Kate taught chess rules during her math class today.

What started out two or three students ended up being a crowd. Kate taught the rules of chess during her math class. It's going over well.

Today was a great day at the Fab Lab. The students were asking me what I games I liked to play, and I said chess. I've been wanting to make a chess set with the laser cutter anyway.

We designed up a simple chess set that would fit 8 sets on the 24" x 12" laser cutter and cut them out. We pulled together a group to peel of the backings and to make boards.

Our first inclination was to use the chess piece negatives as a board stencil. The idea was to tape them off and spray paint, but we ran out of spray paint and so used markers. In practice we decided to go checker board.

The lessons went into darkness, and the students were using LED lights to keep playing.

A good day.

Paranapiacaba: Origem: Wikipédia, a enciclopédia livre.

Por concessão, um grupo inglês explorou o sistema ferroviário na Serra do Mar. E o primeiro sistema implementado foi o sistema funicular: com cabos e máquinas fixas. A primeira linha, com onze quilômetros de extensão, foi inaugurada em 1867 pelo grupo São Paulo Railway. Ela começou a ser construída em 1862 e teve como um dos maiores acionistas e idealizadores o lendário Barão de Mauá. Em 1859, ele chamou o engenheiro ferroviário britânico James Brunlees, que veio ao Brasil e deu viabilidade ao projeto. A execução de tal projeto foi de responsabilidade de outro engenheiro inglês, Daniel Makinson Fox. Um ponto curioso é que pela instabilidade do terreno, a construção da estrada de ferro foi quase artesanal. Não se utilizou explosivos por medo de desmoronamento. As rochas foram cortadas com talhadeiras e pequenas ferramentas manuais. Paredões de até 3 metros e 20 centímetros de altura foram construídos ao logo do traçado da estrada de ferro. A segunda linha começou a funcionar em 1900. Além de dar mais força ao sistema, os cabos e as máquinas fixas economizam energia para a operação dos trens. No entanto, vários acidentes eram registrados, principalmente pelo rompimento dos cabos. Havia uma espécie de freio, a tenaz, que agarrava os cabos para evitar a saída dos trens dos trilhos. Nem sempre o sistema, no entanto, funcionava de maneira satisfatória. Em 1956, um grande acidente foi evitado pelo maquinista na época, Romão Justo Filho, nascido em Paranapiacaba no mês de março de 1911, filho de maquinista também. Se a composição descarrilasse, cerca de 150 pessoas poderiam perder a vida. Através da utilização correta do sistema da tenaz, Romão foi “agarrando” aos poucos o cabo até que o trem parasse.

Os cabos do locobreque levavam desenvolvimento e riqueza para a região do ABC Paulista e de Santos. Tanto é que a companhia inglesa criou em 1896 uma vila essencialmente de ferroviários, com construções de madeira no estilo inglês. Em 1907, a Vila foi chamada de Paranapiacapa, mas até 1945 a estação continuou a ser chamada de Alto da Serra. A Vila possuía todos os recursos da época para os maquinistas, fiscais e “foguistas” – responsáveis pela alimentação da fornalha da máquina fixa e da máquina dos trens. Além de um mercado, de um posto de saúde, de um vagão-ambulância e até um vagão funerário, onde o velório era feito dentro da composição entre Santos e Paranapiacaba, os funcionários possuíam um centro de recreação, o União Lira Serrano, e um Campo de Futebol. No União Lira Serrano eram exibidos filmes, shows musicais e realizados bailes temáticos. A concessão da linha da Serra do Mar não foi apenas glórias e desenvolvimento. Fatos até hoje não explicados satisfatoriamente marcaram a história dos trilhos por onde circularam os Locobreques. Exemplos são os incêndios da Estação da Luz, dois dias antes da primeira etapa da concessão dos ingleses terminar, em 1946, e na velha estação de Paranapiacaba, em 1981. Antes mesmo do incêndio, a estação já havia sido desativada em 1977 e substituída pelo prédio atual. O relógio estilo inglês foi poupado no incêndio e deslocado para uma torre mais alta que a anterior. Nos dois incêndios, tanto na Estação da Luz quanto em Paranapiacaba, a suspeita principal é de motivação criminosa. Milhões de reais foram gastos para a reconstrução da Estação da Luz, que passou por décadas ainda sentido os efeitos do incêndio. Tanto é que ela teve de ser restaurada. A obra de restauração completa foi entregue somente em 2004, data dos 450 anos da cidade de São Paulo. A Estação da Luz teve três etapas fundamentais: Ela foi inaugurada em 1867, num pequeno prédio na região central da capital paulista. A demanda de passageiros foi aumentando aos poucos, e cerca de 15 anos depois o pequeno prédio foi demolido e um outro maior foi construído. A cidade crescia muito rapidamente e a estação teve de aumentar ainda mais. Em 1890 começaram as obras da estação na configuração atual. Em 1900, o segundo prédio antigo foi demolido e em 1901, a nova estação foi inaugurada. Obras constantes de modificações e ampliações foram realizadas ao longo das décadas na Estação da Luz, já que além da demanda de passageiros ser maior, o número de linhas férreas urbanas também cresceu. Antes mesmo do Locobreque, na Serra do Mar, uma primitiva máquina de madeira, também tracionada por cabos fazia o transporte entre os cinco patamares. Era a Serrabreque. Durante a operação da Serrabreque, Barão de Mauá era um dos administradores. Posteriormente, na vila de Paranapiacaba, os ingleses, no alto de uma subida, construíram uma mansão, que servia de centro de controle operacional. Apelidada pelos ferroviários de "Castelinho", a posição do local proporcionava uma privilegiada visão do sistema e de toda a estrutura da vila de Paranapiacaba. O sistema ferroviário da Serra do Mar era composto por diversos túneis, que eram alvos de lendas e histórias assombradas disseminadas pelos próprios ferroviários. Algumas dessas lendas tiveram origem no fato de muitos operários terem morrido na construção desses túneis.

Pátio ferroviário, estações e relógio:

A São Paulo Railway inaugurou sua linha férrea em 16 de fevereiro de 1867. Servia como transporte de passageiros e meio de localizada na então freguesia de São Bernardo. No ano de 1898, foi erguida uma nova estação com madeira, ferro e telhas francesas trazidos da Inglaterra. Esta estação tinha, como característica principal, o grande relógio fabricado pela Johnny Walker Benson, de Londres, que se destacava no meio da neblina muito comum naquela região. Com o aumento do volume e peso da carga transportada, foi iniciada em 1896 a duplicação da linha férrea, paralela à primeira, a fim de atender à crescente demanda. Essa nova linha, também denominada de Serra Nova, era formada por 5 planos inclinados e 5 patamares, criando um novo sistema funicular. Os assim chamados novos planos inclinados atravessavam 11 túneis em plena rocha, enfrentando o desnível de 796 metros que se iniciava no sopé da serra, em Piaçagüera, no município de Cubatão. O traçado da ferrovia foi retificado e suavizado e ampliaram-se os edifícios operacionais. A inauguração deu-se em 28 de dezembro de 1901. A primeira estação foi desativada e reutilizada, posteriormente, como cooperativa dos planos inclinados. A 15 de julho de 1945, a "Estação do Alto da Serra" passa a se denominar "Estação de Paranapiacaba". A 13 de outubro de 1946, a São Paulo Railway foi encampada pela União, criando-se a "Estrada de Ferro Santos-Jundiaí". Somente em 1950 a rede passa a unir-se à Rede Ferroviária Federal. Em 1974, é inaugurada o sistema de cremalheira aderência. No ano de 1977, a segunda estação foi desativada, dando lugar à atual estação. O relógio foi transferido do alto da estação anterior para a base de tijolo de barro atual. A 14 de janeiro de 1981, ocorreu um incêndio na antiga estação, destruindo-a completamente. O sistema funicular foi desativado em 1982. Em 2010, o Correio fez lançamento de selo postal ostentando o patrimônio ferroviário de Paranapiacaba.

Museu do funicular:

Trata-se da exibição das máquinas fixas do quinto patamar da segunda linha e a do quarto patamar da primeira linha, que transportavam o trem por meio do sistema funicular.

No museu, há, também, a exposição de diversos objetos de uso ferroviário, fotos e fichas funcionais de muitos ex-funcionários da ferrovia.

O locobreque:

O "locobreque" tinha a função de frear a composição na descida da serra e simultaneamente empurrava outra composição que subia. O cabo entre as duas máquinas passava por uma grande roda volante, chamada de "máquina-fixa" que ficava em cada um dos cinco patamares. Do nome inglês original, loco-brake, a máquina funcionava pela queima de carvão ou madeira numa fornalha, abastecida pelo foguista, que trabalhava ao lado do maquinista. As máquinas "locobreque" foram construídas em 1901 por Robert Stephenson & Co. Ltd. O sistema funicular proporcionava maior economia de energia gasta pelo "locobreque" e possibilitava o desempenho do trem nos aclives e declives. Havia uma inclinação de 8 graus entre cada um dos cinco patamares. Quando subia a Serra do Mar, o "locobreque" empurrava os vagões, que ficavam na frente da máquina. Quando descia, ele segurava os vagões, que ficavam atrás da máquina. Como o trem não tinha marcha-ré, havia um sistema chamado popularmente de "viradouro", através do qual os funcionários invertiam o sentido da locomotiva, girando a máquina em torno de si mesma. Antes do "locobreque" havia uma primitiva máquina de madeira, também tracionada por cabos, que fazia o transporte entre os cinco patamares. Era o "serrabreque". Durante a operação do "serrabreque", o Barão de Mauá ainda era um dos financistas da companhia. Até a metade do século XX, o transporte ferroviário era sinônimo de luxo. E um dos marcos foi o trem Cometa, que fazia a linha Santos – São Paulo. O trem possuía serviço de bordo e poltronas leito, como as de ônibus. Além dele, também havia os trens Estrela, Planeta e Litorina (Semi-luxo).

Museu do castelo:

Essa residência, também denominada de "Castelinho", situa-se entre a Vila Velha e a Vila Martin Smith. Localizada no alto de uma colina, com uma excelente vista privilegiada para toda a vila ferroviária, foi construída por volta de 1897 para ser a residência do engenheiro-chefe, que gerenciava o tráfego de trens na subida e descida da Serra do Mar, o pátio de manobras, as oficinas e os funcionários residentes na vila. Sua imponência simbolizava a liderança e a hierarquia que os ingleses impuseram a toda a vila; ela é avistada de qualquer ponto de Paranapiacaba. Dizia-se que de suas janelas voltadas para todos os lados de Paranapiacaba, o engenheiro-chefe fiscalizava a vida de seus subordinados, não hesitando em demitir qualquer solteiro que estivesse nas imediações das casas dos funcionários casados. No decorrer de mais de um século de uso, foram feitas várias reformas e tentativas de recuperação de seu aspecto original; as maiores reformulações foram realizadas nas décadas de 1950 e 1960. Foi restaurado pela prefeitura de Santo André em parceria com a World Monuments Fund.

Casas dos engenheiros:

Característica da arquitetura hierarquizada de Paranapiacaba, as casas habitadas pelos engenheiros e suas famílias eram de alto padrão. Grandes e avarandadas, foram construídas em madeira nos tempos da São Paulo Railway, com plantas baixas individualizadas; depois, em alvenaria nos tempos da Rede Ferroviária Federal, com mesmo padrão de plantas. Muitas sofreram reformas em vários momentos, principalmente com a chegada da RFFSA. Uma das caracteríticas que chama a atenção é a cobertura do imóvel, pois somente com estudos elaborados pelos conselhos de reconhecimento, concluiu-se que o material das telhas não era ardósia, e sim fibrocimento, introduzidos provavelmente a partir da década de 50 entre alguma das reformas que sofreram.

Casas de solteiros:

Características da arquitetura hierarquizada de Paranapiacaba, as casas de solteiros eram conhecidas como barracos. Foram construídas em madeira, exceto duas em alvenaria. Essa tipologia foi criada pela São Paulo Railway, e a Rede Ferroviária Federal deu continuidade, construindo-as em alvenaria. A planta dessas casas possui

dormitórios, sanitários e cozinha para pequenas refeições, serviam para alojar o grande fluxo de homens solteiros, que preenchiam as vagas de ferroviários. Havia poucos sanitários e chuveiros, já que os trabalhadores se revezavam em turnos.

Nükhet, a professor at the Monterey Institute of International Studies, is interested in change in international organizations and researches how gender was mainstreamed in several international development organizations. She consults with development organizations leading evaluation initiatives of women’s human rights programs and projects and women’s political participation, gender and governance. More recently she has been exploring how global women’s rights norms are interpreted and implemented in local cultural contexts. She is passionate about working, living and exploring multiple cultures and multiple identities; and about the nature of self and of identity.

UN Women Executive Director Phumzile Mlambo-Ngcuka speaks at the "High-Level Ministerial Working Meeting on FGM Resolution and Implementation," organized by Permanent Missions of Italy and Burkina Faso at UN headquarters in New York City on 27 September 2013.

Photo: UN Women/Catianne Tijerina

Antique Farm Implement,

Penn Farm Agricultural Heritage Center.

Cedar Hill State Park. Cedar Hill, Texas.

Dallas County. 24 December 2018.

Olympus E-P5. Panasonic Lumix G Vario 45-200mm f/4-5.6 II.

(56mm) f/8 @ 1/125 sec. ISO 1000.

Participants during the Session "Implementing Stakeholder Capitalism 1" at the World Economic Forum, Annual Meeting of the Global Future Councils 2019. Copyright by World Economic Forum / Benedikt von Loebell

Implementing the 2020 sulphur limit

The 0.50% limit on sulphur in fuel oil on board ships (outside designated emission control areas) will come into effect on 1 January 2020. Ensuring consistent implementation of the 0.50% requirement is a key item on the agenda of IMO’s Sub-committee on Pollution Prevention and Response (PPR) which meets this week (5-9 February) at IMO headquarters, London. The meeting will also continue to look at how to measure black carbon emissions from shipping.

Other matters on the agenda include the development of further guidance to support the implementation of the Ballast Water Management Convention, including ballast water sampling and analysis. Revised guidelines for the use of dispersants for combating oil pollution at sea, which take into account experience from the Deepwater Horizon incident are expected to be finalised.

The ongoing revision of the product lists in international code for carriage of chemicals in bulk will continue, as well as specific consideration of requirements to address the discharge of high-viscosity solidifying and persistent floating products (such as certain vegetable oils).

The meeting will also consider including new controls on the biocide cybutryne in the convention for the Control of Harmful Anti-fouling Systems on Ships (AFS Convention).

The meeting was opened by IMO Secretary-General Kitack Lim and is being chaired by Mr Sveinung Oftedal (Norway).

In Datu Piang, 82 locals from the Moro Islamic Liberation Front (MILF) community hurdled challenges of access and security to build a water system benefitting 95 households. About 34 per cent of local workers engaged by the project were women, while 32 per cent were former combatants.

Know more about the project implemented in the Bangsamoro Autonomous Region in Muslim Mindanao (BARMM) to promote peace and provide decent work, funded by the Government of Japan: bit.ly/ilowatsan

Photo ©ILO/R. Pablo

15 March 2022

Barangay Reina Regente, Datu Piang

Maguindanao, Philippines

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.

#beauty implements #Malmaison #josephine #france #napoleon #muslin #eavig

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1 Comments on Instagram:

1956dominic: Superb!!

This is a gorgeous set of kitchen implements in a jug, all by Rosti, Denmark. They are in melamine. I have searched for these for some time, preferring them to the tacky modern stainless steel ones. The avocado color was very popular in the UK in the late 60's!

The wonders of Photoshop have been visited upon an old favorite photo of mine.

USA Pools of North Carolina wants to have water safety North Carolina kids by the implementation of our Kids Safe program. We have developed all of these important water safety programs that help promote responsible swimming and water safety kids. No matter what the swimming skill level, kids MUST be properly supervised. Our Kid safe programs have been such a huge success that most people in the aquatic field have imitated and copied our programs which we find very humbling. We could not have achieved these programs without a lot of hard work.

Water can be dangerous for kids without the proper precautions. The good news is that there are many ways to keep your kids safe in water. You must always watch your children closely when they are in or near any water. We call it the touch supervision. It doesn't matter if a kid is a new born, infant, toddler, child, pre-teen and/ or a teen all kids need proper supervision. Kids always need to be water safe. While lifeguards are an important part of helping to provide water safety in North Carolinaand enforcing water safety rules, only YOU can guarantee your child's safety in and around water.

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Taken near the end of the season at a local community garden.

A training of trainers of a South Sudan’s soon-to-be unified army concluded today, 4 October, with a graduation ceremony at the Military Training Centre in Luri near Juba.

The event marks a significant step forward for the implementation of the country’s revitalized peace agreement, signed in September last year.

Lieutenant General Shailesh Tinaikar, Force Commander of the United Nations Mission in South Sudan, described the project of training the nation’s unified forces as one with “tremendous implications for national integrity and security”. He called the graduating instructors “pioneers” with a “huge responsibility” to carry after having received just ten days of training.

“Whatever you do, however you act, is going to affect the soldiers who you train, so I implore you to be conscious of your actions, because you set the trend of the forces of South Sudan,” the Force Commander said.

Lieutenant General Tinaikar also stressed the importance of looking forward rather than backward.

“You have to forget your past, from where you come and your past affiliations, to work together for your young nation, for the state of South Sudan,” he said, reiterating his faith in the diligence and capacity of the instructors to train the unified forces properly.

A lack of qualified trainers has been slowing down the capacity building of units of the united armed forces in 35 cantonment sites across the country, making the readiness of instructors such a vital sign of progress.

To enable the establishment of a Transitional Government of National Unity on 12 November, the few hundred graduates will need to capacitate some 83,000 soldiers, the troops being merged from the South Sudan People’s Defence Forces and the Sudan People’s Liberation Army in Opposition.

Photo: UNMISS / Eric Kanalstein

Greenfield-Central Brittany Wheeler(20) battles with East Chicago Central Ty Jackson(21) for a rebound during the championship game of the 2016 Laker Farm Implement Sevices Inc. Women’s Basketball Tournament at Greenfield-Central on December 23,2016.

Implementation of a "Dock" using only Rainmeter

Two skins:

AppDock - Application "Dock" using Rainmeter buttons. Fully functional including the Recycle Bin

InfoBar - System information and clock at the top of the screen. Clickable links to GMail and Weather.com

Everything you should need is included:

-New RecycleManager Plugin (put in ..\Rainmeter\Plugins)

-Recycle Bin images and "empty.exe"

-Button images (and the .psd file to modify)

-Background images (and the .psd file to modify)

-Wallpaper

Available on Deviant Art at: jsmorley.deviantart.com/art/JMDock-122054693

More slightly suspect Photoshop tonight - I'm trying to step out my comfort zone a bit and try new things, even if it means the final image is a bit rough round the edges. And I've wanted to do a shot like this since early on in my 365 but didn't know how at the time.

Aaaaanyway, there is substance to this shot. It has meaning. Sort of. I'm going to talk about work now, which I promised I'd stop doing so you weren't all bored shitless, but this shot is directly related so I'm gunna. You can zone out now if y'want . . . ;-)

Those of you that've stuck with my 365 since the early days may remember that there's big changes imminent where I work. A big restructure plus the implementation of a new payroll system means that by the end of this year it's doubtful that I'll be doing the same job as I'm doing right now.

Today there was a big meeting outlining the new structure we'll be fitting into, along with the jobs available. Luckily it's unlikely that there's going to be many - if any - job losses, so at least me and everyone else should have a job at the end of it.

We have to post preference for our jobs though, and possibly be interviewed where there are several suitable candidates for one post.

So, interesting times are ahead. This shot is a (possibly lame) attempt to visualize the looking ahead, trying to predict what's coming kind of feeling I've got right now.

I've got plan for post preferencing, and it involves choosing my absolute, couldn't-happen-but-you-never-know-it-might job as my first preference because it's still within the area I work. If I got it that would be me set and I could happily stick in that job for a very long time. But it's a million to one chance for many reasons.

Second choice will be the realistic choice, basically I'll end up at the same level as I am now so nothing lost, nothing gained.

The third choice will be my wildcard, and a bit of a risk - I'll go for a higher grade than I am now but in any area. Another long shot to be honest as I'm still finding my feet covering for my boss but nothing ventured nothing gained.

We'll just have to wait and see eh?

Strobist info: SB600 to camera left at 1/4 power bounced off the ceiling.

View on white - yes! White!

Journalists trained for investigative journalism and responsible reporting.

Peshawar Press Club and AGAHI conducts workshop on - Investigative Journalism on Anti-Money Laundering and Funding of Terrorist Organizations Journalists from Peshawar Press Club, Mishal CEO Amir Jahangir and CIME Ambassador to Pakistan, Puruesh Chaudhary

Peshawar Press Club and AGAHI conducts workshop on - Investigative Journalism on Anti-Money Laundering and Funding of Terrorist Organizations Journalists from Peshawar Press Club, Mishal CEO Amir Jahangir and CIME Ambassador to Pakistan, Puruesh Chaudhary

Peshawar Press Club and AGAHI conducts workshop on Investigative Journalism on Anti-Money Laundering & Funding of Terrorist Organizations

Peshawar Press Club along with Khyber Union of Journalists and Mishal Pakistan, a strategic communication policy design social enterprise in collaboration with the Center for International Media Ethics, Zigron Training, Center for Investigative Journalists in Bosnia-Sarajevo, Faith Matters conducted a workshop on Investigative Journalism and Responsible Reporting at the Peshawar Press Club today. The workshop was attended by more than 50 press club members.

The initiative, known as Agahi covered areas such as; Investigative Journalism, Media Ethics, Anti-Money-Laundering and Terrorist Organisation Funding, Journalism and Society, Khyber Pukhtoonkhwa and the Millennium Development Goals, Reporting in Terrorism and Conflict, Social Media and Safety Training.

Talking to the gathering of the members of the media, Mr. Saif ul Islam Saifi, President of the Peshawar Press Club, expressed his gratitude for creating an opportunity for the journalists and emphasized the need for more training and assured his support from the press club for improving the state of media in Peshawar. He said, “there is a need to upgrade the skills of the journalists on new media tools such as social media and crowd sourcing journalism”. He further said that, “the Peshawar Press Club works for the capacity building and skill development of its members by organizing different professional courses”.

On a skype video link David Brewer-based out of London and founder of media-helping-media organization, emphasized on applying the public interest test to journalists, which discussed the role of governments and charity organizations in pursuing the Millennium Development Goals (MDGs). He stressed that journalists must read the MDGs with same skepticism that they treat every other beat. Mr. Brewer is one of the pioneers in media development. He has been the founding managing director of BBC News Online Service and the CNN.com.

Mr. Shaukat Khattak, senior journalist and chairman of the capacity building committee of the Peshawar Press Club, also expressed that the Peshawar Press Club realizes the importance of promoting journalism that covers the political and the socio-economic system. He encouraged the need of training provided to the journalists for a better outcome.

Puruesh Chaudhary, Ambassador to Pakistan on Media Ethics on behalf of the Center for International Media Ethics (CIME) emphasized on the formulation of a unified ethics policy for the entire journalistic community to be adopted, implemented and adhered to counter special interest groups and sensationalism. The session dealt with the problems being faced by journalists, which also underscored the need for a joint code of conduct for reporters and cameramen.

Ali Hazrat Bacha, Senior Vice President of the Khyber Union of Journalists raised issues such as lack of training, non-supportive management, unavailability of basic resources, pressure groups, wages and the absence of a unified code of conduct. Ali Hazrat Bacha, Senior Vice President of the Khyber Union of Journalists raised similar concerns and stressed over the lack of resources and support from stakeholders on investigative journalism.

Mishal Pakistan Chief Executive Officer, Amir Jahangir in his closing remarks announced two scholarships in collaboration with the Peshawar Press Club who wish to enroll for the Masters Programme in Mass Communication, Journalism or Media Studies at any public sector universities orany other degree awarding institution in Peshawar and other parts of KPK. The Peshawar Press Club will help Mishal in identifying the most deserving candidate for this scholarship.

Agahi, aims to utilize institutionalized, sustainable media structures in Pakistan to raise the bar of journalistic standards through training to increasing responsible, balanced reporting and investigative journalism. The initiative is being carried in collaboration with the Press Clubs in Punjab, Sindh, Khyber Pukhtoonkhwa, Baluchistan and Azad Kashmir; In these series of interactions with the stakeholders a special Journalism Awards is being created to identify the most respectful and responsible journalists in investigative journalism.

Mishal has an MoU with the Peshawar Press Club to performs due role in promoting educational, literary, cultural and sports activities in the society. With the emergence of new conflict zones in the region, efforts have being made to convert Peshawar press club into a modern media complex, equipped with technological gadgets and professional kits to ensure unhindered flow of information to the world.

Before the establishment of Peshawar Press Club some 45 years ago, the journalists used to sit and attend press conferences in a single room allocated in famous Deans Hotel. It was in 2001, when the first-ever separate building for the Peshawar Press Club was constructed. Apart from being a cultural and welfare oriented body of the journalists, the Peshawar Press Club is also known as a symbol of democracy and freedom of press, as all the political parties, civil society organizations are provided equal opportunities to present their view points on any issue to the world.

Mishal, launched in 2003, has been engaged with some of the most dynamic organizations in the region to develop their communication strategy and solutions for better understand and creating synergies between different entities.

Mishal has been at the forefront of communications solutions and is actively pursuing to improve the state of media and journalism in Pakistan.

The team behind Mishal has been developing, creating and managing media entities and content for the last 20 years at various platforms. Taking this initiative to the next level Mishal has been actively pursuing to build the capacity of the media in creating better understanding the issues in global perspective.

Mishal has undertaken the task to build the capacity of the Press Clubs and Associations in Pakistan by creating a knowledge-sharing learning platform for the media and journalists across Pakistan. The initiative will build the capacity through interactive workshops, conferences, collaborative thinking and media and journalism awards for the professionals in the field of journalism and media.

Lowenstark’s Log: 02-16-XX

So, as I listen to Weird Al over my League HQ soundsystem, work on implementing some fundamental genetics and biological knowledge using skillsoft, continue to design my personal sound projection technology, and consider starting a D&D game here with my friends, I can’t help but think I’m probably the biggest freakin’ nerd in Midian City.

That, and I tend to suddenly break into late twentieth century breakdancing at random. That HAS to be a bad sign.

* * * * *

www.youtube.com/watch?v=-xEzGIuY7kw

They see me mowin' my front lawn

I know they're all thinkin' I'm so

White and nerdy

Think I'm just too white and nerdy

Think I'm just too white and nerdy

Can't you see I'm white and nerdy

Look at me I'm white and nerdy

I wanna roll with the gangstas

But so far they all think I'm too

White and nerdy

Think I'm just too white and nerdy

Think I'm just too white and nerdy

I'm just too white and nerdy

Really, really white and nerdy

First in my class here at MIT

Got skills, I'm a champion at D&D

M.C. Escher, that's my favorite M.C.

Keep your 40, I'll just have an Earl Grey tea

My rims never spin, to the contrary

You'll find that they're quite stationary

All of my action figures are Cherry

Stephen Hawking's in my library

My MySpace page is all totally pimped out

Got people beggin' for my top eight spaces

Yo, I know pi to a thousand places

Ain't got no grills but I still wear braces

I order all of my sandwiches with mayonnaise

I'm a wiz at Minesweeper, I could play for days

Once you've see my sweet moves, you're gonna stay amazed

My fingers movin' so fast I'll set the place ablaze

There's no killer app I haven't run (run)

At Pascal, well I'm number one (one)

Do vector calculus just for fun

I ain't got a gat, but I got a soddering gun (what?)

Happy Days is my favorite theme song

I could sure kick your butt in a game of ping pong

I'll ace any trivia quiz you bring on

I'm fluent in JavaScript as well as Klingon

Here's the part I sing on...

You see me roll on my segway I know in my heart they think I'm

White and nerdy

Think I'm just too white and nerdy

Think I'm just too white and nerdy

Can't you see I'm white and nerdy

Look at me I'm white and nerdy

I'd like to roll with the gangstas

Although it's apparent I'm too

White and nerdy

Think I'm just too white and nerdy

Think I'm just too white and nerdy

I'm just too white and nerdy

How'd I get so white and nerdy

I been browsin', inspectin' X-Men comics

You know I collect 'em

The pens in my pocket, I must protect them

My ergonomic keyboard never leaves me bored

Shoppin' online for deals on some writable media

I edit Wikipedia

I memorized Holy Grail really well

I can recite it right now and have you R-O-T-F-L-O-L

I got a business doing websites (websites)

When my friends need some code, who do they call?

I do HTML for 'em all

Even made a homepage for my dog, yo

I got myself a fanny pack

They were havin' a sale down at The Gap

Spend my nights with a roll of bubble wrap

Pop, pop - hope no one sees me gettin' freaky

I'm nerdy in the extreme

whiter than sour cream

I was in AV club and glee club

And even the chess team

Only question I ever thought was hard

Was "Do I like Kirk or do I like Picard?"

Spend every weekend at the Renaissance Fair

Got my name on my underwear

They see me strollin', they're laughin'

And rollin' their eyes cause I'm so

White and nerdy

Just because I'm white and nerdy

Just because I'm white and nerdy

All because I'm white and nerdy

Holy cow, I'm white and nerdy

I wanna bowl with the gangstas

But oh well, it's obvious I'm

White and nerdy

Think I'm just too white and nerdy

Think I'm just too white and nerdy

I'm just too white and nerdy

Look at me I'm white and nerdy

Antique Farm Implement.

Penn Farm Agricultural Heritage Center.

Cedar Hill State Park. Cedar Hill, Texas.

Dallas County. September 10, 2020.

Nikon D750. AF-S Nikkor 70-200mm f/4 G ED VR.

(70mm) f/5.6 @ 1/200 sec. ISO 1400.

Implementing a chemical safety and security strategy minimises the risk of chemical accidents

The exploitation rights for this text are the property of the Vienna Tourist Board. This text may be reprinted free of charge until further notice, even partially and in edited form. Forward sample copy to: Vienna Tourist Board, Media Management, Invalidenstraße 6, 1030 Vienna; media.rel@wien.info. All information in this text without guarantee.

Author: Andreas Nierhaus, Curator of Architecture/Wien Museum

Last updated January 2014

Architecture in Vienna

Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.

Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.

Culmination of medieval architecture: the Stephansdom

The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.

The baroque residence

Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show façade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.

Upgrading into metropolis: the ring road time (Ringstraßenzeit)

Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.

Dominating remained the buildings of the imperial family: Eduard van der Nüll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.

Laboratory of modernity: Vienna around 1900

Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it façade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made ​​the public transport of the city a topic of architecture, the church of the Psychiatric hospital at Steinhofgründe (1904-07) is considered the first modern church.

With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener Werkstätte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the Kärntner Straße (passageway Kärntner Durchgang).

Between the Wars: International Modern Age and social housing

After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, André Lurçat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.

Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.

Expulsion, war and reconstruction

After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made ​​of solid reinforced concrete which today are present as memorials in the cityscape.

The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).

The youngsters come

Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, Günther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion Falkestraße (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) ​​by orders from abroad the new Austrian and Viennese architecture made a fixed international concept.

MuseumQuarter and Gasometer

Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.

The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.

New Neighborhood

In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of ​​the North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.

In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme Pinós).

Flying high

International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.

Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.

Info: The folder "Architecture: From Art Nouveau to the Presence" is available at the Vienna Tourist Board and can be downloaded on www.wien.info/media/files/guide-architecture-in-wien.pdf.

This was shot on a farm near Sirhind, Punjab, India.

The cart is known as a gadda in Punjabi (Punjab's official language).

This is how all the pro web developers do it...

VILLAGE IMPLEMENTING SUSTAINABLE DEVELOPMENT GOALS [SDGs]: Mweywe

VILLAGE LOCATION: Sabatia District, Vihiga County, Kenya

1. Village SDG Committee Manager: Javan Navulu [Pictured above]

2. Village SDG Committee Food Representative: Margaret Iminza

3. Village SDG Committee Education Representative:Elisham Kalika

4. Village SDG Committee Health Representative: Vacant

5. Village SDG Committee Energy Representative: Rose Mmbone

6. Village SDG Committee Shelter Representative: Patrick Inyanzu

7. Village SDG Committee Water Representative: Alice Ayeka

8. Village SDG Committee Industrialization Representative: Margaret Mudambi

9. Village SDG Committee Employment Representative: Jane Ilusa

10. Village SDG Committee Gender Representative: Elizabeth Ilachi

11. Village SDG Committee Poverty Reduction Representative: Enock Lidavalia

12. Village SDG Committee Local Partnership Representative: Livingston Elisha

13. Village SDG Committee International Partnerships Representative: Wycliffe Njirimani

14. Village SDG Committee Equality Representative: Lilian Adamba

15. Village SDG Committee Sustainable Development Representative: Nelly Kavosa

16. Village SDG Committee Climate Change Representative: Vacant

17. Village SDG Committee Rule of Law Representative: Vacant

18. Village SDG Committee Biodiversity Representative:Vacant

This was just supposed to be used to make a larger image, but it came out strikingly enough to be worthy of its own existence.

I attempted to separate the graphical from the more picturesque elements, to put two very much different ways of expressing the same graph background.

I use these little cars, which are rubbery and cheap from my local branch of Tesco (a grocery supermarket change in Europe), to express more complex issues at work as I see many projects fail to meet their full potential because the team members are selected by department rather than by their ability to manage different parts of the project process.

The green car on the left is open top, and symbolises the go-anywhere, open mind needed when change is required. At the other end of the scale is the truck, the result of the development process, the vehicle that actually earns the money. In between are two closed cars, each driven fast with little thought beyond the destination - results now and solution implemented tomorrow.

I need to do a little more work on this image, but I am so busy with work related stuff that it will have to wait.

Ten Brownie points to anyone who can identify these farm implements. They may not have been native to this operation. The one on the left may be a multi-tasker with the variable bar for setting row spacing more devices.

We must have a great deal of respect for the man who works the land with his hands. The word "manure" originally meant to work with the hands. I like that. I don't know if these implements were those that Morse Coffin might have used to work his land. There is a pretty heavy coating of rust now. If we could just find a work horse to hitch up. Hmmm, one horsepower and leftover grass for fuel! I hope someone has measured these devices up for when we run out of petroleum, psn. Pretty Soon Now.

The St.Vrain River cuts across the left side of the frame. These are some of the farm implements found on their Morse Coffin Sandstone Ranch north of the barn. This photograph could have been anywhere on the prairie except for the foothills and hints of the Rockies in the distance. It is maybe five minutes east of Longmont, Colorado. Originally, this area was home to the budding Chicago-Colorado Colony but the name was soon enough butchered from the name of Long's Peak to the west, Longmount then Longmont. We can be happy that Longmont preserved the true mark of one of its founders. It is our heritage in the Valley.

Someone should be able to identify this particular equipment.

Phil decided that the weather was too much to take so he had a plan. We got another reprieve from the weatherman and the temps are again up into the 60s. So we bailed out to Sandstone and parked on top of the bluff. Watch your step there at the edges of the sandstone cliffs. One false step and you could badly bend all of your legs. Great views from here though the sky was blank blue. The morning light paints the scene and old barn. The light seems to have hit this area and just skipped off like a flat rock on water. The temperatures today reminded me summer is coming on and I had to shed my heavy shirt; the sun was hard upon us.

Secretary of State Antony J. Blinken attends the the Ministerial Meeting of the Summit Implementation in Lima, Peru, on October 6, 2022. [State Department photo by Ron Przysucha/ Public Domain]

The popular look of ledgestone is beautifully implemented on this fireplace using Buechel Stone's Cinnamon Bark Ledgestone. Visit www.buechelstone.com/shoppingcart/products/Cinnamon-Bark-... for more information.

Marc Chagall

Schläferin mit Blumen

Sleeping Woman with Flowers, 1972

Albertina - Sammlung Batliner

The Albertina

The architectural history of the Palais

(Pictures you can see by clicking on the link at the end of page!)

Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869

"It is my will that ​​the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".

This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.

Image: The Old Albertina after 1920

It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.

The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.

In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.

Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.

1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.

Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990

The era of stately representation with handing down their cultural values ​​found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:

After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".

Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905

This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.

The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.

Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.

Image: The palace after the demolition of the entrance facade, 1948-52

Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values ​​of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.

Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei

This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.

Image: The restored suburb facade of the Palais Albertina suburb

The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.

Image: The new entrance area of the Albertina

64 meter long shed roof. Hans Hollein.

The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".

Christian Benedictine

Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.

www.wien-vienna.at/albertinabaugeschichte.php

Authoritarian leaders can’t implement their control plans without assistance from others. The same rule applies to Donald Trump and his MAGA movement. His most public-facing “helper” in his effort to bypass our Constitution is his press secretary, Karoline Leavitt. She promotes Trump’s agenda and spreads his lies to the media every week. Leavitt is his most valuable tool.

What motivates someone to conspire to overthrow a 250-year-old democracy? For some, like Trump, who grew up in a household where personal ambitions were prioritized over the common good, everything centers around him, and he has no hesitation in stating so. I’m not qualified to psychoanalyze him. But it doesn’t take a psychiatrist to see that power and control are his main rewards. For others like Steve Bannon and the Heritage Foundation’s president and author of the controversial Project 2025, Kevin Roberts, it’s about remaking this country to combat threats they see from what they call the “radical left.” Then there’s Stephen Miller, who believes empathy is a weakness. He’s simply evil. Each person involved in this game uses others to achieve their aims, and all of them share many of the same traits.

So, what drives Karoline Leavitt to spread Trump’s lies? First, let’s examine the role of the press secretary across different administrations. Their job is to promote the president’s narrative, and that narrative often takes precedence over accuracy. It’s about putting a positive spin on publicly available facts and protecting the president from political damage. Most importantly, it’s about discrediting any criticism. In Trump’s world, criticism isn’t seen as a factual challenge; instead, it’s viewed as an attack from the President’s enemies. Loyalty is crucial.

By repeating Trump’s talking points verbatim and treating them as moral mandates, Leavitt shows her loyalty. She doesn’t think she’s lying. Her personal style favors populist nationalism, anti-establishment views, and a confrontational stance toward the mainstream media. In her first briefing as Press Secretary, she said, “We know for a fact there have been lies that have been pushed by many legacy media outlets in this country about this president, about his family, and we will not accept that. We will call you out when we feel that your reporting is wrong or there is misinformation about this White House. I will hold myself to the truth, and I expect everyone in this room to do the same.” As we’ve learned over the past decade, MAGA’s truth is a matter of personal opinion.

When Trump told Bloomberg Reporter Catherine Lucey to be “quiet, quiet, piggy” after she asked him about the Epstein files, Leavitt stood at her podium and declared matter-of-factly, "Look, the president is very frank & honest with everyone in this room," she said. "You've all seen it yourselves. You've all experienced it yourselves. And I think it's one of the many reasons the American people reelected this president, because of his frankness." Only someone who truly believes in Donald Trump’s mission could make a statement like that.

This is why Karoline Leavitt is Donald Trump’s most beloved cheerleader.

Feel free to pass this poster on. It's free to download here (click on the down arrow just to the lower right of the image). Each has a special Creative Commons copyright that allows you to share these images as long as there is attribution, no derivatives, and you do not use these for commercial purposes.

See the rest of the images from the Chamomile Tea Party! Digital high-resolution downloads are free here (click the down arrow on the lower right side of the image). Other options are available. And join our Facebook group.

Follow the history of our country's political intransigence from 2010 to 2020 through a eight-part exhibit of these posters on Google Arts & Culture.

Step 5: External validation

Antique Farm Implement,

Penn Farm Agricultural Heritage Center.

Cedar Hill State Park. Cedar Hill, Texas.

Dallas County. 24 December 2018.

Olympus E-P5. Panasonic Lumix G Vario 45-200mm f/4-5.6 II.

(45mm) f/8 @ 1/100 sec. ISO 500.

Soriana universidad

chihuahua chih

orlando mendoza

luis rivas

febrero 2012

About Dr.Mihir Kumar Panda, Ph.D,D.Litt,, innovator

World’s only achiever of large number of World Record for 10,000 Teaching Aids & innovations

Founder & Co-ordinator General, ‘SROSTI’ (Social Development research Organisation for Science, technology & Implementation)

Collaborator Vijnana Bana Ashram

Bahanaga, Baleshwar, Odisha, India-756042

Website : simpleinnovationproject.com

E-Mail- : mihirpandasrosti@gmail.com

Face Book link:https://www.facebook.com/mihirpandasrosti

WIKIMAPIA

wikimapia.org/#lang=en&lat=-6.174348&lon=106.8293...

Contact No. : +91 7008406650

Whatsapp: +91 9438354515

Dr.Mihir Kumar Panda, an Educational, Societal and Scientific Innovator has established an NGO 'SROSTI' at Bahanaga, Balasore,Odisha,India

Dr. panda has innovated/invented more than 10,000 (ten thousand) teaching aids and different innovations and he has more than 30,000 (Thirty thousand) ideas to make scientific and mathematical models.

His creations are very essential guide for school and college science exhibitions, innovative learning and play way method for the teachers and students, science activists, innovators, craftsmen, farmers, masons, physically challenged persons, common men, entrepreneurs and industrialists.

He is popularizing science through song, innovative demonstrations and motivational speech since 1990 in different parts of Odisha state without taking any fees.

Dr. Panda is an extreme motivational speaker in science and possess magical scientific demonstration and a crowd puller.

Innovator Mihir Kumar Panda loves nature and in his agricultural farm he does not uses the chemicals , fertilizers and pesticides. In his farm even the smallest creatures like snakes, caterpillar, white ants, worms ,vermies are in peace and are managed successfully not to do harm.

Dr. Panda is an Educationist, an environmentalist, a poet for science popularization, a good orator, a best resource person to train others in specific field of science and engineering.

The uniqueness of Simple Innovation and scientific activities and achievements ofDr. Panda can not be assessed without visiting his laboratory which is a living wonder in the realm of science.

From a small cake cutter to mechanical scissor, from a play pump to rickshaw operated food grain spreader and from a village refrigerator to a multi-purpose machine, thousands of such inventions and innovations are proof of Dr. Panda's brilliance.

From a tube well operated washing machine to weight sensitive food grain separator, from a password protected wardrobe to automatic screen, from a Dual face fan to electricity producing fan are example of few thousands of innovations and inventions of Mihir Kumar Panda.

Dr.Mihir Kumar Panda though bestowed to a popular name as Einstein of Odisha is obliviously treated as Thomas Alva Edison of India.

Dr. Panda's residential house also resembles a museum with scientific innovations of different shapes and sizes stacked in every nook and cranny which proves his scientific involvement in personal life.

Innovator Panda believes that , the best thing a child can do with a toy to break it. he also believes that by Educating child in his/her choice subject/ passion a progressive nation can be built.

The shelf made scientist Dr. Panda believes that Education is a life long process whose scope is far greater than school curriculum. The moulding of models/ innovations done by hand always better than the things heard and the facts incorporated in the books.

With no agricultural background, Dr. Panda has developed unique natural bonsai in his Vijnana Bana Ashram which also shows path for earning just by uprooting and nurturing the plants which are found to be small and thumb in nature.

Dr. Panda's Scientific Endeavour and research is no doubt praise worthy. One cannot but believe his dedicated effort in simple innovation laboratory.

Social service, innovation/ inventions, writing, free technology to students for preparation of science exhibition projects, free technology to common men for their sustainability, preparation of big natural bonsai, technology for entrepreneurs and industrialists for innovative item are few works of Mihir Kumar Panda after his Government service.

. To overcome the difficulties of science and math, explanation in classes, innovator Panda has created few thousands of educational, societal and scientific innovations which helps teachers and students of the country and abroad.

Dr. Panda believes that though inventions/innovation has reached under thousands and thousands deep in the sea and high up in the space. It has reached on moon and mars, but unfortunately the sustainable inventions/innovation has not properly gone to the tiny tots and common people.

Dr. Panda is amazing and wizard of innovations and works with a principle the real scientist is he, who sees the things simply and works high.

Dr.Mihir Kumar Panda's work can be explained in short

Sports with Science from Dawn to Dusk

Struggle some life- science in words and action

Triumphs of Science - Science at foot path

Hilarious dream in midst scarcity

A life of innovator de-avoided of Advertisement.

FELICITATIONS, AWARDS, HONOURS & RECORDS

* 200+ Felicitation and Awards from different NGOs, Schools & Colleges within the State of Odisha and National level.

* 10 Nos Gold, Silver & Bronze medal from different National & International level.

*Awarded for 10,000 innovations & 30,000 ideas by Indian Science Congress Association, Govt. of India.

* Honorary Ph.D From Nelson Mandela University, United States of America

* Honorary Ph.D From Global Peace University, United States of America& India

* Honorary D.Litt From Global Peace University, United States of America& India

* Title ‘Einstein of Odisha’ by Assam Book of Records, Assam

* Title ‘Thomas Alva Edison of India’ by Anandashree Organisation, Mumbai

* Title ‘ Einstein of Odisha & Thomas Alva Edison of India’ from Bengal Book of World record.

*World Record from OMG Book of Records

*World Record from Assam Book of Records,

* World Record from World Genius Records, Nigeria

* World Record from BengalBook of Records

* National Record from Diamond Book of Records

* World Record from Asian World Records

* World Record from Champians Book of World Records

* World Record from The British World Records

* World Record from Gems Book of World Records

* World Record from India Star World Record

* World Record from Geniuses World Records

* World Record from Royal Success International Book of Records

*World Record from Supreme World Records

* World Record from Uttarpradesh World Records

*World Record from Exclusive World Records

*World Record from international Book of Records

*World Record from Incredible Book of records

* World Record from Cholan Book of World Record

* World Record from Bravo International Book of World Record

* World Record from High Range Book of World Record

* World Record from Kalam’s World Record

* World Record from Hope international World Record

* International Honours from Nigeria

* Indian icon Award from Global Records & Research Foundation (G.R.R.F.)

* International Award from USA for the year’2019 as INNOVATOR OF THE YEAR-2019

* National level Excellence Leadership Award-2020 from Anandashree Organisation, Mumbai

* Best Practical Demonstrator & Theory instructor from Collector & District Magistrate,

Balasore.

* Best Innovator Award by Bengal Book.

* Popular Indian Award by Bengal Book.

* Great man Award by Bengal Book.

* Best Indian Award by Bengal Book.

* The Man of the Era by Bengal Book.

IMPORTANT LINK FILES TO KNOW THE WORK OF

Dr. MIHIR KUMAR PANDA

Dr.Mihir Ku panda awarded at indian science congress Association, Govt. of India for 10000 innovations & 30,000 ideas

youtu.be/MFIh2AoEy_g

Hindi Media report- Simple innovation science show for popularisation of science in free of cost by Dr.Mihir Ku Panda

youtu.be/gPbJyB8aE2s

Simple innovation science show for popularisation of science in free of cost in different parts of India By Dr.Mihirku Panda

www.youtube.com/user/mihirkumarpanda/videos?view=0&so...

Simple innovation laboratory at a Glance

youtu.be/yNIIJHdNo6M

youtu.be/oPBdJpwYINI

youtu.be/XBR-e-tFVyE

youtu.be/3JjCnF7gqKA

youtu.be/raq_ZtllYRg

MORE LINK FILES OF Dr MIHIR KUMAR PANDA

www.youtube.com/watch?v=MFIh2AoEy_g

www.youtube.com/channel/UCIksem1pJdDvK87ctJOlN1g

www.youtube.com/watch?v=AHEAPp8V5MI

www.youtube.com/watch?v=W43tAYO7wpQ

www.youtube.com/watch?v=me43aso--Xg

www.youtube.com/watch?v=6XEeZjBDnu4

www.youtube.com/watch?v=gPbJyB8aE2s

www.youtube.com/watch?v=yNIIJHdNo6M

www.youtube.com/watch?v=oPBdJpwYINI

www.youtube.com/watch?v=XBR-e-tFVyE

www.youtube.com/watch?v=3JjCnF7gqKA

www.youtube.com/watch?v=raq_ZtllYRg

cholanbookofworldrecords.com/dr-mihir-kumar-pandaph-d-lit...

www.linkedin.com/in/dr-mihir-kumar-panda-ph-d-d-litt-inno...

www.bhubaneswarbuzz.com/updates/education/inspiring-odish...

www.millenniumpost.in/features/kiit-hosts-isca-national-s...

www.youtube.com/watch?v=hFE6c-XZoh0

www.youtube.com/watch?v=WzZ0XaZpJqQ

www.dailymotion.com/video/x2no10i

www.exclusiveworldrecords.com/description.aspx?id=320

omgbooksofrecords.com/

royalsuccessinternationalbookofrecords.com/home.php

british-world-records.business.site/posts/236093666996870...

www.tes.com/lessons/QKpLNO0seGI8Zg/experiments-in-science

dadasahebphalkefilmfoundation.com/2020/02/17/excellent-le...

www.facebook.com/…/a.102622791195…/103547424435915/… yearsP0-IR6tvlSw70ddBY_ySrBDerjoHhG0izBJwIBlqfh7QH9Qdo74EnhihXw35Iz8u-VUEmY&__tn__=EHH-R

wwwchampions-book-of-world-records.business.site/?fbclid=...

www.videomuzik.biz/video/motivational-science-show-ortalk...

lb.vlip.lv/channel/ST3PYAvIAou1RcZ%2FtTEq34EKxoToRqOK.html

imglade.com/tag/grassrootsinventions

picnano.com/tags/UnstoppableINDIAN

www.viveos.net/rev/mihirs%2Btrue%2Bnature

m.facebook.com/story.php…

www.facebook.com/worldgeniusrec…/…/2631029263841682…

www.upbr.in/record-galle…/upcoming-genius-innovator/…

www.geniusesworldrecordsandaward.com/

www.upbr.in/record-galle…/upcoming-genius-innovator/…

m.facebook.com/story.php?story_fbid=699422677473920&i...

www.facebook.com/internationalbookofrecords/

www.youtube.com/channel/UCBFJGiEx1Noba0x-NCWbwSg

www.youtube.com/watch?v=nL60GRF6avk

www.facebook.com/bengal.book.16/posts/122025902616062

www.facebook.com/bengal.book.16/posts/122877319197587

www.facebook.com/bengal.book.16/posts/119840549501264

supremebookofworldrecords.blogspot.com/…/welcome-to…

www.bravoworldrecords.com/

incrediblebookofrecords.in/index.php

www.highrangeworldrecords.com/

3 June 2015 - OECD Forum 2015 G20: Inclusiveness,Investement, Implementation.

OECD, Paris, France.

For more information, visit: www.oecd.org/Forum

Photo: OECD/Michael Dean

Soriana fuentes mares

chihuahua chih

orlando mendoza

luis rivas

febrero 2012

In 2018, USAID launched the second-annual Digital Development Awards (the “Digis”) to recognize USAID projects that harness the power of digital tools and data-driven decision making. The Feed the Future Tanzania Land Tenure Assistance Project, implemented by DAI, was one of five winners chosen out of the 140 applicants.

Feed the Future Tanzania established the Tanzania Land Tenure Assistance activity to provide an affordable, transparent system of land registration. This activity uses USAID’s Mobile Applications to Secure Tenure (MAST) program to capture locally gathered GPS data, which is then mapped and registered by the District Land Office to provide official certification of village residents’ rights to occupy land parcels.

Recognizing the need for a way to track the sale and transfer of land rights, the project developed the Technical Register Under Social Tenure (TRUST) software, an open source program that allows District Land Offices and financial institutions to record all land transactions and even mortgages, creating a comprehensive and easily accessible digital record of all land rights.

Thanks to this new open source platform, USAID has transferred over 45,000 certificates documenting village land ownership in Tanzania to the TRUST database. This has opened the door for new agricultural investments and provided land owners with increased access to financial resources using their legal record of landholding as collateral. Building on the success, the program worked with the Government of Tanzania to ensure the sustainability of the open-source platform and seeks to expand its use in all districts, eventually using it as part of a national land management system.

Photos by Riaz Jahanpour for USAID / Digital Development Communications

Este año, la Casa del Deporte implementará un total de 19 escuelas gratuitas en Viña del Mar, con once disciplinas entre las que se encuentran como novedades el balonmano y la halterofilia.

Entre las postales que dejaron los X Juegos Suramericanos ODESUR Santiago 2014, además de la histórica cosecha de medallas que completaron un total de 129 preseas para nuestro país, se cuentan recintos repletos de público vitoreando a deportistas como si se tratasen de eliminatorias mundialistas de futbol, evidenciando el gran interés y pasión que sienten los chilenos por deportes muy distintos al balompié.

Consciente de esta atención por variadas disciplinas, es que la Ilustre Municipalidad de Viña del Mar, a través de la Casa del Deporte, hace ya casi una década, ha implementado de forma gratuita en toda la ciudad, un programa compuesto por Escuelas Deportivas, y que este año junto a las ya clásicas Tenis, taekwondo, Karate, Natación, Basquetbol, Hockey Patín, Gimnasia Rítmica, Voleibol y Rugby, trae importantes novedades, como la inclusión de dos nuevas especialidades deportivas.

El programa de Escuelas Deportivas, este 2014, da la bienvenida a su oferta al cada día más popular Balonmano o Handball, y que después de la brillante participación de las selecciones chilenas masculinas y femeninas de la disciplina, premiadas con bronce en ODESUR 2014, y que justamente jugaron en Viña del Mar, es que niños, jóvenes y adultos, pusieron sus ojos sobre esta entretenida rama deportiva.

Junto con el balonmano, la Halterofilia o Levantamiento Olímpico de Pesas, también se suma al programa Escuelas Deportivas, y consiste en el levantamiento de la mayor cantidad de peso posible en una barra en cuyos extremos se fijan varios discos, los cuales determinan el peso final que se levanta, y que reciben el nombre de “haltera”.

Orientadas a niños entre 7 y 14 años, las Escuelas Deportivas 2014, suman un total de diecinueve, y para la inscripción en cualquiera de las once disciplinas de este año, sólo hay que asistir al lugar, el día y la hora fijada para la clase, y llenar una matrícula gratuita con los datos personales del alumno, y la firma de un apoderado mayor de edad autorizando la participación del menor en el taller. Te esperamos!

Seen in the Jungle Cruise line

Agriculture Secretary Tom Vilsack stands with U.S. Department of Agriculture’s (USDA) Foreign Agricultural Service (FAS) China Decree 145 Implementing Team in the Jefferson Auditorium at USDA in Washington, D.C. on Thursday, Nov. 6, 2014. The China Decree 145 Implementing Team received their award for securing the $1 billion China market for U.S. dairy exporters by meeting new China regulatory requirements. USDA photo by Lance Cheung.

El Ministerio de Transporte y Obras Públicas implementa proyectos viales que garantizan una red de transporte segura y competitiva, minimizando el impacto ambiental y contribuyendo al desarrollo social y económico del país.

Actualmente, en la provincia de Tungurahua se ejecuta la construcción de una de las obras viales más importantes de la zona central, como es la carretera Cahuají - Píllate - Cotaló de 26,12 kilómetros de longitud, ruta alterna a la Penipe - Los Pájaros (Baños), que actualmente está deteriorada a causa del proceso eruptivo del volcán Tungurahua.

Provincia: Tungurahua

Ambato: 28-10-2013

Fotos: Luis Arcos

Brandon Phoenix, Lean/business consultant, TMAC, delivered a daylong workshop Tuesday, March 5: Implementing a Lean Management System.

Learn more about The Work Truck Show 2013 at www.ntea.com/worktruckshow/.