram.com/nkosiart

Nkosi.artiste@gmail.com

 

ABOUT THE ARTIST

 

Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ

Nikon FE2 | Nikkor 50mm f/1.4 | Ilford HP5+ 400 @ 1600, +2 dev

 

Digitized with Nikon Z6 II with 55mm f/3.5 and ext. tube | Kaiser Slimlite Plano | Essental Film Holder v3

 

Home developed in HC-110 1:31 | 11 minutes @ 20ºC

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Shadow Soft | WB: Auto-Neutral | LUT: Frontier

Rolleicord Vb

Kodak TMax 400

HC110 1+31 20ºC 6'

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier

Middlefork, Idaho

 

Taken 5 July 2024

 

Mamiya 7ii

Mamiya 50mm f/4.5

Lomography Potsdam 100

 

Scanned with DSLR

 

Home developed

Ilford Ilfotec DD-X 1:4

 

Konica Hexar AF | SantaColor 100

This was for a school project with the theme of "evidence". My first round of pictures I went the route of taking images of "baffling" things, which is what I have titled this project. I ended up going another route for my school project (which seems to be how I operate).

 

north end, boise, id

 

taken 19 january 2025

 

mamiya 7ii

mamiya 65mm f/4

ilford hp5 400

 

Scanned with dslr

 

Home developed

kodak d76 stock

8min 30sec/22º

 

Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Kentmere Pan 400

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

 

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

 

Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

Nikon N80 | Nikon AF Nikkor 50mm f/1.4D | Kodak Gold 200 with Hanalogital Prism Effect

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

 

Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None

Idaho Candy Co., Boise, ID

 

Taken 28 February 2024

 

Mamiya 7ii

Mamiya 65mm f/4

Lomography Berlin 400

 

Home developed

Ilford Ilfotec DD-X 1:4 8 min

 

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Lomography Color Negative 800

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

 

Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None

Nikon Nikonos V | Nikon Nikkor 35mm F2.5 | Fuji Neopan Acros II 100

 

Scanned with Epson v800 | Epson

 

Kodak HC110 B

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Cinematic - Log | WB: Auto-Neutral | LUT: Frontier

Designed by Starrett and Van Vleck, Completed in 1927. Located at 21 Clark Street

 

Converted to the Watermark at Brooklyn Heights:

brooklynheights.watermarkcommunities.com/

 

Leica M5

Voigtlander 35mm 2.0 Ultron

Ilford XP2 400

  

Because I'm a masochist, I shot a concert 100% on film. I did it for the same reason people climb Mount Everest — because it's there. I've been good friends with the bassist for Cold many years and she just wanted me to come to the show. There wasn't really any expectations, so I did it as a personal project. Let's be real. I love film, but digital is the greatest thing ever for concert photography. 😂

 

Full set is here: conc.art/shows/rock/cold-vogue-indianapolis-concert-film-...

 

Pentax 645NII | Pentax SMC Pentax-FA 645 150mm f/2.8 | Cinestill 800T 800 @ 3200, +2 dev

 

Scanned with Nikon D810 | Negative Supply Basic 4x5 (99 CRI) | Negative Supply Film Carrier 120

 

Home developed in Cinestill Cs41 Liquid | JOBO CPE2 Rotary Processor

 

Negative Lab Pro v2.3.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier

Leica M6 TTL | Leica Summicron-M 50mm f/2.0 | Ilford HP5+ 400 @ 800, +1 dev

 

Scanned with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Kamerakraft FSC1 Pro

 

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier

Pentax 67

SMC Takumar 105mm f2.4

Kodak Portra 400

This is another project I have been working on entitled, "the walls we build".

 

north end, boise, id

 

taken 19 september 2024

 

mamiya 7ii

mamiya 65mm f/4

kodak portra 160

 

Scanned with dslr

 

Home developed

cinestill cs41

3 min 30 sec

 

Tri-X 400@200 (caducado en 2018)

Fujifilm GA645 Professional

Kodak HC-110 1+31 6' 30" 20ºC

 

------------

 

Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier

colorful gate, North End alley, Boise, ID

 

Taken 27 July 2023

 

Rolleiflex 3.5F

Zeiss Planar Planar 75mm/ 3.5

Portra 400

Bodega Cat

 

Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: LAB - Standard | LUT: Pakon

Of all the frames I screwed up this was one of my favorites. This is me taking pictures of me in a Photo Booth taking pictures of me.

 

9 February 2024, downtown Boise, ID

 

Leica m6

Leica Summicron 35mm/2

Ilford HP5 Plus 400

Home developed

Ilford Ilfotec DD-X 1:4

Bronica RF645 | Kodak Portra 400

Hasselblad 500 C/M | Carl Zeiss Planar 80mm F2.8 | Fuji Superia X-Tra 400 (Expired) @ 100

 

Scanned with Minolta Multi Pro

 

Home developed in Fujifilm Film X-Press

 

Negative Lab Pro v2.3.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Standard | LUT: Frontier

Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Lomography Lomochrome Turquiose 100-400 @ 400

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

 

Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

Part of Cadman Towers developmennt

 

Brooklyn Heights

 

Leica M5

Voigtlander 35mm 2.0 Ultron

Ilford XP2 400

Intrepid 4x5 MK4 | Fujinon W 180mm f/5.6 | Arista EDU Ultra 100

 

Scanned with Epson Perfection V800 Photo

 

Home developed in Kodak HC-110 1+63 | 8:30/68F | SP-445 tank

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None

white trash

 

North End alley, Boise, ID

 

Taken 2 July 2023

 

Leica m6

Leica Summicron 35 mm/2

Fuji Superia 400

Nikon FG and Nikon Nikkor 50mm 1:1.8 AI-S

Expired Fujifilm Fujicolor Press 1600 at 200

Olympus XA2, Cinestill 400D, Negative Lab Pro

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Lomography Color Negative 800

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

 

Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None

A slight crop as - upside down on the ground glass - I didn't notice the car roof poking in from the bottom of the frame...

Intrepid 4x5 black mk5 | Nikon Nikkor W 210mm f/5.6 | Kodak Portra 160

 

Digitized with Canon EOS R - EF 100mm macro f/2,8L IS | Kaiser slimlite plano | Between two sheets of ANR glass.

 

Home developed in Tetenal Colortec C-41 Stock | 3:15 / 38gr | C-41 | Ilford agitation

 

Negative Lab Pro v3.0.2 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Standard | LUT: Frontier

Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: Cinematic - Rich | WB: Cine-D | LUT: Pakon

In the Lullwater of Prospect Park Lake

 

Leica M5

Leica 35mm Summicron v4

Ilford XP2

Follow me on Instagram

 

Strobist Info:

 

*RB67 Pro SD with K/L 90mm f/3.5

*Kodak Portra 160

*Main Light - Westcott FJ400 with 82 inch soft silver PLM (Parabolic Umbrella) with diffusion cover camera left

 

- Home developed with Flic Film C-41

Minox 35 GL

Fomapan 200

Rodinal 1+50

Silverfast 8

Negative Lab Pro

san francisco, ca

 

taken 9 selptember 2024

 

rolleiflex 3.5f

zeiss planar 75mm/ 3.5

kodak portra 800

 

Scanned with dslr

 

Home developed

cinestill cs41

3 min 30 sec

 

in the early morning

Canal Street - NYC

 

Leica MP

Voigtlander 35mm 2.0 Ultron Fujifilm Superia 400

Mamiya 645 Super

Fuji Reala 100 (exp. 2012-10)

fresh CineStill C-41 (3m:40s @ 103F)

 

Nikon N80 | Nikon AF-S Zoom-Nikkor 80-200mm f/2.8D IF-ED | Kodak UltraMax 400

 

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

 

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

 

Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

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