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Two of Southern California's brightest Reggae bands are playing a showcase at Republic Live on 2/12, Tribal Seeds & Fortunate Youth! They will be joined by Austin's own McPullish (Live Dub) and Selectah Ras Gilbert (San Antonio).
TRIBAL SEEDS:
With heavy influence from Bob Marley, Steel Pulse, and Midnite, this new and unique group brings a refreshing rock vibe to roots style reggae music. Spiritually driven and musically talented, Tribal Seeds have created an art form for rebel music enthusiast! With comparisons to the legendary group, The Police, they bring an authentic sound that reaches a broad demographic.
The group is headed by two brothers, both raised playing instruments since early childhood in San Diego. The lead singer Steven writes the lyrics for the group, and his brother Tony-Ray along with the band produces all their music. They have toured throughout North America as well as Mexico and Hawaii, and have shared the stage with Matisyahu, The Wailers and Gregory Isaacs. Experience them live on tour in 2007 with other headliners including Barrington Levy, Yellowman, Israel Vibrations, Tanya Stephens, Elan and many others.
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FORTUNATE YOUTH:
Fortunate Youth is a collaboration of South Bay reggae stand-outs. Coming from various bands, they've created a phenomenal 7 piece bringing more fire to the stage than ever before. Combining rootsy vibes and heavy bass lines, united with multiple harmonies and boisterous solos, separates Fortunate Youth from every other mainstream reggae band. With their high energy approach and positive stage presence they provide an unforgettable show to every music fan. Also providing instrumentals on extreme sports video games, Surf films, tv and radio commercials to recording full length albums. They have had the honor to share the stage with bands such as Groundation, The Abyssinians, Tribal Seeds, Sashamon, Toots & the Maytals, Elan, and The Wailers.
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MCPULLISH:
McPullish is a musical project and nickname of musician / producer Carson Hoovestol, realized after years of musical exploration, recording and practice in the art of dub. Writing, playing, and mixing original songs with Luciano, Judge, Chezidek, General Smiley, Ninja Ford, Sylford Walker, Fantan Mojah, Ginjah, Aimann Raad, Red Lion, Lutan Fyah, Mark Wonder and plenty of instrumental and Dub tunes, McPullish has built up his label; Charlie's Records. He is available for booking as a solo LIVE DUB act.
Now based in Buda, Texas, McPullish operates a specialized musical laboratory called Dub Cove Studio. Playing real instruments live in the studio to build songs gives his music a lively and unique sound. McPullish plays guitar, bass, drums, piano, organ, percussion, 909 drum machine, synths, and other instruments. Guests sometimes lay down vocals, horns, flute, etc.
McPullish has performed with and opened for some great artists and bands including General Smiley, Mad Professor, the Delfonics, Clinton Fearon, Easy Star All Stars, Contra Coup, Grimy Styles, the Bandulus, Judge, Mystic, DJ Chicken George, Killah Priest, Dr Dubbist, Don Chani, DOJO, and many more.
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SELECTAH RAS GILBERT:
www.myspace.com/shashamanisoundsystem
------------------------------
Doors @ 8pm
18+
Schedule:
8:00pm - 9:00pm (and in between sets) Selectah Ras Gilbert
9:00 - 10:15 McPullish
10:15pm - 11:45pm Fortunate Youth
12:15am - 2:00am Tribal Seeds
Tribal Sees: tribalseeds.net/
Fortunate Youth: myspace.com/fortunateyouth
Selectah Ras Gilbert: myspace.com/shashamanisoundsystem
PRE-SALE TIX: tribalyouth.eventbrite.com/
Authentic Caribbean food will be available for purchase via Ital Palace!!
---------------------------------------------
Tribal Sees: tribalseeds.net/
Fortunate Youth: myspace.com/fortunateyouth
Selectah Ras Gilbert: myspace.com/shashamanisoundsystem
PRE-SALE TIX: tribalyouth.eventbrite.com/
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
Follow @jordynjones on #Musically and #Snapchat 👸📲 Musical.ly user: jordynjones Snapchat: jordynjones11 www.jordynonline.com
Natalia Sisik Photos
Contact: nataliasisik.pl
BLOG: nataliasisik.pl/tematy/blog/
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During a live-concert in the course of Ars Electronica Home Delivery, pianist Suyang Kim and cellist Barbara Körber took the online audience on a musical journey across Anatolia: With Fazıl Says Sonata Dört Şehir (“4 Cities”) for cello and piano, they transformed the Ars Electronica Center’s Piano Room into a portal to the composer’s biographical recollections and experiences, spanning from the melancholy tunes of the city of Sivas – inspired by the sounds of the traditional lute instrument saz – to the melodies of a wedding on the Black Sea in Hopa, to the impressions of Ankara and a musically humorous insight into Bodrum’s pubs and bars. Accompanied by visualizations by Christian Philip Berger, an impressive concert took place illustrating the diversity of a country and a composer through emotive pieces.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
Dua Lipa – Future Nostalgia TourThe Customer - Dua LipaBritish singer-songwriter Dua Lipa has had an amazing few years that have catapulted her to international stardom. Although musically influenced by her Kosovan heritage and her attendance at the Sylvia Young Theatre School, Dua’s career began in modelling. However, she was soon to be discovered as a huge singing and song writing talent from her self-penned YouTube videos and she signed a record deal with Warner Bros in 2014. Her singles, including ‘Be the One’ and ‘New Rules’ soon raced to the top of the charts all over the world.
Dua Lipa’s first self-titled album was released in 2017 and has gone multi-platinum in all its formats. Her current album ‘Future Nostalgia’ has also gone platinum and has provided her with many top ten singles such as ‘Physical’, ‘Hallucinate’ and ‘Levitating’. Her music taps into the classic disco and dance tracks of the past whilst applying her own modern spin. The album provides fans with a cohesive selection of happy, upbeat tracks conveying a sense of fun, freedom and love.
Future Nostalgia has been met with widespread critical acclaim. It won Best Album at The Grammy Awards and the Brits in 2021, thus cementing Dua Lipa’s place as one of the best and most successful artists performing today.
"Best Album at The Grammy Awards and the Brits in 2021!"
The
www.glowinflatables.com/inflatable-blog/dua-lipa-future-n...
I sometimes wish that you had feathers
I'd keep you in a giant cage
All day long I'd sit and watch you
I'd sing to you and that would be okay
Oh oh, you and me
It would be only you and me
Oh oh, you and me
It would be only you and me
Milow ~ You and me
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Musically Challenged: Milow - You and me
BAM! Week 3
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Tell me what you think, I appreciate all comments!
Inspired by this twisted head by Aknacer. All I did was add a different "twist".
Musically Challenged - "You never can tell" - Chuck Berry
July ABC - T is for Twist
MSH - Film Titles - Twister - msh0810-13
I have spoke in class today.
Pearl Jam - Jeremy
Not to boast or anything, but I don't know anyone who shares their name with a cooler song. But, I'll admit, I don't know any Laylas or Judes.
For Musically Challenged. You should all check it out cause it's my week to pick the songs and, if I do say so myself, they're all rather excellent.
I may do another shot for this song, because it's my song and I should unleash a lion on it, so to speak. But for now, this'll do pigs. This'll do.
For musically talented Barossa Valley local, Sam Brittain, story-telling is exactly that. Since releasing his debut LP ‘Our Shining Skin’ on June 1, 2012, the path to success for the gifted and independent musician has transformed into a never-ending road. First picking up a guitar at the age of three and additionally turning his hand to the piano and drums,
In 2013, Sam is an unstoppable, roots, folk and blues artist, reminiscent of sounds such as Damien Rice, Glen Hansard and Ryan Adams. Sam supported close friend and musical influence, Mike Rosenberg (Passenger) at Adelaide-based Fowlers Live, as an integral part of Mike’s ‘All the Little Lights’ album tour, a highlight of Sam’s career to date.
The recording of ‘Our Shining Skin’ saw Sam and his band work endlessly with the talented Barossa-based Jamie Blechynden of Stella Studios and VJ productions. Supported by BJ Barker (drums), Steve Flemming (bass) and Glen Wagland (engineer), tracking the backbone of all 12 songs took a mere two days to complete. ‘Our Shining Skin’ quickly earned impressive reviews and was labelled as a ‘formidable and wide spreading resume’ for Sam (Timber and Steel, August, 2012).
Kicking off an Australian tour, Sam officially released the highly anticipated album at a sold out show on June 9, 2012, held at the Chateau’s acoustically brilliant ‘Long Room’. In June and July 2012, Sam crossed the country, delighting crowds and building his fan base in Melbourne, Hobart, Darwin and Adelaide, including an unforgettable sold out show with Sam’s full band at the prominent Adelaide venue, the Promethean Theatre on September 27, 2012.
Marking the beginning of what’s set to be a milestone year and following a hugely successful first tour, Sam’s lead single ‘Bruises’ hit #1 on the Triple J Unearthed Roots Chart on New Year’s Eve, 2012/13, where it consolidated its lead for a consecutive four weeks, peaking at #6 in the Overall Top 100.
2013 saw Sam embark on a 16 date tour once again supporting new age folk music legend Mike Rosenberg (Passenger).
Orphée aux enfers (Orpheus in the Underworld) is an opéra bouffon (a form of operetta), or opéra féerie in its revised version, by Jacques Offenbach. The French text was written by Ludovic Halévy and later revised by Hector-Jonathan Crémieux.
The work, first performed in 1858, is said to be the first classical full-length operetta.[1Offenbach's earlier operettas were small-scale one-act works, since the law in France did not allow certain genres of full-length works. Orpheus was not only longer, but more musically adventurous than Offenbach's earlier pieces.
This also marked the first time that Offenbach used Greek mythology as a backdrop for one of his buffooneries. The operetta is an irreverent parody and scathing satire on Gluck and his Orfeo ed Euridice and culminates in the risqué Galop infernal ("Infernal Galop") that shocked some in the audience at the premiere. Other targets of satire, as would become typical in Offenbach's burlesques, are the stilted performances of classical drama at the Comédie-Française and the scandals in society and politics of the Second French Empire.
The "Infernal Galop" from Act II, Scene 2, is famous outside classical circles as the music for the "can-can" (to the extent that the tune is widely, but erroneously, called "can-can") . Saint-Saëns borrowed the Galop, slowed it to a crawl, and arranged it for the strings to represent the tortoise in The Carnival of the Animals.
Performance history
Playbill from an 1874 revival
The first performance of the two-act, opéra bouffe version took place at the Théâtre des Bouffes-Parisiens in Paris on 21 October 1858 and ran for an initial 228 performances. It then returned to the stage a few weeks later, after the cast had had a rest. For the Vienna production of 1860, Carl Binder provided an overture that became famous, beginning with its bristling fanfare, followed by a tender love song, a dramatic passage, a complex waltz, and, finally, the renowned can-can music.[3]
In America the work played in German at the Stadt Theatre, on Broadway, from March 1861.[4] It had its Czech premiere in 1864, under Adolf Čech.[5] It had a run of 76 performances at Her Majesty's Theatre, in London, beginning on 26 December 1865, in an adaptation by J. R. Planché.[6]
A four-act version, designated as an opéra féerie, was first performed at the Théâtre de la Gaîté on 7 February 1874.[7] (This has proved less popular over time than the original two act version.)
Sadler's Wells opera presented an English version by Geoffrey Dunn beginning on 16 May 1960.[8] In the 1980s, English National Opera staged the opera freely translated into English by Snoo Wilson with David Pountney. The production was notable for its satirical portrayal of the then Prime Minister Margaret Thatcher as the character Public Opinion. The first performance was at the Coliseum Theatre in London on 5 September 1985.[9] The D'Oyly Carte Opera Company performed the work in the 1990s.
Critical appreciation
In the eyes of Clément and Larousse] the piece is une parodie grotesque et grossière (a coarse and grotesque parody), full of vulgar and indecent scenes that give off une odeur malsaine (an unhealthy odor). In the opinion of Piat, however, Offenbach's Orphée is, like most of his major operettas, a bijou (jewel) that only snobs will fail to appreciate. The piece was not immediately a hit, but critics' condemnation of it, particularly that of Jules Janin, who called it a "profanation of holy and glorious antiquity," only provided vital publicity, serving to heighten the public's curiosity to see the piece.
Galop infernal
Es un baile inusual
De un galope infernal
Damos todos la señal
¡Viva el galope infernal!
Damos la señal
De un galope infernal
Amigos, viva el
Baile inusual
Ce bal est original
D'un galop infernal
Donnons tous le signal
Vive la galop infernal!
Donnons le signal
D'un galop infernal
Amis, vive le bal
Vive le bal
Link to the source: lyricstranslate.com/fr/jacques-offenbach-galop-infernal-l...
Le French cancan est une forme de spectacle musical et chorégraphique apparu dans la seconde moitié du xixe siècle.
Historique
Les bals sont très fréquentés au xixe siècle à Paris, en particulier durant la période du Carnaval. Dans ce cadre apparaît le cancan ou « coincoin », qui se danse en couple. C'est une danse licencieuse, car à l'époque les femmes portaient une robe longue, des jupons et une culotte fendue. Lever ainsi la jambe, la robe, était très osé et érotique.
En 1850, Céleste Mogador, vedette du bal Mabille lance le cancan, une nouvelle danse d'environ huit minutes au rythme endiablé, sur des airs entraînants de la musique festive de danses de Paris au xixe siècle1. Faisant preuve d'équilibre et de souplesse à la limite de l'acrobatie, les danseuses de cancan dans leur costume affriolant font perdre la tête au Tout-Paris.
En s'inspirant de cette danse, le producteur anglais Charles Morton invente une nouvelle forme de ballet2 : le French cancan. Censé émoustiller le public anglophone par l'évocation de la liberté sexuelle française et exécuté principalement sur des airs de Jacques Offenbach (notamment le célèbre Galop infernal d'Orphée aux Enfers), figure emblématique du Second Empire, le French cancan connaît encore de nos jours un succès qui ne se dément pas, associant dans l'esprit des spectateurs Paris, ses music-halls (comme les Folies Bergère ou le Moulin Rouge) et sa « joie de vivre ».
Finally getting tickled...with the help of stickies.
Our kids have grandparents who were very talented musically...a jazz drummer, an accomplished piano player, a performer in the USO, a singer and play director. We can trace this musical ability back even further. Singing and playing the piano was always a favored activity.
This talent has skipped two generations. Clay, Maggie and Hannah all took piano lessons growing up. Clay lasted the longest (into high school) and he has a repertoire of four songs. Maggie lasted the shortest. Hannah took lessons through elementary school, but hasn't touched the piano since. We no longer tune it but treat it as an old friend. It sits in our living room waiting quietly.
We came home last night to the sound of piano music, a delightful sound. Hannah, bored writing her History thesis, "took up piano " for the night. She had her laptop on the bench with the backup music and put stickies on the keys as visual aides to help her left hand. Bart and I were smiling.
Portrait of the artist Kitty Kielland (1883)
Artist: Harriet Backer
Throughout Harriet Backer's 50-year career, women's rights changed radically. Being a woman and an artist became accepted. Backer was talented and determined, inspiring a new generation of women and men in the Norwegian art world.
In Backer’s family, art and culture were part of how the children were raised. Her older sister Agathe was musically gifted and wanted to become a pianist. She had to go abroad to learn, and Harriet became her sister's traveling companion. This gave Harriet the opportunity to visit art museums and get to know the historical masters of the art world at a young age. Agathe eventually became a renowned composer and concert pianist, while Harriet became an important artist.
Backer showed an early talent and interest in art, but embarked on full-time studies rather late in life. In 1874, at 29 years, she decided to travel to Munich. The art community in Norway was small, so one had to go abroad.
The art academies in Europe were reserved for men in those days, but women could receive private tuition or attend "women's classes". During her years in Munich, Backer had several teachers. In 1878 she moved to Paris to continue her studies.
Being accepted for exhibition at the Salon in Paris was an important step on the path to becoming a professional artist. In 1880, Backer was accepted with the painting Solitude. Hundreds of artists exhibited at these exhibitions at the same time, and the paintings hung close together, from floor to ceiling. The jury thought Backer's painting was excellent, and she was honoured with a diploma, known as a Mention honorable.
In Munich, Backer learned to paint in a style characterised by a high level of detail and dark colours. We see this for example in Avskjeden (The Farewell), from 1878. When she came to Paris, she was greatly inspired by impressionism. In one of her best-known paintings, Blått interiør (Blue Interior), painted five years after Avskjeden, the transformation of her painting style is evident. Clear and pure colours dominate the composition. From this point on, the interaction between figure, interior and light effects became a theme that permeated Backer's paintings. How to create contrasts between the light indoors and outdoors? How are colours perceived in lamplight compared to daylight? She approached her subjects with these issues in mind.
Backer started her career with a desire to become a portrait painter. She painted many friends and acquaintances, and also received portrait commissions. But it is her interior scenes she has become best known for. She painted interiors from all walks of life – from farmhouses to bourgeois living rooms. For the most part, Backer's rooms are populated by women.
I think I serve the cause of women best by concentrating like a man – Harriet Backer
In 1888, Backer established herself in Norway, and from 1892 to 1910 ran a painting school in Kristiania. She became a popular teacher. Her openness to new ideas in both art and social development was appreciated. She sympathised with the women's movement, but did not actively participate in political work.
In the women's cause, Backer was recognised more for what she did than what she said – as a renowned artist she was an important role model. Together with friend and fellow artist Kitty Kielland, she was a pioneer who paved the way for women to have the opportunity to choose art as a career path.
About Harriet Backer:
Born 21 January 1845 in Holmestrand.
Lived in Paris in 1878–1888.
Started an art school in Kristiania in the 1890s. Backer’s students included Nikolai Astrup, Halfdan Egedius, Harald Sohlberg, Henrik Lund, Helga Ring Reusch, Astri Welhaven and Sara Fabricius (Cora Sandel).
Died 25 March 1932 in Oslo.
Important works:
Solitude (1878–1880)
Blått interiør (Blue Interior) (1883)
På blekevollen (Bleaching) (1886–1887)
Ved lampelys (By Lamplight) (1890)
Barnedåp i Tanum kirke (Baptism at Tanum Church) (1892)
Inngangskoner (Women in Church) (1892)
Interiør fra Uvdal stavkirke (Interior from Uvdal Stave Church) (1909)
______________________________________________
www.visitoslo.com/en/articles/national-museum/
On 11 June 2022 the new National Museum opened in Oslo. This is the largest museum in the Nordics. The new museum now consists of the collections of the former National Gallery, the Museum of Contemporary Art, and the Norwegian Museum of Decorative Arts and Design.
The new museum has a permanent exhibition of about 6 500 objects. Design, arts and crafts, fine art as well as contemporary art will be exhibited alongside each other. As such, the permanent exhibition highlights interesting connections between different collections that previously have been on show at three different museums. Additionally, audiences will be able to see the most famous paintings by the Norwegian painter Edvard Munch, including The Scream (1893) and Madonna (1894).
The building was designed by Kleihues + Schuwerk Gesellschaft von Architekten, with emphasis on dignity and longevity over sensationalist architecture. Great care was given to achieve a balance with the museum’s surroundings and the existing monuments in the area, such as Oslo City Hall and Akershus Fortress.
The most eye-catching feature of the new museum is the large, illuminated exhibition hall on top of the building. It will be used for temporary exhibitions.
The rooftop terrace offers a unique view of the inner Oslo fjord. The square in front of the main entrance has become an urban meeting place, with benches and a café that invites you in to take a rest.
www.nasjonalmuseet.no/en/visit/locations/the-national-mus...
news.artnet.com/opinion/new-national-museum-norway-2129606
www.forbes.com/sites/davidnikel/2022/06/14/what-to-expect...
...
Bmore Musically Informed Presents:
Arbouretum
Wye Oak
Sri Aurobindo
Weekends
The Violet Hour
January 29th, 2010. The G Spot. 2980 Falls Road.
The musically talented, shopping superstar of the group had some of the hottest looks in doll form (imo), alongside being the myscene doll with the most diverse hairstyles, picking a favourite might be hard, but which Madison doll stands out most to you?
I was so excited when I saw this song on the song list for Musically Challenged. This is one of my favorite summer tunes. It brings back a one of my most fun summer memories of the Jersey Shore. When I was in jr. high, my best friend Lori and I went to Belmar with her older brother. It was one of our first independent jaunts. We had a blast on the beach and then even more fun at the boardwalk. Anthony won this Steve Miller Band 8 track tape. all of a sudden a huge down pour started and within an hour the streets of Belmar were flooded. It felt like hours to get out of town, the whole time we were listening to The Joker. This is my grinner, lover, sinner, joker, smoker and midnight toker ;o)
Some people call me the space cowboy yeah
Some call me the gangster of love
Some people call me Maurice
Cause' I speak of the pompetous of love
People talk about me baby
Say I'm doin' you wrong, doin' you wrong
But don't you worry baby don't worry
Cause' I'm right here at home
Cause' I'm a picker
I'm a grinner
I'm a lover
And I'm a sinner
playin' my music in the sun
I'm a joker
I'm a smoker
I'm a mid-night toker
I get my lovin' on the run
Ooh, ooh, ooh, ooh
You're the cutest thing that I ever did see
I really love your peaches
Want to shake your tree
Lovey dovey, lovey dovey, lovey dovey all the time
Ooh wee baby, I sure show you a good time
Cause' I'm a picker
I'm a grinner
I'm a lover
And I'm a sinner
playin'my music in the sun
I'm a joker
I'm a smoker
I'm a mid-night toker
I sure don’t want to hurt no one
(solo)
Ooh, ooh, ooh, ooh
People keep talkin' about me baby
Say I'm doin' you wrong
Well don't you worry, don't worry, no don't worry mama
Cause' I'm right here at home
You're the cutest thing I ever did see
Really love your peaches want to shake your tree
Lovey dovey, lovey dovey, lovey dovey all the time
Come on baby now, I'll show you a good time
More lyrics: www.lyricsfreak.com/s/steve+miller/#share
Muse: Stockholm Syndrome
I won't stand in your way
Let your hatred grow
And she'll scream
And she'll shout
And she'll pray
And she had a name
Yeah she had a name
And I won't hold you back
Let your anger rise
And we'll fly
And we'll fall
And we'll burn
No one will recall
No one will recall
This is the last time I'll abandon you
And this is the last time I'll forget you
I wish I could
Look to the stars
Let hope burn in your eyes
And we'll love
And we'll hope
And we'll die
All to no avail
All to no avail
This is the last time I'll abandon you
And this is the last time I'll forget you
I wish I could
This is the last time I'll abandon you
And this is the last time I'll forget you
I wish I could
I wish I could
Musically painted utility box in Glendale, CA. The artists are Angela Alvarenga and Sophia Roberson. ♫
Wake up to a sunny day
not a cloud up in the sky,
then it starts to rain
My defenses hit the ground, And they shatter all around.
So open and exposed.
I found strength in the struggle. Face to face with my trouble.
by Lindsey Haun - Broken
I've been going through a tough time with dealing with the fact that Bear needs to be put to sleep. He started grinding his teeth today, a sign of pain.
but there is light at the end of the tunnel and I know he'll go to rainbow bridge soon and be happy.
on a lighter and better note...
I must have a magnetic radar that directs my eye to beautiful lighted areas like this one. you will never guess where i found this beauty...... by the clubhouse in my neighborhood as I was driving home. I was like: OH!
anyways, me and La Salsera ♥ are going to train together via internet. She's going to be my training buddy, She has to train for a 5k feb 13, and I have to look stunning at my sister's wedding in August. my sister more or less said that it was up to me if i wanted to look ugly compared to the other girls in the bridal party. (bridezilla threatened me with the photographer!)
anyways I hope I can start small and work my way up to the crazy stuff. but for now i think I'll start my watching biggest loser re-runs while on the gazelle.
I can't wait to get back to school. I miss classes already. I cant wait to start service learning with my photography teacher. its almost like: Finally! I can do service learning that i like to do instead of i have to do!
anyways I have to begin a "how to use Flickr" tutorial for Mac and PC. if there is one that already exists.... show me! thanks!
project 365: day 216
Musically Challenged: Lindsey Haun - Broken
I'mma do the things that I wanna do
I ain't got a thing to prove to you
I'll eat my candy with the pork and beans
Excuse my manners if I make a scene
I ain't gonna wear the clothes that you like
I'm fine and dandy with the me inside
One look in the mirror and I'm tickled pink
I don't give a hoot about what you think
for Musically Challenged
but I was REALLY listening to this while I took these shots.
:D
Emo teenager Musically, TikTok stuff as well as you know, some cringe :) Let's have some fun! My Patreon: ift.tt/2uwzSBg --- Onision Channel: youtube.com/onision --- Facebook: ift.tt/oBJjyZ --- Twitter: twitter.com/onision --- Tumblr: onision.net #React #Onision #UhOhBro
Estoy tratando de encontrar esas palabras
Que describen lo que pasa en mi interior
Es como una habitación desordenada
Como un once de septiembre en Nueva York
Como vivir en una casa sin ventanas
O navegar en un velero sin timón
Es como estar volando en un avión sin alas
Que se estrella en medio de mi corazón
Porque desde que te fuiste
Las mañanas son tan tristes
Y las noches.. eternas compañeras
Desde que tu te marchaste
Ya no hay música en el aire
Y las estrellas son sueños que no llegan
Y yo te seguiré esperando cada día
Por si alguna vez decides regresar
Y te juro que no habrá mas pesadillas
Ni mareas que nos puedan separar
[Alex Ubago - Cada Día]
I love that song. I love that man. Ahhh :)
Musically Inspired 14/52
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
NOLA 2017 - Mardi gras - Krewe of Orpheus
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
( Two weeks in NOLA for the mardi gras 2017 )
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You just need the right soundtrack.
For Musically Challenged / Lull, by Andrew Bird
(I really wanted to do the "like Jacques Cousteau underneath the Atlantic" part, but the Atlantic is quite far and I don't have a waterproof camera...)
Also for FGR / Vintage Feel (provided by a couple of Pareeerica's textures)
And because I bought this iTunes card as a gift yesterday and it's too cute to give away before using as a prop a couple of times.
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
For musically talented Barossa Valley local, Sam Brittain, story-telling is exactly that. Since releasing his debut LP ‘Our Shining Skin’ on June 1, 2012, the path to success for the gifted and independent musician has transformed into a never-ending road. First picking up a guitar at the age of three and additionally turning his hand to the piano and drums,
In 2013, Sam is an unstoppable, roots, folk and blues artist, reminiscent of sounds such as Damien Rice, Glen Hansard and Ryan Adams. Sam supported close friend and musical influence, Mike Rosenberg (Passenger) at Adelaide-based Fowlers Live, as an integral part of Mike’s ‘All the Little Lights’ album tour, a highlight of Sam’s career to date.
The recording of ‘Our Shining Skin’ saw Sam and his band work endlessly with the talented Barossa-based Jamie Blechynden of Stella Studios and VJ productions. Supported by BJ Barker (drums), Steve Flemming (bass) and Glen Wagland (engineer), tracking the backbone of all 12 songs took a mere two days to complete. ‘Our Shining Skin’ quickly earned impressive reviews and was labelled as a ‘formidable and wide spreading resume’ for Sam (Timber and Steel, August, 2012).
Kicking off an Australian tour, Sam officially released the highly anticipated album at a sold out show on June 9, 2012, held at the Chateau’s acoustically brilliant ‘Long Room’. In June and July 2012, Sam crossed the country, delighting crowds and building his fan base in Melbourne, Hobart, Darwin and Adelaide, including an unforgettable sold out show with Sam’s full band at the prominent Adelaide venue, the Promethean Theatre on September 27, 2012.
Marking the beginning of what’s set to be a milestone year and following a hugely successful first tour, Sam’s lead single ‘Bruises’ hit #1 on the Triple J Unearthed Roots Chart on New Year’s Eve, 2012/13, where it consolidated its lead for a consecutive four weeks, peaking at #6 in the Overall Top 100.
2013 saw Sam embark on a 16 date tour once again supporting new age folk music legend Mike Rosenberg (Passenger).
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
Two weeks in NOLA for the mardi gras 2017
Founded in 1993, the Krewe of Orpheus takes its name from the musically-inclined son of Zeus and Calliope. Founding members included Harry Connick, both the junior and senior.
In New Orleans, the krewe established themselves as a superkrewe with their first parade in 1994, which rolled with 700 riders. They were the first super Krewe to allow both male and female riders.
The Krewe's throws include a number of popular items including emblem beads, stuffed animals, signature beads, light-up Orpheus medallion beads, cups, three different types of doubloons, and 4-foot-long stuffed dragons.
They have a number of notable floats including the Dolly Trolley, the horse-drawn bus that was used in the opening of Hello Dolly with Barbra Streisand, the Smoking Mary which is a six unit float that looks like a steam locomotive, a Trojan horse and the Orpheus Leviathan Float, which is a three unit, 139-foot float, and the first Carnival float to use extensive fiber optic lighting.
Rock and Roll Hall of Fame inductee Fats Domino wass the honorary grand marshall for 2014. His eldest son, Antoine Domino III, rode in the parade and perform his 85 year old father's music.
In addition to Fats Domino, Quentin Tarantino reigned as the krewe's celebrity monarch.
When I got Claire484.t21 in the tribute challenge I knew exactly what to do. I was taken by her series of 'Musically Challenged' PADs on song lyrics, so I chose an old favourite song of mine, 'Kayleigh' by Marillion, and recruited my beautiful daughter and my friend's cherry tree to create this tribute shot.
"Do you remember, chalk hearts melting on a playground wall?
Do you remember, dawn escapes from moonwashed college halls?
Do you remember, the cherry blossom in the market square?
Do you remember, we thought it was confetti in our hair?
By the way, didn't I break your heart?
Please excuse me, I never meant to break your heart.
So sorry, I never meant to break your heart,
But you broke mine..."
Ben Castro
Puerto Rico-Tech House/Minimalist
DJ/Remixer/Producer
Born in San Juan, P.R. and musically influenced by a Percussionist family. Raised listening to the Puertorican/Cuban Salsa Music and his father’s grooves of Congas & Bongos, Castro developed his percussive taste in Latin Fusions. Ben have played big worlwide events & venues including: Fantasy Island,Back in Business, Club Opera-ATL, Heineken Music Project, Discotecha-NY, The Palace(@ Miami)& Miamis Warm Up Festival, WMC 09’’Pre @Shelborne(Teggno Records), Dreams(South Beach) & Club Cinema. Having the opportunity to perform along side with different and very talented Djs/Producers, Castro have shared decks with: Matt Darey, Marchus Shulchz, Jen Lasher, Marcus Beier, Sultan, Tattoo Detectives, Guti, Shaun Reeves, Afrika Bambata, AK 1200, Dj Dara, Dieselboy, Adam F, Adam Freeland, Mayhem, and Jekill & Hide ‘’to mention a few’‘. Different beats of Ben Castro are played in some P.R.’s & International hottest radio&Online stations including ‘’La X-100.7’‘, ’’La Mega-106.9’’ & Frisky Radio-Detroit. Promoting weekly events and club parties he have worked with almost every DJ & Producer in PR. As owner of 2 production companies(PlayHouse Prod.& PRMinimalMilitia Inc.) he have tried to push the electronic music scene to different artistic levels. Being the second half of a minimal-tech hit Duo-The Hibe he spreads art among people. Ben have worked with different booking agencies including AM Only(Berlin), Teggno Records(US), Physical Booking(E