A smooth stone rests partially buried in pale sand as shallow waves wash gently around it. Soft foam traces the shoreline, and the muted tones of sand and water create a calm, minimalist scene with ample negative space.

Photographed at Honeymoon Beach on St. John in the U.S. Virgin Islands, this image focuses on simplicity and rhythm rather than dramatic motion. The gentle surf and subdued light emphasize texture and balance, capturing the quiet character of the shoreline between waves.

Captured with a Nikon Zf and Nikkor Z 24–120mm f/4.

Beauty. Burned negative. Model: Valentina (Midland, UK). Negatives got burned since I developing film in Amazon still tank and since totally worthless film roll stuck together and some negatives got burned. Nikon F5 film camera + Nikkor 105mm f2.5 lens + Kodak P3200 35mm film. Stand up developing in Adox Rodinal (1 hour - 3 agitation in 40 minutes).

fuji polaroid negative. scanned. inverted. contrasted. no color added.

Artist: Unknown artist

Creation Date: 19th century

Process: paper negative

Credit Line: Gift of Stephen White

Accession Number: 1983.073.056a

but it's kind of true.

depends i guess.

Taken by Hung Tran

Sagion river

11.2015

Cromo-Alto Puerkoo

Inverted & color treated.

black white negative

111/365/2019, 3033 in a row.

That is Stan Jones in the centre having just won in his 250F. But how about the bloke on the right. He could only be a Melbourne -ite with his cap, fag, tweed jacket with the newspaper (probably the horse racing guide) in his pocket.

- Graflex Speed Graphic lens 127mm f4.7

- Film polaroid 55 negative 4x5 expiration date (unknown)

This pinhole was left open the entire duration as a control subject.

This thing is massive. I haven’t figured out how I’m going to process this negative. It’s much larger than my light box. I suppose I could take multiple pictures and “stitch” it together in Photoshop. I’ll have to think on this one unless anyone has any suggestions. I can only imagine the size of the camera it took for this thing.

2019 Green River, UT

blurred ghosts

Gamec Bergamo

Sinar P / Schneider Symmar / Shot on Agfa MCP for a paper negative

Now, this is part of my first studio pro assignment for The Sitges Qarterly, the magazine I work for. My boss just asked for good news: I gave him that. Still waiting for feedback. We have other pics, shot by my wife with her 5dMkII, just in case he doesn't like the style and mood. This pic isn't supposed to be public, but I'm sure you'll keep it secret for me, guys.

Now... is it possible that I am the only pro photog shooting with a 1950's uncoated lens and paper negatives? Many would say it's not too pro... but I love shooting paper, as i can see the results even faster that in a Polaroid. I just keep the chems in the studio and go red light after every shoot, so it's just 50 seconds till I see the negative. Love photography; I just love it.

Found glass plate negatives

So much harder drawing white on black!

Bain News Service,, publisher.

Harlan

[between ca. 1915 and ca. 1920]

1 negative : glass ; 5 x 7 in. or smaller.

Notes:

Title from unverified data provided by the Bain News Service on the negatives or caption cards.

Forms part of: George Grantham Bain Collection (Library of Congress).

Format: Glass negatives.

Rights Info: No known restrictions on publication.

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain

Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.28581

Call Number: LC-B2- 4887-2

Emil Busch W/A Aplanat Ser. C f16 9.5 inch on 16x12 inch format, lens at f45. Very old Record-Rapid paper as negative material, this now has some base fog but careful development can reduce this. Digital reversal.

RB67

6x7 Paper Negative

I cut some Ilfobrom 1.1P (Single Weight) into strips and taped int into a used roll of 120 film. This is a bit more fun than single snips of paper loaded in the darkroom as I got 3 images per 8x10 section (I had 2 sections taped together). The paper is really light weight and jammed a bit in the developing reel - also I didn't tape the paper very straight in the 120 roll.

Taken with iPhone + 5" telescope in December 2012 and "inverted" in Photoshop.This technique brings out features that are otherwise easy to miss - especially lunar rays.

Phoning it in this week - too busy and tired for much else.

Hopefully back to actual participation next week.

Kiev 4A

Jupiter 12 Red π - 35mm f/2.8

Kodak Tri-X 400

Kodak HC-110 Dil B (1+31)

7 min 30 sec 20°C

Scan from negative film

Class 40 No.325 just north of Preston station on June 5th 1969.

From a negative by HC Casserley.

Image derived from the original Glass Negative.

© 2011 ryan southen photography All Rights Reserved

*not for use without my prior written consent*

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Taken with a 24x30cm ultra large format camera and paper negative. Scanned and inverted on PS.

Ovčar banja, opština Čačak

Propex Timber BV Enschede

from Linda Kemp tutorial

black white negative