Hasselblad 501CM | Zeiss Makro-Planar CFi 4/120 | Hp5+ 400 @ 250

Digitized with NIkon D810 w/ 105 2.8 G | Raleno LED Panel | Essential Film Holder V3

Home developed in HC-110 Dil. B (1+31) | 20c | Standard

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear | WB: Auto-Neutral | LUT: Frontier

Olympus XA2

Fomapan 200

Rodinal

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- Mamiya RB67 Pro SD with K/L 90mm f/3.5

- Kodak Gold 200

Strobist Info:

*Westcott FJ400 + Strobepro 33 inch Deep Silver Beauty Dish

- Home developed with Unicolor C-41

Cross processed Rollei CR 200, Ricoh 35 ZF. Vanbar dev, dslr scan. Sep 2024.

This is a film image of a scene I shot this summer on both APS-C digital and medium format film. I made the mistake of leaving the film in the camera back for a long time and a light leak affected the images. I was able to use Lightroom to cancel out the damage with reasonable success.

The image was made with my Mamiya RB67 and KL 127mm lens on Kodak Portra 160. The film was camera scanned with my Nikon D610 and Micro Nikor 55mm and converted with Negative Lab Pro in Lightroom.

Kodak Gold 100

Nikon F801 - scanned by Eos R6

Taken with Fujifilm GA645zi and Ilford FP4 Plus 120, Adox Adonal (Rodinal) stand development 1:100

Nikon F80

Nikkor 28-80mm f/3.5-5.6 D

Trupint FG+ (expired 2003 shot @100asa)

Lab Developed.

Home scanned and converted with Negative Lab Pro

Hasselblad 501CM | Zeiss Makro-Planar CFi 4/120 | Hp5+ 400 @ 250

Digitized with NIkon D810 w/ 105 2.8 G | Raleno LED Panel | Essential Film Holder V3

Home developed in HC-110 Dil. B (1+31) | 20c | Standard

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear | WB: Auto-Neutral | LUT: Frontier

Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80mm | Kodak Portra 160

Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3

Negative Lab Pro v2.2.0 | Color Model: Frontier | Pre-Sat: 5 | Tone Profile: LAB - Standard | WB: Auto-Warm | LUT: Frontier

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Strobist Info:

*RB67 Pro SD with K/L 90mm f/3.5

*Cinestill 400D shot

*Main Light - Westcott FJ400 with 82 inch soft silver PLM (Parabolic Umbrella) with diffusion cover camera right

*Fill - Westcott FJ400 with 64 inch soft silver PLM (Parabolic Umbrella) with diffusion cover camera right

- Home developed with Flic Film C-41

Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 4 | Tone Profile: Cinematic - Rich | LUT: Pakon

Intrepid 4x5 MK4 | Fujinon SWD 1:5.6/90 | Kodak Ektar 100

Scanned with Epson Perfection V800 Photo

Home developed in Arista C-41 | 3:38/102F | SP-445 tank

Negative Lab Pro v2.2.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None

Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: Cinematic - Rich | WB: None | LUT: Pakon

Olympus XA2

Fomapan 200

Rodinal

Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80mm | Ilford HP5+ 400 @ 800, +1 dev

Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Digitaliza 120 film holder

Home developed in Ilfotec DD-X 1:4 | 10 minutes @ 20ºC

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Shadow Soft | WB: None | LUT: Frontier

River Douglas Waterfall, found in Tigers Clough.

Intrepid Camera 4x5 Mk 5 | Nikon Nikkor-SW 90mm f4.5 | Ilfoird Delta 100 400 @ 100

Digitized with Nikon Z7 / 60mm Micro Nikkor / Negative Supply Pro Riser MK3 | Raleno LED Light Panel | Glass Sheets

Home developed in Adox XT-3 Replenished Stock | 8m at 20c | Ilford Standard Agitaion

Negative Lab Pro v2.4.2 | Color Model: None | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: None

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Lomography Color Negative 800

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kentmere Pan 400

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kentmere Pan 400

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

A weathered burl and moss set against a soft, glowing backdrop—the forest rendered as sculpture at Mackey creek.

Pentacon Pentacon Six TL | Carl Zeiss Jena Biometar f2.8 80mm | llford XP2 Super 400 400

Scanned with Epson V800

Leica M6 TTL | Leica Summicron-M 50mm f/2.0 | Ilford Delta 400 Professional 400 @ 800, +1 dev

Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3

Home developed in Ilfotec DD-X 1:4 | 11 minutes @ 19ºC

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier

Intrepid 4x5 Mk4 | Fujinon W 180mm f/5.6 | Ilford FP4 Plus 125

Scanned with Epson Perfection V800 Photo

Home developed in Kodak HC-110 1+31 | 9:30/68F | Paterson Tank

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kentmere Pan 400

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

Olympus XA2

Fomapan 200

Rodinal

Intrepid 4x5 MK4 | Fujinon SWD 90mm f/5.6 | Kodak Portra 160 | Toyo 69/45 Roll Film Holder

Scanned with Epson Perfection V800 Photo

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-AVG | LUT: None

#花 #ヒマワリ #座間ひまわり祭り #ひまわり #Helianthus_annuus #Sunflower #Japan #Zama_Himawari_Festival #銀塩写真 #negativelabpro #KodakGOLD200

Tai She Wan, Hong Kong.

www.grainydreams.com/post/snake-bay-film-nikon-fe2-kodak-...

Nikon FM, Nikkor Ai 50mm f/2 + Orange Filter

AgfaPhoto Apx 400

Rodinal 1+50

In the Lullwater of Prospect Park Lake

Leica M5

Leica 35mm Summicron v4

Ilford XP2

Leica M5

Voigtlander 35mm 2.0 Ultron Ilford HP5 400 film

Bronica RF645 | Fuji Pro 400H

Nikon F80

Tamron 28-300mm F/3.5-6.3 Di VC PZD

Kodak Ultramax

Lab Developed

Home scanned and converted with Negative Lab Pro

Pentax 67, 55mm F/4, Portra 800

Nikon FA, Electra 100. Vanbar dev, dslr scan.

Nikon Nikonos V | Nikon Nikkor 35mm F2.5 | Fuji Neopan Acros II 100

Scanned with Epson v800 | Epson

Kodak HC110 B

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Cinematic - Rich | WB: Auto-Neutral | LUT: Frontier

Intrepid 4x5 Mk4 | Fujinon SWD 90mm f/5.6 | Ilford FP4 Plus 125

Scanned with Epson Perfection V800 Photo

Home developed in Kodak HC-110 1+31 | 9:30/68F | Paterson Tank

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

The pipe organ at Manchester Cathedral

Nikon FE | Voigtlander 58mm f1.4 SL-II Nokton | Kentmere 400 400

Digitized with Nikon Z7 / 60mm Micro Nikkor | Raleno LED Light Panel | Nikon ES-2

Home developed in Adox XT-3 Replenished Stock | 9 mins at 20c | Ilford Standard Agitaion

Negative Lab Pro v2.4.2 | Color Model: None | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: None

Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Lomography Color Negative 800

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None

Intrepid 4x5 Camera

Kodak Portra 400

Coney Island, Brooklyn

Negative Lab Pro v3.0.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier

Olympus mju-II

Fomapan 200

Rodinal 1+50

Silverfast 8

Negative Lab Pro

Fuji DL-200

Fomapan 200

Rodinal 1+50

Construction everywhere, inside and out, Boise, ID

Taken 9 march 2023

Leica M6

Leica Summicron 35 mm f/2

Lomography Color 800

Be Our Guest, Boise, ID

Taken 2 march 2023

Leica M6

Leica Summicron 35 mm f/2

Lomography Color 800

Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Kodak UltraMax 400

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None

Olympus XA2

Fomapan 200

Rodinal