View allAll Photos Tagged Negative

PictionID:47058566 - Catalog:14_024468 - Title:GD/Astronautics Facilities Details: Azusa MK II Test Faciluty; Antenna Field from Water Tower Date: 12/23/1958 - Filename:14_024468.TIF - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum

Valiant II: HDR (from negative scan) - Pentax ES (1971) with Takumar 1:2.8 120 mm Super-Multi-Coated Prime and Kodak ISO 400 Film - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.

PictionID:47210065 - Catalog:14_024819 - Title:Atlas 7D Details: Launch Sequence for Missile 7D Date: 05/18/1959 - Filename:14_024819.TIF - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum

Had to do one in teals, just the B&W negative with color added & shown from yet a different angle, sometimes I just don't know which way is up! :) THANKS TO EVERYONE FOR THE SWEET & THOUGHTFUL COMMENTS! VERY MUCH APPRECIATED!

Out on a walk through a park and looking up through oak trees. Fun part of this one for me is to imagine seeing it as a satellite image looking down on rivers.

the space between and around the objects in the frame, the lake

part of my new photo project The RangeFinder Diaries. shot with my canonet QL17 GIII on kodak ektar 100

 

therangefinderdiaries.tumblr.com

PictionID:44034237 - Catalog:14_009809 - Title:Atlas 4A Details: AFMTC-Pad 14; General Views of 4A Date: 06/11/1957 - Filename:14_009809.TIF - - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum

Polaroid Land Camera 250, FP-100C

PictionID:47210451 - Catalog:14_024850 - Title:GD/Astronautics Details: Missile 8A interior; Tank Bracing for Public Display Date: 09/05/1958 - Filename:14_024850.TIF - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum

Source: livinghistories.newcastle.edu.au/nodes/view/32968

 

Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.

 

A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.

 

Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.

 

Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.

 

After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).

 

The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.

 

Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.

 

The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).

 

You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.

 

If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.

 

If you have any further information on the photographs, please leave a comment.

 

These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg

When all else fails jack around in lightroom.

This is my first attempt at creating a design with negative space. I think the outcome is nice, as the effect is quite close to what I had in mind while the text is still legible. This is definitely another concept I should explore further, especially when it comes to minimalist designs.

 

To see more designs, please visit designtaneous.com

Created with Playface Pro

PictionID:44944134 - Catalog:14_016239 - Title:Atlas 3C Details: Erection of Missile 3C at Pad 12 Date: 11/04/1958 - Filename:14_016239.TIF - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum

PictionID:47209276 - Catalog:14_024756 - Title:GD/Astronautics Details: Factory View of Missiles; B-1 Date: 08/29/1957 - Filename:14_024756.TIF - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum

PictionID:47210052 - Catalog:14_024818 - Title:Atlas 7D Details: Launch Sequence for Missile 7D Date: 05/18/1959 - Filename:14_024818.TIF - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum

PictionID:46028443 - Catalog:Array - Title:Array - Filename:14_021048.tif - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum

Excellent detail in this c.1926 image of legendary orchestra leader "Paul Whiteman" with his son standing on the front bumper of a "Willys-Knight" automobile pictured in front of the Ferry Building in San Francisco, California. Promotional picture taken for the Tenth Annual Pacific Automobile Exposition held by the Motor Car Dealer’s Association of San Francisco with the Latest 1926 Models on Display.

 

The Paul Whiteman Orchestra introduced many jazz standards in the 1920s, including "Hot Lips", which was in the Steven Spielberg movie The Color Purple (1985), "Mississippi Mud", "From Monday On", co-written and sung by Bing Crosby with Bix Beiderbecke on cornet, "Nuthin' But", "Grand Canyon Suite" and "Mississippi Suite" composed by Ferde Grofe, "Rhapsody in Blue", composed by George Gershwin who played piano on the Paul Whiteman recording in 1924, "Wonderful One" (1923), and "Wang Wang Blues" (1920), covered by Glenn Miller, Duke Ellington, Benny Goodman, and Joe "King" Oliver's Dixie Syncopators in 1926 and many of the Big Bands. "Hot Lips" was recorded by Ted Lewis and His Jazz Band, Horace Heidt and His Brigadiers Orchestra (1937), Specht's Jazz Outfit, the Cotton Pickers (1922), and Django Reinhardt Et Le Quintette Du Hot Club De France. Herb Alpert and Al Hirt were influenced by the Paul Whiteman Orchestra, particularly the solo work of trumpeter Henry Busse, especially his solo on "Rhapsody in Blue".

 

www.youtube.com/watch?v=xFurKUxafRk

 

Image derived from the original glass negative.

 

Geotagged

Image derived from the original glass negative.

Collodion wet plate glass negative (18x24cm)

Backstage video on my blog:

blenditak.blogspot.hu/2017/06/madartollak-feathers.html

PictionID:47062004 - Catalog:14_024583 - Title:Atlas 3D Details: Pad 13; Demating Missle 3D Date: 03/04/1959 - Filename:14_024583.TIF - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum

Nijhof Wassink Wierden

grensovergang Venlo - Schwanenhaus (A61)

One of two related color negatives. Negative was found on eBay.

Digitised image from the Town Hall Photographer's Collection - GB127.M850

 

The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.

 

The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.

 

The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.

 

The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.

 

What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.

 

A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.

 

This album represents the result of their work to date.

The red Ken Swan Chica built and owned by Dick Wormsbecher of Longview; the other skiff looks like it may be a Ken Swan design too. Depoe Bay Wooden Boat Show, April, 1998

Shot with a Pentax Espio 738 compact 35mm film.

 

Re-edited 19/3/2013 for sharpening and noise reduction.

Hong Kong Harbor,July 1972. One of the many pics I took from the Star Ferry

The bars are not side to side connected, creating negative space in between them.

The light, when on the other veil

of the world falls deep the dark,

hides a web of possibilities, a trail

left in my negative sky from thy spark.

With the Yashica-Mat on Kodak Portra 160NC. Scanned negative post-processed in LAB.

Digitised image from the Town Hall Photographer's Collection - GB127.M850.

 

The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.

 

The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.

 

The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.

 

The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.

 

What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.

 

A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.

 

This album represents the result of their work to date.

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