Musically Challenged
View allAll Photos Tagged Musically
Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.
Edgar Allan Poe
toxic fog
drama ...
pollution ...
The Hypothetical Awards musically-themed
April Challenge: The Hypo Music Festival!
2 textures
inferno by Skeletalmess Thanks !
and mine
of course , I also have the original B&W picture HERE, more classic
, no texture ,but this one is more symbolic .....
=========================================
Thank you for your support and friendship ,
for your nice comments and favourites
I thank the kind Administrators for their nice invitations , much appreciated
sorry for the slowness, health problems
_______________________________
Pic By Pammy
You know the words "once upon a time"
Make you listen, there's a reason
When you dream there's a chance you'll find
A little laughter, or happy ever after
You're a harmony to the melody
That's echoing inside my head
A single voice
: Single voice
Above the noise
And like a common thread
Hmm, you're pulling me
When I hear my favorite song
I know that we belong
Oh, you are the music in me
Yeah, it's living in all of us
And it's brought us here because
Because you are the music in me
Na na na na
Na na na na
Na na na na
You are the music in me
It's like I knew you before we met
Can't explain it
There's no name for it
I sang you words I've never said
And it was easy
Because you see the real me
As I am you understand
And that's more than I've ever known
To hear your voice
Hear your voice
Above the noise (oh)
And I know that I'm alone
Oh, you're singing to me
Ooh, yeah
When I hear my favorite song
I know that we belong
You are the music in me
It's living in all of us
And it's brought us here because
Because you are the music in me
Together we're gonna sing, yeah
We got the power to say what we feel
Troy: Connected and real
Can't keep it all inside, oh yeah
Troy: Ooh, yeah
It's brought us here because
You are the music in me
At the Kenwood festival in June 2022
The DJ's enthusiasm is contagious.
Someone
DJs are in incredible competition, musically. And they are the most musically creative and sensitive people in all the music charts. I am amazed at how they are.
Yoko Ono
Photo Energy (TDjallo2022)UK
All my images are protected under international authors' copyright laws and may not be downloaded, reproduced, copied, transmitted, or manipulated without my written explicit permission.
As he remarked during his concert, it felt like home! Still 30C in the evening it was no different than Melbourne, where he is from. Comfortable on the stage, where he performs since age 10; the Wunderkind is now over 40. He composes and sings many of his own songs. Usually, he performs solo, but Lisa Baird (Lily&King), a great fun trombone player, came to support him musically and keep company on the long tour through Canada.
220. Montreal P1650378; Taken 2023-July 03. Upload 2023-July 24.
We seem to be in a spell of unsettled weather, which always brings lots of opportunities. I just love showers and sunlight days, when fronts come flying across from the west. This is a bit of detail from a shower that was heading my way. Even though it was quite heavy, it was gone as soon as it arrived, and was followed by full sun, till the next clouds that is. Forever in Blues, by Alabama 3 is fine, I love blues both musically and in weather .
As I walk through the valley of the shadow of death
I take a look at my life and realize there's not much left
Cause I've been blastin' and laughin so long that
Even my ma'ma thinks that my mind is gone
But I ain't never crossed a man that didn't deserve it
Me, be treated like a punk, you know that's unheard of ~~~~~~~~~~~~Coolio
I really hate to trip <--------listen here..
Posted for Musically Challenged...Gangstas paradise by Coolio
I am inspired by many things. Musically by the genius of Miles Davis, hence my title which refers to, IMHO, one of the best jazz albums of all time. Likewise I come to Flickr for photographic inspiration. My views on photography and indeed the many genres of photography that I attempt have been heavily influenced by so many talented people here on Flickr. One of them is Joseph Pearson Images, a London architectural photographer who has photographed so many of the same buildings and structures around London that I have but both of us do it in our own way. Its always interesting for me to see his take on a building that I am very familiar with myself and see what his 'eye' picked out. Usually it's something I've missed and so my education continues!
Yesterday Joseph posted a picture of one of my favourite underground stations here in London, Southwark station, and it got me looking back at some of the pictures I've taken over the years in this most photogenic of stations. I was surprised to see that I'd never posted this escalator shot so thought I'd do so now. Taken pre-covid, way back in 2019.
Hypothetical Awards The 4th Annual, Musically-Themed Challenge…Imaginary Album Cover Design!
www.flickr.com/groups/1179479@N25/discuss/72157643115513844/
Celtic mandolin music by Arany Zoltán
Mandolin, by Brian Kelley, is from the Creative Commons:
There was a classic car show in the neighbourhood. It is almost an annual event. Every year new cars pop up. The hat in this class Ford, Thunderbird (1956), attracted my attention; so did the colourful seat cover. I might eventually post some more captures from this festive musically-loaded show. Wish you a wonderful day....
Hold me, Thrill me, Kiss me by Mel Carter
www.youtube.com/watch?v=uKturN4Beyg
"Hold Me, Thrill Me, Kiss Me" is a song written by Harry Noble and originally performed by Karen Chandler in 1952. It has been re-recorded several times since then, with the most notable covers being by Mel Carter in 1965 and by Gloria Estefan in 1994.
Calton Hill.
I've not had any internet access all week - so apologies for not commenting on photos. Same deal next week unfortunately.
When I was young, and lived in Kent, I had not seen Edinburgh, except for on the cover of an LP of Scottish songs. It was fairly dreadful musically, but this was the view, which I didn't see until I was in my 30s, despite living near Edinburgh from age 7.
Lavender Twilight
lavender twilight
birds seeking their rest on high
musically sighing
soft murmurs so sweet
fill the evenings late hours
quiet now at rest
heads tucked under wings
little souls now full of peace
waiting for the dawn
TYSM Sonya Deperla for an amazing photo<3
Pic by Pammy
Black n White
You know the words "once upon a time"
Make you listen, there's a reason
When you dream there's a chance you'll find
A little laughter, or happy ever after
You're a harmony to the melody
That's echoing inside my head
A single voice
: Single voice
Above the noise
And like a common thread
Hmm, you're pulling me
When I hear my favorite song
I know that we belong
Oh, you are the music in me
Yeah, it's living in all of us
And it's brought us here because
Because you are the music in me
Na na na na
Na na na na
Na na na na
You are the music in me
It's like I knew you before we met
Can't explain it
There's no name for it
I sang you words I've never said
And it was easy
Because you see the real me
As I am you understand
And that's more than I've ever known
To hear your voice
Hear your voice
Above the noise
And I know that I'm alone
Oh, you're singing to me
Ooh, yeah
When I hear my favorite song
I know that we belong
You are the music in me
It's living in all of us
And it's brought us here because
Because you are the music in me
Together we're gonna sing, yeah
We got the power to say what we feel
Troy: Connected and real
Can't keep it all inside, oh yeah
Troy: Ooh, yeah
It's brought us here because
You are the music in me
“I am an excitable person who only understands life lyrically, musically,
in whom feelings are much stronger as reason.
I am so thirsty for the marvelous
that only the marvelous has power over me.
Anything I can not transform into something marvelous,
I let go.
Reality doesn't impress me.
I only believe in intoxication, in ecstasy,
and when ordinary life shackles me,
I escape,
one way or another.
No more walls.”
― Anais Nin
...Up the broken pieces of yesterday’s life
Still pushing the Musically Challenged group. My list of songs goes up tomorrow so stop by and play along :-)
I did this one way back in May of 2010.
Some give it two years; others say, half a year. The latest estimate is three months, at most ...
Elton John : Candle in the Wind
www.youtube.com/watch?v=wdrRLTgavus
Heifetz plays Melodie by Gluck
www.youtube.com/watch?v=tenI_FyFeZ0
Rachmaninoff plays Melodie by Gluck
www.youtube.com/watch?v=I2O0mVzmftY
Heifetz plays Wieniawski Scherzo Tarantelle
www.youtube.com/watch?v=bv5XZbgNWEo
Heifetz, Tchaikovsky's Melodi
www.youtube.com/watch?v=22YUP0zQ3sA
*
Many music lovers find Horowitz and Martha Argerich spellbinding, yea, they are exciting but somehow I don't return to them often. Instead I would revisit Samuil Feinberg's Well-tempered Clavier from time to time. Needless to say, Mieczyslaw Horzowski and Maria Yudina's Bach are very inspiring too, particularly so for those who miss the chance of going to the Church:
www.youtube.com/watch?v=94XFV8X77U0
www.youtube.com/watch?v=rAZJcpbDAxY
The French pianists of the older generation like Marguerite Long, Robert Casadesus, and Yves Nat or even Cortot are interesting too. Lesser known but equally amazing is
Lazare-Levy : Mozart Sonata in A Minor, K310
www.youtube.com/watch?v=fK0GEXiWBN8
Later on, we have :
Marcelle Meyer: Complete Inventions & Sinfonias, Partitas, Toccatas, Italian Concerto ..
www.youtube.com/watch?v=spHBTyagfZ4
www.youtube.com/watch?v=maAQ-FI5gGk&list=RDCMUC2zlRzq...
Scarlatti
www.youtube.com/watch?v=3Iiyzo9vdYA
And,
Yvonne Lefébure (among her pupils were Dinu Lipatti, Samson François) Mozart Concerto, No 20 with Furtwangler
www.youtube.com/watch?v=idX9c58bdZE
Reine Gianoli
www.youtube.com/watch?v=hga9MGCpJXk
Then,
Nikita Magaloff in recital 4/4/1991 Tokyo
www.youtube.com/watch?v=6CLrpIfatSg
Chopin Etudes Op.10 & 25
www.youtube.com/watch?v=OQOK1MuTP8o
And then Samson Francois
www.youtube.com/watch?v=IIw2mfcYpBM
Last but not the least, Brigitte Engerer who went the opposite direction of Magaloff who was first trained in Russia (by Siloti, Francis Lizst pupil, Rachmaninoff's cousin/mentor and assistant to Tchaikovsky ) ended up studying in France. Brigitte Engerer was first trained in France having won the first prize in Concours International Marguerite Long-Jacques Thibaud. She furthered her studies in Russia under Stanislav Heuhaus for 9 years:
www.youtube.com/watch?v=WU8_upVBnT4
There was also the Polish pianist with a little bit of French Veneer, Halina Czerny-Stefańska : Chopin complete Polonaises, Heroïque, Militaire, Brillante, Fantaisie
www.youtube.com/watch?v=9wHiamaEen4&t=1639s
More French was Lithuania/Russia born Vlado Perlemuter who landed in France since he was three, who lost one eye and who actually spent quite sometime in an asylum:
www.youtube.com/watch?v=0zCli50F3xQ
86 Tokyo Recital
www.youtube.com/watch?v=-svcMlCIxJ0
Well, never say never, the finishing touch of the winner of 2015 Chopin Internation Piano competition, a Korean, was also done in Paris, even though the influence of the Russian School seems to be stronger than the French in his Chopin:
www.youtube.com/watch?v=aZYYoDDmg8M
*
I further stumbled into Edwin Fischer's WTC recorded in 1933-36 which I haven't gone through as yet. But Edwin Fischer, unlike his pupil Alfred Brendel, is almost always interesting despite his slips :
www.youtube.com/watch?v=JysTlgUXuXk
Later on, we have Samuil Feinberg whom most serious pianists view as the best recorded WTC ever. After Feinberg, we have Tatiana Nikolayeva whose WTC ( www.youtube.com/watch?v=sNpwAZf6thY&t=72s ) is so fascinating. And then we have Evelyne Crochet, a more modern French reading of WTC and before her Walter Gieseking also recorded WTC. In between, I find Horszowski's WTC celestial. Wilhelm Kempff's WTC is appealing albeit in a totally different way from Yudin. But I'm unable to find the whole book of WTC from the latter two in record. Instead we have one from Canada and another lady pianist from US who was musically educated in Russia. Personally, I don't spend much time on the latter two. Oh, yes, Richter and Gulda recorded WTC as well. But it seems Bach music is so interwoven with spirituality, and by nature it snubs any showmanship at all...
Here at Cape Arkona there are no possibilities to lie down in the warm sand. But it is still a paradise for the children. My two love to collect stones and analyze them. They are discovering so much right now.
Only so much no I stand here not in the water I jumped for the photo on one of these large rocks. That to the photo, musically you can try this, I like classical elements in a nevertheless ehr electronic piece.
niklas paschburg — reflections ♫
－－－－－－－－－－－－－－－－－－－－－－－－－－－－－
EOSR | RF35mm f/1.8 IS STM
Exposure: ƒ/2.8 | 1/4000s ISO 100
－－－－－－－－－－－－－－－－－－－－－－－－－－－－－
Guys, this is a comment-free post. Nevertheless, thank you very much for viewing the photo. Best greetings. fr̅a̅n̅k
－－－－－－－－－－－－－－－－－－－－－－－－－－－－－
Please do not use my images on websites, blogs or other media without explicit permission. F̶̅G̅. © 2022 © all rights reserved
AURORIUM verkleidet mit acht Hochleistungsprojektoren sämtliche Strukturen, Formen und Mauern im Innern dieser heiligen Hallen der Kulturkirche Altona in Hamburg, kreiert mit Farben und Formen neue Dimensionen und erzählt dabei die Geschichte der Genesis. Die 30-minütige immersive Show umhüllt den Besucher schon in den ersten Sekunden mit wohliger Musik und zauberhaften Animationen. Fortan wird man musikalisch und visuell entführt - von der Erschaffung des Lichts und des Wassers bis zur Geburt der Pflanzenwelt.
Mit dem Projekt GENESIS wird an die uralte Verbindung von Spiritualität und Kunst angeknüpft, indem es auf die Geschichte von der Erschaffung der Welt mit einem eigenen kreativen Werk antwortet. Die Decke der Kirche wird nicht mit Pinsel und Farbe, sondern mit Render-Technik und Präzisions-Lasern ausgemalt. Und der Klang, die Stille und die Bilder im Raum ermöglichen ein Eintauchen in eine Sphäre, die wortlos und staunen macht.
With eight high-performance projectors, AURORIUM covers all the structures, forms and walls inside these sacred halls of the Kulturkirche Altona in Hamburg, creates new dimensions with colors and forms and tells the story of Genesis. The 30-minute immersive show envelops the visitor in the first few seconds with soothing music and magical animations. From now on you will be kidnapped musically and visually - from the creation of light and water to the birth of the plant world.
The GENESIS project continues the ancient connection between spirituality and art by responding to the story of the creation of the world with its own creative work. The ceiling of the church is not painted with a brush and paint, but with render technology and precision lasers. And the sound, the silence and the images in the room allow you to immerse yourself in a sphere that leaves you speechless and amazed.
O Sole Mio, Carlo Bergonzi
www.youtube.com/watch?v=0nNxw7c55Mk
Bunin: Debussy - Arabesque No. 1 in E major
www.youtube.com/watch?v=GStfo_f4L0g
An American living in China talking about the nCoV
www.youtube.com/watch?v=L5rhyBKJXb4
On the Death of Dr. Li in Wuhan
www.youtube.com/watch?v=b-Fy80yHYQo&t=9s
Toscha Seidel - Grieg Violin Sonata #3, Mvt 3
www.youtube.com/watch?v=anTp1BExGes
Raoul Koczalski : Chopin
www.youtube.com/watch?v=fcV3P6zS30Q
www.youtube.com/watch?v=xhfmiuVSnDw
www.youtube.com/watch?v=dFSPMrxTgdk
www.youtube.com/watch?v=au33_fvyJng
www.youtube.com/watch?v=elTSwjBY8nQ
www.youtube.com/watch?v=sOHg33Shwl8
www.youtube.com/watch?v=7fprBFVoMeU
www.youtube.com/watch?v=fmRMyRYYGtQ
Tschaiovsky
www.youtube.com/watch?v=Ugn1MPF-T84&list=RDV_22HZ7T_F...
Scriabin
www.youtube.com/watch?v=eHPFrCJP6c4&list=RDsOHg33Shwl...
Schubert-Liszt
www.youtube.com/watch?v=V_22HZ7T_FQ&list=RDV_22HZ7T_F...
*
In Conversation With: Toscha Seidel
"Studying with Professor Auer was a revelation. I had private lessons from him, and at the same time attended the classes at the Petrograd Conservatory. I should say that his great specialty, if one can use the word specialty in the case of so universal a master of teaching as the Professor, was bowing. In all violin playing the left hand, the finger hand, might be compared to a perfectly adjusted technical machine, one that needs to be kept well oiled to function properly. The right hand, the bow hand, is the direct opposite—it is the painter hand, the artist hand, its phrasing outlines the pictures of music; its nuances fill them with beauty of color. And while the Professor insisted as a matter of course on the absolute development of finger mechanics, he was an inspiration as regards the right manipulation of the bow, and its use as a medium of interpretation. And he made his pupils think. Often, when I played a passage in a concerto or sonata and it lacked clearness, he would ask me: 'Why is this passage not clear?' Sometimes I knew and sometimes I did not. But not until he was satisfied that I could not myself answer the question, would he show me how to answer it. He could make every least detail clear, illustrating it on his own violin; but if the pupil could 'work out his own salvation' he always encouraged him to do so.
"Most teachers make bowing a very complicated affair, adding to its difficulties. But Professor Auer develops a natural bowing, with an absolutely free wrist, in all his pupils; for he teaches each student along the line of his individual aptitudes. Hence the length of the fingers and the size of the hand make no difference, because in the case of each pupil they are treated as separate problems, capable of an individual solution. I have known of pupils who came to him with an absolutely stiff wrist; and yet he taught them to overcome it.
HOW TO STUDY
"Scale study—all Auer pupils had to practice scales every day, scales in all the intervals—is a most important thing. And following his idea of stimulating the pupil's self-development, the Professor encouraged us to find what we needed ourselves. I remember that once—we were standing in a corridor of the Conservatory—when I asked him, 'What should I practice in the way of studies?' he answered: 'Take the difficult passages from the great concertos. You cannot improve on them, for they are as good, if not better, as any studies written.' As regards technical work we were also encouraged to think out our own exercises. And this I still do. When I feel that my thirds and sixths need attention I practice scales and original figurations in these intervals. But genuine, resultful practice is something that should never be counted by 'hours.' Sometimes I do not touch my violin all day long; and one hour with head work is worth any number of days without it. At the most I never practice more than three hours a day. And when my thoughts are fixed on other things it would be time lost to try to practice seriously. Without technical control a violinist could not be a great artist; for he could not express himself. Yet a great artist can give even a technical study, say a Rode étude, a quality all its own in playing it. That technic, however, is a means, not an end, Professor Auer never allowed his pupils to forget. He is a wonderful master of interpretation. I studied the great concertos with him—Beethoven, Bruch, Mendelssohn, Tschaikovsky, Dvoøák, the Brahms concerto (which I prefer to any other); the Vieuxtemps Fifth and Lalo (both of which I have heard Ysaye, that supreme artist who possesses all that an artist should have, play in Berlin); the Elgar concerto (a fine work which I once heard Kreisler, an artist as great as he is modest, play wonderfully in Petrograd), as well as other concertos of the standard repertory. And Professor Auer always sought to have us play as individuals; and while he never allowed us to overstep the boundaries of the musically esthetic, he gave our individuality free play within its limits. He never insisted on a pupil accepting his own nuances of interpretation because they were his. I know that when playing for him, if I came to a passage which demanded an especially beautiful legato rendering, he would say: 'Now show how you can sing!' The exquisite legato he taught was all a matter of perfect bowing, and as he often said: 'There must be no such thing as strings or hair in the pupil's consciousness. One must not play violin, one must sing violin!'
A classic and not only musically.
I have photographed this concert house at different times. Sometimes in the blue hour, sometimes boring and gray, in the sunrise and sunset. However, I found this version to be the most expressive. I am not a fan of repetitive photography.
So there will only be one version to discover in my stream.
It also makes it much easier to stay in the swing of things. ;) No not physically.... But photographically. What will we hear here? But of course what classical music.
hania rani — g-minor ♫
venice - infinitely avantgarde
－－－－－－－－－－－－－－－－－－－－－－－－－－－－－
EOSR | RF35mm f/1.8 IS STM
Exposure: ƒ/6.7 | 1/125s ISO 200
－－－－－－－－－－－－－－－－－－－－－－－－－－－－－
Please do not use my images on websites, blogs or other media without explicit permission. F̶̅G̅. © 2022 © all rights reserved
Our house is a very, very, very fine house
With two cats in the yard
Life used to be so hard
Now everything is easy 'cause of yo
The XX do not play the role musically here. It is rather
Monkey Safari "Odyssey" what moved me to this motif and the resulting photo. The Berlin club- and music scene. At that time I combined this with the S-Bahn. I remember well how the way home of one or the other club was, it was usually late in the morning. ¯\_(ツ)_/¯ There I stood with narrowed eyes and waited exactly for such an S-Bahn.
monkey safari — odyssey ♫
－－－－－－－－－－－－－－－－－－－－－－－－－－－－－
EOSR | RF50mm f/1.2L USM
Exposure: ƒ/16 | 4″s ND +8stops ISO 50
－－－－－－－－－－－－－－－－－－－－－－－－－－－－－
Please do not use my images on websites, blogs or other media without explicit permission. F̶̅G̅. © 2021 © all rights reserved
Dedicated to my dear and precious friend, Gérard Beaulieu...!
New group created by Skagitrenee
... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ...
The Hypothetical Awards musically-themed
April Challenge: The Hypo Music Festival!
Beethoven's 5 Secrets - OneRepublic - ThePianoGuys
... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ...
"Don't only practice your art, But force your way into it's secret. For it and knowledge can raise men to the Divine."
ThePianoGuys
... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ...
Violator is the seventh studio album by English electronic music band Depeche Mode. It was first released on 19 March 1990.
Musically, Violator has been described as synth-pop, alternative rock, dance, and gothic rock. (Depeche Mode's) Martin L. Gore called the track "World in My Eyes" a very positive song. "It's saying that love and sex and pleasure are positive things.
Regarding the album's title, Gore said, "We called it Violator as a joke. We wanted to come up with the most extreme, ridiculously Heavy Metal title that we could. I'll be surprised if people will get the joke."
It was ranked number 167 on Rolling Stone's 2020 list of the 500 greatest albums of all time. Violator has also featured on lists of the greatest albums of all time made by publications such as Q and Spin. (from Wikipedia)
"Let me take you on a trip
Around the world and back
And you won't have to move, you just sit still
Now let your mind do the walking
And let my body do the talking
Let me show you the world in my eyes..."
This is a series of four photos where I will try to tell a story, which will have continuity in each one of them to complete it.
I will begin by saying that I will talk about Luis, an extraordinary boy, who in the decade of the famous 60's, was barely 15 years old. That was when, back in 1965, for the first time, his life would change, it was the time when he listened to The Beatles.
He had never felt that wonderful sensation of being able to literally disappear from the world around him and travel with the music and lyrics of those geniuses.
Little by little, his circle of friends would also become Beatles fans.
One of them, already advanced in the decade, had a great jewel, Magical Mystery Tour. His parents had brought it back from the USA. They all came to that beautiful house, in the Barrancas de Belgrano (a very select place in the capital of Buenos Aires) to spend the day listening to that music and also looking at the pages of the album, which contained a story in photos.
But a few months earlier, on May 26, 1967, Sgt. Pepper's Lonely Hearts Club Band was released.
It was a true revolution, both musically and lyrically. By the time they got the album, it was the first reunion. Not just any reunion. It was a journey into a world where life only corresponded to trying to be a bit of the Beatles. One weekend when Luis' friend's parents were away, it was decided to have the first party. A kind of worship, where all the members had to dress up like on the album cover. Two full days of absolutely magical sensations. Luis for the first time knew what drugs were.
Then on November 27, 1967 Magical Mistery Tour was released, again, it was an absolutely magical, psychedelic weekend, full of sensations, beyond what the senses could absorb.
Here I will make a clarification, I am not making an apology for drugs, nor putting the Beatles as gods, it was simply necessary to try to convey what was happening to those young people with so many stimuli. It was a time when hippiedom was a beautiful way of life. I would say it was a very powerful ideology in itself. A great form of protest against everything established. Even more, it was like a return to the origin of the true sense of community. I think, without any mistake, that the enormous penetration of the music and especially the lyrics of the last albums, of The Beatles, were picked up by those young people as hymns or, better said, as the voice of a whole generation. Another idea that strengthens the story is that in addition, and this is no small thing, the young people had the example that, from the personal, or in this case, from four boys from Liverpool, they modified the whole current way of thinking, because they had demonstrated that from the place where one acts, one could make a difference. Rarely did something so extraordinary happen, as was the musical, social and communicative phenomenon that they left as a legacy. Only to those who read, try to place themselves in the time and in the same circumstances as these young people. In that way you will understand the profound significance of that decade. Of course, such fascination, when it exerts such power over those who, for different reasons, needed to escape from their realities, even if it is nothing more than a passing illusion, like everything else, when it ends, the emptiness is very difficult to bear. Before I continue, for those who still do not understand my approach, I will make a very simple comparison, of course saving the distance between a global phenomenon and something personal, I do it with the hope that whoever reads this will understand. How many of us are trapped by a series on Neflix , just as an example, that leads us to be so attentive and continue , in the form of marathon, hours of our nights, to continue watching even with a certain obsession, that does not allow us to think about anything else. I think it happened to all of us. So how did you feel when it ended? did you feel a kind of emptiness? Having clarified this, I trust you can put yourself in the place of these young people, 55 years ago.
Tragedy struck. Let It Be was the twelfth and last studio album by the English rock band The Beatles. It was released on May 8, 1970, days after Paul McCartney's departure from the band became official, and with it the public dissolution of the group. Although Abbey Road was the last album recorded by the band, it was released earlier, as Let It Be had been recorded before.
The emotional consequences, which produced this separation, were immediately felt among Luis' friends and himself.
Three of them died of overdoses a few months later, others barely managed to return to the real world. But in the case of Luis, who was in a clinical coma in a hospital due to a heroin overdose, it was a miracle that his life was saved.
* Continued on next photo
Esta es una zaga de cuatro fotos, donde intentaré contar una historia, la cual tendrán continuidad en cada una de ellas para completar la misma.
Comenzare diciendo que hablare de Luis, un extraordinario muchacho, que en la década de los famosos 60, apenas tenía 15 años. Fue cuando, allá, por 1965, por primera vez, su vida cambiaria, fue la época en que escucho a Los Beatles.
Nunca había sentido, esa maravillosa sensación, la de poder desparecer, literalmente del mundo que lo rodeaba y viajar con la música y letras de esos genios.
Poco a poco, su círculo de amigos, serian, también fanáticos de los Beatles.
Uno de ellos ya avanzando en la década, tenia, una gran joya, Magical Mistery Tour. Sus padres se lo habían traído de USA. Todos llegaron a esa bella casa, en las Barrancas de Belgrano (lugar muy selecto, en la capital de Buenos Aires) para pasar el día escuchando esa música y también viendo las páginas del álbum, que contenía una historia en fotos.
Pero unos meses antes, el 26 de mayo de 1967 salía a la venta Sgt. Pepper's Lonely Hearts Club Band.
Esa fue una verdadera revolución, en lo musical como en las letras. Para cuando lograron tener el álbum, fue la primera reunión. No cualquier reunión. Era un viaje a un mundo donde la vida solo se correspondía a intentar ser un poco los Beatles. Un fin de semana cuando los padres del amigo de Luis, no estaban, se decidió hacer la primera fiesta. Una especie de adoración, donde todos los miembros debían vestirse como en la portada del álbum. Dos días completos de sensaciones absolutamente mágicas. Luis por primera vez conoce que era las drogas.
Luego el 27 de noviembre de 1967se publica Magical Mistery Tour, nuevamente, fue un fin de semana absolutamente mágico, psicodélico, lleno de sensaciones, más allá de los que los sentidos podían absorber.
Aquí hare una aclaración, no estoy haciendo una apología de las drogas, ni poniendo a los Beatles como dioses, simplemente era necesario intentar transmitir que les sucedía a esos jóvenes con tantos estímulos. Era una época donde el hipismo era una hermosa forma de vida. Diría que era una ideología muy poderosa en sí misma. Una gran forma de protesta contra todo lo establecido. Aún más, era como una vuelta al origen del verdadero sentido de comunidad. Pienso, sin error a equivocarme, que la enorme penetración de la música y sobre todo las letras de los últimos álbumes, de The Beatles, eran recogidos por esos jóvenes como himnos o, mejor dicho, como la voz de toda una generación. Otra idea que fortalece la historia, es que además y no es poco, los jóvenes tenían el ejemplo que, desde lo personal, o en este caso, de cuatro muchachos de Liverpool, modificaron a toda la forma de pensar vigente, pues habían demostrado que del lugar en que uno actúa podía marcar la diferencia. Pocas veces sucedió algo tan extraordinario, como fue el fenómeno musical, social y comunicativo que ellos dejaron como legado. Solo a los que lean intenten ubicarse en la época y en la misma circunstancia que estos jóvenes. De esa forma lograran entender lo profundo que significo esa década. Por supuesto que tal fascinación, cuando ejerce semejante poder sobre aquellos que, por distintas razones, necesitaban huir de sus realidades, aunque no sea más que una pasajera ilusión, como todo, cuando termina, el vacío es muy difícil de sobrellevar. Antes de continuar, para los que aún no entendieron mi enfoque hare una muy simple comparación, por supuesto salvando la distancia entre un fenómeno mundial y algo personal, lo hago con la ilusión, de quien lea esto logre entender. Cuanto de nosotros somos atrapados por una serie en Neflix , solo como ejemplo, que nos lleva a estar tan atentos y continuar , en forma de maratón, horas de nuestras noches, para seguir viendo hasta con cierta obsesión, que no nos permite pensar en otra cosa. Creo que a todos nos sucedió. Entonces como te sentiste cuando termino? ¿te atrapo una especie de vacío? Aclarado esto, confío en que podrán ponerse en el lugar de estos jóvenes, 55 años atrás.
La tragedia sucedió. Salía a la venta Let It Be era el duodécimo y último álbum de estudio de la banda de rock inglesa The Beatles. Fue lanzado el 8 de mayo de 1970, días después de que se hiciera oficial la salida de Paul McCartney de la banda, y con ella la disolución pública del grupo. Si bien Abbey Road fue el último que la banda grabo, salió antes a la venta, ya que Let It Be se había grabado antes.
Las consecuencias emocionales, que produjo esa separación, se hizo sentir de inmediato entre los amigos de Luis y de el mismo.
Tres de ellos murieron de sobredosis unos meses después otros apenas lograban volver al mundo real. Pero en el caso de Luis, estuvo en estado de coma clínico en un hospital por sobredosis de heroína, fue un milagro que le salvaran la vida.
* Continua en la siguiente foto
I headed down to my favorite spot on the river last night to try some long exposure stuff. Not exactly what I was going for, the sky didn't do quite what I was hoping, but oh well.
***Do you like music? Think you know whats good when it comes to music?***
Then head on over to Musically Challenged and play along. And if you think you can enlighten us with your amazing musical taste then sign up HERE to get the chance to play your own list of 10 songs!
Bright Eyes- First Day of My Life
(40 of 52)²
!!!Attention Seattle Friends!!!
I might be over in your neck of the woods this weekend, anyone wanna get together and go shooting?
"You move like dust in the sunlight
Hear the waves and you harmonize."
On Usedom, I was on the road by bike and could just stop to photograph. My strengths are not necessarily in nature photography, quiet and pleasant scenes I discover but still. Musically, we remain a little in the chill dance area.
jody wisternoff — brilliant eyes ♫
－－－－－－－－－－－－－－－－－－－－－－－－－－－－－
EOSR | RF50mm f/1.2L USM
－－－－－－－－－－－－－－－－－－－－－－－－－－－－－
Guys, thank you very much for your visit and the nomination for exploration. Best greetings fr̅a̅n̅k
－－－－－－－－－－－－－－－－－－－－－－－－－－－－－
Please do not use my images on websites, blogs or other media without explicit permission. F̶̅G̅. © 2022 © all rights reserved
www.dailymotion.com/video/xom4h2
cette vidéo parce qu'elle est pour moi un voyage extraordinaire... visuellement, musicalement...
un voyage qui me rend heureuse pour quelques minutes et dont la poésie m'émeut à chaque fois...
this video because it is for me an extraordinary journey... visually, musically...
a trip that makes me happy for a few minutes and whose poetry moves me every time...
Gregg Stafford and Charlotte McAfee-Brunner, two horn players, few years apart in age, 1300 miles apart geographically, but on the same page musically. It was great to see the interaction, mutual respect and admiration. Gregory Stafford brought the NOLA show on the road. Fortunately, all roads lead to Toronto (contrary to the popular beliefs) and few dozen music lovers enjoyed his showmanship. The intimate confines of Grossman's provided the right atmosphere. Great sold-out night with the visiting legendary musician from New Orleans. Gregg has many friends in Toronto trad jazz community and who could, showed up. It was fun for the musicians, so double fun for the audience.
From New Orleans - Gregg Stafford, vocals and trumpet with special guest Charlotte McAfee-Brunner on trombone, Toby Hughes- saxophone, Roberta Hunt- piano, Chuck Clarke- drums, Colin Bray- bass, Brian Sasaki- banjo, Gram Whitty- bass, Miklos Lorantffy- saxophone and Joseph Trainor- piano.
340. Grossman's; 2024-May 31. P1130627; Upload 2024-Jun 24.
www.youtube.com/watch?v=TduHf1tWDvIThey say he likes a good time
(My, oh my)
He comes alive at midnight
(Every night)
My mama doesn't trust him
(My, oh my)
He's only here for one thing
But (so am I)
Yeah
“i am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger as reason. i am so thirsty for the marvelous that only the marvelous has power over me. anything i can not transform into something marvelous, i let go. reality doesn't impress me. i only believe in intoxication, in ecstasy, and when ordinary life shackles me, i escape, one way or another. no more walls.”
~ anais nin (french born american author)
In his full description of our Daffodil in Eden: or, A Compleat Body of Gardening (1757), John Hill (1716/7-1775) writes: 'tho' far from the most elegant of the Narcissus kind' it's valuable on account of the early season in which it grows, even in the snow of the severest Winter. Of course, when we think of Daffodils especially the 'trumpets' come to mind, as it were musically ushering in Spring. In the present Narcissus that trumpet is quite splayed outward. Still, I think it's quite pretty and elegant, too.
A sculpture of Sir Edward Elgar in front of Hereford Cathedral, in Hereford Herefordshire.
Elgar was a composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs.
Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins even after he achieved recognition.
He nevertheless married the daughter of a senior British army officer. She inspired him both musically and socially, but he struggled to achieve success until his forties, when after a series of moderately successful works his Enigma Variations (1899) became immediately popular in Britain and overseas. He followed the Variations with a choral work, The Dream of Gerontius (1900), based on a Roman Catholic text that caused some disquiet in the Anglican establishment in Britain, but it became, and has remained, a core repertory work in Britain and elsewhere.
In his fifties, Elgar composed a symphony and a violin concerto that were immensely successful. His second symphony and his cello concerto did not gain immediate public popularity and took many years to achieve a regular place in the concert repertory of British orchestras.
Elgar has been described as the first composer to take the gramophone seriously. Between 1914 and 1925, he conducted a series of acoustic recordings of his works. The introduction of the moving-coil microphone in 1923 made far more accurate sound reproduction possible, and Elgar made new recordings of most of his major orchestral works and excerpts from The Dream of Gerontius.
Information Source:
We had such a beautiful snowfall overnight that, for some odd reason, it made me think of Schubert's Winterreise Lieder Song Cycle. And then I felt like doing this in a Georgia O'Keeffe style. What a combination for the second day of what we're calling a New Year. I wonder what Schubert and O'Keeffe think of my pairing?!
Here's one of my favourites in the cycle sung by one of my favourite tenors, whom I've now obviously drawn into the collaboration! My mother accompanied my father for many of the Winterreise - what a duo they were musically!
Australian Guitarist Lloyd usually performs solo, but Lisa Baird (Lily&King), a fun trombone player, came to support him musically and keep company on the long tour through Canada. I thought it was a good idea and it made the show better. Few years ago Dr.John toured with trombonist Sarah Morrow and she almost stole his show. Lisa Baird (using sometimes Lily to hide her identity) took up trombone, as an easy way to meet dysfunctional men, and she was indeed never disappointed. The last bit of info is from her bio, not the usual stuff I ad-lib.😄
232. Montreal P1650420; Taken 2023-July 03. Upload 2023-Aug 18.
Reg Schwager is very busy guitarist in Toronto and for a good reason. He and William Sperandei were part of the bassist Dave Young Quartet opening musically Toronto Film Festival. The opening movie was tellingly an animation 'The Boy and the Heron', as not too many actors came due to the Hollywood strike. Of course in the future actors will be replaced by AI, as PEOPLE are needed LESS and LESS in this new world order. Musicians will also be replaced. Hope the process will take longer than the automated checkout in the grocery store. Schwager was born in Holland, but moved (or was moved) to New Zeeland as 3 year old, where he learned to play violin. The family moved to Canada 4 years later.
244. Toronto 2023-Sep 07. P1700544; Upload 2023-Sep 12.
Antoine "Tony" Petrucciani Quartet; is a French jazz guitarist and was been father of Michel Petrucciani.
Petrucciani comes from a Neapolitan family; his father was also a guitarist. Influenced by Wes Montgomery , Barney Kessel and Joe Pass , he first worked as a warehouse manager for the American Air Force at Orange and played jazz with friends after work . With his wife Anne he has three sons named Philippe (* 1957), Louis (* 1958) and Michel Petrucciani (1962–1999), all of whom he promoted musically and to whom he gave jazz lessons himself . In 1971 he founded a music store in Montélimar. Since the mid-1970s he performed with his sons in the south of France and from 1982 played several albums with them and changing line-ups. He runs a jazz school in Carnoules [1] and performs with his own quartet. [2]
Just having a little fun for the holidays. This is a total ripoff of Annette's gorgeous photo. Yes I know, she looks way better with a candy cane in her mouth then I do!
Wishing all of you a Merry Christmas and a Happy New Year :-)
This weeks list of songs in Musically Challenged is from Georgie*S. They are all Holiday related, so head on over and check them out and get in the holiday spirit.
(48 of 52)²