View allAll Photos Tagged NegativeLabPro
Kiev 88 | Vega Vega 12B 90mm f/2.8 | Fujifilm Acros II 100
Scanned with Canoscan 8800f | 120 w/ acrylic ANR sheet
Home developed in Rodinal 1:25 | 6:30 min / 68 degrees | Agitation
You really get the best light at the southern end of Manhattan Island
Leica M7
Leica 35mm Summicron v4
Fujifilm Superia 400
- Mamiya RB67 Pro SD with K/L 90mm f/3.5
- Kodak Gold 200
Strobist Info:
*Westcott FJ400 + Strobepro 33 inch Deep Silver Beauty Dish
- Home developed with Unicolor C-41
Pentax LX | Pentax Fa 43mm F1.9 limited | Ildford Pan F Plus 50
Scanned with Pentax K1 FA Macro 50mm at F8 | Led Tablet | Essential Film Holder
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None
Ilford HP5 Canon Canonet QL17 | Canon 40mm 1.7 | Ilford HP5 400 @ 800, +1 dev Scanned with Plustek OpticFilm 8200i
Canon Canonet QL17 // Canon 40mm 1.7 // Ilford HP5 400 @ 800, +1 dev
Scanned with Plustek OpticFilm 8200i
Negative Lab Pro v2.4.2 // Color Model: B+W // Pre-Sat: 3 // Tone Profile: LAB - Standard // WB: None // LUT: Frontier
craters of the moon, id
taken 8 june 2025
mamiya 7ii
mamiya 43mm f/4.5
lomography redscale 200
Scanned with dslr
Home developed
cinestill cs41
3 min 30 sec
new york city, ny
taken 12 august 2024
mamiya 7ii
mamiya 43mm f/4.5
kentmere 400, +1 dev
Scanned with dslr
Home developed
kodak d76
pushed 1 stop
8min 23sec/26
laguardia, New York City, ny
taken 12 august 2024
mamiya 7ii
mamiya 43mm f/4.5
kentmere 400
+1 dev
Scanned with dslr
Home developed
kodak d76
pushed 1 stop
8min 23sec/26º
Nikon Nikonos V | Nikon Nikkor 35mm F2.5 | Fuji Neopan Acros II 100
Scanned with Epson v800 | Epson
Kodak HC110 B
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Cinematic - Log | WB: Auto-Neutral | LUT: Frontier
Museo al aire libre, Paseo de la Castellana
Pentax LX | Pentax Fa 43mm F1.9 limited | Ildford Pan F Plus 50
Scanned with Pentax K1 FA Macro 50mm at F8 | Led Tablet | Essential Film Holder
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None
cactus bar, downtown, Boise, ID
Taken 10 April 2023
Leica m6
Leica Summicron 35 mm/2
Fuji Superia 400
Hasselblad 501CM | Zeiss Planar 2.8/80 CFE (Ext Tube 21) | Kodak TMAX 100 100
Digitized with D750 w/ Nikkor 55 3.5 | Raleno LED Panel | Essential Film Holder V3
Home developed in HC-110 B (1+31)
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Nikon FM2n + Nikkor 50mm-F1,4+ Kodak Ektar 100. Negative Lab Pro v2.2.0 | Color Model: None | Pre-Sat: 3 | Tone Profile: Linear | LUT: Frontier. fotoplenka.in.ua/p591531878-fotoplenka-kodak-professional...
First frames from the new (to me) Pentax 645II at Haute Hops and Vines Fest (which was an absolute success and a totally great time). Anyone who tells you there isn't much of a difference between 35mm and "baby medium format" is an absolute liar. The negatives are 2.7x larger and have every bit of that MF "pop." I picked up this camera because I want to finally make the move to incorporating film work into my professional workflow, and the ability to have medium format with autofocus and between 33 and 60% more frames per roll is essential for that. I love my 6x6 and 6x7 cameras, but 645 is made for boots-on-the-ground volume shooting where larger negatives are still important. Also, the data imprinting on the border is just *chef's kiss*.
If you read this far, please consider following my film-only Insta (and FB and Twitter) @lookslikefilmbecauseitis where more of my casual day-to-day work will be posted. I've also got a group on here by the same name where anyone can submit their film work.
Pentax 645NII | Pentax SMC Pentax-A 645 75mm f/2.8 | Kodak Portra 400 @ 200, +1 dev
Scanned with Epson V750 Pro | BetterScanning Dual MF Film Holder
Home developed in Cinestill Cs41 Liquid | JOBO CPE2 Rotary Processor
Negative Lab Pro v2.3.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Shadow Hard | LUT: Frontier
Nikon FE2 | Nikkor 55mm f/3.5 Micro | Ilford HP5+ 400 @ 800, +1 dev
Scanned with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Kamerakraft FSC1 Pro
Home developed in Ilfotec DD-X 1:4 | 10 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Highlight Soft | WB: None | LUT: Frontier
downtown boise, id
taken 20 February 2025
mamiya 7ii
mamiya 80mm f/4
lomography redscale 100
Scanned with dslr
Home developed
cinestill cs41
3 min 30 sec
- Mamiya RB67 Pro SD with K/L 90mm f/3.5
- Kodak Gold 200
Strobist Info:
*Westcott FJ400 + Strobepro 33 inch Deep Silver Beauty Dish
- Home developed with Unicolor C-41
I recall framing for the two policemen and this guy walked into the frame as I snapped the photo. While I wish I had seen him coming and composed to include all of him, there is something about this image I really like. One hand in his coat pocket, the other holding the jacket closed perhaps. The man cutting so closely in front of the officers. He and one officer looking at me while the other officer seems oblivious to any of it.
Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Rollei Infrared 400 | Tiffen 23A Red Filter
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:00/68F | Paterson Tank
Negative Lab Pro v2.4.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
Minolta CLE | Minolta M-ROKKOR 40mm f/2 | Fuji Pro 400H 400
Scanned with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essential Film Holder v3
Negative Lab Pro v2.2.0 | Color Model: Noritsu | Pre-Sat: 3 | Tone Profile: Cinematic - Rich | WB: Auto-Warm | LUT: Frontier
Taken 8 june 2024
Mamiya 7ii
Mamiya 43mm f/4.5
Kodak Portra 800
Scanned with DSLR
Home developed
Cinestill CS41
3 min 30 sec
Flicfilm Electra 100, Nikon FM2n. Vanbar dev, dslr scan. Super cold morning in May. Edinburgh Gardens.
Nikon N80 | Nikon AF Nikkor 35mm f/2D | Kodak ColorPlus 200
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-AVG | LUT: None
Olympus Stylus 120 | Illford HP5
Scanned with Sony A7RIII & Sigma 70mm macro
Converted with Negative Lab Pro
IG: @e.vondell
Fulton Street in Brooklyn, Bedford Stuyvesant area
Leica M6
Leica 35mm Summicron v2
Kodak Pro Image 100
Nikon FE2 | Nikkor 55mm f/3.5 Micro | Kodak Pro Image 100
Scanned with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Negative Lab Pro v2.2.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-AVG | LUT: Crystal
Mullet Proof Hair Co., Boise, ID
Taken 30 January 2023
Leica m6
Leica Summicron 35mm/2
Kodak Portra 400
Leica M6 Re-Issue / Leica 21mm Super-Elmar f/3.4 / Kodak Ektar 100 Plustek 8300AI Scanner / Negative Lab Pro
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
Kiev 88 | Volna Volva 3 80mm f/2.8 | Fujifilm Pro400h 400
Scanned with Canoscan 8800f | 120 w/ acrylic ANR sheet
Home developed in Unicolor C-41 | 102 degrees / 3:30 min | Agitation
ROLLEIFLEX 3.5F 1977 | Carl Zeiss Planar 75mm f3.5 | Fuji Neopan 400 400 @ 100, -1 dev Scanned with Canonscan 9000F | Yes Home developed in ADOX HC110 B | 6 min | Semi Stand Negative Lab Pro v3.1.1 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier
ROLLEIFLEX 3.5F 1977 | Carl Zeiss Planar 75mm f3.5 | Fuji Neopan 400 400 @ 100, -1 dev
Scanned with Canonscan 9000F | Yes
Home developed in ADOX HC110 B | 6 min | Semi Stand
Negative Lab Pro v3.1.1 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier Expiration date: 3/2000 Fujifilm neopan 400 almost 25 years expired film and still looking very good.