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The negative space was what I had in mind when I took this photo. However, when I looked at it on the computer screen it looked wrong so I decided to do something I wouldn't normally dream of doing; I flipped the image. This led to a little bit of necessary jiggery-pokery in Photoshop as the labels on the girl's Hunter wellingtons were then the wrong way round so I had to fiddle a bit to correct them. Anyway, this young lass was in the tender of a steam ploughing engine which was giving a practical demonstration on the hillside known as Hook Bank.
Sandwiched in between two days of constant rain, Saturday was definitely the best day to visit the three-day Welland Steam Rally as the show was cancelled on Sunday because of the adverse weather conditions.
opobs.wordpress.com/2015/07/26/people-and-the-two-hour-qu...
This image is the copyright of © Michael John Stokes; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at mjs@opobs.co.uk for permission to use any of my photographs.
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Take a photograph of a place that is less than one mile from your home.
– Fabrice Fouillet
A week long pinhole exposure of my front door and hallway using a 35mm film canister.
This Challenge arrived just before I went on holiday, so I quickly had to come up with a solution. It has resulted in an image which for me echoes of sadness, not normally a feeling you would associate with my hallway.
Digitised image from the Town Hall Photographer's Collection - GB127.M850.
The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.
The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.
The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.
The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.
What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.
A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.
This album represents the result of their work to date.
Source: livinghistories.newcastle.edu.au/nodes/view/32432
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
pictionid58874058 - catalog230000312.tif - titleconvair 240 overhead switch panel - filename230000312.tif-Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive
© E.M.93_photography 09 All rights reserved
Please don't use this image on websites,
blogs or other media without my explicit permission
I couldn't think of what to do for a 365 photo today - totally lacking in ideas.
I thought. "That's a pretty negative attitude!" … So I took a negative photo using the CamWow app on my iPhone :)
PictionID:47059798 - Catalog:14_024647 - Title:GD/Astronautics Facilities Details: Complex 12-AMR; View of Gantry from Theodolite Date: 07/01/1959 - Filename:14_024647.TIF - - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
I've been riding my bike past a cinderblock wall that has patterns of vines that were stripped away. They're all lovely looking.
Snapseed
September 16, 2010.
I decided that for this night I wanted to take a night shot without a tripod. I wanted to challenge myself to only handhold a shot, so I would find something different.
And different it was, it really opened my eyes to a bevy of possibilities. I found these three lights along a wall of the garage of a store nearby, and thought that with some negative space, it would bring out something cool.
Its nice to find something new and to be able to present a scene that wasn't actually there without a lot of manipulation of the photo after the fact.
Steps: 301.
Digitised image from the Town Hall Photographer's Collection - GB127.M850
The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.
The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.
The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.
The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.
What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.
A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.
This album represents the result of their work to date.
Digitised image from the Town Hall Photographer's Collection - GB127.M850
The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.
The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.
The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.
The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.
What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.
A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.
This album represents the result of their work to date.
© Zoë Murdoch - All Rights Reserved. use without permission is illegal!
Want to bite tiny bones in wrists want to leave teeth marks like broken moon
want kiss fingertips with stained lips want to lick collar bone whole want to paint body iodine smear over bare hands want to cut skin gently carefully scalpel precision slowly slide whole hand deep inside want to hold trembling heart in nicotine stain fingers want hipbones to cut into each other long knives
Digitised image from the Town Hall Photographer's Collection - GB127.M850
The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.
The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.
The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.
The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.
What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.
A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.
This album represents the result of their work to date.
The owner built it by himself. Ebetsu, Hokkaido. www.yuugen.com/edelweiss.html
Pentax SP, SMC Takumar 55mm F1.8, negative ISO 100, exposed as ISO 100, developed with reversal processing as described before, scanned with Plustek OpticFilm 8100, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/48192355841/sizes/l up to 8000 x 5390 pixels compatible. Learn DIY development and upgrade to film !
pictionid58871352 - catalog230000105.tif - titlehall xcp-1 flying car - filename230000105.tif-Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive
Notice the girl on the far left holding a camera of her own.
Image derived from the original glass negative.
Leica M4-P
Voigtländer Nokton 35mm f/1.4 VM II MC
Ilford HP5 PLUS EI250
HC-110B 5m24s @20° in ars-imago Lab-Box
Essential Film Holder
DSLR Scan
Negative Lab Pro
I was making so much progress in my early 20’s. I’d gotten into a band. I’d made new friends. I was hanging out in the city. I had been introduced to punk rock that extended beyond Raw Power and Fun House.
Things were really looking up for me and my legacy of loving bands that no one else could stand.
But then along came Type O Negative. I firmly believe that my 3+ year fascination with that band of meatheads may have cemented it for those who managed to look past the years and years of embarrassing musical loyalties I’d harbored.
ahistoryofbadtaste.blogspot.com/2009/03/type-o-negative.html