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The Cacapon Institute leads a volunteer-driven tree planting at Deerfield Village outside of Shepherdstown, W.Va., on April 29, 2017. Volunteers planted 28 trees, adding to 60 planted in previous years in the community as part of the Carla Hardy West Virginia Project CommuniTree. (Photo by Will Parson/Chesapeake Bay Program)
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Çatalhöyük, Çumra, Konya yakınlarında önemli bir Neolitik yerleşmedir. 9000 yıl önce ikamet edilmiş olan bu geniş
kentte yaklaşık 8000 kişinin yaşadığı düşünülmektedir.
Sokaklar mevcut değildir ve burada yaşayan insanlar evlerin çatılarından geçişi sağlamışlar ve ayrıca evlerin içine
de bu çatılar aracılığıyla girmişlerdir. Evlerin içinde Çatalhöyük sakinleri tarafından yapılan ve binlerce yıldır korunan, duvar resimleri, kabartmalar ve duvar süslemeleri mevcuttur. Buradaki sanat unsurları, ilk defa James Mellaart tarafından 1960’lı yıllarda keşfedilmiştir.
Yeni kazılar, 1993 yılında tekrar başlamış olup 2018 yılına kadar T.C. Turizm ve Kültür Bakanlığı’nın izinleriyle devam etmesi lanlanmaktadır. Yeni kazılar, modern bilimsel teknikleri kullanarak
Çatalhöyük sakinlerinin yaşamlarını yeniden yapılandırmayı hedeflemektedir.
ABD Büyükelçileri Kültürel Koruma Fonu (AFCP) aracılığıyla dünyanın her yerinden farklı organizasyonlara önemli kültürel alanların, objelerin ve müze kolleksiyonlarının korunması için hibe vermektedir. Bu destek dünya kültürel mirasının korunması için önemli bir katkı olarak değerlendirilmektedir. AFCP önceliği, kültürel mirasın korunmasında uluslararası standartları gözeten ve uygun aktiviteleri içeren projelere vermektedir.
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The U.S. Ambassadors Fund for Cultural Preservation
Since 1993, Ian Hodder has been directing the international team of archaeologists that is excavating Çatalhöyük, a 9,000-year-old site in Turkey and one of the world’s first urban centers. Thousands of people lived in this large settlement, and the excavations are designed to learn more about the life of its inhabitants and the development of complex social systems, and to place the spectacular art and artifacts from the site in their full environmental, economic, and social context.
Ian Hodder from Stanford University, leads the Çatalhöyük Research Project, shedding light on the development of one of the world’s earliest societies, the social and economic organization of the settlement, and the transformation from hunting and gathering to agriculture and civilization.
The U.S. Ambassadors Fund for Cultural Preservation (AFCP) supports the preservation of cultural sites, cultural objects, and forms of traditional cultural expression in more than 100 developing countries around the world.AFCP-supported projects include the restoration of ancient and historic buildings, assessment and conservation of rare manuscripts and museum collections, preservation and protection of important archaeological sites, and the documentation of vanishing traditional craft techniques and indigenous languages.
leads an unknown manifest down the main in East Conway, PA.
Built in 1996 as CR 4112 to CSX 805 to CSX 4595, traded to NS in early-2015 for a SD40-2 and became NS 7221. Retired in 2019 and sold in early-2020 to Progress Rail for scrap.
Riveria Trains 47848 leads 47815 (on hire to GBRF) as well as 90047 (also on hire to GBRF) and the Caledonian sleeper passed Werrington, Hurn Road Bridge (old A15 bridge) before rejoining the ECML after its double divert. Not only has the sleeper been divert down the ECML due to the line being closed North of Carlisle, but the train had to be diverted via Lincoln, Sleaford and Spalding due to engineering works at Stoke tunnel.
Vintage Italian postcard. Unione Cinematografica Italiana, No. 45.
Mario Bonnard aka Mario Bonard (1889-1965) was an Italian actor and director, whose rich career span from 1909 to the early 1960s.
Mario Bonnard was born in Rome on 24 December 1889. In 1909 he started his career on the Roman amateur stage. Within a few months he started acting in films too, first in short films in uncredited parts (e.g. Otello, Gerolamo Lo Savio 1909), but soon had male leads as upperclass types. His first known credited role was in Dalla morte alla vita (director unknown, Latium Film, 1911). In 1911 he followed director Mario Caserini to start working at Ambrosio Film in Turin, where he had leads or was co-actor in e.g. La nave dei leoni (Luigi Maggi 1912), Nelly la domatrice (Mario Caserini 1912), Parsifal (Mario Caserini 1912), La rosa rossa (Luigi Maggi 1912), Santarellina (Mario Caserini 1912), and in particular Satana (Luigi Maggi 1912), in which Bonnard was the devil through the ages (Old Testament/New Testament/Middle Ages/modern times), based on Milton’s Paradise Lost and Klopstock’s Der Messias. The film had an international success, even in the US. French film historian Georges Sadoul has written that the film’s script by Guido Volante was a clear example to the later films Intolerance (1916) by D.W. Griffith, Civilisation (1916) by Thomas Ince, and Blatter af Satans bog (Pages from Satan’s book, 1919) by Carl Dreyer. Unfortunately, only a short fragment of Satana remains.
After a few other films at Ambrosio, Summer 1913 Bonnard shifted to the new Turinese company Gloria, where he acted in its first film Il treno degli spettri (Mario Caserini 1913). This wasn’t as successful as the second Gloria film, the Hennequin & Veber boulevard comedy Florette et Patapon (Mario Caserini 1913), with Bonnard as the lover of Bianca Patapon (Maria Caserini Gasperini). The film was widely praised as the first feature-length comedy and proving that comedy features were feasible. Bonnard’s breakthrough as star though came Fall 1913 as male lead opposite Lyda Borelli in the Gloria production Ma l’amor mio non muore (Love Everlasting, Mario Caserini, 1913), which also launched Borelli as film star after a rich theatrical career. Bonnard played Prince Maximilian who falls in love with Diana, a popular opera singer (Borelli). She proves to have been exiled by his father the Duke, as she is Elsa Holbein, the daughter of a colonel who was accused of treachery (after a foreign spy had stolen his secret documents), and who afterwards had committed suicide. By this and other films Bonnard became a heartthrob as aristocratic, passionate and languid Italian dandy, inspiring Ettore Petrolini for his latin-lover character Gastone (Bonnard’s penultimate film Gastone (1960) was about this character).
After the success of Ma l’amor mio non muore, the dream couple Borelli-Bonnard was paired again by Gloria in La memoria dell’altro (Alberto Degli Abbati, 1914). Here Lyda is a famous female aviator who falls in love with journalist Mario (Bonnard), but the two are separated, Lyda marries her rich suitor while Mario goes back to his fiançee. When in Venice they meet again, the flame rearises, and together they flee to Paris, but there ill fate destroys their lives. Bonnard had a little share in the popular Italian Antiquity films of 1913-1914 when acting as Petronius in Caserini’s epic Nerone e Agrippina (1914), Gloria’s answer to successes such as Cines’s Quo vadis and the two versions of Gli ultimi giorni di Pompei by Ambrosio and Pasquali (all three 1913).
After several minor dramas at Gloria in 1914-15, in 1915 Bonnard moved to Caserini’s newly founded company and acted e.g. opposite Leda Gys in La pantomime della morte (Mario Caserini 1915) and L’amor tuo mi redime/ Leda di Roccarna (Mario Caserini 1915). In 1915 Bonnard also founded his own company Bonnard film, for which Pier Angelo Mazzolotti did the direction. Most films were modest and plots were criticised, though Titanic (Mazzolotti 1915) received praise for its staging. For La morsa della morte (Pier Angelo Mazzolotti 1915) Bonnard had to leave the male lead to Giovanni Casaleggio, as he was called for service when Italy joined the Allies in the First World War. He was freed from service quite soon though. In 1916 Bonnard went to work for the Roman Caesar Film company and was the star of Eduardo Bencivenga’s films Don Giovanni (1916), Il ridicolo (1916), Ferréol (1916), and La figlia di Jorio (1917), though received with lukewarm acclaim. He also played in patriotic films such as Passano gli Unni (Mario Caserini, 1916), starring Gys, Bonnard and Gianpaolo Rosmino, which premiered in Rome and Paris at the same time and was well received despite its drastic plot. Bonnard and Rosmino visited the Parisian premiere and were applauded with enthusiasm.
In 1917 Bonnard ventured into his first direction with the film L'altro io, for his own company Electa Film. Vaguely inspired by Wilde and The Student of Prague, Bonnard plays a man who wounded by his perverse adversary, needs to have a piece of the latter’s brain implanted, with unforeseen consequences. Bonnard was very successful with his second film Treno di lusso (Megale Film, 1917), adapted from Umberto Notari’s novel, and starring Leda Gys as a poor Parisian girl who loses her child and successfully climbs the societal ladder. She is armed with cynicism, until she meets an engineer (Bonnard) she falls in love with. He has a wife and child though. After 1917 Bonnard completely shifted to film direction instead of acting - possibly, as Lotti suggests, because of less positive reception of his acting.
In 1919 he directed Ettore Petrolini in his first cinematographic interpretation in Mentre il pubblico ride (While the audience laughs), taken from a play by Petrolini himself and by the futurist Francesco Cangiullo. Subsequent films were often at Celio Film, e.g. Papà Lebonnard (1920) starring Ugo Piperno, Il milione (1920), Il fauno di marmo (1920), and L’amica (1920) with Vittoria Lepanto. Memorable was Bonnard's direction of the Manzoni adaptation I promessi sposi (1923), produced by the Unione Cinematografica Italiana (UCI), and starring Emilia Vidali as Luciana, Domenico Serra as Renzo, Mario Parpagnoli as Don Rodrigo and Ida Carloni Talli as Agnese. While other Italian directors and actors were looking at Hollywood, with Fairbanks and Valentino as model, Bonnard looked at French boulevard comedy, with Il tacchino (1925) after Feydeau’s Le dindon, and Teodoro e socio (1925, released 1926), based on the French stage comedy Théodore et Cie. Both films starred Marcel Levesque, while the female leads were both for French actresses, resp. Maryse Dauvray and Dolly Grey.
At the collapse of the Italian film industry around 1923, Bonnard went to Germany and directed in Berlin several films with an international cast. Marcella Albani repeatedly was his leading actress then, starting with Die Flucht in den Zirkus (1916, with Guido Schamberg), also Das letzte Souper (1928).. Other films were e.g. Die Sünderin (1927) with Elisabeth Pinajeff, and Der goldene Abgrund (1928) with Liane Haid. In 1928, together with Nunzio Malasomma, Bonnard directed Der Kampf ums Matterhorn (The Battle for the Matterhorn), which helped Luis Trenker to make his breakthrough, and which co-starred Albani. This was followed by other films with the daring mountaineer Trenker: Der Sohn der weißen Berge (1930), Die heiligen drei Brunnen (1930), as well as the French version Les chevaliers de la montagne (DE/FR 1930). With Der Ruf des Nordens (1929) Nunzio Malasomma directed but Bonnard had supervision.
At the beginning of the thirties, Bonnard shifted his focus to Paris and directed French and French-Italian productions – such as Trois hommes en habit/ Tre uomini in frac (1933) - before finally settling in Rome in 1932. He filmed here with numerous well-known Italian actors of his time. His specialty was adaptations of stage comedies, interpreted by the greatest stars of the time: Assia Noris, Elsa Merlini, Amedeo Nazzari, Luisa Ferida, Enrico Viarisio, the most famous of which is Il feroce Saladino (1937). During the war years Bonnard realised two works not without a fresh grace and promoting the film careers of Aldo Fabrizi and Anna Magnani: Avanti c'è posto... (1942), about a trolley bus conductor protecting and falling in love with a poor girl (Adriana Benetti), based on an idea by Aldo Fabrizi and Cesare Zavattini, and Campo de 'Fiori (1943) with Fabrizi and Anna Magnani as two quarrelling marketers.
Vast is also Bonnard’s film production in the post-war period in which he demonstrated excellent professional skills by directing films of various kinds, attentive to the public's tastes, ranging from comedies with Totò and Gino Cervi to historical films, from popular melodrama to peplum up to the engaged film, and mixing typical pre-1945 actors such as Doris Duranti (Il voto, 1950) and Fosco Giachetti (Addo, mia bella Napoli!, 1947) with newcomers such Antonella Lualdi (L’ultima sentenza, 1951) and Brigitte Bardot (Tradita/Haine, amour, trahison, 1954). Bonnard was the unsurpassable director of masses (Fra Diavolo, 1931) and packer of historical plots (Il ponte dei sospiri/ The Bridge of Sighs, 1940). With Città dolente (1948) he directed a film virtually ignored by the public, documenting the exodus from Pula. Gli ultimi giorni di Pompei (The last days of Pompeii, 1959), a film interrupted by his illness and then completed by Sergio Leone, gives proof of skilled craftsmanship, succeeding with limited means to compete with the great American productions.
Mario Bonnard died because of cardiac arrest in Rome on 22 March 1965. He was the younger brother of the soundtrack composer Giulio Bonnard.
Sources: Italian, Spanish and German Wikipedia, IMDB, Vittorio Martinelli, Il cinema muto italiano, Denis Lotti, Muscoli e frac, www.filmportal.de.
leads Q502-10 through Eagle Station, KY on the CSX LCL Sub.
Built in 1996 as CR 4124 to CSX 810 to CSX 4600, traded to NS for an SD40-2 and became NS 7226.
A formation of Virginia National Guard Soldiers and Airmen leads the parade at the inauguration of Dr. Ralph Northam as the 73rd Governor of Virginia Jan. 13, 2018, in Richmond, Virginia. Read more at go.usa.gov/xndqq. (U.S. Air National Guard photo by Senior Airman Kellyann Novak)
UP 8825 leads a train of autoracks westbound on the Tucumcari Subdivision at Blanco Creek (mp 647.4) ~ (Palomas), Quay County, NM
Driving Van Trailer 82222 leads 1E05 with 91107 on the rear having departed Glasgow Central 4 hours earlier (a service that would be stopped in the updated East Coast timetable introduced a week later).
The train carries the amended GNER livery, still seen on the majority of East Coast Class 91 sets, it was originally used by National Express East Coast during their brief two year tenure with the franchise before the line was taken into public ownership in late 2009 and consists of a simple white stripe applied over the GNER orange band.
UP5761 leads a NB Grain on the Union Pacific OKT line in Waurika OK at the Pecan Hollow Cabin which is Maintained by North Texas Outfitters/Mesquite Hollow Outfitters, we were there for a Hunting trip and managed to Railfan outside the Cabin, Surely this is a Place for a Railfan who is a Hunter as well, More info on the Cabin here my.matterport.com/show/?m=2B55vc1oBCJ&brand=0&back=1 and www.northtexasoutfitters.com
Ezra HaLevi (creative director), Zev Posner (founder, CEO) (Photo by Kamil Bojanczyk for TechCrunch)
Modern Hymnist, Kristyn Getty, leads the congregation in a medley of modern hymns co-written with her husband Keith which are included in the new Baptist Hymnal.
Byland Abbey, built by the Cistercians in the twelfth century. This view is looking down the nave of the ruinous abbey church towards its west front. The circular rose window, only half of whose outline remains, is said to have inspired that in the south transept of York Minster. Byland Abbey is in the care of English Heritage.
Burlington Northern Santa Fe 1451(SD60M) Leads an Eastbound Boeing Fuselages waiting to continue Eastbound on the BNSF Emporia Sub near the Wilder Road Crossing near Holliday Drive in Shawnee, Kansas
Video Link: youtu.be/98yJR9foHbE
Photo Taken: 4-29-17 at 9:44 am
Picture ID# 9283
"Faith leads us beyond ourselves. It leads us directly to God." -Pope John Paul II
It took quite awhile driving around on back roads to find the little white Galpin church. I don't think it is abandoned, but I do think it is very seldom used. The little church is at the end of a very desolate country road near the Fort Peck lake and dam. I assume that when the dam was being built in the 1940s this church was formed. They certainly couldn't have put it in a more beautiful location!
A2 986 leads K153 on the final Ballarat shuttle of 2018 as they begin to coast down Warrenheip Bank towards Ballarat. 27th May 2018
Burlington Northern Santa Fe 7806(ES44DC), Norfolk Southern 9699(C40-9W) and Kansas City Southern 4016(SD70ACe) Leads a Manifest Southbound on the BNSF Fort Scott Sub at the CP 215 Signals near Dennis Avenue Crossing East of Keeler Street in Olathe, Kansas.
Train: H GALTUL9 14A
Video: youtu.be/gERtdJinEjU
Photo Taken: 4-14-18 at 2:54 pm
Picture ID# 3666
SEC General Director- and TYO Steering Committee Member- Ahmed Abu Baker leads a session on creativity in the business world.
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Dave leads fellow East Anglian John Banks, Vic Eastwood next, then Alan Clough and, at the top of the picture - Bryan Goss [ Hants Grand International ]
A hiking trail leads to the hill overlooking the town of Azzuro on the island of Elba, Italy.
My wife Karalee and I spent two years living on a sailboat in the Mediterranean home schooling our three children Jocelyn, Kevin, and Allen. This photo was part of that adventure. You can learn more about it at www.davidgreer.ca/cruise/.