View allAll Photos Tagged Negative
Polaroid 180 - f/8 1/250th
Fuji 3000B deliberately underexposed 3 stops and developed for 45 seconds (triple time)
I've been experimenting with my first pack of instant "Polaroid" film. This was actually Fuji 3000B.
So, when you use a "peel apart" instant film, you get a little print from it. But there is also a negative side left over. If left in the light, the negative continues to develop and ambient light fogs it into a gray mess. The negatives have visibly more detail and tonality to them, so I attempted to save this one by dipping it in a weak fixing bath. Turns out, the emulsion is so thin that the current just from laying it in the fixer is enough to cause it to disintegrate. The development did stop, though...
Leica M6 TTL
Leica Elmarit 28mm f/2.8 III
Kodak Tri-X 400 pushed to 800 ISO
Kodak HC-110 Dil B (1+31)
11 min 30 sec 20°C
Scan from negative film
Source: livinghistories.newcastle.edu.au/nodes/view/32969
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
For Our Daily Challenge: Chore
My 366 is becoming like a chore; I keep feeling like I have to do it or I'll get called by the flickr police or something, ha.
Confession 13: I have three rolls of film in my room and I have absolutely no idea what are on two. Afraid and excited!
74.366
Bain News Service,, publisher.
[Del Pratt, New York AL (baseball)]
[1918]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Original data provided by the Bain News Service on the negatives or caption cards: Pratt, NY.
Corrected title and date based on research by the Pictorial History Committee, Society for American Baseball Research, 2006.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.26808
Call Number: LC-B2- 4586-13
July 10th - 16th, 2017. Iwamizawa, Hokkaido.
Canon AV-1, FD 135mm F2.5, negative for recording ISO 100 from Fujifilm, exposed as ISO 400, developed with C-41 based reversal process by Michitaro Kohno as below, scanned at 7200DPI with Plustek OptikFilm 8100 + VueScan, edited with GIMP.
******************************:
Expose as ISO 400.
1st Dev.: Papitol ( B&W paper developer ) 37Deg.C for 7 minutes and 15 seconds. KSCN added ( 0.2-0.3g / 500ml ).
Rinse.
Reexposure
2nd Dev: C41 about 37 Deg.C for about 7 minutes.
Rinse.
Bleach.
Rinse.
Fix.
Rinse and wash
Dry
*****************************
The method is open to all. Any questions are very much welcome.
The light, when on the other veil
of the world falls deep the dark,
hides a web of possibilities, a trail
left in my negative sky from thy spark.
Shot with a Pentax Espio 738 compact 35mm film.
Re-edited 19/3/2013 for sharpening and noise reduction.
Not sure why this negative was labeled the “Telephone Girls” but it works for me.
Image derived from the original acetate negative.
Ilford XP2plus (C41) in Caffenol-C-M
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This was my first try with Caffenol. The BW C41 was at hand, and I was too curious to wait for different film. I am pretty pleased with the results.
Needed two tries to fix, because the solution of Ammonia and iodized salt did not seem to work (at all), a solution of "LegacyPro Black & White Powder Hardening Fixer" did the job.
--
15 minutes / 10 agitations/min
--
Scanned with a rig I threw together: Nikon D70/50mm/1.8 and a 20mm macro extension tube.
I used straws, matches, the lid of a candle, and the lid of a canister to create an eye on a black table.
I was looking through some 120 negatives that I shot a few months back. I lost this negative and I'm not sure where it could be. It lives on in this scanned version of the contact print I made. Viva la technologie, or something.
Holga, 1.5 inches by 2 inches print
Nothing beats instant Polaroid passport photos; Taken with Polaroid Miniportrait Model 203, passport camera and Fuji FP-100C film; Flash bouncing off 8 feet ceiling.
The negative space left behind after laser cutting the slices of the cute cthulhu figurine.
More details on making 3D models from laser cut slices: www.nycresistor.com/2012/02/27/laser-slicing/
Source: livinghistories.newcastle.edu.au/nodes/view/32990
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
8x10 Paper Negative
First test for the Calumet C-1 with the Rodenstock Apo-Ronar 360mm.
Shot on expired heavy stock FB kodak bromide paper
Photographer: Unknown, Non-Indian
Subject: George Gustav Heye (GGH), Non-Indian, 1874-1957
Date Created: 1914
Catalog Number: N34267
Format: Acetate negative
Dimensions: 5 x 7 in.
Collection History: Documentation of MAI expeditions and excavations and those funded by George Heye before the creation of the Museum often includes photographs of camp life and expedition members.
Description: George Gustav Heye seated in front of his camp tent at Mound 1, Burson Bell Farm. The tent is shaded by a large tree, and built up on a wooden platform.
Place: Burson W. Bell's farm, Sandyston Township; Montague; Sussex County; New Jersey; USA
Site Name: Burson W. Bell's farm, Sandyston Township
Culture/People: Non-Indian
Persistent URL:http://www.americanindian.si.edu/searchcollections/item.aspx?irn=333160
Repository:National Museum of the American Indian
Looking South on 14th Street in Richmond, IN
Micajah Henley lived at 201 N. 14th Street so this is probably the view from/near his house in Richmond, IN.
Micajah C. Henley (1856–1927) was a Richmond, Indiana industrialist and inventor. He was a well-known manufacturer of roller skates and bicycles, sometimes known as "The Roller Skate King."
Image derived from the original Glass Negative.
Geotagged
Over Christmas in 2018, our family went on a Pacific Ocean cruise. During the cruise, I found some quite time where I shot two rolls of film. While I had them processed when I got back, I didn't scan them and eventually forgot them.
All shot on Kodak Ektar 100 with a Minolta 7 film camera and a 50 F 1.7 AF lens.
Scanned with a Sony A7ii. Converted using Negative Lab Pro in Lightroom