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Roxy Music are an English art rock group formed in 1971 by Bryan Ferry, who became the group's lead vocalist and chief songwriter. The other members are Phil Manzanera (guitar), Andy Mackay (saxophone and oboe) and Paul Thompson (drums and percussion). Former members include Brian Eno (synthesizer and "treatments"), and Eddie Jobson (synthesizer and violin). Although the band took a break from group activities in 1983, they reunited for a concert tour in 2001, and have toured together intermittently since that time.
Roxy Music attained popular and critical success in the UK, Europe and Australia during the 1970s and early 1980s, beginning with their debut album, Roxy Music (1972).[1] The band was highly influential, as leading proponents of the more experimental, musically sophisticated element of glam, as well as a significant influence on early English punk music. They also provided a model for many New Wave acts and the experimental electronic groups of the early 1980s. The group is distinguished by their visual and musical sophistication and their preoccupation with style and glamour.[2] Ferry and co-founding member Eno have also had influential solo careers, the latter becoming one of the most significant record producers and collaborators of the late 20th century.
Rolling Stone magazine ranked Roxy Music #98 on its "The Immortals – 100 The Greatest Artists of All Time" list.[3]
A new studio album, which would have been their ninth, began recording in 2005. It would have been Roxy's first record with Brian Eno since 1973, who wrote two songs for it as well as played keyboards.[4] However, Bryan Ferry eventually confirmed that material from these sessions would be released as a Ferry solo album, with Eno playing on "a couple of tracks,"[5] and that he doesn't think they'll record as Roxy Music again.[6] Subsequently, this was confirmed by the announcement of a solo Bryan Ferry album, entitled Olympia.
Image: The proms finished with a spectacular fireworks display.
More than a thousand people enjoyed the first Imjin Proms on Saturday.
The concert and outdoor festival event raised money for three military service charity associations with entertainment ranging from a musically choreographed Spitfire display to children's activities.
"The weather's held off and it's been a fantastic evening, with a fantastic range of music, with parachutists, and airplanes, and it's all just been going very well from my point of view," said Simon Footer, the main event coordinator from the Royal Air Force Benevolent Fund.
Imjin Barracks, a Royal Air Force base that served for decades, has been home since 2010 to the event's other main host, NATO's Allied Rapid Reaction Corps
Lt.Gen. Tim Evans, ARRC commander, welcomed the crowd with gratitude, wishing everyone a splendid evening, and thanking Aramark and other sponsors. The general envisioned the event more than a year ago to be a way for Imjin and other nearby military communities to share a memorable evening with Gloucestershire.
Sharing the experience of the Spitfire display brought many emotions to the diverse crowd. Presenter Peter Dickson said he was moved by the arial display, as that plane holds a special place in British hearts, answering a call in the 1940's with young pilots when "our backs were really against the wall, it delivered the effect we needed." Remembering them and the sacrifice of so many is important and one theme for the evening, he continued. The whole night has "surpassed expectation."
"I've painted many of them as a kid, but that's the first time I've ever seen one," said presenter Lewis Macleod, in a sincere moment backstage when he wasn't keeping the crowd laughing with his voice impressions between acts. "It was really beautiful."
The plane flew to classical music played by The Band of the Royal Air Force College, who also lit up the evening with a finale and fireworks around 10 pm. Other music included a pop-music cover set by the Adjutant Generals Corps' Band who got people up and dancing from their picnic blankets and chairs. The crowd also witnessed the precision of The Royal Marines Band and 19th Regimental Royal Artillery Pipes and Drums.
Children representing their school's talent, the Innsworth Military Wives Choir, and many others performed during the evening to the local crowd. The event succeeded in opening the gates of Imjin to the community and there is a hope to see more of these kinds of events in future.
Matthieu Chedid (known as -M-) and Fatoumata Diawara during Lamomali's 2nd gig at the AccorHotels Arena in Paris last month. This was also the final night of the tour.
The lights on -M- and Fatou were strobing on and off at this point.
Last July, I photographed Lamomali at WOMAD and loved them musically and photographically.
Lamomali is a single album collaboration (rather than a band), between -M-, Toumani and Siddiki Diabaté and Fatoumata Diawara.
You can see videos of songs from the album at these links:
www.youtube.com/watch?v=S7q5CXiwsME
www.youtube.com/watch?v=E0fKM2XMgpE
You can buy the album here: www.amazon.co.uk/LAMOMALI-Lamomali/dp/B01LTIBMLM/
You can see my Lamomali pics here: www.flickr.com/photos/kennymathieson/albums/7215768626668...
1. The promise, 2. emo, 3.mcr ♥, 4. 39/366, 5. He's badd, yo, 6. PLAYING ELECTRIC ACOUSTIC GUITAR - FLICKR, 7. © lisman_piano_057, 8. Techno youth, 9. tesla, 10. michael hutchence, 11. Lovey Dovey, Lovey Dovey All The Time, 12. shiny happy fits of rage 153:365
Created with fd's Flickr Toys.
All photos in this mosaic © their respective owners.
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This meme was even harder than the last one. I know that once I choose an answer I am going to think of another answer that would have fit better. Music has always been important to me. I feel that the music in a person's life is what defines them. Maybe I am just thinking too hard. I am not really finding the 'real' me so to speak, in this meme. Well who I always thought was the 'real' me. So, I am answering these questions for the here and now and putting aside the old stand-by's from the past. Knowing me, they will probably change by tomorrow anyway.
1. What's your favorite song? This is a hard question to answer as I kind of have two. "The Promise" by When in Rome and "Subculture" by New Order.
2. Favorite genre of music? (Classical, Jazz, Country, Pop...) I don't know what they call it now-a-days. Indie/Alternative/Emo. It used to be Alternativey/Gothy/Punkish back in the olden days. You know, all the cool stuff that you would NEVER hear on the radio.
3. Favorite musician (add singer/band to end if necessary)? It changes but currently, My Chemical Romance.
4. What was the last song you listened to/are currently listening to? "Loose Lips" by Kimya Dawson.
5. What type of music do you dislike? Rap
6. What instrument do you like to listen to the most? It really depends on what music I am listening too. I do like to listen to guitar especially when the parts are really intricate.
7. What instrument do you most like to play (or would like to learn)? I most like to play the piano. I really do miss not having mine in the house.
8. Where do you go or what do you listen to when you're sad? I don't listen to anything in particular when I am sad, but I can say that listening to ELO, Erasure, and currently Midnight Juggernauts sure does seem to put me in a super mood! It has to be something you can dance too.
9. What was the last concert or musical event you attended (add singer/band to end if necessary)? Tesla
10. What concert or musical event do you wish you could have attended? Or a performer you would have loved to have seen live? Michael Hutchence & INXS back in 1988.
11. You and your sweetie, what's your 'song'? If you aren't paired off, what song do you think it might be? There isn't one. Although when we first started dating he sure did sing "The Joker" by The Steve Miller band, a lot. Romantic, isn’t it? LOL! I guess he liked my peaches.
12. What song gets stuck in your head the most? (For good or for bad...) Usually it's "Ashes to Ashes" by David Bowie, but TODAY I cannot get "Anyone Else But You" by the Moldy Peaches to stop playing in my head. It does not help that today the hubby is singing it too. Hey! Maybe we have found OUR song after all!
These are the seasons of emotion
And like the winds they rise and fall
This is the wonder of devotion
I see the torch we all must hold.
This is the mystery of the quotient-
Upon us all a little rain
Must fall.
The Rain Song by Led Zeppelin
so today was a lazy sunday. it rained all day and i had a blast just lounging around doing nothing, except I did finish another wedding folder of photos (YAY) i then proceeded to find a way to entertain myself and further procrastinate from doing actual homework.
I didnt realize that today was piss off Anna day. I am a pretty easy going I can care less if it doesnt affect me but there are certain things that just makes me go up a wall. well something happened today that made my emotions rage.
I really wanted to go outside and play in the rain and calm down. So after I went to buy ice cream and some supplies for school i went to the open area by my house and set up my camera and started really just jumping around. it made me happy for a bit.
project 365: day 319
musically challenged: The Rain Song by Led Zeppelin
TOTW: Get Your Groove On
“It seems a shame you waste your time on me. It seems a lot to waste your time for me”
Me In Honey: R.E.M., Out of Time
As many of the songs on this album were lyrically personal to Michael Stipe, this song was very personal to me. Musically, it is one of the easiest songs one would ever know. Vocally Mike Mills, Michael Stipe and Kate Pierson from the B-52’s just nail their pitches. Lyrically, it was amazing for what I was going through at the time. (The irony of this was that it was the last track on this album, and the last track on their last album, Green, really affected me as well. What is it with their ending tracks?)
This album came out my senior year of High School. I was deeply in love with this girl but we were at odds for reasons I couldn’t understand. To this day I do not understand why we suddenly imploded. But through the dissension of our relationship we had all these bizarre rules put out there that I didn’t understand. I ended up going to my Senior Year prom with a snobby stranger and I had a miserable time. I was lost in life and the relationship, and I just didn’t get it… When I didn’t understand the rules I thought it was because of me… like the line I thought I was a waste of her time.
Truth is, I wasn’t- but it took me years to find that out. I remember listening to this song over and over and out of all the lines- that one always stabbed at me- stuck out at me like a thorn. It isn’t something I harp on, in fact she and I have become great friends over the years. And as sad and pathetic as that period of self drowning may seem, I am thankful for it because it really shaped me.
To this day I can sing along with Stipe and really get some of my emotions out. I can remember who I am now, and who I was then… and chuckle at the things I thought, and smile at the distances I have traveled since then.
*** Artist Notes ***
Yes, this actually is honey… sugar free honey to be exact. How the hell does that exist???
Lyrics:
I sat there looking ugly
Looking ugly and mean
I knew what you were saying
You were saying to me
Baby's got some new rules
Baby, said she's had it with me
It seems a shame you waste your time on me
It seems a lot to waste your time for me
Left me to love
What it's doing to me
There's a lot of honey in this world
Baby, this honey's for me
You've got to do what you do
Do it with me
It seems a shame you waste your time for me
Knocked silly
Knock flat
Sideways down
These things they pick you up
And they turn you around
Say your piece
Say you're sweet for me
It's all the same to share the pain with me
It's all the same. Save the shame for me
Baby's got some new rules
Baby, says she's had it with me
There's a fly in the honey
And baby's got a baby with me
That's a part
That's a part of me
What about me?
What about me?
Pianist and Keyboardist Bernie Worrell is probably one of the most important and innovative musicians to help shape and mold how funk, jazz, classical, and rock in American popular music. This Rock and Roll Hall of Famer, along with Eddie Hazel, William “Bootsie” Collins, and George Clinton changed the world musically by adding a new musical mix by playing a more aggressive form of music that added the use of electronics as well as percussion to the mix. The groups Parliament-Funkadelic would become a musical amalgamation that played rock and soul that evolved into funk music. Worrell would go on to become the arranger and co-writer of the groups songs including “Flashlight,” Give Up the Funk,” “Mothership Connection,” and “Aqua Boogie.” His signature Minimoog and many keyboard arrangements have been sampled endlessly by rappers including De La Soul, Ice Cube, Dr. Dre, and A Tribe Called Quest.
His latest project is both a labor of love as well as something he’s wanted to record during his entire career. “Bernie Worrell: Standards,” is his first jazz recording in a career that spans some 45 years. Bernie enlisted the help of drummer Evan Taylor, who also serves as the co-producer of the disc, to also put together his new group The Bernie Worrell Orchestra. As his producer, both the and Bernie endlessly put together a list of jazz standards ranging from Duke Ellington’s “Take the A Train” to Dave Brubeck’s “Take 5.” But it allows him to play behind a nine-piece band that features two drummers, a percussionist, two saxophonists, a trumpeter, a bassist, and guitarist. It’s a funky and organic project that allows the master keyboardist to ‘funk out’ these jazz standards.
These songs aren’t a far departure from Bernie’s origins and beginning in the industry. Born George Bernard Worrell, Jr on April 19, 1944 in Long Branch, New Jersey, he grew up listening to classical and jazz music as a child. He was born with perfect pitch and began studying classical music at 3 years old. By playing the piano, his mother wouldn’t allow the young musical prodigy listen to the sounds of rhythm and blues that was popular at the time. Instead, he had to sneak and listen to R&B while studying Brahms, Beethoven, and Bach. Though he listened to jazz music which he took a liking to and followed pianists like Thelonious Monk, Oscar Peterson, and Bud Powell.
Upon graduating from high school, Bernie attended the New England Conservatory of Music. But it was while he was in school that he was getting his chops as a professional musician while playing in Boston. He backed the likes of Tavares, Tammi Terrell, Pigmeat Markham, and R & B great Maxine Brown; whom he became her musical director for 2 years after he completed school.
But it was his reign with Parliament that he gave the music world his innovative keyboard style. He also was a member the new wave group The Talking Heads and was featured in the critically-acclaimed concert film “Stop Making Sense.”
Bernie has been a leader since the late 1970’s when he recorded and released his debut album “All the Woo in the World.” He’s backed and played on recordings by The Honey Cones, Johnnie Taylor, Black Rock Johnson, Freda Payne, Albert King, Bobby Womack, The Dramatics, Mtume, The Spinners, Gil-Scott Heron, and Sly & Robbie.
Currently, Bernie is on the road with the orchestra. For upcoming dates or to order his latest disc “Bernie Worrell: Standards,” please visit him on the web at www.bernieworrell.com.
Watch this video on Vimeo. Video created by Brian Pace.
A cool musically synchronized water fountain in the midst of Seattle Center. I wanted to go for an almost faux IR sky to contrast the water. Fortunately the sky was of the purest blue that day.
Another shot my wife took while I was taking my turn on the winch. Getting towed out for another try at the rail. Winching is way cheaper then boating. You can ride all day on a couple gallons of gas.
Kenny Loggins~Danger Zone (Top Gun)
Revvin' up your engine
Listen to her howlin' roar
Metal under tension
Beggin' you to touch and go
Highway to the Danger Zone
Ride into the Danger Zone
Headin' into twilight
Spreadin' out her wings tonight
She got you jumpin' off the track
And shovin' into overdrive
Highway to the Danger Zone
I'll take you
Right into the Danger Zone
You'll never say hello to you
Until you get it on the red line overload
You'll never know what you can do
Until you get it up as high as you can go
Out along the edges
Always where I burn to be
The further on the edge
The hotter the intensity
Highway to the Danger Zone
Gonna take you
Right into the Danger Zone
Highway to the Danger Zone
Roxy Music are an English art rock group formed in 1971 by Bryan Ferry, who became the group's lead vocalist and chief songwriter. The other members are Phil Manzanera (guitar), Andy Mackay (saxophone and oboe) and Paul Thompson (drums and percussion). Former members include Brian Eno (synthesizer and "treatments"), and Eddie Jobson (synthesizer and violin). Although the band took a break from group activities in 1983, they reunited for a concert tour in 2001, and have toured together intermittently since that time.
Roxy Music attained popular and critical success in the UK, Europe and Australia during the 1970s and early 1980s, beginning with their debut album, Roxy Music (1972).[1] The band was highly influential, as leading proponents of the more experimental, musically sophisticated element of glam, as well as a significant influence on early English punk music. They also provided a model for many New Wave acts and the experimental electronic groups of the early 1980s. The group is distinguished by their visual and musical sophistication and their preoccupation with style and glamour.[2] Ferry and co-founding member Eno have also had influential solo careers, the latter becoming one of the most significant record producers and collaborators of the late 20th century.
Rolling Stone magazine ranked Roxy Music #98 on its "The Immortals – 100 The Greatest Artists of All Time" list.[3]
A new studio album, which would have been their ninth, began recording in 2005. It would have been Roxy's first record with Brian Eno since 1973, who wrote two songs for it as well as played keyboards.[4] However, Bryan Ferry eventually confirmed that material from these sessions would be released as a Ferry solo album, with Eno playing on "a couple of tracks,"[5] and that he doesn't think they'll record as Roxy Music again.[6] Subsequently, this was confirmed by the announcement of a solo Bryan Ferry album, entitled Olympia.
Roxy Music are an English art rock group formed in 1971 by Bryan Ferry, who became the group's lead vocalist and chief songwriter. The other members are Phil Manzanera (guitar), Andy Mackay (saxophone and oboe) and Paul Thompson (drums and percussion). Former members include Brian Eno (synthesizer and "treatments"), and Eddie Jobson (synthesizer and violin). Although the band took a break from group activities in 1983, they reunited for a concert tour in 2001, and have toured together intermittently since that time.
Roxy Music attained popular and critical success in the UK, Europe and Australia during the 1970s and early 1980s, beginning with their debut album, Roxy Music (1972).[1] The band was highly influential, as leading proponents of the more experimental, musically sophisticated element of glam, as well as a significant influence on early English punk music. They also provided a model for many New Wave acts and the experimental electronic groups of the early 1980s. The group is distinguished by their visual and musical sophistication and their preoccupation with style and glamour.[2] Ferry and co-founding member Eno have also had influential solo careers, the latter becoming one of the most significant record producers and collaborators of the late 20th century.
Rolling Stone magazine ranked Roxy Music #98 on its "The Immortals – 100 The Greatest Artists of All Time" list.[3]
A new studio album, which would have been their ninth, began recording in 2005. It would have been Roxy's first record with Brian Eno since 1973, who wrote two songs for it as well as played keyboards.[4] However, Bryan Ferry eventually confirmed that material from these sessions would be released as a Ferry solo album, with Eno playing on "a couple of tracks,"[5] and that he doesn't think they'll record as Roxy Music again.[6] Subsequently, this was confirmed by the announcement of a solo Bryan Ferry album, entitled Olympia.
All photos by Sara Bowrey (full res available on request)
CAMP BESTIVAL 2013
Camp Bestival has its niche firmly carved out as the premier child-friendly but musically-credible event on the summer calendar, the festival in Dorset has also managed to retain a boutique ambience whilst having a capacity of some 30,000. That said, when it feels like over half of your crowd are in the five to ten age-bracket, maybe you can squeeze a lot more little bodies into the available space.
And it’s a fact that there are children everywhere. Children in pushchairs, children in custom-pimped trollies, children up flagpoles, children weighed down by stacks of 10p deposit pint cups. There are kids crammed against the fence around the jousting arena, kids making clay models and kids sprouting tails. There’s youngsters learning to dance, being entertained by the blue coats and hanging upside-down from the giant Hi De Hi letters on the hill above the Big Top.
Indeed it almost seems to have been an entry-requirement that you brought a toddler or pre-teen with you to get through the gates.
There were still some people without young families in tow this year – but they were in a considerable minority. Fundamentally, Camp Bestival takes the concept of a festival kids’ zone to the limits and still doesn't leave the ‘adult entertainment’ as an afterthought.
...full review at www.virtualfestivals.com/latest/news/14161
My push parnter was the awesome Hajar Al Akoor, she pushed me to find a photo in my contact list and replicate it. Well this isn't a contact of mine but it was a photo that i wanted to try for some time so i was super excited to give it a shot. Here is the inspiration.
One good thing about music
When it hits, you feel no pain
Bob Marley-Trenchtown rock
Musically Challenged.
Odc-Gossamer
One Strobe directly above face
Natalia Sisik Photos
Contact: nataliasisik.pl
BLOG: nataliasisik.pl/tematy/blog/
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Polish Top Tiktoker
It's beautiful to break
Let your false flag drift away
Show me your face
You can fall apart on me
Because I'll be here as long as it takes
A remedy to steady your midnight shakes
I'll stay here as long as it takes...
- Spill Canvas, As Long As It Takes
Far from out of the woods, but it's amazing what a difference replacing dread and anxiety with hope and optimism can do. My mom is talking about taking me away for a girls' weekend in early September. So right now I'm kind of setting my sights on that. Because by then, other things will be moving in such a good direction too. And honestly, I could use a few days away from my life right now.
Musically Challenged: Spill Canvas - As Long as it Takes
My Face is My Canvas: Emulation Challenge Week 100
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
11835 Fischer Zagreb 1926. Godišnjica mature. Sjede: Vjekoslav Heinzel "VH" (1871.–1934.). Ferdo Šega "FŠ" (1874. – 1955.), Janko Barlè "JB" (1869-1941), Oto (Oton) Frangeš "OF" (1870-1945), ? Stoje: Radoslav Eisenhuth "RE" (1872-1940, ?,?, Antun Goglia "AG" (1863-1958), ?,?, Ignjat Fischer "IF" (1870-1948), Ernst Stiassny "ES" (1895 - 1975)?, ?, Robert Kronfeld "RK" (1972-1944), Rudolf Berger "RB" (1875-1959), ?, ?, Antun Kostial "AK" (1879-1936), ?, Adolf Mihalić "AM"(1864-1934), Josip Gorničić "JG" (1870-1957) - Tekst na stražnjoj strani: "Subota 25.VI.1921. 25. god. Mature ? 1885, 1886, 1887. - 1888. Kraljevska velika realka i trgovačka škola.
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English
BARLÈ, Janko
Historian, ethnographer, music writer, and priest
Budanje near Vipava, 12 Mar 1869 – Zagreb, 18 Feb 1941
Ordained in 1892 after completing theology in Zagreb. Served as chaplain in Garešnica (1892–93) and as religion teacher at the Institute for Deaf Children in Zagreb; then at the Archdiocesan Chancery as actuary, clerk, archivist, and from 1916 to 1938 its director. Held church offices as prebendary (1904), archbishop’s secretary (1911), and canon (1916). Member of many learned societies; corresponding member of JAZU from 1921. Worked on the history of Zagreb, Turopolje, Slavonia, and the Diocese of Zagreb, church orders, and medical history. Musically trained; edited and contributed to Sv. Cecilija.
Works: History of Zagreb Parishes and Churches, 1–2 (1896–99); Josip Juraj Strossmayer (1900); The Zagreb Archdeaconry to 1642 (1903).
EISENHUTH, Radoslav
Mechanical engineer and industrialist
Zagreb, 9 Sep 1872 – Zagreb, 2 Apr 1940
Studied mechanical engineering in Vienna, Graz, and Zurich; graduated 1897. Engineer in Prague and England; in 1901 founded the R. Eisenhut Mechanical-Electrotechnical Works in Zagreb (≈120 workers) producing machinery, waterworks fittings, bridge/roof structures, and railway brakes. Awarded at the 1906 National Economic Exhibition in Zagreb; reorganized as a joint-stock company in 1907. Board member and technical adviser of the Czech Industrial Bank in Vienna (1907–14). Served in WWI; later technical director at Motor d.d. Zagreb and an independent expert. Bequeathed rare instruments to today’s Technical Museum.
Lit.: Official Gazette of the Engineering Chambers of the Banovina of Croatia, 8(1940)3(62), 22.
FISCHER, Ignjat
Architect, city councillor, and public figure
Zagreb, 18 Jun 1870 – Zagreb, 19 Jan 1948
From a Jewish builder’s family (Samuel Fischer). Trained in Vienna and Prague; active in Zagreb from 1897, first with Antonín Hrubý, later leading a major atelier. Early promoter of Art Nouveau in Croatia. Notable works: Sanatorium clinic in Klaićeva (1908), Apollo cinema (today Kerempuh), Masonic lodge building in Nazorova, Kastner & Öhler department store interiors (today Nama), City Savings Bank Palace (1922–25), Harmica Passage (1931). Took part in constructing the present Croatian Parliament building. Freemason.
GOGLIA, Antun
Music historian, writer, cellist, and lawyer
Rijeka, 7 Mar 1863 – Zagreb, 4 Nov 1958
Doctor of Law (Zagreb, 1896). Worked in judicial and governmental service; taught forestry and hunting law (1900–30). Active in the Croatian Music Institute (HGZ) as secretary (1898–1910), president (1929–46), and school supervisor. Author of foundational studies on HGZ and Zagreb’s chamber and orchestral life; wrote numerous biographies of Croatian musicians.
Works: The Croatian Music Institute in Zagreb 1827–1927 (1927); Chamber Music in Zagreb (1930); Orchestral Music in Zagreb (1935); Ivan pl. Zajc (1932).
GORNIČIĆ, Josip (Gorničić-Brdovački; Josip Juraj)
Transport and economic specialist
Brdovec, 24 Oct 1870 – Zagreb, 20 Jan 1957
Clerk with the Hungarian State Railways; later adviser with the Yugoslav State Railways. Retired in 1936 for sharply criticizing the Kingdom of Yugoslavia’s transport policy; reinstated in 1938, inspector at the Ministry of Trade and Industry until 1941. Published the first Croatian treatise on railway transport, Transport Policy in General and Hungarian Transport Policy in Croatia in Particular (1907), documenting neglect of the Croatian economy and advocating Croatian control over railways and full autonomy in railway, tariff, transport, and financial matters. His study The Development of Railways in Croatia to 1918 (1952) is a key source for economic history.
Works: Transport Policy… (1907); Railway Pragmatics from a Croatian Professional Viewpoint (1907); Development of the Railway in Croatia to 1918 (1952).
HEINZEL, Vjekoslav
Architect and Mayor of Zagreb
Zagreb, 1871 – Zagreb, 1934
Known as the “mayor of progress.” Drove modernization between the world wars: expansion eastwards, new residential districts and industrial zones, electric lighting and trams. Advocated the idea of a “Greater Zagreb,” partially realized decades later.
KOSTIAL, Antun
Civil engineer
Ogulin, 25 Dec 1879 – Zagreb, 12 Feb 1936
Graduated in Budapest (1901). Worked on railway construction and maintenance (Zagreb, Dugo Selo, Karlovac, Delnice). Designed the Ogulin–Rijeka rail connection concept; led post-WWI reconstruction, station enlargements, port improvements (Sušak, Split), and Zagreb marshalling yard expansion. Later technical director of Jugotanin d.d.
KRONFELD, Robert
Insurance specialist and director
Zagreb, 25 Jan 1871 – ? (camp, 1941–1945)
Director of the Zagreb branch of Rosija–Fonsier (insurance/reinsurance). After the NDH was established, despite conversion to Catholicism, was forced to declare property; perished in an unknown camp. Wife Ada née Tedeschi (Trieste, 3 Apr 1876 – ?) later lived in Lisbon.
Sources: DAZ, Jewish Registers; HDA, Property Declarations, box 683. Lit.: M. Švob, Jews in Croatia, vol. 2, Zagreb 2004.
MIHALIĆ, Adolf
Lawyer
Zagreb, 16 Jun 1864 – Zagreb, 14 Feb 1934
Son of Zagreb mayor Makso Mihalić. PhD in Law, Zagreb (1888). State official, retired as Ban’s Councillor. Founded the Sociological Society in Zagreb (1918), its first president. Prominent Freemason; co-founder of the “Hrvatska vila” lodge (1892), the first to work in Croatian. As Ivan Prigorski published Pages on Freemasonry (1911).
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Deutsch
BARLÈ, Janko
Historiker, Ethnograph, Musikschriftsteller und Priester
Budanje bei Vipava, 12. März 1869 – Zagreb, 18. Feb. 1941
1892 in Zagreb zum Priester geweiht. Kaplan in Garešnica (1892–93), Religionslehrer am Institut für Taubstumme; danach in der Erzbischöflichen Kanzlei als Aktuar, Schreiber, Archivar und 1916–38 Direktor. Kirchenämter: Präbendar (1904), Sekretär des Erzbischofs (1911), Kanonikus (1916). Korrespondierendes Mitglied der JAZU (ab 1921). Forschungen zur Geschichte Zagrebs, Turopoljes, der Slavonien und der Diözese Zagreb; auch zu Orden und Medizingeschichte. Musikalisch gebildet; Redakteur/Mitarbeiter von Sv. Cecilija.
Werke: Geschichte der Zagreber Pfarreien und Kirchen, 1–2 (1896–99); Josip Juraj Strossmayer (1900); Das Zagreber Archidiakonat bis 1642 (1903).
EISENHUTH, Radoslav
Maschinenbauingenieur und Industrieller
Zagreb, 9. Sep. 1872 – Zagreb, 2. Apr. 1940
Maschinenbaustudium in Wien, Graz, Zürich; Dipl. 1897. Ingenieur in Prag und England; 1901 Gründer der Maschinen-Elektrotechnischen Fabrik R. Eisenhut in Zagreb (≈120 Arbeiter): Maschinen, Armaturen, Brücken-/Dachkonstruktionen, Eisenbahnbremsen. Auszeichnung auf der Landeswirtschaftsausstellung 1906; 1907 als AG reorganisiert. 1907–14 Vorstandsmitglied/Technischer Berater der Böhmischen Industriebank in Wien. Teilnahme am Ersten Weltkrieg; später Technischer Direktor bei Motor A.G. Zagreb und selbständiger Gutachter. Vermachte Instrumente dem Technischen Museum.
Lit.: Amtsblatt der Ingenieurkammern der Banovina Kroatiens, 8(1940)3(62), 22.
FISCHER, Ignjat
Architekt, Stadtverordneter und öffentlicher Funktionär
Zagreb, 18. Juni 1870 – Zagreb, 19. Jan. 1948
Aus jüdischer Baumeisterfamilie (Samuel Fischer). Ausbildung in Wien und Prag; ab 1897 in Zagreb tätig, zunächst mit Antonín Hrubý, später mit eigenem großen Atelier. Früher Vertreter des Jugendstils in Kroatien. Bedeutende Werke: Sanatorium in der Klaićeva (1908), Kino Apollo (heute Kerempuh), Logenhaus in der Nazorova, Warenhaus Kastner & Öhler (heute Nama), Städtische Sparkasse (1922–25), Durchgang Harmica (1931). Beteiligung am heutigen Parlamentsgebäude. Freimaurer.
GOGLIA, Antun
Musikhistoriker, Musikschriftsteller, Cellist und Jurist
Rijeka, 7. März 1863 – Zagreb, 4. Nov. 1958
Dr. iur. (Zagreb, 1896). Justiz- und Verwaltungsdienst; Lehrer für Forst- und Jagdrecht (1900–30). Im Kroatischen Musikverein (HGZ): Sekretär (1898–1910), Präsident (1929–46), Schulaufsicht. Grundlegende Studien zur Geschichte des HGZ und des Zagreber Musiklebens; zahlreiche Musikerbiographien.
Werke: Der Kroatische Musikverein in Zagreb 1827–1927 (1927); Kammermusik in Zagreb (1930); Orchestermusik in Zagreb (1935); Ivan pl. Zajc (1932).
GORNIČIĆ, Josip (Gorničić-Brdovački; Josip Juraj)
Verkehrs- und Wirtschaftsexperte
Brdovec, 24. Okt. 1870 – Zagreb, 20. Jan. 1957
Beamter bei den Ungarischen Staatsbahnen; später Berater bei den Jugoslawischen Staatsbahnen. 1936 wegen Kritik an der Verkehrspolitik des Königreichs Jugoslawien pensioniert, 1938 wieder eingesetzt, bis 1941 Aufseher im Handels- und Industrieministerium. Verfasser der ersten kroatischen Abhandlung über den Eisenbahnverkehr (Verkehrspolitik im Allgemeinen und ungarische Verkehrspolitik in Kroatien im Besonderen, 1907); verlangte kroatische Hoheit über die Bahnen und Autonomie in Tarif-, Verkehrs- und Finanzfragen. Entwicklung der Eisenbahn in Kroatien bis 1918 (1952) ist ein Schlüsselwerk der Wirtschafts- und Verkehrsgeschichte.
Werke: Verkehrspolitik… (1907); Eisenbahn-Pragmatik aus kroatischer Sicht (1907); Entwicklung… bis 1918 (1952).
HEINZEL, Vjekoslav
Architekt und Bürgermeister von Zagreb
Zagreb, 1871 – Zagreb, 1934
„Bürgermeister des Fortschritts“. Modernisierte die Stadt zwischen den Weltkriegen: Ostausbau, Wohnviertel, Industriegebiete, elektrische Beleuchtung und Straßenbahn. Idee eines „Groß-Zagreb“, teils erst Jahrzehnte später verwirklicht.
KOSTIAL, Antun
Bauingenieur
Ogulin, 25. Dez. 1879 – Zagreb, 12. Feb. 1936
Abschluss in Budapest (1901). Tätigkeit in Bauunterhalt und -leitung (Zagreb, Dugo Selo, Karlovac, Delnice). Entwarf die Verbindung Ogulin–Rijeka; leitete nach dem Ersten Weltkrieg Wiederaufbau, Stationsausbauten, Hafenanlagen (Sušak, Split) und den Ausbau des Verschiebebahnhofs Zagreb. Später Technischer Direktor bei Jugotanin A.G.
KRONFELD, Robert
Versicherungsexperte und Direktor
Zagreb, 25. Jan. 1871 – ? (Lager, 1941–1945)
Direktor der Zagreber Niederlassung Rosija–Fonsier (Versicherung/Rückversicherung). Nach Gründung des NDH trotz Konversion zum Katholizismus Vermögensdeklaration erzwungen; starb in unbekanntem Lager. Ehefrau Ada geb. Tedeschi (Triest, 3. Apr. 1876 – ?) lebte später in Lissabon.
Quellen: DAZ, Jüdische Register; HDA, Vermögensanmeldungen, Kiste 683. Lit.: M. Švob, Juden in Kroatien, Bd. 2, Zagreb 2004.
MIHALIĆ, Adolf
Jurist
Zagreb, 16. Juni 1864 – Zagreb, 14. Feb. 1934
Sohn des Zagreber Bürgermeisters Makso Mihalić. Dr. iur., Zagreb (1888). Staatsbeamter, zuletzt Banatsrat. 1918 Gründer des Soziologischen Vereins in Zagreb, erster Vorsitzender. Bedeutender Freimaurer; Mitbegründer der Loge „Hrvatska vila“ (1892), der ersten mit kroatischer Arbeitssprache. Als Ivan Prigorski veröffentlichte er Blätter über die Freimaurerei (1911).
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Français
BARLÈ, Janko
Historien, ethnographe, écrivain musical et prêtre
Budanje près de Vipava, 12 mars 1869 – Zagreb, 18 févr. 1941
Ordonné en 1892 après des études de théologie à Zagreb. Vicaire à Garešnica (1892–93), enseignant religieux à l’Institut pour enfants sourds; puis à la chancellerie archiépiscopale comme actuarius, greffier, archiviste et, de 1916 à 1938, directeur. Dignités: prébendier (1904), secrétaire de l’archevêque (1911), chanoine (1916). Membre de nombreuses sociétés savantes; correspondant de la JAZU dès 1921. Recherches sur l’histoire de Zagreb, du Turopolje, de la Slavonie et du diocèse de Zagreb, ainsi que des ordres religieux et de l’histoire de la santé. Musicien de formation; rédacteur/collaborateur de Sv. Cecilija.
Œuvres : Histoire des paroisses et églises de Zagreb, 1–2 (1896–99) ; Josip Juraj Strossmayer (1900) ; L’archidiaconé de Zagreb jusqu’en 1642 (1903).
EISENHUTH, Radoslav
Ingénieur mécanicien et industriel
Zagreb, 9 sept. 1872 – Zagreb, 2 avr. 1940
Études de mécanique à Vienne, Graz et Zurich; diplômé en 1897. Ingénieur à Prague et en Angleterre; fonde en 1901 à Zagreb les Ateliers mécaniques et électrotechniques R. Eisenhut (≈120 ouvriers) : machines, armatures, structures métalliques, freins ferroviaires. Distinction à l’Exposition économique nationale de Zagreb (1906); transformés en société anonyme en 1907. Membre du conseil et conseiller technique de la Banque industrielle tchèque à Vienne (1907–14). Service pendant la Première Guerre mondiale; plus tard directeur technique de Motor S.A. à Zagreb et expert indépendant. Legs d’instruments au Musée technique.
Lit. : Bulletin officiel des Chambres d’ingénieurs de la Banovine de Croatie, 8(1940)3(62), 22.
FISCHER, Ignjat
Architecte, conseiller municipal et personnalité publique
Zagreb, 18 juin 1870 – Zagreb, 19 janv. 1948
Issu d’une famille juive d’entrepreneurs (Samuel Fischer). Formé à Vienne et à Prague; actif à Zagreb dès 1897, d’abord avec Antonín Hrubý, puis à la tête d’un grand atelier. Précurseur de l’Art nouveau en Croatie. Œuvres majeures : clinique Sanatorium (1908), cinéma Apollo (auj. Kerempuh), bâtiment maçonnique rue Nazorova, aménagements du grand magasin Kastner & Öhler (auj. Nama), Palais de la Caisse d’épargne municipale (1922–25), passage Harmica (1931). Participation au bâtiment actuel du Parlement croate. Franc-maçon.
GOGLIA, Antun
Historien de la musique, écrivain, violoncelliste et juriste
Rijeka, 7 mars 1863 – Zagreb, 4 nov. 1958
Docteur en droit (Zagreb, 1896). Service judiciaire et administratif; enseigna le droit forestier et cynégétique (1900–30). Au sein du Croatian Music Institute (HGZ) : secrétaire (1898–1910), président (1929–46), surintendant de l’école. Auteur d’études fondamentales sur le HGZ et la vie musicale de Zagreb; nombreuses biographies de musiciens croates.
Œuvres : Le Croatian Music Institute à Zagreb 1827–1927 (1927) ; La musique de chambre à Zagreb (1930) ; La musique orchestrale à Zagreb (1935) ; Ivan pl. Zajc (1932).
GORNIČIĆ, Josip (Gorničić-Brdovački ; Josip Juraj)
Spécialiste des transports et de l’économie
Brdovec, 24 oct. 1870 – Zagreb, 20 janv. 1957
Employé des Chemins de fer d’État hongrois; plus tard conseiller aux Chemins de fer d’État yougoslaves. Mis à la retraite en 1936 pour sa critique de la politique des transports du Royaume de Yougoslavie; réintégré en 1938, inspecteur au Ministère du commerce et de l’industrie jusqu’en 1941. Auteur du premier traité croate sur le transport ferroviaire, Politique des transports en général et politique hongroise en Croatie en particulier (1907), dénonçant la négligence de l’économie croate et prônant la maîtrise croate des chemins de fer et l’autonomie tarifaire, transport et finances. Son étude Développement du chemin de fer en Croatie jusqu’en 1918 (1952) est une source essentielle pour l’histoire économique.
Œuvres : Politique des transports… (1907) ; Pragmatique ferroviaire du point de vue croate (1907) ; Développement… jusqu’en 1918 (1952).
HEINZEL, Vjekoslav
Architecte et maire de Zagreb
Zagreb, 1871 – Zagreb, 1934
Surnommé « le maire du progrès ». Conduisit la modernisation entre les deux guerres : expansion vers l’est, quartiers d’habitation, zones industrielles, éclairage électrique et tramways. Défendit l’idée d’un « Grand Zagreb », partiellement réalisée des décennies plus tard.
KOSTIAL, Antun
Ingénieur civil
Ogulin, 25 déc. 1879 – Zagreb, 12 févr. 1936
Diplômé à Budapest (1901). Ingénieur sur l’entretien et la construction ferroviaires (Zagreb, Dugo Selo, Karlovac, Delnice). Conçoit la liaison Ogulin–Rijeka; dirige après 1918 la reconstruction, l’agrandissement des gares, l’amélioration portuaire (Sušak, Split) et l’extension du triage de Zagreb. Plus tard directeur technique de Jugotanin S.A.
KRONFELD, Robert
Spécialiste de l’assurance et directeur
Zagreb, 25 janv. 1871 – ? (camp, 1941–1945)
Directeur de la succursale de Zagreb Rosija–Fonsier (assurance/réassurance). Après la création de l’État indépendant de Croatie, malgré sa conversion au catholicisme, contraint de déclarer ses biens; mort dans un camp inconnu. Son épouse Ada née Tedeschi (Trieste, 3 avr. 1876 – ?) vécut ensuite à Lisbonne.
Sources : DAZ, Registres juifs ; HDA, Déclarations de biens, boîte 683. Lit. : M. Švob, Les Juifs en Croatie, vol. 2, Zagreb 2004.
MIHALIĆ, Adolf
Juriste
Zagreb, 16 juin 1864 – Zagreb, 14 févr. 1934
Fils du maire de Zagreb Makso Mihalić. Docteur en droit (Zagreb, 1888). Haut fonctionnaire, termina sa carrière comme conseiller bansal. En 1918 fonde la Société de sociologie de Zagreb et en est le premier président. Franc-maçon éminent; co-fondateur de la loge « Hrvatska vila » (1892), première à travailler en croate. Sous le pseudonyme Ivan Prigorski, publie Feuillets sur la franc-maçonnerie (1911).
BARLÈ, Janko „BJ“
Povjesničar, etnograf, glazbeni pisac i svećenik
Budanje kraj Vipave, 12. III. 1869. – Zagreb, 18. II. 1941.
Završio bogosloviju u Zagrebu (1892) i iste godine zaređen za svećenika. Službovao kao kapelan u Garešnici (1892–93) te vjeroučitelj u Zavodu za gluhonijemu djecu u Zagrebu. Od 1893. djeluje u nadbiskupskoj kancelariji, gdje je bio aktuar, bilježnik, arhivar i ravnatelj (1916–38). Obnašao dužnosti prebendara (1904), nadbiskupova tajnika (1911) i kanonika (1916).
Član brojnih društava, od 1921. dopisni član JAZU. Bavio se etnografijom, poviješću Zagreba, Turopolja, Slavonije i Zagrebačke biskupije, te crkvenom i zdravstvenom poviješću. Bio glazbeno obrazovan, urednik i suradnik u časopisu Sv. Cecilija.
Djela:
Povijest župa i crkava zagrebačkih, 1–2 (1896–99);
Josip Juraj Strossmayer (1900);
Zagrebački arhiđakonat do g. 1642 (1903).
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EISENHUTH, Radoslav „ER“
Strojarski inženjer i industrijalac
Zagreb, 9. IX. 1872. – Zagreb, 2. IV. 1940.
Studirao strojarstvo u Beču, Grazu i Zürichu, diplomirao 1897. Radio kao konstruktor u tvornicama u Pragu i Engleskoj, a 1901. u Zagrebu osnovao Strojarsko-elektrotehničku tvornicu R. Eisenhut. Tvornica, s oko 120 radnika, izrađivala je strojeve, armature, mostovne konstrukcije i kočnice za željeznice.
God. 1906. nagrađena na Zemaljskoj gospodarskoj izložbi u Zagrebu, a 1907. postaje dioničko društvo. Eisenhuth 1907–14. član ravnateljstva Češke industrijske banke u Beču. Sudionik Prvoga svjetskog rata, kasnije tehnički ravnatelj poduzeća Motor d.d. u Zagrebu.
Član Udruženja inženjera i arhitekata te Zagrebačke inženjerske komore. Tehničkom muzeju ostavio zbirku instrumenata i aparata.
Lit.: Službeni vjesnik inženjerskih komora Banovine Hrvatske, 8(1940), 3(62), 22.
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FISCHER, Ignjat „IF“
Arhitekt, gradski zastupnik i javni djelatnik
Zagreb, 18. VI. 1870. – Zagreb, 19. I. 1948.
Potječe iz židovske obitelji poduzetnika Samuela Fischera. Nakon studija arhitekture u Beču i Pragu, 1897. počinje djelovati u Zagrebu. Najprije surađuje s A. Hrubýjem, zatim vodi vlastiti atelijer koji postaje jedno od najvećih u zemlji.
U ranim radovima uveo secesiju u hrvatsku arhitekturu. Projektirao je: polikliniku Sanatorij u Klaićevoj (1908), kino Apollo (danas Kerempuh), zgradu slobodnozidarske lože u Nazorovoj, robnu kuću Kastner & Öhler (danas Nama), palaču Gradske štedionice (1922–25), prolaz Harmica (1931) i druge objekte.
Sudjelovao u gradnji zgrade današnjeg Hrvatskog sabora. Bio član slobodnih zidara.
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GOGLIA, Antun „AG“
Povjesničar glazbe, glazbeni pisac, violončelist, pravnik
Rijeka, 7. III. 1863. – Zagreb, 4. XI. 1958.
Doktorirao pravo u Zagrebu (1896), radio u sudbenoj i pravnoj službi Zemaljske vlade. Predavao šumarsko i lovno pravo na Šumarskoj akademiji (1900–30).
Uz pravnički rad aktivno djelovao u glazbenom životu Zagreba. Bio tajnik (1898–1910), predsjednik (1929–46) i nadzornik škole Hrvatskoga glazbenog zavoda. Autor brojnih glazbenopovijesnih radova o komornoj i orkestralnoj glazbi te biografija hrvatskih skladatelja.
Djela:
Hrvatski glazbeni zavod u Zagrebu 1827–1927 (1927);
Komorna muzika u Zagrebu (1930);
Orkestralna muzika u Zagrebu (1935);
Ivan pl. Zajc (1932).
Njegovi su radovi nezaobilazno vrelo za hrvatsku glazbenu povijest.
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GORNIČIĆ, Josip (Gorničić-Brdovački, Josip Juraj) „JG“
Prometno-gospodarski stručnjak
Brdovec, 24. X. 1870. – Zagreb, 20. I. 1957.
Radio na Mađarskim državnim željeznicama, zatim u Jugoslavenskim državnim željeznicama kao savjetnik. Zbog kritike prometne politike Kraljevine Jugoslavije umirovljen 1936., vraćen u službu 1938.
Objavio prvu hrvatsku raspravu o željezničkom prometu Prometna politika u obće i magjarska prometna politika u Hrvatskoj napose (1907), kojom je dokazao zapostavljanje hrvatskog gospodarstva od strane mađarske politike.
Njegovo kapitalno djelo Razvitak željeznice u Hrvatskoj do 1918. godine (1952) dragocjeno je vrelo za povijest željeznica i gospodarstva.
Djela:
Prometna politika u obće i magjarska prometna politika u Hrvatskoj napose (1907);
Željeznička pragmatika sa strukovnog hrvatskog gledišta (1907);
Razvitak željeznice u Hrvatskoj do 1918. godine (1952).
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HEINZEL, Vjekoslav „VH“
Arhitekt i gradonačelnik Zagreba
Zagreb, 1871. – Zagreb, 1934.
Poznat kao “gradonačelnik napretka”. Vodio je urbanistički razvoj Zagreba između dva svjetska rata, proširio grad prema istoku, izgradio stambene četvrti i industrijske zone te uveo električnu rasvjetu i tramvaje.
Zalagao se za stvaranje “Velikog Zagreba”, što se dijelom ostvarilo tek desetljećima poslije.
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KOSTIAL, Antun „AK“
Građevinski inženjer
Ogulin, 25. XII. 1879. – Zagreb, 12. II. 1936.
Diplomirao građevinarstvo u Budimpešti (1901). Radio kao inženjerski vježbenik u Direkciji željeznica u Zagrebu i sudjelovao u izradi projekta željezničke veze Ogulin–Rijeka.
Od 1918. povjerenik za prugu Zagreb–Rijeka, 1921–24. načelnik građevinskog odjela Direkcije željeznica. Zaslužan za obnovu pruga, proširenje postaja i gradnju ranžirnoga kolodvora u Zagrebu.
Tehnički direktor poduzeća Jugotanin d.d. u Zagrebu.
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KRONFELD, Robert „RK“
Osiguravatelj i direktor
Zagreb, 25. I. 1871. – ? (logor, 1941–1945)
Direktor zagrebačke podružnice osiguravajućeg društva Rosija–Fonsier. Nakon uspostave NDH i unatoč prelasku na katoličanstvo, bio prisiljen prijaviti imovinu te je stradao u logoru.
Supruga Ada rođ. Tedeschi (Trst, 3. IV. 1876 – ?), preživjela rat u Lisabonu.
Izv.: DAZ, Matične knjige Židova; HDA, Prijava imetka, kut. 683.
Lit.: M. Švob: Židovi u Hrvatskoj, 2, Zagreb 2004.
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MIHALIĆ, Adolf „AM“
Pravnik
Zagreb, 16. VI. 1864. – Zagreb, 14. II. 1934.
Sin zagrebačkog gradonačelnika Makse Mihalića. Doktorirao pravo na Pravnom fakultetu u Zagrebu (1888). Radio u državnoj upravi, naposljetku kao banski savjetnik.
God. 1918. osnovao Sociološko društvo u Zagrebu i bio njegov prvi predsjednik.
Istaknuti slobodni zidar, jedan od osnivača lože “Hrvatska vila” (1892), prve koja je radila na hrvatskom jeziku. Pod pseudonimom Ivan Prigorski objavio knjigu Listovi o slobodnom zidarstvu (1911).
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Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
Day 8 - Travel to NOLA - February 2024
Founded in 1993, the Krewe of Orpheus takes its name from Zeus and Calliope?s musically inclined son. Founding members include musician/actor Harry Connick, Jr. and his father, Harry Connick, Sr., former New Orleans district attorney. With their first parade in 1994, the Krewe of 700 members established itself as a super Krewe. They were the first super Krewe to allow both male and female riders.
The krewe?s throws include a number of sought-after items, including light-up Orpheus medallion beads, three different types of doubloons - Captain's, Krewe, & Musical Legends, four-foot-long stuffed dragons, and their prized throw is a custom decorated tambourine.
Notable floats include the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand. There?s also the Smoking Mary, an eight-unit float that looks like a steam locomotive. And everyone loves the three-unit, 139-foot Orpheus Leviathan Float, the first Carnival float to use extensive fiber optic lighting.
Over the years, Orpheus monarchs have included Fats Domino, Quentin Tarantino, Sandra Bullock, Glenn Close, Whoopi Goldberg, Stevie Wonder, Laurence Fishburne, Forrest Whitaker, Brad Paisley, Anne Rice and Toby Keith.
Unlike many Carnival events which are members-only, visitors are allowed to buy tickets to the black-tie Orpheuscapade, a musical extravaganza after the parade in the Ernest N. Morial Convention Center.
Year founded: 1993
Membership: 1500 male and female riders
Number of floats: 38 floats (including tandems)Day 8
Various pics of the day eight in New Orleans.
Diverses photos prisent en Nouvel Orlean le jour huit.
Saw the knives out, turned my back
Heard the train coming, stayed out on the track
In the middle, in the middle, in the middle of a dream
I lost my shirt, I pawned my rings
I've done all the dumb things
Caught the fever, heard the tune
Thought I loved her, hung my heart on the moon
Started howling, made no sense
Thought my friends would rush to my defence
dumb things by Paul Kelly
people in my regular life know me as Anna. If they know me as a photographer in real life, they soon start calling me Zee or Zee Anna. Somewhere between my online presence and my life merged. I'm okay with that. Except when your then-bf started referring to you as Zee, that got a little weird. Zee is me. I am Zee, but I was Anna first.
so i was talking to ali about my last ten days. and she was like: lets bust out the blonde wigs and do a lady gaga week in TOTW! and i was like: OMG YES!
Dark and Moody arent really my forte and I rarely do these, but I like the feel of this. This was actually a high key originally but I like this treatment a whole lot better. :)
today was funnnnnn ive only missed one day of gym this week, tomorrow i will be going again and again summer is around the corner! today i got the furniture rearranged in both bedrooms (mine and the guest/studio) so now all i need is to vacuum and decorate!! YAY!!!!
this is exciting. i kinda like being home when no one is nagging me to do things.
yesterday i was covering a fundraiser in Cape Coral and made alot of cool new contacts, two of the contacts i saw later at the Reserve! it was hilarious!
I'm happy.
project 365: day 357
TOTW: Lady Gaga! (in true lady gaga "bad romance" fashion.)
Musically Challenged: Dumb Things
TRP: Alter Ego
I touch no one and no one touches me.
[Decluttr], for the love of all that is holy!
Direct from Musically Challenged, here is some goodness for your Monday evening.
Also, even though this is in colour, in my own way it's inspired by this fella here, who's been blowing my mind lately with his gritty urban awesomeness.
252/365
Made it back from my road trip today. I'll be gradually uploading photos from the trip over the next week or so. I also hope to catch up on other people's photos too.
Willie Nelson #34/52 for Musically Inspired set
Just can't wait to get on the road again.
The life I love is making music with my friends
And I can't wait to get on the road again.
On the road again -
Goin' places that I've never been.
Seein' things that I may never see again
And I can't wait to get on the road again.
On the road again -
Like a band of gypsies we go down the highway
We're the best of friends.
Insisting that the world keep turning our way
And our way is...
On the road again.
Just can't wait to get on the road again.
The life I love is makin' music with my friends
And I can't wait to get on the road again.
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Amorphis
Alcatraz - Milano
26 Novembre 2013
Tomi Joutsen
Esa Holopainen
Tomi Koivusaari
Niclas Etelävuori
Santeri Kallio
Jan Rechberger
Ph Mairo Cinquetti
Founded 1990 in Helsinki, AMORPHIS have worked their way to the apex of the European metal scene and won international renown. The band's name, derived from "amorphous" (no determinate form or shape), has been programmatic for the pioneers of Finnish metal over the course of their 20-year career. Setting a diverse, intricate and unique style to their musical approach, often being described as "ahead of their time", the band accrued a large and loyal international fan base. From their independently released demo "Disment of Soul" (1991) through the current releases, Amorphis have always fused elements of traditional heavy, death and doom metal with a great variety of non-metal influences, including folk, progressive and psychedelia, and managed to create an instantly recognizable sound of their own. The band's break-through came in 1994 with "Tales From The Thousand Lakes". The album won the band a massive fan base around the world, reaching a multitude of listeners among and beyond the metal community, and remains immensely popular to this day.
In the early stages of their career, Amorphis consisted of Tomi Koivusaari (guitarist and original vocalist), Esa Holopainen (guitars), Olli-Pekka Laine (bass), and Jan Rechberger (drums). Together they greatly affected the metal underground, gained recognition and soon scored a multi-album contract with Relapse Records. Shortly after, Amorphis released their debut album, "The Karelian Isthmus". Receiving an impressive response, the band chose to venture further into melodic terrain, adding progressive keyboard sounds here and clean guest vocals (performed by Ville Tuomi of Kyyria) there. The result was the classic "Tales From The Thousand Lakes", which to this day is considered to be one of the most groundbreaking albums in the doom/death genre. For the first time incorporating lyrics from the Finnish national epic, the Kalevala, the album also was the first true manifestation of the influential Amorphis sound: a seamless combination of intoxicating melodies and aggressive sounds delivered with both clean and harsh vocals.
The success of "Tales From The Thousand Lakes" provided Amorphis with the opportunity to tour the European continent several times, and followed by their first US tour in late 1994. Shortly thereafter, the band underwent some major musical and line-up changes. Continuing to feature lyrics based on traditional Finnish folk poetry, the third album "Elegy" introduced a new vocalist, Pasi Koskinen. This adjustment proclaimed a significant transformation in Amorphis' career. Pasi's unique vocals brought a new setting to the music, which now concentrated more on compelling keyboard atmospheres, psychedelic guitar sounds and a distinctive arrangement of the vocals, delivered by both Tomi and Pasi. Encouraged by popular and critical approval, the band members took three years to prepare their next album, honing the newfound style to perfection. "Tuonela" was liberally sprinkled with 1970s-style psychedelic touches and marked another great leap ahead for Amorphis, and its successor, "Am Universum" delved even further into progressive soundscapes.
In 2003, Amorphis released "Far From The Sun". While closer to the band's metal roots than the previous longplayer, the album was again very relaxed and melodic as ever, spiced with Far Eastern touches as well as progressive elements in the vein of Pink Floyd. In the late summer of 2004, long-time singer Pasi Koskinen left the band, and Tomi Joutsen (Sinisthra) joined around the end of the year. With a new singer and new energy, the band recorded "Eclipse", an acclaimed masterpiece that combined the best-loved elements of Amorphis' unique sound with fresh vigour. The album went straight to the top of the Finnish charts and was followed by triumphant live appearances all over Europe before the band retreated again to the recording studio.
"Eclipse" was followed by "Silent Waters" in the late summer of 2007. The dynamic and emotional range of the new songs, all of which were based on a single episode from the Kalevala, went beyond any of Amorphis' earlier albums, yet at the same time hearkened back to the band's past output in all its diversity. The release of the new album was preceded by a string of festival appearances - including Germany's famous Wacken Open Air - and immediately followed by a five-week Finnish tour. The remainder of 2007 found Amorphis in Europe, Russia and Japan, whereas in 2008 they played in southeastern Europe, at a multitude of festivals and, during the fall, in the USA and Canada.
The new album "Skyforger" shares the lyrical concept of the two previous albums, its central character being Kalevala blacksmith Ilmarinen. Musically, the band soars to unprecedented heights; not abandoning the cherished ingredients of their sound but rather refining them, augmenting them with fresh elements, and delivering them with breathtaking passion and intensity. Both the album and the single "Silver Bride" went straight to number one in the Finnish charts, and the live qualities of the new songs were immediately tested and proven on the summer's festival stages. In September, Amorphis went on their first-ever tour of Latin America, followed by the extensive Forging Europe Tour in the fall. In the summer of 2010, the band presented its first-ever live DVD, which includes two full shows recorded in 2009 as well as a career-spanning documentary. The release coincided with the 20th anniversary of Amorphis, which in addition was honored by a compilation of re-recorded classic tracks, released in September. In October, Amorphis retreated to the studio again to record their tenth album, "The Beginning Of Times", due for release in late May 2011.
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
Roxy Music are an English art rock group formed in 1971 by Bryan Ferry, who became the group's lead vocalist and chief songwriter. The other members are Phil Manzanera (guitar), Andy Mackay (saxophone and oboe) and Paul Thompson (drums and percussion). Former members include Brian Eno (synthesizer and "treatments"), and Eddie Jobson (synthesizer and violin). Although the band took a break from group activities in 1983, they reunited for a concert tour in 2001, and have toured together intermittently since that time.
Roxy Music attained popular and critical success in the UK, Europe and Australia during the 1970s and early 1980s, beginning with their debut album, Roxy Music (1972).[1] The band was highly influential, as leading proponents of the more experimental, musically sophisticated element of glam, as well as a significant influence on early English punk music. They also provided a model for many New Wave acts and the experimental electronic groups of the early 1980s. The group is distinguished by their visual and musical sophistication and their preoccupation with style and glamour.[2] Ferry and co-founding member Eno have also had influential solo careers, the latter becoming one of the most significant record producers and collaborators of the late 20th century.
Rolling Stone magazine ranked Roxy Music #98 on its "The Immortals – 100 The Greatest Artists of All Time" list.[3]
A new studio album, which would have been their ninth, began recording in 2005. It would have been Roxy's first record with Brian Eno since 1973, who wrote two songs for it as well as played keyboards.[4] However, Bryan Ferry eventually confirmed that material from these sessions would be released as a Ferry solo album, with Eno playing on "a couple of tracks,"[5] and that he doesn't think they'll record as Roxy Music again.[6] Subsequently, this was confirmed by the announcement of a solo Bryan Ferry album, entitled Olympia.
Week Twenty One:
Who knew candles could be so flammable. They're only little after all. It's not like from from little things big things grow. Well apart from trees. And children. Oh and rumours too. They things always start small until one day you're the head of an international drugs cartel with mansions in the most delectable locations in South America and I only said I was going to the shop to buy a bottle of coke. Isn't it strange how they take on a life of their own.
Ah but that a bad example of it. Mostly because it's completely and uttlerly and totally fabricated. Yes there is more fabric in that than in the underwear I'll be wearing when I'm 60 and need them big enough to reach all the way up to my chest. Course when I'm 80 they'll be all the way up to my neck. Just think if I make it to 100 I'll have to replace my belt with a headband.
Now I think it's the perfect time to head into the middle of a dream. I've lost my shirt, though I've not pawned my rings but I'm pretty sure I've done some dumb things.
For the Musically Challenged group.
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For FUNKARO: www.youtube.com/channel/UCMzuYuaMNzBLNWi5yVBioiw
i'm still being the loser that i am :P
i can't countdown at the beginning of europe's final countdown lol
i <3 MGMT
<3 the beatles
<3 keane
<3 white stripes (apparently)
(yeah, that's me singing french lol; "vois sur ton chemin" in Les Choristes)
xx
1500 views guys?
THANKS!
For Musically challenged- the song is by Marjorie Fair - Empty Room. Hadn't heard it before but I love this song!
The photo was taken on the third consecutive attempt to wake up at dawn for photos. My snooze button addiction subsided enough for me to make it to the pond by 7. :) And this was me trying to get my remote working...
Marjorie Fair - Empty Room
I'm so tired of learning to talk
Building fences on the wall
In this state, I shall not remain
I don't want to go, but if I die young
Fill my empty room with the sun
Fill my empty room with the sun
This Doesn't matter like it did before
This doesn't matter much anymore
Change my mind or help me to try
Im afraid and I'm not satisfied
In this state I shall not remain
I don't want to go, but if I die young
Fill my empty room with the sun
Fill my empty room with the sun
This doesn't matter like it did before
This doesn't matter much anymore
This doesn't matter like it did before
This doesn't matter much anymore