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For the musically challenged group
Baby, I was not the one
I guess you know that now
But I kept you real distracted for a while.
I look back and nothing much
Ever comes to mind
Sometimes I can picture half a smile
We were thick as thieves
Hung on each others sleeves
Kissing all the time
But if I ever loved you shouldn..t I be crying
Shouldn't I be cracking up
And drinking all the time?
Yeah,if I ever loved you how come I feel alright
How come the nights are so easy
And the mornings look so bright?
I try to figure what has gone
I seem to look the same
Maybe there's a tightness around my eyes
Sometimes the evening comes
I think I miss someone
And then I realise
That if I ever loved you shouldn..t I be crying
Shouldn't I be cracking up
And drinking all the time?
Yeah,if I ever loved you how come I feel alright
How come the nights are so easy
And the mornings look so bright?
Love it can make your world
Bring you alive
But I wasn't dead before
So baby, you ain't hard to survive.
Maybe I was not the one
But I had to try
And in the end there's no such thing
As wasted time
I was the interim
between nothingness and him
So how is that a crime?
But if I ever loved you shouldn't I be crying
Shouldn't I be cracking up
And drinking all the time?
Yeah,if I ever loved you how come I feel alright
How come the nights are so easy
And the mornings look so bright?
Top Trending Musically Video Clips | Best Musically Video Clips | Tiktok All Top Trending Video Clips Dance Music Comedy And Fun | Tiktok Musical.ly l hope you will Enjoy This Video. If you do, then do Like, Share, Comment and Subscribe For More Entertaining Videos. *Note:- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. ✔ All Video's and Song's Credited by Musical.ly, Like, Vigo And Other App. Tags: #tiktok #musically #tiktokindia #team07 #riyaa #riyaz #faisu #faizbaloch #saddu07 #adnansheikh #nagma #garima #laakshi #manjul #mrunal #aadilkhan #shirleysetia #avneetkaur #kapilsharma #adamdarbar #awezdarbar #luckydancer #dishamadan #jannatzubair #aashikbhatia #arishfakhan #ankittasharma #nishabhatt #bhartisingh #nagmamirajkar #kangnasharma #hassnainkhan #bhavnamayani #kapishatewatia #chitranshidhyani #team_07 #mrfaisu #tiktokvideo #musically #musicallyindia #funnymusically #tiktokcompilation --------------------------------------------------------------------------------------------------------- Enjoy and stay connected with us!! 👉 Subscribe Official Raido Films channel for unlimited entertainment :- www.youtube.com/channel/UCnmDrgic4JTBdERJCXfNbSw 👉 Like us on Facebook :- ift.tt/2O3N50S 👉 Follow us on Twitter :- twitter.com/FlimsRaido 👉 Follow us on Pinterest :- ift.tt/307xLHP 👉 Follow us on Tumblr :- ift.tt/2O1ZH8w 👉 Click Here Website :- ift.tt/2ZYDEGU
For musically talented Barossa Valley local, Sam Brittain, story-telling is exactly that. Since releasing his debut LP ‘Our Shining Skin’ on June 1, 2012, the path to success for the gifted and independent musician has transformed into a never-ending road. First picking up a guitar at the age of three and additionally turning his hand to the piano and drums,
In 2013, Sam is an unstoppable, roots, folk and blues artist, reminiscent of sounds such as Damien Rice, Glen Hansard and Ryan Adams. Sam supported close friend and musical influence, Mike Rosenberg (Passenger) at Adelaide-based Fowlers Live, as an integral part of Mike’s ‘All the Little Lights’ album tour, a highlight of Sam’s career to date.
The recording of ‘Our Shining Skin’ saw Sam and his band work endlessly with the talented Barossa-based Jamie Blechynden of Stella Studios and VJ productions. Supported by BJ Barker (drums), Steve Flemming (bass) and Glen Wagland (engineer), tracking the backbone of all 12 songs took a mere two days to complete. ‘Our Shining Skin’ quickly earned impressive reviews and was labelled as a ‘formidable and wide spreading resume’ for Sam (Timber and Steel, August, 2012).
Kicking off an Australian tour, Sam officially released the highly anticipated album at a sold out show on June 9, 2012, held at the Chateau’s acoustically brilliant ‘Long Room’. In June and July 2012, Sam crossed the country, delighting crowds and building his fan base in Melbourne, Hobart, Darwin and Adelaide, including an unforgettable sold out show with Sam’s full band at the prominent Adelaide venue, the Promethean Theatre on September 27, 2012.
Marking the beginning of what’s set to be a milestone year and following a hugely successful first tour, Sam’s lead single ‘Bruises’ hit #1 on the Triple J Unearthed Roots Chart on New Year’s Eve, 2012/13, where it consolidated its lead for a consecutive four weeks, peaking at #6 in the Overall Top 100.
2013 saw Sam embark on a 16 date tour once again supporting new age folk music legend Mike Rosenberg (Passenger).
www.archive.org/details/anycolouryoulikeaslongasitsbeige
By the end of 2011 Zali Krishna was musically bankrupt. The last twenty odd years that had seen dabblings with electronica, post-pub-rock, proggazing, modal skiffle and the like had left his paltry offerings badly bent out of shape. The more pretentious observers would throw around hybridity, melange, pastiche and other apologia in his defence, but even they were having to admit that none of these critical Band Aids would prevent the balloon from imminent deflation.
And so it was with Any Colour You Like As Long As It's Beige that things came to what Michael Flanders called a pretty underpass. The monotonous fusionesque scampering beat that drives the title track into ever expanding circles of rock star automobile jingle hell could not cover up the fact that Krishna was launching this defence from his back foot. He brings his melodic progression, if it can be called that, up into areas of the fretboard which he claimed, "I was blissfully unaware of until a few years ago." Quite where he gets off ditching this compositional device into an urban thunderstorm after five minutes, we can only speculate.
Krishna's deployment of shorter suites for his projects than the traditional length for the 21st Century album is a curious matter in itself. Whether he felt that the post-physical sonic product in a era where, to quote Marx, "all that is solid melts into air", was now entirely fluid, or whether he simply felt that any project should find its own natural extension, we cannot know for certain. Commentators who pressed Krishna on this particular question were reputedly subjected to vilification at best, or otherwise what might constitute grievous bodily harm.
Where the second track opens with short wave ephemera the listener is given a sporadic dance of nods and winks by the title Monorail to Vacarres to suggest that we are now re-entering the territory of his late 20th Century offerings, such as the 90 minute long opus, Monorail. Krishna's arrogance becomes inexcusable in suggesting that the audience might even be aware of this obscure cassette release, which was at the very least reasonably substantial in length if nothing else. Moreover we must assume that this track was an outtake from the box marked "best left alone". We can imagine no higher praise.
By the time we reach the second and longer half of the mini-album we are brought up short by his dense, ill-advised supermarket mysticism. Disembodied voices in Urdu reciting the Apocalypse of St John could not be more laughable, nor could the hyperplexed, open-tuned durge be more uninspiring, if it had been drenched in layer upon layer of muddy reverb. And of course that is exactly what is served up here under the giddy title of Hikikomori. If Krishna expects us to make ahistorical connexions between the bedroom hermits of contemporary Japan and the exiled monastic of Patmos he clearly has another thing coming.
And if we hadn't felt that Krishna had been overstepping the mark from the get go, the double-reed sweetened ten minute closer, Krawattenmuffeljugendstil, should be the signal that all is not well with this project. The oboe playing in earlier projects has to be considered as ill-advised at the very least, and the Dorian "pastoralism" (Krishna's phrase) opening out into muddled pagan Mixolydian/Ionian major modalities should have been given the cattle bolt as early as 1972. That we find it dancing lazily like some hypertrophied Riverdance of the astral realms in 2011 should make the listener sit up and write a stern letter to The Times.
All in all we should be thankful that this set of recordings are not any longer. Krishna's motives for releasing this are obscure, as are his reasons for resurrecting the name The Entropy Circus which was first used in about 1989 and formally given the heave ho in 2007. Whether at this time he considered himself one or legion, in the end the mini-album known to us as Any Colour You Like As Long As It's Beige cannot be considered as anything but the final defeat of this particular thermodynamic regime.
Recommended. *****
Servant of God, Simona Tronci
Scholarly, musically talented, athletic, and deeply pious, Simona Tronci was a young Italian woman from Cagliari who was headed in all the right directions. Born on October 13, 1960, her life was cut short by cancer in April 1984. Prior to her death she founded a charismatic prayer group with other young people, which they named "Gruppo Primavera" (Spring Group). Simona was the standout in the group through her intense and evident love for Jesus, which motivated her every action and inspired her companions. The prayer group continues to this day, and mainly ministers to young people, in accordance with their charism; they look upon Simona as their spiritual role-model and rightly so... please pray for her speedy Canonization.
Photo: Prayer leaflet w/a piece of cloth from Simona's clothing.
For musically talented Barossa Valley local, Sam Brittain, story-telling is exactly that. Since releasing his debut LP ‘Our Shining Skin’ on June 1, 2012, the path to success for the gifted and independent musician has transformed into a never-ending road. First picking up a guitar at the age of three and additionally turning his hand to the piano and drums,
In 2013, Sam is an unstoppable, roots, folk and blues artist, reminiscent of sounds such as Damien Rice, Glen Hansard and Ryan Adams. Sam supported close friend and musical influence, Mike Rosenberg (Passenger) at Adelaide-based Fowlers Live, as an integral part of Mike’s ‘All the Little Lights’ album tour, a highlight of Sam’s career to date.
The recording of ‘Our Shining Skin’ saw Sam and his band work endlessly with the talented Barossa-based Jamie Blechynden of Stella Studios and VJ productions. Supported by BJ Barker (drums), Steve Flemming (bass) and Glen Wagland (engineer), tracking the backbone of all 12 songs took a mere two days to complete. ‘Our Shining Skin’ quickly earned impressive reviews and was labelled as a ‘formidable and wide spreading resume’ for Sam (Timber and Steel, August, 2012).
Kicking off an Australian tour, Sam officially released the highly anticipated album at a sold out show on June 9, 2012, held at the Chateau’s acoustically brilliant ‘Long Room’. In June and July 2012, Sam crossed the country, delighting crowds and building his fan base in Melbourne, Hobart, Darwin and Adelaide, including an unforgettable sold out show with Sam’s full band at the prominent Adelaide venue, the Promethean Theatre on September 27, 2012.
Marking the beginning of what’s set to be a milestone year and following a hugely successful first tour, Sam’s lead single ‘Bruises’ hit #1 on the Triple J Unearthed Roots Chart on New Year’s Eve, 2012/13, where it consolidated its lead for a consecutive four weeks, peaking at #6 in the Overall Top 100.
2013 saw Sam embark on a 16 date tour once again supporting new age folk music legend Mike Rosenberg (Passenger).
Phooning Off Into the Sunset
Sometimes it seems like time is there for nothing but to Waste.
For TRP: Musically Inspired
&
For FGR: Silhouettes Galore!
Sadly she still doesn't have a proper name... haha
[Gym Class Heroes - Cupid's Chokehold]
Musically Inspired Week 12/52
Jesse Davidson sheds skin and bares all on Lizard Boy.
Approaching his writing from a traditional singer-songwriter position, Davidson’s songs have always held an electronic, ambient edge. And recent months have seen him close in on this genre spanning style with the release of his sophomore EP, Lizard Boy. A five track offering which shifts and transcends both musically and lyrically. Still grounded in the narrative lyric that is the domain of the singer-songwriter, the architecture of the songs have an experimental feel in their sparsity and instrumentation.
Full of lingering, wobbling synths and punctuated chords set against vaguely industrial beats, Lizard Boy echoes a similar ambience to outfits like Boards Of Canada. Though the term sometimes applied to those same artists, “IDM” (Intelligent Dance Music) has been criticised as derogatory in the past, taken at face value it feels like a good fit for Davidson’s style. Working with the elements that feed dance music; synths, beats and electronica, the whole exudes a tangible sense of a smart, considered approach in both the writing and the execution.
Opening with the slow groove Laika, the track perfectly introduces the delicate and skilful soundscapes that Davidson proves himself so adept at. A skittering drum beat injects the groove into the dreamy, synth heavy song. Double tracked vocals up the ambience, and diving straight in on this first track, finishes on a blissed out and jazz inspired drum solo. In his own words, Davidson describes the track as “A bloody jam”, and while it certainly has that vibe, it’s possibly the best executed jam I’ve come across recently.
Following track, Darling, dives a little deeper into experimentation. Started with the idea of writing a track entirely around a bass line, Davidson was interested in how “A lack of guitars and keys and other instruments like that could change the composition of a song and create a lot of space for the vocals.” These elements appear later, but judiciously placed as accents rather than key melodies.
One aspect of Davidson’s composition that resonates much more with electronica than folk, is the detached feel within his songs. However Lagoon stands out with a much more affecting sensibility; dipping his vocal deeper on the refrain, the chorus line “I know you’re trying to change too much right now” becomes an accent outside of the ambience. Final track Will You Find Me touches on some of this same emotion, with Davidson describing it as “The cheesy ballad with a big release at the end.”
But he still maintains that he’s “Quite fond of it though, despite its cheesiness and simple structure and what-not.” Cheesy is not exactly the term that comes to mind as a stripped back electric guitar strums through with a subdued, almost grunge-like feel. And the release at the end has more of a blissed out build, with swirling cosmic effects and big beats to usher in an almost psychedelic feel.
Having recorded the EP in London, at Lightship 95 – which bears a striking resemblance to The Boat That Rocked – perhaps the sixties influence permeated Will You Find Me? With it’s cavernous studios inside the boat’s interior, and set on the tidal Thames, there is an ebb and flow to Lizard Boy that echoes the inevitable rise and fall of the studios.
For Jesse Davidson it seems that age dragged in its clever counterpart pretty early on, as Lizard Boy holds a maturity and confidence well beyond his years. You can also catch him at this year’s Falls Festival in Byron Bay.
Day 34 Year 4 Musically Challenged
Andrea Bocelli - Addio, Fiorito Asil from Giacomo Puccini - MADAME BUTTERFLY
"Farewell, flowery refuge
of happiness and love!
I shall always be tortured
by the sight of her sweet face...."
This is for Red's song choice for the group Musically Challenged. I wanted to do this weeks ago when it actually was her week, but didn't get a chance to.
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
"The heart is a bloom,
Shoots up through the stony ground.
There's no room,
No space to rent in this town.
I'm learning more to see beauty in all the gritty places.
For Musically Challenged, it really is a beautiful day.
262/365
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
But I keep dodging it. And haha, I have a tail feather from that mini palm plant.
Mercury is in retrograde. I'm not exactly sure what that means, but it's just about coinciding w/ the shitastic happenings in my life. Does anyone know or would like to share about mercury's shenanigans and how it supposedly affecting other stuff? I'm not blaming the planets, I just like to learn new things and so that is that.
Anyway, things are looking up from a few weeks back, but then there are days that just are so wackish. My sister-in-law got into an accident today too. :( she's ok, but jeez.
Hope to be relaxing tonight on the couch w/ the hubster, even if I have to pull out the hard liquor. :)
HFDT!
If I Could Start Today Again by Paul Kelly
For Musically Challenged
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
Jordyn Jones ✨ SC: jordynjones11 Musically: jordynjones - Jordyn Jones Photo | Photo Published by Social Media www.facebook.com/jordynonline/photos/a.1160112900683739.1... | Website: www.jordynonline.com - www.jordynjonesofficial.com | Tags: #jordynjones #actress #model #singer #dancer #designer
Day 8 - Travel to NOLA - February 2024
Founded in 1993, the Krewe of Orpheus takes its name from Zeus and Calliope?s musically inclined son. Founding members include musician/actor Harry Connick, Jr. and his father, Harry Connick, Sr., former New Orleans district attorney. With their first parade in 1994, the Krewe of 700 members established itself as a super Krewe. They were the first super Krewe to allow both male and female riders.
The krewe?s throws include a number of sought-after items, including light-up Orpheus medallion beads, three different types of doubloons - Captain's, Krewe, & Musical Legends, four-foot-long stuffed dragons, and their prized throw is a custom decorated tambourine.
Notable floats include the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand. There?s also the Smoking Mary, an eight-unit float that looks like a steam locomotive. And everyone loves the three-unit, 139-foot Orpheus Leviathan Float, the first Carnival float to use extensive fiber optic lighting.
Over the years, Orpheus monarchs have included Fats Domino, Quentin Tarantino, Sandra Bullock, Glenn Close, Whoopi Goldberg, Stevie Wonder, Laurence Fishburne, Forrest Whitaker, Brad Paisley, Anne Rice and Toby Keith.
Unlike many Carnival events which are members-only, visitors are allowed to buy tickets to the black-tie Orpheuscapade, a musical extravaganza after the parade in the Ernest N. Morial Convention Center.
Year founded: 1993
Membership: 1500 male and female riders
Number of floats: 38 floats (including tandems)Day 8
Various pics of the day eight in New Orleans.
Diverses photos prisent en Nouvel Orlean le jour huit.
Built in 1908 during the Edwardian heyday of the band movement before the Great War, the Queen Alexandra Bandstand is a beautiful and well maintained example of creative bandstand design. It was named after the then British Queen, wife of Edward VII.
Erected in the central median strip of Ballarat’s premier boulevard, Sturt Street between Doveton and Mair Streets, the Queen Alexandra Bandstand is surrounded by leafy oak trees and other deciduous European exotic trees. It is the second bandstand along Sturt Street, the other being the Titanic Memorial Bandstand. The Queen Alexandra bandstand is built in a polygonal form surmounted by a Moorish or Russian influenced onion dome. The bandstand has particularly fine wrought iron detailing incorporating musical motifs, including harps, horns and Edwardian styled music stands and is an important and exotic element of the streetscape of Sturt Street.
The Queen Alexandra Bandstand it is now one of the few remaining examples of bandstands in Victoria. It serves as a tangible reminder of a highly popular form of entertainment, prominent on the community agenda for many years. The construction of the bandstand and its survival until now also reflects the prominence of music in Ballarat's cultural and civic identity.
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
For Musically Challenged's "Eleanor Rigby."
All the lonely people
Where do they all belong?
Today's Random Fact: Sometimes i just need to cry until i've cried myself out. It's not even over anything specific, really. It's just sort of...i dunno. Everything. And nothing. Because sometimes it's all just too much.
Afterward i feel tired and sort of headache-y and i go to bed.
I usually feel better in the morning.
109/365
Eventually made Explore.
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
*Sigh*, such a good song!
Funny thing is, I have never been a Phil Collins fan, but I heard this song a few weeks ago and realized I love it. I had heard it several times before, but it was like I was hearing it for the first time.
Then, a couple of weeks later, it appeared in a Musically Challenge list. I have been singing it and playing it a lot lately, and my boyfriend was like "oh yeah I love that song", so he downloaded the sheet music (above) and has been playing it on the piano the past couple of weeks.
So sorry this is late for Musically Challenged, but I was determined to use this song!
As far as my 365 - I am not neglecting this project or anything. My life has been super busy the past couple of weeks, and my 365 sucks right now. But I'm back and I'm ready to post an annoying amount of uploads and carry on (but with better images from now on)!
284/365
Tamara was a musically gifted girl and holder of the Heart Stone. She trained three baby magical animals - Cleo (a unicorn), Sugar (a dragon), and Spike (a panther). In the second season, she got her own zebracorn named Shadowsong.
This may mean, you’ll have to be a stronger man
Rest assured, when I start to make you nervous
And I’m going to extremes
Tomorrow I will change and today won’t mean a thing
I'm a Bitch by Alanis Morissette
"I’m selfish, impatient, and a little insecure. I make mistakes, I am out of control, and at times hard to handle, but if you can’t handle me at my worst, then you sure as hell don’t deserve me at my best."
- Marilyn Monroe
tired today. i think I'll take a nap before I tackle my marketing assignments.
project 365: day 296
Musically Challenged: I'm a Bitch
These Tik Tok couples are absolute cringe, and so am I. At the end of this video I reveal my own Tik Tok/Musical.ly as promised for over 5,000 likes on the last video :) My Patreon: ift.tt/2uwzSBg --- Onision Channel: youtube.com/onision --- Facebook: ift.tt/oBJjyZ --- Twitter: twitter.com/onision --- Tumblr: onision.net #React #Onision #UhOhBro
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
You Got To Feel That Heat
And We Can Ride The Boogie
Share That Beat Of Love
I Wanna Rock With You (All Night)
~for Musically Challenged
oh, monday.
but! it's another short-ish week for me, even though it'll be a busy-ish week too. the Tweedles will have birthday fun stuff at the end of the week w/ their school class! and I'm getting excited for them. :)
As part of my until-now woeful participation in the Musically Challenged group, I am trying to delve into pairings of images with songs that are not necessarily contemporary. Music that often predates iPods, Walkmen and sometimes even LPs - but nonetheless has meaning that transcends ages and generations. My first attempt involved the work of Georges Bizet.
This time around, I offer a selection that has touched a chord of hope in two different cultures in two distinct ways.
The traditional Irish song "Danny Boy", I feel, is meant to instill a love for a homeland. It seems to me that this song serves as a promise: no matter where the singer goes, he affirms in this song that he will always take a part of home with him.
When I was a youngster, I first heard the acclaimed African-American gospel artist Andre Crouch take the melody to this standard and add to it a different affirmation. In this version, "He Looked Beyond My Faults (And Saw My Needs)", the singer is making a commitment to and praising a Savior who has made it possible for the singer and anyone else who so believed to inhabit a very special future homeland.
Do you have to be Irish to have a love of the land that shaped you? Do you have to be of African descent to to look forward to a better land?
Of course not. Of course not. All you need is a desire to find yourself safe at home, whether that place is on Earth or on some higher plane.
I am grateful I have never met a human being of any size, shape, color, ethnicity or value system who could not find room in his or her heart for home.
Danny Boy
as performed by Michael Londra
He Looked Beyond My Faults
as performed by the Oakwood University Aeolians
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
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