View allAll Photos Tagged Musically

Two weeks in NOLA for the mardi gras 2017

Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.

In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.

The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.

They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.

Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.

In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.

I need your arms around me

I need to feel your touch

I need your understanding

I need your love so much

 

CAKE-Never There

Two weeks in NOLA for the mardi gras 2017

Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.

In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.

The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.

They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.

Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.

In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.

I have spoke with the tongue of angels

I have held the hand of the devil

It was warm in the night

I was cold as a stone

But I still haven't found what I'm looking for

...

This Week's Light Stalking Theme is "Musically Inspired"

  

[from Camp Rock*Demi Lovato - This Is Me ;) ]

 

Musically Inspired 06/52

Check out the notes :)

 

I don't like my face here haha

That lighter area above my hair looks bad. Dang. Gotta figure out how to remove that...

All photos by Sara Bowrey (full res available on request)

CAMP BESTIVAL 2013

Camp Bestival has its niche firmly carved out as the premier child-friendly but musically-credible event on the summer calendar, the festival in Dorset has also managed to retain a boutique ambience whilst having a capacity of some 30,000. That said, when it feels like over half of your crowd are in the five to ten age-bracket, maybe you can squeeze a lot more little bodies into the available space.

 

And it’s a fact that there are children everywhere. Children in pushchairs, children in custom-pimped trollies, children up flagpoles, children weighed down by stacks of 10p deposit pint cups. There are kids crammed against the fence around the jousting arena, kids making clay models and kids sprouting tails. There’s youngsters learning to dance, being entertained by the blue coats and hanging upside-down from the giant Hi De Hi letters on the hill above the Big Top.

 

Indeed it almost seems to have been an entry-requirement that you brought a toddler or pre-teen with you to get through the gates.

 

There were still some people without young families in tow this year – but they were in a considerable minority. Fundamentally, Camp Bestival takes the concept of a festival kids’ zone to the limits and still doesn't leave the ‘adult entertainment’ as an afterthought.

 

...full review at www.virtualfestivals.com/latest/news/14161

Two weeks in NOLA for the mardi gras 2017

Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.

In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.

The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.

They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.

Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.

In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.

For the musically challenged group.

 

When I saw this weeks list I knew that I had to do this song! It reminds me of my work. lol I've been off on mat leave for almost a year and this

makes kinda miss work. haha I said 'kinda' not really.

I know I got carried away with the little circle thingys but I like it and that's all that matters . :D

Musically gifted feline at the Barley Mow public house, Southsea, Hampshire.

Two weeks in NOLA for the mardi gras 2017

Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.

In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.

The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.

They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.

Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.

In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.

Two weeks in NOLA for the mardi gras 2017

Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.

In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.

The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.

They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.

Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.

In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.

Two weeks in NOLA for the mardi gras 2017

Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.

In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.

The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.

They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.

Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.

In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.

Day 8 - Travel to NOLA - February 2024

 

Founded in 1993, the Krewe of Orpheus takes its name from Zeus and Calliope?s musically inclined son. Founding members include musician/actor Harry Connick, Jr. and his father, Harry Connick, Sr., former New Orleans district attorney. With their first parade in 1994, the Krewe of 700 members established itself as a super Krewe. They were the first super Krewe to allow both male and female riders.

 

The krewe?s throws include a number of sought-after items, including light-up Orpheus medallion beads, three different types of doubloons - Captain's, Krewe, & Musical Legends, four-foot-long stuffed dragons, and their prized throw is a custom decorated tambourine.

 

Notable floats include the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand. There?s also the Smoking Mary, an eight-unit float that looks like a steam locomotive. And everyone loves the three-unit, 139-foot Orpheus Leviathan Float, the first Carnival float to use extensive fiber optic lighting.

 

Over the years, Orpheus monarchs have included Fats Domino, Quentin Tarantino, Sandra Bullock, Glenn Close, Whoopi Goldberg, Stevie Wonder, Laurence Fishburne, Forrest Whitaker, Brad Paisley, Anne Rice and Toby Keith.

 

Unlike many Carnival events which are members-only, visitors are allowed to buy tickets to the black-tie Orpheuscapade, a musical extravaganza after the parade in the Ernest N. Morial Convention Center.

 

Year founded: 1993

Membership: 1500 male and female riders

Number of floats: 38 floats (including tandems)Day 8

 

Various pics of the day eight in New Orleans.

Diverses photos prisent en Nouvel Orlean le jour huit.

Jenny De Nucci e Gianmarco Zagato sul palco della finale europea della "Muser Battle" al "Fabrique" di Milano il primo ottobre 2017.

This month there is still one ME departure per hour most perhaps all hours from 05.20 through to 22.20 mondays to fridays that I can hear but not see from home

Oh, there goes Mr. Humbug, there goes Mr. Grim.

If they gave a prize for bein mean the winner would be him.

Oh, Scroogey loves his money cause he thinks it gives him power,

If he became a flavor you can bet he would be sour.

Yuck, Even the vegetables don't like him.

 

Taken for the Musically Challenged group.

Song: Muppet Christmas Carol - Scrooge

 

This image is part of my Rhyming Captures Set

Alicereja Vs BibisBeautyPalace Musically New Compilation 2017 Check out more Musical.ly Comps ► www.youtube.com/watch?v=B9eWf... Download the Musical.ly App ► musical.ly/ Like Musical.ly on Facebook ► ift.tt/2bIjY0Y Follow Musical.ly on Instagram ► ift.tt/1PYYyca Follow Musical.ly on Twitter ► twitter.com/musicallyapp Follow Musical.ly on Tumblr ► ift.tt/1gvZZjT -------------------------------------------- Watch More Musical.ly Videos : ♦ Alicereja Vs BibisBeautyPalace Musically New Compilation 2017 youtu.be/SHkwkBYS-XE ♦ Best 50 Zach King (Musically) Compilation 2017 - Best Magic Tricks Ever youtu.be/imsGApRvl6I ♦ Dagi Bee Vs. Mackenzie Ziegler (Musically) Compilation 2017 youtu.be/gKeab_QoevU ♦ Don't Judge Me Challenge Teens (Musically) Compilation 2017 youtu.be/oY7_c1lsjTQ ♦ Brianna k1mmy912 Musically Compilation #Brianna youtu.be/Q8SpVnfGqkc ♦ Jacob Sartorius vines & Musically Compilation 2017 youtu.be/cCxvCzfct_I ♦ Kristen Hancher Musically Compilation #KristenHancher youtu.be/q_Xb5cCWmPk ♦ Annie V/S Jacob Sartorius Musically Compilation February 2017 youtu.be/Cq6d6z7CbXI

Jose Gonzales performing in the Music Allies backstage Bonnaroo recoding studio.

 

Photo by Josh Rhinehart / Music Allies

Day 328 Year 3 The Rogue Players

Perfectly Purple Saturdays

  

Musically Challenged

  

Death Cab For Cutie --Cath...

   

Cath . . .

She stands with a well intentioned man

But she can't relax with his hands on the small of her back

As the flashbulbs burst she holds a smile

Like someone would hold a crying child

Soon everybody will ask what became of you

Your heart was dying fast and you didn't know what to do

 

Cath . . .

It seems that you live in someone else's dream

In a hand-me-down wedding dress

With the things that could have been are repressed

But you said your vows and you closed the door

On so many men who would have loved you more

 

Soon everybody will ask what became of you

Your heart was dying fast and you didn't know what to do

The whispers that it won't last roll up and down the pews

And if our hearts were dying that fast, they would have done the same as you

I'd have done the same as you

Two weeks in NOLA for the mardi gras 2017

Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.

In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.

The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.

They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.

Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.

In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.

11835 Fischer Zagreb 1926. Godišnjica mature. Sjede: Vjekoslav Heinzel "VH" (1871.–1934.). Ferdo Šega "FŠ" (1874. – 1955.), Janko Barlè "JB" (1869-1941), Oto (Oton) Frangeš "OF" (1870-1945), ? Stoje: Radoslav Eisenhuth "RE" (1872-1940, ?,?, Antun Goglia "AG" (1863-1958), ?,?, Ignjat Fischer "IF" (1870-1948), Ernst Stiassny "ES" (1895 - 1975)?, ?, Robert Kronfeld "RK" (1972-1944), Rudolf Berger "RB" (1875-1959), ?, ?, Antun Kostial "AK" (1879-1936), ?, Adolf Mihalić "AM"(1864-1934), Josip Gorničić "JG" (1870-1957) - Tekst na stražnjoj strani: "Subota 25.VI.1921. 25. god. Mature ? 1885, 1886, 1887. - 1888. Kraljevska velika realka i trgovačka škola.

----------------------------------------

English

BARLÈ, Janko

Historian, ethnographer, music writer, and priest

Budanje near Vipava, 12 Mar 1869 – Zagreb, 18 Feb 1941

Ordained in 1892 after completing theology in Zagreb. Served as chaplain in Garešnica (1892–93) and as religion teacher at the Institute for Deaf Children in Zagreb; then at the Archdiocesan Chancery as actuary, clerk, archivist, and from 1916 to 1938 its director. Held church offices as prebendary (1904), archbishop’s secretary (1911), and canon (1916). Member of many learned societies; corresponding member of JAZU from 1921. Worked on the history of Zagreb, Turopolje, Slavonia, and the Diocese of Zagreb, church orders, and medical history. Musically trained; edited and contributed to Sv. Cecilija.

Works: History of Zagreb Parishes and Churches, 1–2 (1896–99); Josip Juraj Strossmayer (1900); The Zagreb Archdeaconry to 1642 (1903).

EISENHUTH, Radoslav

Mechanical engineer and industrialist

Zagreb, 9 Sep 1872 – Zagreb, 2 Apr 1940

Studied mechanical engineering in Vienna, Graz, and Zurich; graduated 1897. Engineer in Prague and England; in 1901 founded the R. Eisenhut Mechanical-Electrotechnical Works in Zagreb (≈120 workers) producing machinery, waterworks fittings, bridge/roof structures, and railway brakes. Awarded at the 1906 National Economic Exhibition in Zagreb; reorganized as a joint-stock company in 1907. Board member and technical adviser of the Czech Industrial Bank in Vienna (1907–14). Served in WWI; later technical director at Motor d.d. Zagreb and an independent expert. Bequeathed rare instruments to today’s Technical Museum.

Lit.: Official Gazette of the Engineering Chambers of the Banovina of Croatia, 8(1940)3(62), 22.

FISCHER, Ignjat

Architect, city councillor, and public figure

Zagreb, 18 Jun 1870 – Zagreb, 19 Jan 1948

From a Jewish builder’s family (Samuel Fischer). Trained in Vienna and Prague; active in Zagreb from 1897, first with Antonín Hrubý, later leading a major atelier. Early promoter of Art Nouveau in Croatia. Notable works: Sanatorium clinic in Klaićeva (1908), Apollo cinema (today Kerempuh), Masonic lodge building in Nazorova, Kastner & Öhler department store interiors (today Nama), City Savings Bank Palace (1922–25), Harmica Passage (1931). Took part in constructing the present Croatian Parliament building. Freemason.

GOGLIA, Antun

Music historian, writer, cellist, and lawyer

Rijeka, 7 Mar 1863 – Zagreb, 4 Nov 1958

Doctor of Law (Zagreb, 1896). Worked in judicial and governmental service; taught forestry and hunting law (1900–30). Active in the Croatian Music Institute (HGZ) as secretary (1898–1910), president (1929–46), and school supervisor. Author of foundational studies on HGZ and Zagreb’s chamber and orchestral life; wrote numerous biographies of Croatian musicians.

Works: The Croatian Music Institute in Zagreb 1827–1927 (1927); Chamber Music in Zagreb (1930); Orchestral Music in Zagreb (1935); Ivan pl. Zajc (1932).

GORNIČIĆ, Josip (Gorničić-Brdovački; Josip Juraj)

Transport and economic specialist

Brdovec, 24 Oct 1870 – Zagreb, 20 Jan 1957

Clerk with the Hungarian State Railways; later adviser with the Yugoslav State Railways. Retired in 1936 for sharply criticizing the Kingdom of Yugoslavia’s transport policy; reinstated in 1938, inspector at the Ministry of Trade and Industry until 1941. Published the first Croatian treatise on railway transport, Transport Policy in General and Hungarian Transport Policy in Croatia in Particular (1907), documenting neglect of the Croatian economy and advocating Croatian control over railways and full autonomy in railway, tariff, transport, and financial matters. His study The Development of Railways in Croatia to 1918 (1952) is a key source for economic history.

Works: Transport Policy… (1907); Railway Pragmatics from a Croatian Professional Viewpoint (1907); Development of the Railway in Croatia to 1918 (1952).

HEINZEL, Vjekoslav

Architect and Mayor of Zagreb

Zagreb, 1871 – Zagreb, 1934

Known as the “mayor of progress.” Drove modernization between the world wars: expansion eastwards, new residential districts and industrial zones, electric lighting and trams. Advocated the idea of a “Greater Zagreb,” partially realized decades later.

KOSTIAL, Antun

Civil engineer

Ogulin, 25 Dec 1879 – Zagreb, 12 Feb 1936

Graduated in Budapest (1901). Worked on railway construction and maintenance (Zagreb, Dugo Selo, Karlovac, Delnice). Designed the Ogulin–Rijeka rail connection concept; led post-WWI reconstruction, station enlargements, port improvements (Sušak, Split), and Zagreb marshalling yard expansion. Later technical director of Jugotanin d.d.

KRONFELD, Robert

Insurance specialist and director

Zagreb, 25 Jan 1871 – ? (camp, 1941–1945)

Director of the Zagreb branch of Rosija–Fonsier (insurance/reinsurance). After the NDH was established, despite conversion to Catholicism, was forced to declare property; perished in an unknown camp. Wife Ada née Tedeschi (Trieste, 3 Apr 1876 – ?) later lived in Lisbon.

Sources: DAZ, Jewish Registers; HDA, Property Declarations, box 683. Lit.: M. Švob, Jews in Croatia, vol. 2, Zagreb 2004.

MIHALIĆ, Adolf

Lawyer

Zagreb, 16 Jun 1864 – Zagreb, 14 Feb 1934

Son of Zagreb mayor Makso Mihalić. PhD in Law, Zagreb (1888). State official, retired as Ban’s Councillor. Founded the Sociological Society in Zagreb (1918), its first president. Prominent Freemason; co-founder of the “Hrvatska vila” lodge (1892), the first to work in Croatian. As Ivan Prigorski published Pages on Freemasonry (1911).

________________________________________

Deutsch

BARLÈ, Janko

Historiker, Ethnograph, Musikschriftsteller und Priester

Budanje bei Vipava, 12. März 1869 – Zagreb, 18. Feb. 1941

1892 in Zagreb zum Priester geweiht. Kaplan in Garešnica (1892–93), Religionslehrer am Institut für Taubstumme; danach in der Erzbischöflichen Kanzlei als Aktuar, Schreiber, Archivar und 1916–38 Direktor. Kirchenämter: Präbendar (1904), Sekretär des Erzbischofs (1911), Kanonikus (1916). Korrespondierendes Mitglied der JAZU (ab 1921). Forschungen zur Geschichte Zagrebs, Turopoljes, der Slavonien und der Diözese Zagreb; auch zu Orden und Medizingeschichte. Musikalisch gebildet; Redakteur/Mitarbeiter von Sv. Cecilija.

Werke: Geschichte der Zagreber Pfarreien und Kirchen, 1–2 (1896–99); Josip Juraj Strossmayer (1900); Das Zagreber Archidiakonat bis 1642 (1903).

EISENHUTH, Radoslav

Maschinenbauingenieur und Industrieller

Zagreb, 9. Sep. 1872 – Zagreb, 2. Apr. 1940

Maschinenbaustudium in Wien, Graz, Zürich; Dipl. 1897. Ingenieur in Prag und England; 1901 Gründer der Maschinen-Elektrotechnischen Fabrik R. Eisenhut in Zagreb (≈120 Arbeiter): Maschinen, Armaturen, Brücken-/Dachkonstruktionen, Eisenbahnbremsen. Auszeichnung auf der Landeswirtschaftsausstellung 1906; 1907 als AG reorganisiert. 1907–14 Vorstandsmitglied/Technischer Berater der Böhmischen Industriebank in Wien. Teilnahme am Ersten Weltkrieg; später Technischer Direktor bei Motor A.G. Zagreb und selbständiger Gutachter. Vermachte Instrumente dem Technischen Museum.

Lit.: Amtsblatt der Ingenieurkammern der Banovina Kroatiens, 8(1940)3(62), 22.

FISCHER, Ignjat

Architekt, Stadtverordneter und öffentlicher Funktionär

Zagreb, 18. Juni 1870 – Zagreb, 19. Jan. 1948

Aus jüdischer Baumeisterfamilie (Samuel Fischer). Ausbildung in Wien und Prag; ab 1897 in Zagreb tätig, zunächst mit Antonín Hrubý, später mit eigenem großen Atelier. Früher Vertreter des Jugendstils in Kroatien. Bedeutende Werke: Sanatorium in der Klaićeva (1908), Kino Apollo (heute Kerempuh), Logenhaus in der Nazorova, Warenhaus Kastner & Öhler (heute Nama), Städtische Sparkasse (1922–25), Durchgang Harmica (1931). Beteiligung am heutigen Parlamentsgebäude. Freimaurer.

GOGLIA, Antun

Musikhistoriker, Musikschriftsteller, Cellist und Jurist

Rijeka, 7. März 1863 – Zagreb, 4. Nov. 1958

Dr. iur. (Zagreb, 1896). Justiz- und Verwaltungsdienst; Lehrer für Forst- und Jagdrecht (1900–30). Im Kroatischen Musikverein (HGZ): Sekretär (1898–1910), Präsident (1929–46), Schulaufsicht. Grundlegende Studien zur Geschichte des HGZ und des Zagreber Musiklebens; zahlreiche Musikerbiographien.

Werke: Der Kroatische Musikverein in Zagreb 1827–1927 (1927); Kammermusik in Zagreb (1930); Orchestermusik in Zagreb (1935); Ivan pl. Zajc (1932).

GORNIČIĆ, Josip (Gorničić-Brdovački; Josip Juraj)

Verkehrs- und Wirtschaftsexperte

Brdovec, 24. Okt. 1870 – Zagreb, 20. Jan. 1957

Beamter bei den Ungarischen Staatsbahnen; später Berater bei den Jugoslawischen Staatsbahnen. 1936 wegen Kritik an der Verkehrspolitik des Königreichs Jugoslawien pensioniert, 1938 wieder eingesetzt, bis 1941 Aufseher im Handels- und Industrieministerium. Verfasser der ersten kroatischen Abhandlung über den Eisenbahnverkehr (Verkehrspolitik im Allgemeinen und ungarische Verkehrspolitik in Kroatien im Besonderen, 1907); verlangte kroatische Hoheit über die Bahnen und Autonomie in Tarif-, Verkehrs- und Finanzfragen. Entwicklung der Eisenbahn in Kroatien bis 1918 (1952) ist ein Schlüsselwerk der Wirtschafts- und Verkehrsgeschichte.

Werke: Verkehrspolitik… (1907); Eisenbahn-Pragmatik aus kroatischer Sicht (1907); Entwicklung… bis 1918 (1952).

HEINZEL, Vjekoslav

Architekt und Bürgermeister von Zagreb

Zagreb, 1871 – Zagreb, 1934

„Bürgermeister des Fortschritts“. Modernisierte die Stadt zwischen den Weltkriegen: Ostausbau, Wohnviertel, Industriegebiete, elektrische Beleuchtung und Straßenbahn. Idee eines „Groß-Zagreb“, teils erst Jahrzehnte später verwirklicht.

KOSTIAL, Antun

Bauingenieur

Ogulin, 25. Dez. 1879 – Zagreb, 12. Feb. 1936

Abschluss in Budapest (1901). Tätigkeit in Bauunterhalt und -leitung (Zagreb, Dugo Selo, Karlovac, Delnice). Entwarf die Verbindung Ogulin–Rijeka; leitete nach dem Ersten Weltkrieg Wiederaufbau, Stationsausbauten, Hafenanlagen (Sušak, Split) und den Ausbau des Verschiebebahnhofs Zagreb. Später Technischer Direktor bei Jugotanin A.G.

KRONFELD, Robert

Versicherungsexperte und Direktor

Zagreb, 25. Jan. 1871 – ? (Lager, 1941–1945)

Direktor der Zagreber Niederlassung Rosija–Fonsier (Versicherung/Rückversicherung). Nach Gründung des NDH trotz Konversion zum Katholizismus Vermögensdeklaration erzwungen; starb in unbekanntem Lager. Ehefrau Ada geb. Tedeschi (Triest, 3. Apr. 1876 – ?) lebte später in Lissabon.

Quellen: DAZ, Jüdische Register; HDA, Vermögensanmeldungen, Kiste 683. Lit.: M. Švob, Juden in Kroatien, Bd. 2, Zagreb 2004.

MIHALIĆ, Adolf

Jurist

Zagreb, 16. Juni 1864 – Zagreb, 14. Feb. 1934

Sohn des Zagreber Bürgermeisters Makso Mihalić. Dr. iur., Zagreb (1888). Staatsbeamter, zuletzt Banatsrat. 1918 Gründer des Soziologischen Vereins in Zagreb, erster Vorsitzender. Bedeutender Freimaurer; Mitbegründer der Loge „Hrvatska vila“ (1892), der ersten mit kroatischer Arbeitssprache. Als Ivan Prigorski veröffentlichte er Blätter über die Freimaurerei (1911).

________________________________________

Français

BARLÈ, Janko

Historien, ethnographe, écrivain musical et prêtre

Budanje près de Vipava, 12 mars 1869 – Zagreb, 18 févr. 1941

Ordonné en 1892 après des études de théologie à Zagreb. Vicaire à Garešnica (1892–93), enseignant religieux à l’Institut pour enfants sourds; puis à la chancellerie archiépiscopale comme actuarius, greffier, archiviste et, de 1916 à 1938, directeur. Dignités: prébendier (1904), secrétaire de l’archevêque (1911), chanoine (1916). Membre de nombreuses sociétés savantes; correspondant de la JAZU dès 1921. Recherches sur l’histoire de Zagreb, du Turopolje, de la Slavonie et du diocèse de Zagreb, ainsi que des ordres religieux et de l’histoire de la santé. Musicien de formation; rédacteur/collaborateur de Sv. Cecilija.

Œuvres : Histoire des paroisses et églises de Zagreb, 1–2 (1896–99) ; Josip Juraj Strossmayer (1900) ; L’archidiaconé de Zagreb jusqu’en 1642 (1903).

EISENHUTH, Radoslav

Ingénieur mécanicien et industriel

Zagreb, 9 sept. 1872 – Zagreb, 2 avr. 1940

Études de mécanique à Vienne, Graz et Zurich; diplômé en 1897. Ingénieur à Prague et en Angleterre; fonde en 1901 à Zagreb les Ateliers mécaniques et électrotechniques R. Eisenhut (≈120 ouvriers) : machines, armatures, structures métalliques, freins ferroviaires. Distinction à l’Exposition économique nationale de Zagreb (1906); transformés en société anonyme en 1907. Membre du conseil et conseiller technique de la Banque industrielle tchèque à Vienne (1907–14). Service pendant la Première Guerre mondiale; plus tard directeur technique de Motor S.A. à Zagreb et expert indépendant. Legs d’instruments au Musée technique.

Lit. : Bulletin officiel des Chambres d’ingénieurs de la Banovine de Croatie, 8(1940)3(62), 22.

FISCHER, Ignjat

Architecte, conseiller municipal et personnalité publique

Zagreb, 18 juin 1870 – Zagreb, 19 janv. 1948

Issu d’une famille juive d’entrepreneurs (Samuel Fischer). Formé à Vienne et à Prague; actif à Zagreb dès 1897, d’abord avec Antonín Hrubý, puis à la tête d’un grand atelier. Précurseur de l’Art nouveau en Croatie. Œuvres majeures : clinique Sanatorium (1908), cinéma Apollo (auj. Kerempuh), bâtiment maçonnique rue Nazorova, aménagements du grand magasin Kastner & Öhler (auj. Nama), Palais de la Caisse d’épargne municipale (1922–25), passage Harmica (1931). Participation au bâtiment actuel du Parlement croate. Franc-maçon.

GOGLIA, Antun

Historien de la musique, écrivain, violoncelliste et juriste

Rijeka, 7 mars 1863 – Zagreb, 4 nov. 1958

Docteur en droit (Zagreb, 1896). Service judiciaire et administratif; enseigna le droit forestier et cynégétique (1900–30). Au sein du Croatian Music Institute (HGZ) : secrétaire (1898–1910), président (1929–46), surintendant de l’école. Auteur d’études fondamentales sur le HGZ et la vie musicale de Zagreb; nombreuses biographies de musiciens croates.

Œuvres : Le Croatian Music Institute à Zagreb 1827–1927 (1927) ; La musique de chambre à Zagreb (1930) ; La musique orchestrale à Zagreb (1935) ; Ivan pl. Zajc (1932).

GORNIČIĆ, Josip (Gorničić-Brdovački ; Josip Juraj)

Spécialiste des transports et de l’économie

Brdovec, 24 oct. 1870 – Zagreb, 20 janv. 1957

Employé des Chemins de fer d’État hongrois; plus tard conseiller aux Chemins de fer d’État yougoslaves. Mis à la retraite en 1936 pour sa critique de la politique des transports du Royaume de Yougoslavie; réintégré en 1938, inspecteur au Ministère du commerce et de l’industrie jusqu’en 1941. Auteur du premier traité croate sur le transport ferroviaire, Politique des transports en général et politique hongroise en Croatie en particulier (1907), dénonçant la négligence de l’économie croate et prônant la maîtrise croate des chemins de fer et l’autonomie tarifaire, transport et finances. Son étude Développement du chemin de fer en Croatie jusqu’en 1918 (1952) est une source essentielle pour l’histoire économique.

Œuvres : Politique des transports… (1907) ; Pragmatique ferroviaire du point de vue croate (1907) ; Développement… jusqu’en 1918 (1952).

HEINZEL, Vjekoslav

Architecte et maire de Zagreb

Zagreb, 1871 – Zagreb, 1934

Surnommé « le maire du progrès ». Conduisit la modernisation entre les deux guerres : expansion vers l’est, quartiers d’habitation, zones industrielles, éclairage électrique et tramways. Défendit l’idée d’un « Grand Zagreb », partiellement réalisée des décennies plus tard.

KOSTIAL, Antun

Ingénieur civil

Ogulin, 25 déc. 1879 – Zagreb, 12 févr. 1936

Diplômé à Budapest (1901). Ingénieur sur l’entretien et la construction ferroviaires (Zagreb, Dugo Selo, Karlovac, Delnice). Conçoit la liaison Ogulin–Rijeka; dirige après 1918 la reconstruction, l’agrandissement des gares, l’amélioration portuaire (Sušak, Split) et l’extension du triage de Zagreb. Plus tard directeur technique de Jugotanin S.A.

KRONFELD, Robert

Spécialiste de l’assurance et directeur

Zagreb, 25 janv. 1871 – ? (camp, 1941–1945)

Directeur de la succursale de Zagreb Rosija–Fonsier (assurance/réassurance). Après la création de l’État indépendant de Croatie, malgré sa conversion au catholicisme, contraint de déclarer ses biens; mort dans un camp inconnu. Son épouse Ada née Tedeschi (Trieste, 3 avr. 1876 – ?) vécut ensuite à Lisbonne.

Sources : DAZ, Registres juifs ; HDA, Déclarations de biens, boîte 683. Lit. : M. Švob, Les Juifs en Croatie, vol. 2, Zagreb 2004.

MIHALIĆ, Adolf

Juriste

Zagreb, 16 juin 1864 – Zagreb, 14 févr. 1934

Fils du maire de Zagreb Makso Mihalić. Docteur en droit (Zagreb, 1888). Haut fonctionnaire, termina sa carrière comme conseiller bansal. En 1918 fonde la Société de sociologie de Zagreb et en est le premier président. Franc-maçon éminent; co-fondateur de la loge « Hrvatska vila » (1892), première à travailler en croate. Sous le pseudonyme Ivan Prigorski, publie Feuillets sur la franc-maçonnerie (1911).

 

BARLÈ, Janko „BJ“

Povjesničar, etnograf, glazbeni pisac i svećenik

Budanje kraj Vipave, 12. III. 1869. – Zagreb, 18. II. 1941.

Završio bogosloviju u Zagrebu (1892) i iste godine zaređen za svećenika. Službovao kao kapelan u Garešnici (1892–93) te vjeroučitelj u Zavodu za gluhonijemu djecu u Zagrebu. Od 1893. djeluje u nadbiskupskoj kancelariji, gdje je bio aktuar, bilježnik, arhivar i ravnatelj (1916–38). Obnašao dužnosti prebendara (1904), nadbiskupova tajnika (1911) i kanonika (1916).

Član brojnih društava, od 1921. dopisni član JAZU. Bavio se etnografijom, poviješću Zagreba, Turopolja, Slavonije i Zagrebačke biskupije, te crkvenom i zdravstvenom poviješću. Bio glazbeno obrazovan, urednik i suradnik u časopisu Sv. Cecilija.

Djela:

Povijest župa i crkava zagrebačkih, 1–2 (1896–99);

Josip Juraj Strossmayer (1900);

Zagrebački arhiđakonat do g. 1642 (1903).

________________________________________

EISENHUTH, Radoslav „ER“

Strojarski inženjer i industrijalac

Zagreb, 9. IX. 1872. – Zagreb, 2. IV. 1940.

Studirao strojarstvo u Beču, Grazu i Zürichu, diplomirao 1897. Radio kao konstruktor u tvornicama u Pragu i Engleskoj, a 1901. u Zagrebu osnovao Strojarsko-elektrotehničku tvornicu R. Eisenhut. Tvornica, s oko 120 radnika, izrađivala je strojeve, armature, mostovne konstrukcije i kočnice za željeznice.

God. 1906. nagrađena na Zemaljskoj gospodarskoj izložbi u Zagrebu, a 1907. postaje dioničko društvo. Eisenhuth 1907–14. član ravnateljstva Češke industrijske banke u Beču. Sudionik Prvoga svjetskog rata, kasnije tehnički ravnatelj poduzeća Motor d.d. u Zagrebu.

Član Udruženja inženjera i arhitekata te Zagrebačke inženjerske komore. Tehničkom muzeju ostavio zbirku instrumenata i aparata.

Lit.: Službeni vjesnik inženjerskih komora Banovine Hrvatske, 8(1940), 3(62), 22.

________________________________________

FISCHER, Ignjat „IF“

Arhitekt, gradski zastupnik i javni djelatnik

Zagreb, 18. VI. 1870. – Zagreb, 19. I. 1948.

Potječe iz židovske obitelji poduzetnika Samuela Fischera. Nakon studija arhitekture u Beču i Pragu, 1897. počinje djelovati u Zagrebu. Najprije surađuje s A. Hrubýjem, zatim vodi vlastiti atelijer koji postaje jedno od najvećih u zemlji.

U ranim radovima uveo secesiju u hrvatsku arhitekturu. Projektirao je: polikliniku Sanatorij u Klaićevoj (1908), kino Apollo (danas Kerempuh), zgradu slobodnozidarske lože u Nazorovoj, robnu kuću Kastner & Öhler (danas Nama), palaču Gradske štedionice (1922–25), prolaz Harmica (1931) i druge objekte.

Sudjelovao u gradnji zgrade današnjeg Hrvatskog sabora. Bio član slobodnih zidara.

________________________________________

GOGLIA, Antun „AG“

Povjesničar glazbe, glazbeni pisac, violončelist, pravnik

Rijeka, 7. III. 1863. – Zagreb, 4. XI. 1958.

Doktorirao pravo u Zagrebu (1896), radio u sudbenoj i pravnoj službi Zemaljske vlade. Predavao šumarsko i lovno pravo na Šumarskoj akademiji (1900–30).

Uz pravnički rad aktivno djelovao u glazbenom životu Zagreba. Bio tajnik (1898–1910), predsjednik (1929–46) i nadzornik škole Hrvatskoga glazbenog zavoda. Autor brojnih glazbenopovijesnih radova o komornoj i orkestralnoj glazbi te biografija hrvatskih skladatelja.

Djela:

Hrvatski glazbeni zavod u Zagrebu 1827–1927 (1927);

Komorna muzika u Zagrebu (1930);

Orkestralna muzika u Zagrebu (1935);

Ivan pl. Zajc (1932).

Njegovi su radovi nezaobilazno vrelo za hrvatsku glazbenu povijest.

________________________________________

GORNIČIĆ, Josip (Gorničić-Brdovački, Josip Juraj) „JG“

Prometno-gospodarski stručnjak

Brdovec, 24. X. 1870. – Zagreb, 20. I. 1957.

Radio na Mađarskim državnim željeznicama, zatim u Jugoslavenskim državnim željeznicama kao savjetnik. Zbog kritike prometne politike Kraljevine Jugoslavije umirovljen 1936., vraćen u službu 1938.

Objavio prvu hrvatsku raspravu o željezničkom prometu Prometna politika u obće i magjarska prometna politika u Hrvatskoj napose (1907), kojom je dokazao zapostavljanje hrvatskog gospodarstva od strane mađarske politike.

Njegovo kapitalno djelo Razvitak željeznice u Hrvatskoj do 1918. godine (1952) dragocjeno je vrelo za povijest željeznica i gospodarstva.

Djela:

Prometna politika u obće i magjarska prometna politika u Hrvatskoj napose (1907);

Željeznička pragmatika sa strukovnog hrvatskog gledišta (1907);

Razvitak željeznice u Hrvatskoj do 1918. godine (1952).

________________________________________

HEINZEL, Vjekoslav „VH“

Arhitekt i gradonačelnik Zagreba

Zagreb, 1871. – Zagreb, 1934.

Poznat kao “gradonačelnik napretka”. Vodio je urbanistički razvoj Zagreba između dva svjetska rata, proširio grad prema istoku, izgradio stambene četvrti i industrijske zone te uveo električnu rasvjetu i tramvaje.

Zalagao se za stvaranje “Velikog Zagreba”, što se dijelom ostvarilo tek desetljećima poslije.

________________________________________

KOSTIAL, Antun „AK“

Građevinski inženjer

Ogulin, 25. XII. 1879. – Zagreb, 12. II. 1936.

Diplomirao građevinarstvo u Budimpešti (1901). Radio kao inženjerski vježbenik u Direkciji željeznica u Zagrebu i sudjelovao u izradi projekta željezničke veze Ogulin–Rijeka.

Od 1918. povjerenik za prugu Zagreb–Rijeka, 1921–24. načelnik građevinskog odjela Direkcije željeznica. Zaslužan za obnovu pruga, proširenje postaja i gradnju ranžirnoga kolodvora u Zagrebu.

Tehnički direktor poduzeća Jugotanin d.d. u Zagrebu.

________________________________________

KRONFELD, Robert „RK“

Osiguravatelj i direktor

Zagreb, 25. I. 1871. – ? (logor, 1941–1945)

Direktor zagrebačke podružnice osiguravajućeg društva Rosija–Fonsier. Nakon uspostave NDH i unatoč prelasku na katoličanstvo, bio prisiljen prijaviti imovinu te je stradao u logoru.

Supruga Ada rođ. Tedeschi (Trst, 3. IV. 1876 – ?), preživjela rat u Lisabonu.

Izv.: DAZ, Matične knjige Židova; HDA, Prijava imetka, kut. 683.

Lit.: M. Švob: Židovi u Hrvatskoj, 2, Zagreb 2004.

________________________________________

MIHALIĆ, Adolf „AM“

Pravnik

Zagreb, 16. VI. 1864. – Zagreb, 14. II. 1934.

Sin zagrebačkog gradonačelnika Makse Mihalića. Doktorirao pravo na Pravnom fakultetu u Zagrebu (1888). Radio u državnoj upravi, naposljetku kao banski savjetnik.

God. 1918. osnovao Sociološko društvo u Zagrebu i bio njegov prvi predsjednik.

Istaknuti slobodni zidar, jedan od osnivača lože “Hrvatska vila” (1892), prve koja je radila na hrvatskom jeziku. Pod pseudonimom Ivan Prigorski objavio knjigu Listovi o slobodnom zidarstvu (1911).

  

Two weeks in NOLA for the mardi gras 2017

Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.

In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.

The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.

They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.

Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.

In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.

Please don't use this image on websites, blogs or other media without my explicit permission. My photos are © all rights reserved , i.e. I OWN THE COPYRIGHT on all the photographs displayed. They are all very low resolution for display purposes only

SO DO PLEASE NOT TAKE COPIES.. Please e-mail me if you would like to use these photos.

 

www.preston.gov.uk/leisure-and-culture/markets/

 

Exif data auto added by theGOOD Uploadr

File Size : 1.5 mb

Camera Make : NIKON CORPORATION

Camera Model : NIKON D1X

Software : Adobe Photoshop Alien Skin Exposure : Digital Kodak Kodachrome 25 :

Exposure :0.003 sec (1/400)

Aperture : f/9.0

Focal Length : 174 mm

ISO Speed : 200

Lens : Nikon AF Nikkor 70-210mm f/4

(constant aperture) photozone.de/Reviews/248-nikkor-af-70-210mm-f4-review--la

www.dantestella.com/technical/70210.html " 70-210 f/4 AF Nikkor: Nikon's best midrange zoom

70-210mm f/4 AF Nikkor on a D2x (ISO 160, f/4, 1/1000 sec).

Could a more expensive lens do it better? Probably not. "

www.kenrockwell.com/nikon/70210f4.htm " I've been using this 70-210 a lot and not really missing the AF-S, but certainly feeling how much lighter my bag is! "

www.donferrario.com/ruether/slemn.html#zoom

www.photographyreview.com/cat/lenses/35mm-zoom/nikon/PRD_...

365 - The 2010 Edition * December 23, 2010

 

For Musically Challenged

 

"Leaves in the River - by Sea Wolf

 

I met a girl on Halloween

When she was lost, and I was drunk

And it was dark and cold out when we left

 

And as we walked the rain started

The leaves softened with every step

And all around us people slept alone with their dreams

 

The wind came down from up the planes

And blew the leaves all through the streets

I wondered how far leaves could really fly

 

Would they rest in suburb yards

Or make it to the city

Or would they end up in the river just to float away

 

She pointed to a small brick house

And said it was where she grew up

The lights were out, she asked if we could stop for awhile

 

Her hair was still just getting wet

The water running down her neck

Collecting in the handprint in cement beneath her feet

 

Apparently there'd been a death

Someone close and nothing left

Because she hadn't left him in the end

 

I saw her blush when I asked

If she always talked like that

She said it only happened when she drank

 

And later on I felt her hand

Slipping into my cold fist

She promised me a kiss as soon as we got home

 

Her costume had begun to tear

She ran ahead and turned to me

Her laughter echoed through the empty streets

   

Jay Z at Bonnaroo

Sorry, just didn't care for them musically. I liked how weird they were, though.

 

(The girl shaking her head back and forth directly in front of me at the very end of the video really reminds me of Megan Mullally on Children's Hospital.)

 

My apologies for the distorted sound, but in my defense, this is a camera I got for $20 at a yard sale.

 

singing.

 

music: Otto Von Schirach.

video.

 

9:30 Club, Washington D.C.

 

September 17, 2011.

  

... View the list of every concert I've ever been to at clint.sheer.us/media/concerts.htm

... View my songkick gigography at www.songkick.com/users/ClintJCL/gigography

  

BACKSTORY: OMG! Another totally amazing show! We got to hang out with Nic Endo afterwards! We bummed a cigarette from some other guy, and then she tried to offer us one. That is to say, she is very nice! AE drove us again this year. Greg Z and Akira also went. Clint asked Nic Endo if she still carries floppy discs (of course!). People (including Clint) got on the stage again this year, and Carolyn saw an audience member accidently bump into Alec Empire and push him off the stage. He seemed ok, though. Nobody else seemed to notice that happen except Carolyn.

  

Closer by Nine Inch Nails for Musically Challenged (which i decided to join because I love everyone's posts for that group from week to week!)

 

This is from the shoot with m the other day. This is the less sunshine-y processing. :)

After years of searching, a new re-issue of the highly influential album by Brian Eno and David Byrne.

 

-----------------------------------------

 

My Life in the Bush of Ghosts is the first collaborative album by Brian Eno and David Byrne, released in February 1981. The album borrows its title from Amos Tutuola's 1954 novel of the same name, and musically integrates sampled vocals and found sounds, African and Middle Eastern rhythms, and electronic music techniques.[4] Recorded by Eno and Byrne prior to their work on Talking Head's fourth album Remain in Light (1980), sample clearance issues delayed its release until several months after the latter.

 

While it initially received mixed reviews, My Life is now widely regarded as a high point in the discographies of Eno and Byrne.[5][6] AllMusic critic John Bush describes it as a "pioneering work for countless styles connected to electronics, ambience and Third World music".[3] The extensive use of sampling on the album is widely considered ground-breaking and innovative, though its actual influence on the sample-based music genres that later emerged continues to be debated.[7][8] Pitchfork listed it as the 21st best album of the 1980s, while Slant Magazine listed the album at No. 83 on its list of the "Best Albums of 1980s".

 

Eno and Byrne first worked together while collaborating on More Songs About Buildings and Food, the 1978 album by Byrne's band Talking Heads. My Life was primarily recorded during a break between touring for Fear of Music (1979) and the recording of Remain in Light (1980), subsequent Talking Heads albums also produced by Eno, but the release was delayed while legal rights were sought for the large number of samples used throughout the album.[10] Eno described the album as a "vision of a psychedelic Africa."[11]

 

The "found objects" credited to Eno and Byrne were common objects used mostly as percussion. In the notes for the 2006 expanded edition of the album, Byrne writes that they would often use a normal drum kit, but with a cardboard box replacing the bass drum, or a frying pan replacing the snare drum; this would blend the familiar drum sound with unusual percussive noises.[full citation needed] Rather than conventional pop or rock singing, most of the vocals are sampled from other sources, such as commercial recordings of Arabic singers, radio disc jockeys, and an exorcist. Musicians had previously used similar sampling techniques, but critic Dave Simpson declares it had never before been used "to such cataclysmic effect" as on My Life.[12]

 

In 2001, Q magazine asked Eno whether he and Byrne had invented sampling. He replied:

 

“No, there was already a history of it. People such as Holger Czukay had made experiments using IBM Dictaphones and short-wave radios and so on. The difference was, I suppose, that I decided to make it the lead vocal on the album My Life in the Bush of Ghosts[13]”

The album was recorded entirely with analog technology, before the advent of digital sequencing and MIDI. The sampled voices were synchronized with the instrumental tracks via trial and error, a practice that was often frustrating, but which also produced several happy accidents.[citation needed]

 

According to Byrne’s 2006 sleeve notes, neither he nor Eno had read Tutuola’s novel before the album was recorded, but felt the title apt:

 

“At some point during this African obsession [during the recording] we became aware of Amos Tutuola’s books, and the title of one—My Life in the Bush of Ghosts—seemed to encapsulate what this record was about. We hadn’t yet read this particular book (his The Palm-Wine Drinkard was more easily available), but the title was perfect, so that became the name of the record.

 

en.wikipedia.org/wiki/My_Life_in_the_Bush_of_Ghosts_(album)

Tamara was a musically gifted girl and holder of the Heart Stone. She trained three baby magical animals - Cleo (a unicorn), Sugar (a dragon), and Spike (a panther). In the second season, she got her own zebracorn named Shadowsong.

It's just a life story, so there's no climax. No more new territory, so pull away the IMAX. In the slot that you sliced through the scene there was no shyness. In the plot that you passed through your teeth there was no pity. No fade in: film begins on a kid in the big city. And no cut to a costly parade that's for him only. No dissolve to a sliver of grey - that's his new lady, where she glows just like grain on the flickering pane of some great movie. (Hey, I'd watch it.)

-Okkervil River, Our Life is Not a Movie Or Maybe (watch listen love)

 

I am incredibly happy about this week's Musically Challenged picks, which include Bon Iver, Fleet Foxes, The Decemberists and of course, Okkervil River. I am in the market for new music, and Sound Opinions provided me with helpful suggestions thanks to their Best of 2009 show last evening. My musical wish list now includes Phoenix, Lily Allen, St. Vincent, and She & Him. Flickr friend recommendations always welcome!

 

TRP -- emptiness

344:365

Luciano Spinelli a fianco di "Lisa & Lena" e "Tessa Bear" come giudice alla finale europea della "Muser Battle" al "Fabrique" di Milano il primo ottobre 2017.

1 2 ••• 19 20 22 24 25 ••• 79 80