View allAll Photos Tagged Negative
This was taken with ilford SFX film, no filter. I played around with chemical negative destruction (no stop bath) during development as well as very long fixing times. Taken with a pentax 35mm camera.
8x10 Paper Negative
Vastly underexposed
Apo-Ronar 360mm
Developed in 300ml paRodinal 1+50 with 3ml 1% benzotriazole solution
From the tessellation exposition in Brazil earlier this summer. Folded for the NYC convention last June. One of my favorite patterns, and one of the folding techniques I am the most pleased with.
wet plate negative. 5X7”
New Guy’s recipe. Developed in ferrous sulphate. Fixed in Hypo.
Intensified with iodine and redeveloped with pyro
The positive image is just inverted in phostoshop
Crown Graphic shot on 4x5 paper negative / developed in caffenol.
Paper: Ilford muligrade IV
Lens: 150mm Rodenstock APO Sironar 5.6
Exposure: f/16 @ 8 seconds
This week: Playing with negative space, i.e. the visual space around the main subject of the image. How do the elements relate to each other? How does negative space augment the expression of the positive space? Can negative space support or destroy the story of the subject? How does structure/colour/form of negative space impact on the image?
The album can be found here: 2021 | 52 projects.
(Wien/Rochuspark)
Happy Macro Monday everyone. Sorry I haven't been around much, these 12 hour shifts can be a killer. Lol
I promise I will be looking at and commenting on this weeks photos. :)
Looking forward to seeing what everyone has come up with.
This is by way of an experiment: a panoramic negative rephotographed with a Nikon D500 APS-C DSLR and an old Sigma 105mm f2.8 'screw-drive' macro lens. The original negative was taken on a Horizon swing-lens camera and was illuminated by a basic led flat light source. I processed the resulting file in DxO PhotoLab and outputted via Lightroom. If I am to use this technique more in future I will need to find a means of keeping the negatives flatter - maybe using an old carrier from an enlarger - and mounting the camera rigidly by means of a tripod or copy stand. Still, I think it has potential... The scene, by the way, is the harbour at Lund on the coast of British Columbia. Original negative dated June 5th, 2006.
D500_160393_DxO.jpg
Gladys Cooper (18 December 1888 – 17 November 1971) , an English actress
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embossed with "gemini" by Crafter's Companion
Printed on Cotman Water Colour Paper card size Fine / exposed for 1hr
Sensitizer: VanDyke Brown print solution
Fixing agent: Citric acid solution & sodium thiosulfate solution
Toning: none
Enlarger: Lucky Attache-35 (EL-Nikkor 1:2.8 f=50mm)
Film carrier: 35mm carrier
Negative film: 35mm (135) film (Fuji Acros 100) transferred from a digital image (taken from an antique collotype postcard) with a film recorder (Polaroid Digital Palette HR 6000)
Light source: High power (50w) UV LED unit (SMD=surface mounted LED modules)
New group was created. If you like, please join.
397 TYAN-SHAN 2002 [film 12] №34A Day15 (12.08.2002)
EOS 300 + EF 100-300 f4.5-5.6 USM / Fuji Superia 200
Scanned > EOS 60D + EF100mm f/2.8L Macro IS USM + Negative Lab Pro + PS
Fujifilm GA645Zi | 800T 400
Digitized with Nikon Zf | NIKKOR Z MC 105/2.8 VR S | Negative Supply 97CRI | 3d Printed 120 holder
Home developed in Cinestill Cs41 1:1 | 3.5min @ 39C | AGO Processor
Negative Lab Pro v3.0.2 | Color Model: Noritsu | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Reclaimed negative from Fuji FP100-C instant film sheet.
Had just binned most of the peel off parts to the instant film sheets, thinking they were useless, but had kept a bunch for some reason, then found various youtube vids explaining the process of reclaiming the negative using bleach. (I would point out that you should ensure you are doing this process in a well ventilated area, as the fumes were nasty, and wear gloves when using the bleach....have seen vids with people just using their bare hands!).
These didn't work out perfectly, but I'd have been disappointed if they had - I like the random blobs/colours etc!
Printed on Cotman Water Colour Paper F2 Medium / exposed for 5hrs
Jacquard cyanotype kit (Potassium Ferricyanide & Ferric Ammonium Citrate)
Toning: Jasmine tea
Enlarger: Lucky II-C (Fujinar-Ｅ75mmF4.5)
Film carrier: Glass plates
Negative film: 120 film taken in 1950s in Bikuni (美国), Shakotan (積丹), Hokkaido, Japan
Light source: High power (50w) UV LED unit (SMD=surface mounted LED modules)
New group was created. If you like, please join.
Negative re-scan needed... if I can find the negatives
Operating for Continental Micronesia.
Fleet No: "249".
First flown with the Boeing test registration N1786B, this aircraft was delivered to Continental Airlines as N14249 in Dec-99 and leased to Continental Micronesia the following day. It was fitted with blended winglets at Hong Kong in Nov-05. Continental Airlines was merged into United Airlines in Oct-10 and the aircraft continued to be based at Guam until it returned to the USA in Nov-15. It was fitted with Split Scimitar winglets later that month. Current, updated (Aug-20).
Note: This photo was was taken at Nagoya-Komaki when it was still NGO, before Centrair was opened.
Found an old review of the scanner (2007) and this adjustment to the negative carrier was referred to. I am not sure it made a big difference but it did not do any worse. A wet print would be the best but.....
Please go here to see more images from "What's That You're Wearing"
www.flickr.com/photos/69559277@N04/sets/72157640797725143/
Produced from the original negative in my collection.