View allAll Photos Tagged Negative
expired polaroid polacolor type 88 film shot with a holgaroid. original camera negative wet-scanned and converted to color positive.
Teitl Cymraeg/Welsh title: Sioe Amaethyddol Môn, 1963
Ffotograffydd/Photographer: Geoff Charles (1909-2002)
Nodyn/Note:
Dyddiad/Date: 17/81963
Cyfrwng/Medium: Negydd ffilm / Film negative
Cyfeiriad/Reference: (gch31943)
Rhif cofnod / Record no.: 3471669
Rhagor o wybodaeth am gasgliad Geoff Charles yn Llyfrgell Genedlaethol Cymru
More information about the Geoff Charles Collection at the National Library of Wales
Mae ffotograffau Geoff Charles hefyd yn rhan o Broject Europeana Libraries
Geoff Charles' photographs also form part of the Europeana Libraries Project
part of my new photo project The RangeFinder Diaries. shot with my canonet QL17 GIII on kodak ektar 100
Minolta CLE | Minolta M-ROKKOR 40mm f/2.0 | Ilford HP5+ 400 @ 1600, +2 dev
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Kamerakraft FSC1 Pro
Home developed in Ilfotec DD-X 1:4 | 13 minutes at 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear | WB: None | LUT: Frontier
Website: chriskephoto.wixsite.com/life
Facebook: www.facebook.com/Chriskephotography/
Instagram: www.instagram.com/chriske417/
Tumblr: chriske417.tumblr.com/
Flickr: www.flickr.com/photos/chris_ke/
500px: 500px.com/lililala0417
Source: livinghistories.newcastle.edu.au/nodes/view/32968
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
PictionID:47209276 - Catalog:14_024756 - Title:GD/Astronautics Details: Factory View of Missiles; B-1 Date: 08/29/1957 - Filename:14_024756.TIF - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
I found this old large negative of an Adam West Batman at a flea market recently. I don't know where it came from or what it was used for. It was in its original envelope, too.
PictionID:47210052 - Catalog:14_024818 - Title:Atlas 7D Details: Launch Sequence for Missile 7D Date: 05/18/1959 - Filename:14_024818.TIF - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Leica M-A, Zeiss ZM 35mm f/2, Kodak Portra 800, scanned from negative with a Plustek 8200i
Instagram: @andorcover
Website: andor.cool
pictionid62492530 - catalog230000797 - title gsconvair negative-convair 240 allison turbo-prop prototype powertrain installation - filename230000797.tif---Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--
Teitl Cymraeg/Welsh title: Agweddau ar fywyd Dyffryn Aman cyn cynnal Eisteddfod yr Urdd yno ym 1949
Ffotograffydd/Photographer: Geoff Charles (1909-2002)
Nodyn/Note: School children playing marbles in the schoolyard.
Dyddiad/Date: 19/2/1949
Cyfrwng/Medium: Negydd ffilm / Film negative
Cyfeiriad/Reference: (gcc07241)
Rhif cofnod / Record no.: 3472994
Rhagor o wybodaeth am gasgliad Geoff Charles yn Llyfrgell Genedlaethol Cymru
More information about the Geoff Charles Collection at the National Library of Wales
Mae ffotograffau Geoff Charles hefyd yn rhan o Broject Europeana Libraries
Geoff Charles' photographs also form part of the Europeana Libraries Project
Source: livinghistories.newcastle.edu.au/nodes/view/32969
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Format: Glass plate negative.
Rights Info: No known restrictions on publication.
Repository: Thomas Lennon Photographic Collection, Powerhouse Museum www.powerhousemuseum.com/collection/database/collection=Thomas_Lennon_Photographic
Part Of: Powerhouse Museum Collection
General information about the Powerhouse Museum Collection is available at www.powerhousemuseum.com/collection/database
Persistent URL: http://www.powerhousemuseum.com/collection/database/?irn=388381
Final processing ala Alan Friedman ... the image pixels are "inverted" (imagine a photographic negative).
This shows the prominence areas off the limb in better detail, and you can also see how the rest of the filament/prominence snakes across the photosphere (Sun's visible surface).
The two white spots are sunspots. The very dark squiggles are flaring regions among the sunspots' magnetic fields.
More detailed info is in the comments, below.
I've never really focused on making sure there is 'negative space' in a photo. I just shoot and I guess sometimes I do figure in negative space but I've never really called it that. This time, I really focused on it and..well, I'm in love with negative space. Not as much as I am in love with this little boy, though.
Designer: Eric Gjerde
Diagram: Origami Tessellations book by Eric Gjerde
Paper: Tant; 48-grid hexagon
The Tant got a little soft - some of the hexagons aren't great and there are a few holes ! It would have been easier to use Elephant Hide. The folding for the star tips is interesting and very tricky.
pictionid58870820 - catalog230000062.tif - title34 rear view of convair 240 augmentor - filename230000062.tif--Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive
Shot with a Pentax Espio 738 compact 35mm film.
Re-edited 19/3/2013 for sharpening and noise reduction.
Ilford XP2plus (C41) in Caffenol-C-M
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This was my first try with Caffenol. The BW C41 was at hand, and I was too curious to wait for different film. I am pretty pleased with the results.
Needed two tries to fix, because the solution of Ammonia and iodized salt did not seem to work (at all), a solution of "LegacyPro Black & White Powder Hardening Fixer" did the job.
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15 minutes / 10 agitations/min
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Scanned with a rig I threw together: Nikon D70/50mm/1.8 and a 20mm macro extension tube.
Digitised image from the Town Hall Photographer's Collection - GB127.M850
The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.
The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.
The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.
The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.
What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.
A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.
This album represents the result of their work to date.
I wanted something memorable to head this new album of colour negatives and this portrait of Buzz Aldrin, second man to walk on the Moon, seemed a good place to start.
We were in Monterey, California in summer 1996 and I spotted a bookshop advertising a book signing and talk with him that evening. I dragged the family along, he talked about Mars, plugged his book (we still have a signed copy in our bookshelves) and I managed to get one shot on colour print film.