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The Big Move, Visioned, Initiated and Implemented by Chancellor Michael Harris IU Kokomo:
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Antique Farm Implement,
Penn Farm Agricultural Heritage Center.
Cedar Hill State Park. Cedar Hill, Texas.
Dallas County. 24 December 2018.
Olympus E-P5. Panasonic Lumix G Vario 45-200mm f/4-5.6 II.
(84mm) f/8 @ 1/160 sec. ISO 500.
motivational quotes - Speed of Implementation
(more motivational quotes>> www.embellishedminds.com/2849/motivational-quotes/)
Greenfield-Central Katie Helgason(2) bring the ball up court after stealing the ball against East Chicago Central during the championship game of the 2016 Laker Farm Implement Sevices Inc. Women’s Basketball Tournament at Greenfield-Central on December 23,2016.
29 June 2018 - Signing Ceremony with Estonia for the Multilateral Convention to Implement Tax Treaty Related Measures to prevent Base Erosion and Profit Shifting (MLI),
From left: Ambassador Alar Streimann from Estonia and Masamichi Kono Deputy Secretary-General of the OECD.
OECD Headquarters, Paris, France
Photo: OECD/Andrew Wheeler
Anne Finucane, Vice-Chairman, Bank of America, USA, Lutfey Siddiqi, Visiting Professor-in-Practice, London School of Economics and Political Science, United Kingdom; Young Global Leader, Anne Ackerley, Head, Retirement Group, BlackRock, USA and Sonja Haut, Head, Strategic Measurement and Materiality, Novartis, Switzerlandspeaking during the Session "Implementing Stakeholder Capitalism 2" at the World Economic Forum, Annual Meeting of the Global Future Councils 2019. Copyright by World Economic Forum / Benedikt von Loebell
Staff and physicians at Nanaimo Regional General Hospital and Dufferin Place celebrated the official launch of the countdown to the implementation of IHealth, a new electronic system that will be up and running at NRGH and Dufferin Place by summer 2015.
The new IHealth electronic tool will track patient health information in a single health record across Island Health facilities, programs and services throughout a patient’s entire life. NRGH and Dufferin Place residential care facility will be the first Island Health locations to receive IHealth.
Native from the Co Tu ethnic minority durin a cultural presentation in Zuoih (Zuôih) commune, Nam Giang district, Quang Nam Province. The Asian Development Bank (ADB) had intensively supported the resettlement process and livelihood development programs of the community affected by the Song Bung 4 (SB 4) Hydropower Project.
Read more on:
Anne Finucane, Vice-Chairman, Bank of America, USA speaking during the Session "Implementing Stakeholder Capitalism 2" at the World Economic Forum, Annual Meeting of the Global Future Councils 2019. Copyright by World Economic Forum / Benedikt von Loebell
Rafael Mariano Grossi, IAEA Director-General, delivers his remarks at the opening of the Standing Advisory Group on Safeguards Implementation (SAGSI), held at the Agency headquarters in Vienna, Austria. 12 June 2023
Photo Credit: Hannah Shaffer / IAEA
Tamale Implements is a manufacturer receiving assistance under Feed the Future to build agricultural tools that meet local farmers' needs. (Alda Kauffeld/USAID Ghana)
Implementing Stakeholder Capitalism (Option 2)
Geneva - Switzerland, 25-29 January 2021. Copyright ©️ World Economic Forum/Pascal Bitz
Klaus Schwab, Founder and Executive Chairman, World Economic Forum
Marc Benioff, Chair and Chief Executive Officer, Salesforce, USA; Member of Board of Trustees of the World Economic Forum Laurence D. Fink, Chairman and Chief Executive Officer, BlackRock, USA; Member of Board of Trustees of the World Economic Forum Chrystia Freeland, Deputy Prime Minister and Minister of Finance of Canada; Member of Board of Trustees of the World Economic Forum Kristalina Georgieva, Managing Director, International Monetary Fund (IMF), Washington DC; Member of Board of Trustees of the World Economic Forum
Brian T. Moynihan, Chairman and Chief Executive Officer, Bank of America, USA; Chair of the World Economic Forum International Business Council; International Business Council
Moderated by Gillian R. Tett, Editor-at-Large and Chair of the Editorial Board, Financial Times, United Kingdom
Lutfey Siddiqi, Visiting Professor-in-Practice, London School of Economics and Political Science, United Kingdom; Young Global Leader speaking during the Session "Implementing Stakeholder Capitalism 2" at the World Economic Forum, Annual Meeting of the Global Future Councils 2019. Copyright by World Economic Forum / Benedikt von Loebell
Closeup detail of the Oklahoma SIF Implementations. Have I said how much I love Oklahoma? Let me say it again: I love Oklahoma.
About Dr.Mihir Kumar Panda, Ph.D,D.Litt,, innovator
World’s only achiever of large number of World Record for 10,000 Teaching Aids & innovations
Founder & Co-ordinator General, ‘SROSTI’ (Social Development research Organisation for Science, technology & Implementation)
Collaborator Vijnana Bana Ashram
Bahanaga, Baleshwar, Odisha, India-756042
Website : simpleinnovationproject.com
E-Mail- : mihirpandasrosti@gmail.com
Face Book link:https://www.facebook.com/mihirpandasrosti
WIKIMAPIA
wikimapia.org/#lang=en&lat=-6.174348&lon=106.8293...
Contact No. : +91 7008406650
Whatsapp: +91 9438354515
Dr.Mihir Kumar Panda, an Educational, Societal and Scientific Innovator has established an NGO 'SROSTI' at Bahanaga, Balasore,Odisha,India
Dr. panda has innovated/invented more than 10,000 (ten thousand) teaching aids and different innovations and he has more than 30,000 (Thirty thousand) ideas to make scientific and mathematical models.
His creations are very essential guide for school and college science exhibitions, innovative learning and play way method for the teachers and students, science activists, innovators, craftsmen, farmers, masons, physically challenged persons, common men, entrepreneurs and industrialists.
He is popularizing science through song, innovative demonstrations and motivational speech since 1990 in different parts of Odisha state without taking any fees.
Dr. Panda is an extreme motivational speaker in science and possess magical scientific demonstration and a crowd puller.
Innovator Mihir Kumar Panda loves nature and in his agricultural farm he does not uses the chemicals , fertilizers and pesticides. In his farm even the smallest creatures like snakes, caterpillar, white ants, worms ,vermies are in peace and are managed successfully not to do harm.
Dr. Panda is an Educationist, an environmentalist, a poet for science popularization, a good orator, a best resource person to train others in specific field of science and engineering.
The uniqueness of Simple Innovation and scientific activities and achievements ofDr. Panda can not be assessed without visiting his laboratory which is a living wonder in the realm of science.
From a small cake cutter to mechanical scissor, from a play pump to rickshaw operated food grain spreader and from a village refrigerator to a multi-purpose machine, thousands of such inventions and innovations are proof of Dr. Panda's brilliance.
From a tube well operated washing machine to weight sensitive food grain separator, from a password protected wardrobe to automatic screen, from a Dual face fan to electricity producing fan are example of few thousands of innovations and inventions of Mihir Kumar Panda.
Dr.Mihir Kumar Panda though bestowed to a popular name as Einstein of Odisha is obliviously treated as Thomas Alva Edison of India.
Dr. Panda's residential house also resembles a museum with scientific innovations of different shapes and sizes stacked in every nook and cranny which proves his scientific involvement in personal life.
Innovator Panda believes that , the best thing a child can do with a toy to break it. he also believes that by Educating child in his/her choice subject/ passion a progressive nation can be built.
The shelf made scientist Dr. Panda believes that Education is a life long process whose scope is far greater than school curriculum. The moulding of models/ innovations done by hand always better than the things heard and the facts incorporated in the books.
With no agricultural background, Dr. Panda has developed unique natural bonsai in his Vijnana Bana Ashram which also shows path for earning just by uprooting and nurturing the plants which are found to be small and thumb in nature.
Dr. Panda's Scientific Endeavour and research is no doubt praise worthy. One cannot but believe his dedicated effort in simple innovation laboratory.
Social service, innovation/ inventions, writing, free technology to students for preparation of science exhibition projects, free technology to common men for their sustainability, preparation of big natural bonsai, technology for entrepreneurs and industrialists for innovative item are few works of Mihir Kumar Panda after his Government service.
. To overcome the difficulties of science and math, explanation in classes, innovator Panda has created few thousands of educational, societal and scientific innovations which helps teachers and students of the country and abroad.
Dr. Panda believes that though inventions/innovation has reached under thousands and thousands deep in the sea and high up in the space. It has reached on moon and mars, but unfortunately the sustainable inventions/innovation has not properly gone to the tiny tots and common people.
Dr. Panda is amazing and wizard of innovations and works with a principle the real scientist is he, who sees the things simply and works high.
Dr.Mihir Kumar Panda's work can be explained in short
Sports with Science from Dawn to Dusk
Struggle some life- science in words and action
Triumphs of Science - Science at foot path
Hilarious dream in midst scarcity
A life of innovator de-avoided of Advertisement.
FELICITATIONS, AWARDS, HONOURS & RECORDS
* 200+ Felicitation and Awards from different NGOs, Schools & Colleges within the State of Odisha and National level.
* 10 Nos Gold, Silver & Bronze medal from different National & International level.
*Awarded for 10,000 innovations & 30,000 ideas by Indian Science Congress Association, Govt. of India.
* Honorary Ph.D From Nelson Mandela University, United States of America
* Honorary Ph.D From Global Peace University, United States of America& India
* Honorary D.Litt From Global Peace University, United States of America& India
* Title ‘Einstein of Odisha’ by Assam Book of Records, Assam
* Title ‘Thomas Alva Edison of India’ by Anandashree Organisation, Mumbai
* Title ‘ Einstein of Odisha & Thomas Alva Edison of India’ from Bengal Book of World record.
*World Record from OMG Book of Records
*World Record from Assam Book of Records,
* World Record from World Genius Records, Nigeria
* World Record from BengalBook of Records
* National Record from Diamond Book of Records
* World Record from Asian World Records
* World Record from Champians Book of World Records
* World Record from The British World Records
* World Record from Gems Book of World Records
* World Record from India Star World Record
* World Record from Geniuses World Records
* World Record from Royal Success International Book of Records
*World Record from Supreme World Records
* World Record from Uttarpradesh World Records
*World Record from Exclusive World Records
*World Record from international Book of Records
*World Record from Incredible Book of records
* World Record from Cholan Book of World Record
* World Record from Bravo International Book of World Record
* World Record from High Range Book of World Record
* World Record from Kalam’s World Record
* World Record from Hope international World Record
* International Honours from Nigeria
* Indian icon Award from Global Records & Research Foundation (G.R.R.F.)
* International Award from USA for the year’2019 as INNOVATOR OF THE YEAR-2019
* National level Excellence Leadership Award-2020 from Anandashree Organisation, Mumbai
* Best Practical Demonstrator & Theory instructor from Collector & District Magistrate,
Balasore.
* Best Innovator Award by Bengal Book.
* Popular Indian Award by Bengal Book.
* Great man Award by Bengal Book.
* Best Indian Award by Bengal Book.
* The Man of the Era by Bengal Book.
IMPORTANT LINK FILES TO KNOW THE WORK OF
Dr. MIHIR KUMAR PANDA
Dr.Mihir Ku panda awarded at indian science congress Association, Govt. of India for 10000 innovations & 30,000 ideas
Hindi Media report- Simple innovation science show for popularisation of science in free of cost by Dr.Mihir Ku Panda
Simple innovation science show for popularisation of science in free of cost in different parts of India By Dr.Mihirku Panda
www.youtube.com/user/mihirkumarpanda/videos?view=0&so...
Simple innovation laboratory at a Glance
MORE LINK FILES OF Dr MIHIR KUMAR PANDA
www.youtube.com/watch?v=MFIh2AoEy_g
www.youtube.com/channel/UCIksem1pJdDvK87ctJOlN1g
www.youtube.com/watch?v=AHEAPp8V5MI
www.youtube.com/watch?v=W43tAYO7wpQ
www.youtube.com/watch?v=me43aso--Xg
www.youtube.com/watch?v=6XEeZjBDnu4
www.youtube.com/watch?v=gPbJyB8aE2s
www.youtube.com/watch?v=yNIIJHdNo6M
www.youtube.com/watch?v=oPBdJpwYINI
www.youtube.com/watch?v=XBR-e-tFVyE
www.youtube.com/watch?v=3JjCnF7gqKA
www.youtube.com/watch?v=raq_ZtllYRg
cholanbookofworldrecords.com/dr-mihir-kumar-pandaph-d-lit...
www.linkedin.com/in/dr-mihir-kumar-panda-ph-d-d-litt-inno...
www.bhubaneswarbuzz.com/updates/education/inspiring-odish...
www.millenniumpost.in/features/kiit-hosts-isca-national-s...
www.youtube.com/watch?v=hFE6c-XZoh0
www.youtube.com/watch?v=WzZ0XaZpJqQ
www.dailymotion.com/video/x2no10i
www.exclusiveworldrecords.com/description.aspx?id=320
royalsuccessinternationalbookofrecords.com/home.php
british-world-records.business.site/posts/236093666996870...
www.tes.com/lessons/QKpLNO0seGI8Zg/experiments-in-science
dadasahebphalkefilmfoundation.com/2020/02/17/excellent-le...
www.facebook.com/…/a.102622791195…/103547424435915/… yearsP0-IR6tvlSw70ddBY_ySrBDerjoHhG0izBJwIBlqfh7QH9Qdo74EnhihXw35Iz8u-VUEmY&__tn__=EHH-R
wwwchampions-book-of-world-records.business.site/?fbclid=...
www.videomuzik.biz/video/motivational-science-show-ortalk...
lb.vlip.lv/channel/ST3PYAvIAou1RcZ/tTEq34EKxoToRqOK.html
imglade.com/tag/grassrootsinventions
picnano.com/tags/UnstoppableINDIAN
www.viveos.net/rev/mihirs%2Btrue%2Bnature
www.facebook.com/worldgeniusrec…/…/2631029263841682…
www.upbr.in/record-galle…/upcoming-genius-innovator/…
www.geniusesworldrecordsandaward.com/
www.upbr.in/record-galle…/upcoming-genius-innovator/…
m.facebook.com/story.php?story_fbid=699422677473920&i...
www.facebook.com/internationalbookofrecords/
www.youtube.com/channel/UCBFJGiEx1Noba0x-NCWbwSg
www.youtube.com/watch?v=nL60GRF6avk
www.facebook.com/bengal.book.16/posts/122025902616062
www.facebook.com/bengal.book.16/posts/122877319197587
www.facebook.com/bengal.book.16/posts/119840549501264
supremebookofworldrecords.blogspot.com/…/welcome-to…
Shackles and other implements of torture kept on one of the metal beds inside the S-21 prison. At least one of the containers seen here served as the portable toilet for the unfortunate victim. (Phnom Penh, Cambodia, Apr/ May 2014)
In spring of 2007, the Albertina also received the previously based in Salzburg "Batliner Collection" as unrestricted permanent loan. The collection of Rita and Herbert Batliner includes important works by modern masters, from French impressionism to German expressionism of the "Blue Rider" and the "bridge" to works of the Fauvist or the Russian avant-garde from Chagall to Malevich.
de.wikipedia.org / wiki / Albertina_ (Vienna)
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
Staff and physicians at Nanaimo Regional General Hospital and Dufferin Place celebrated the official launch of the countdown to the implementation of IHealth, a new electronic system that will be up and running at NRGH and Dufferin Place by summer 2015.
The new IHealth electronic tool will track patient health information in a single health record across Island Health facilities, programs and services throughout a patient’s entire life. NRGH and Dufferin Place residential care facility will be the first Island Health locations to receive IHealth.
Staff and physicians at Nanaimo Regional General Hospital and Dufferin Place celebrated the official launch of the countdown to the implementation of IHealth, a new electronic system that will be up and running at NRGH and Dufferin Place by summer 2015.
The new IHealth electronic tool will track patient health information in a single health record across Island Health facilities, programs and services throughout a patient’s entire life. NRGH and Dufferin Place residential care facility will be the first Island Health locations to receive IHealth.
Groceries operate and implement safety measures during COVID-19 in the Philippines. Muntinlupa City, Philippines. © ILO/Minette Rimando.
For further information on the ILO response to COVID-19: www.ilo.org/covid19
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.
Agriculture Secretary Tom Vilsack and U.S. Department of Agriculture (USDA) Department of Administration (DA) Assistant Secretary Gregory Parham present the Abraham Lincoln Honor Award to USDA Food and Nutrition Service (FNS) Community Eligibility Provision Implementation Team Leaders Heather Hopwood and Margaret Applebaum at USDA’s 2015 Abraham Lincoln Honor Awards Ceremony in Washington, D.C. on Thursday, Nov. 5, 2015. The Community Eligibility Provision Implementation Team received their award for implementing the Community Eligibility Provision, enabling USDA to increase children’s access to nutritious school meals in low-income communities, while enhancing Program integrity and operations. USDA photo by Bob Nichols.
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
Autumn walk at Toms Hill.
A thingamajig slowly rusting in the undergrowth on the edge of Northchurch Common.
Ministerio de la Producción evalúa implementar un CITE Forestal y Agropecuario en la región Cajamarca
El ITP realizó durante dos meses un levantamiento de información y halló que existe una masa crítica de mypes y productores forestales y agropecuarios con una demanda potencial significativa, que necesita ser potenciada a través de servicios tecnológicos.
Este CITE será útil para darle valor agregado a los productos más representativos de la región, en particular aquellos de la cadena láctea.
La ministra de la Producción, Rocío Barrios, se reunió esta mañana con el Gobernador Regional, Mesías Guevara, para dialogar sobre temas relacionados al desarrollo productivo de Cajamarca.
En la reunión, Barrios informó que el Instituto Tecnológico de la Producción (ITP) realizó durante dos meses un levantamiento de información en la región y halló que existe una masa crítica de mypes y productores que necesita capacitación y asistencia técnica para potenciarlas y acompañarlas en su ingreso al mercado.
“Queremos materializar un plan de trabajo que permita acompañar a Cajamarca en su desarrollo productivo. Es una región muy rica y con potencial, el desafío es intervenir como Estado para darle valor agregado a sus mejores productos, con la intención que puedan generar empleo y se conviertan en un motor de crecimiento”, destacó.
CITE Forestal y Agroindustrial
La titular de PRODUCE sostuvo que se va evaluar la puesta en marcha de un CITE Forestal y Agroindustrial en la región, que en principio funcione como una Unidad Técnica (UT).
Indicó que en las próximas semanas debería iniciarse la intervención a través de la Red de CITE existente, así como el establecimiento de plazos para la posterior implementación del nuevo CITE, con el apoyo del Gobierno Regional de Cajamarca.
“Solicitamos al GORE que nos permitan un lugar habilitado para el local del CITE y su compromiso de apoyar este proyecto”; añadió.
Asimismo, precisó que desde el próximo mes el ITP podría realizar talleres y capacitaciones en la región a través de CITE Cedepas Norte y CITE madera, así como la posibilidad de que mypes cajamarquinas realicen pasantías.
Actividades protocolares
Durante su visita a Cajamarca, la ministra Rocío Barrios participó en la feria Fongal, que promueve la participación de productores de café y cacao con el objetivo de conquistar nuevos mercados a nivel nacional e internacional.
La tradicional feria agropecuaria, agroindustrial, artesanal y turística de Cajamarca, se realiza del 23 al 30 de julio con la intención de mostrar a la población local y a los turistas nacionales y extranjeros, a los mejores expositores y productores de esta región.
De igual manera, estuvo presente en el lanzamiento de la estrategia Cero Papel, a la cual destacó. “En solo seis meses este GORE está dando un salto digital muy importante y los felicito. La transformación digital permite que estemos comunicados y que los ciudadanos accedan a los servicios desde la comodidad de sus hogares”, finalizó.
PONY BROWN - My Little Friend, Korean Stationery
My lack of post is only the evidence of more amazing stationery adventures coming up, this time Korean stationery. Yes it was crazily busy to implement yet another successful year of Back To School promotion in city'super/LOG-ON, yes there is the preparation of Xmas 2010 and an upcoming new store in Langham Place in November, but all these melt when I was in Seoul last week looking at the innovations from some of the most creative souls in the world.
PONY BROWN is a new Korean stationery brand only started since 2008. The key character which has no name, gained popularity in our Hong Kong market. According to the creative pair Mrs. Lee the owner and Mr. Oh the designer, the name PONY BROWN is not the name of the character at all, it came from Mr. Oh's birth year zodiac as a horse thus PONY and his love of brown color.
I had a great time spent in PONY BROWN's house, a 2 stories tranquil cat heaven in the middle of Seoul. It has all the elements I love right there, great sunlight, woody, quiet and space to think and relax while connectivity is not a problem at all.
As for why the main character has no name, Mr. Oh told me that the idea is to have people loving the character fuse their life and spirit with the character's attitude, to be bright and positive with attitude. The super cute character has a nick name though, since the series is called "My Little Friend", in Korean language fusioning with English, the character is called "Mylipu" (My Little Pu, "Pu" means friend in Korean).
The most popular items we sell at city'super/LOGO-ON of PONY BROWN is their free diary. They have just released some new post-it and diary stickies which will be in Hong Kong market soon. Lastly, we have worked with PONY BROWN to prepare a super attractive Xmas gift set with very nice packaging for the season, stay tuned!
More on Scription blog: scription.typepad.com/blog/2010/09/pony-brown-my-little-f...
Anne Finucane, Vice-Chairman, Bank of America, USA speaking during the Session "Implementing Stakeholder Capitalism 2" at the World Economic Forum, Annual Meeting of the Global Future Councils 2019. Copyright by World Economic Forum / Benedikt von Loebell
Gabriel Maldonado, director Liceo Científico Doctor Miguel Canela Lázaro expone sobre el método de enseñanza usado en ese centro educativo.
Foto: Ángel Álvarez Rodríguez/Presidencia República Dominicana
Nota de prensa:
presidencia.gob.do/noticias/liceo-de-salcedo-implementa-m...
Video YouTube:
Boungou 1 (nord-est RCA), 19 juillet 2022 : En tout temps, la MINUSCA continue de mettre en œuvre son mandat de protection des civils. Comme ici, lors de leur déploiement à Ouanda-Djalle (préfecture de la Vakaga) les Casques bleus du contingent rwandais ont mis 5 jours pour parcourir les 200 km qui séparent Bria à Ouadda, à cause du mauvais état des infrastructures routières, surtout en cette saison pluvieuse.
Boungou 1 (north-eastern CAR), 19 July 2022: At all times, MINUSCA continues to implement its mandate to protect civilians. As was the case here, during their deployment in Ouanda-Djalle (Vakaga prefecture), the peacekeepers of the Rwandan contingent took five days to cover the 200 km that separate Bria from Ouadda, due to the poor state of the road infrastructure, especially in this rainy season.
Photo: UN / MINUSCA
Several Kentucky school districts have started working with the University of Kentucky College of Education in a unique partnership to innovate and improve schools. The districts are participating in the college’s Next Generation Leadership (NxGL) Academy, an output of its Kentucky P20 Innovation Lab.
The academy takes school leaders who know the system needs to change and helps them work through implementation of innovative ideas. It launched last year with a pilot co-hort of school leaders. This year’s co-hort includes representatives from the following counties or districts: Barren, Paris Independent, Carroll, Clark, Graves, Hardin, Henry, Shacklette Elementary (Jefferson Co.), Knox, Mason, Trigg, Warren, Woodford, and Eminence Independent.
David Gilliam, principal of Madison Southern High School and member of the pilot co-hort, said of the academy, “This program gives us the core information about what’s happening in education. It allows us to connect with some of the top experts around the world. But, probably the most beneficial part of it is for the team from our district to just sit down with these issues on the table – the charge of reinventing school – and be able to work through ideas and challenge each other. It is very beneficial.”
While participants will meet several times throughout the coming year, much of the work also takes place during online meetings between the school districts and university faculty. Through the process, several schools have met College of Education faculty members with whom they have partnered to provide training and programs within their local districts.
Council of Chief State School Officers Executive Director Gene Wilhoit and Kentucky Education Commissioner Terry Holliday addressed participants during the first day of the academy. Both emphasized the state and federal resources available to help schools as they transition to new models of learning. In fact, a recently passed bill in Kentucky will soon be able to help schools get past regulations that may stand in the way of trying out innovative ideas for improving schools, Holliday said.
From how student learning is assessed to the way teachers are trained, Wilhoit outlined a number of ways education must change so future generations of Kentuckians can find jobs to support their families and live fulfilled lives.
“I think the promise of this is unbelievable,” Wilhoit said. “I’ve seen it happen in many schools in isolated ways, but the problem is we’re not doing it across the board.”
Districts that have completed the Next Generation Leadership Academy have the opportunity to work with the UK College of Education to develop Innovation Zones (iZones) within their schools. The iZones provide places to test innovative ideas and scale up what works.
The NxGL Academy’s focus is around the Council of Chief State School Officer’s six critical attributes of Next Generation Learning:
•Personalized Learning calls for a data-driven framework to set goals, assess progress, and ensure students receive the academic and developmental supports they need to succeed.
•Comprehensive Systems of Learning Supports address the social, emotional, physical and cognitive development along a continuum of services to ensure the success of all students
•World-Class Knowledge and Skills requires achievement goals to sufficiently encompass the content knowledge and skills required for success in a globally-oriented world.
•Performance-based learning puts the student at the center of the learning process by enabling the demonstration of mastery of high, clear, and commonly-shared expectations.
•Anytime, anywhere learning provides innovative practices that promote learning beyond the traditional classroom and may include virtual or out-of-school settings leveraging technology as a tool for learning.
•Student voice/agency is the deep engagement of students in directing and owning their individual learning and shaping the nature of the education experience.
About the Kentucky P20 Innovation Lab:
•P20 relies upon the world-class research and expertise of the UK College of Education’s faculty, students and staff.
•P20 builds a bridge between school districts and the UK College of Education to enable an easy exchange of information between schools and higher education.
•P20 faculty and staff design and offer a Next Generation Leadership Academy for school leaders to build capacity to design new systems for learning.
•P20 helps create iZones within school districts. iZones allow college faculty and school personnel to work together to redesign and rethink current policies, practices and programs to support 21st Century learners.
Why is P20 needed?
•Many increasingly recognize one primary challenge: schooling and instruction are mass-produced, expecting students of various abilities, support systems and interests to progress through the same educational program at the same pace without sufficient regard to their individual learning needs.
• Information, once collected in reference books and distilled by teachers, is now everywhere, which changes the roles of teachers and schools. Even the most specialized topics and guidance are only a few keystrokes away.
• In Kentucky, only 83.91% of students complete high school and only 32% of Kentuckians ages 25-34 have a college degree.
•Routine jobs are increasingly disappearing to low wage countries or automated systems.
•To succeed in the global economy today’s students must be prepared to problem solve, work collaboratively, and to be creative and self-motivated. They will be required to produce evidence of competencies for required work.
How do we do school differently?
•• P20 roots out what doesn’t work and replaces it with ways of learning that will prepare all students for college and careers.
•P20 gives students a voice in designing the future of their education. When high school students were recently interviewed about how to do school differently, they were so stuck inside the model they have been part of for 15 or so years, they couldn’t think differently. We are finding ways to get from students what they really want from school – not just a version of what they think school is supposed to be.
•P20 builds upon existing and emerging infrastructures in Kentucky that will make this work sustainable over time.
Early Success Stories:
One of the first P20 iZone schools, Eminence Independent, is implementing some of the following changes:
•Partnership with Bellarmine College to offer college-level courses to qualified students with no cost to students;
•Redesigned Master Schedule (Core classes three days per week. Benchmark ready students take classes two days a week on Bellarmine’s campus);
•Wi-Fi on school bus transporting students to Bellarmine College in Louisville;
•One-to-one technology devices (Mac-Book Pro) for all high school students;
•Students trained to give feedback on educational experiences using Twitter;
•Student and Teacher Voice Teams for input in district decisions;
•Standards-Based Report Cards; and
•Working with sister school in England on using results from student aspirations surveys to better engage students in learning.
Good advice. Orange Show Environment, Houston, TX.
Jeff McKissack, a mail carrier in Houston, Texas, transformed a small suburban lot near his wood frame house into The Orange Show in honor of his favorite fruit. Between 1956 and 1980, when he died, McKissack used common building materials and recycled junk such as bricks, tiles, fencing, and farm implements to transform his home into an architectural maze of walkways, balconies, arenas and exhibits decorated with mosaics and brightly painted iron figures.—From Wikipedia
Este santuário está
implementado numa vasta
área consagrada ao culto
Mariano e constitui um pólo
de dinamização de
numerosas actividades de
espiritualidade, recolhimento
e apoio social. Na sua
génese, está a resposta das
populações do nordeste
transmontano à mensagem
de Fátima, através de uma
acção liderada por um
sacerdote natural da região: o
P. Manuel Joaquim Ochôa.
Começou a ser edificado em
1961. Para a sua construção
foi necessária a colaboração
de todo o povo de Cerejais,
homens e mulheres; eles com
quatrocentos carros de bois
de pedra e elas com o transporte de toda a água necessária à construção,
muita da qual foi transportada em cântaros, à cabeça.
Além da capela principal, fazem parte do conjunto do santuário:
l O Calvário (fig.1.1) com uma capelinha onde se encontra um conjunto
escultórico, em tamanho natural, que representa o encontro da Mãe
Dolorosa com o seu Divino Filho.
l Uma Via-sacra que percorre o caminho entre a Capela e o Calvário e
cujas cruzes foram esculpidas em granito da aldeia de Romeu.
Dois anos mais tarde, em 28 de Maio de 1967, celebrou-se a “festa dos
Bispos” como ficou conhecida a inauguração dos quinze Mistérios do
Rosário, que estão representados por outras tantas figuras esculpidas que
se distribuem à beira do caminho entre a capela e a Loca do Cabeço. Com
efeito, nas cerimónias desta inauguração, estiveram presentes os bispos
de Bragança-Miranda, Leiria, Lamego e Dili.
Em 1976 foi edificado o primeiro pavilhão da Casa dos Pastorinhos e foi
ampliada a torre sineira.
1977 foi o ano da comemoração do 60º aniversário das aparições em
Fátima e o Santuário dos Cerejais foi o ponto central das comemorações
na diocese de Bragança-Miranda.
seu desejo ao rei que logo pensou juntar o útil ao agradável: fez a vontade
à esposa e aproveitou o pretexto para construir uma fortificação militar nas
proximidades, dado que se tratava de um local estratégico para a
segurança do reino.
A administração da capela e dos seus folgados proventos determinados
por D. Dinis foi entregue aos frades beneditinos do mosteiro do Castro da
Avelãs, que se localiza a cerca de 30 km de distância, próximo a Bragança.
No reinado de D. João III, foi construída a catedral de Miranda, que passou
a ser a sede da diocese para quem passou a administração do santuário.
Durante todos estes anos, as actividades de culto foram promovidas pela
confraria que contava sempre com um mordomo castelhano, o que
confirma a grande influência que o santuário exerce do outro lado da
fronteira. Do lado espanhol o Santuário é designado por “La Ribeiriña”.
Apesar da grande quantidade de romeiros e da celebração anual das
grandes romarias, o templo chegou ao final do século XIX num estado de
apreciável degradação. Providencialmente surgiu um benemérito, próspero
emigrante no Brasil, natural de Castrelos, de seu nome António do Carmo
Pires.
5l-henrique.blogspot.pt/2013/06/alfandega-da-fe-cerejais-...
Ministerio de la Producción evalúa implementar un CITE Forestal y Agropecuario en la región Cajamarca
El ITP realizó durante dos meses un levantamiento de información y halló que existe una masa crítica de mypes y productores forestales y agropecuarios con una demanda potencial significativa, que necesita ser potenciada a través de servicios tecnológicos.
Este CITE será útil para darle valor agregado a los productos más representativos de la región, en particular aquellos de la cadena láctea.
La ministra de la Producción, Rocío Barrios, se reunió esta mañana con el Gobernador Regional, Mesías Guevara, para dialogar sobre temas relacionados al desarrollo productivo de Cajamarca.
En la reunión, Barrios informó que el Instituto Tecnológico de la Producción (ITP) realizó durante dos meses un levantamiento de información en la región y halló que existe una masa crítica de mypes y productores que necesita capacitación y asistencia técnica para potenciarlas y acompañarlas en su ingreso al mercado.
“Queremos materializar un plan de trabajo que permita acompañar a Cajamarca en su desarrollo productivo. Es una región muy rica y con potencial, el desafío es intervenir como Estado para darle valor agregado a sus mejores productos, con la intención que puedan generar empleo y se conviertan en un motor de crecimiento”, destacó.
CITE Forestal y Agroindustrial
La titular de PRODUCE sostuvo que se va evaluar la puesta en marcha de un CITE Forestal y Agroindustrial en la región, que en principio funcione como una Unidad Técnica (UT).
Indicó que en las próximas semanas debería iniciarse la intervención a través de la Red de CITE existente, así como el establecimiento de plazos para la posterior implementación del nuevo CITE, con el apoyo del Gobierno Regional de Cajamarca.
“Solicitamos al GORE que nos permitan un lugar habilitado para el local del CITE y su compromiso de apoyar este proyecto”; añadió.
Asimismo, precisó que desde el próximo mes el ITP podría realizar talleres y capacitaciones en la región a través de CITE Cedepas Norte y CITE madera, así como la posibilidad de que mypes cajamarquinas realicen pasantías.
Actividades protocolares
Durante su visita a Cajamarca, la ministra Rocío Barrios participó en la feria Fongal, que promueve la participación de productores de café y cacao con el objetivo de conquistar nuevos mercados a nivel nacional e internacional.
La tradicional feria agropecuaria, agroindustrial, artesanal y turística de Cajamarca, se realiza del 23 al 30 de julio con la intención de mostrar a la población local y a los turistas nacionales y extranjeros, a los mejores expositores y productores de esta región.
De igual manera, estuvo presente en el lanzamiento de la estrategia Cero Papel, a la cual destacó. “En solo seis meses este GORE está dando un salto digital muy importante y los felicito. La transformación digital permite que estemos comunicados y que los ciudadanos accedan a los servicios desde la comodidad de sus hogares”, finalizó.
June 23, 2015. Started my day at the dentist - just a cleaning, but any day someone scrapes your teeth with a metal implement is not a good one. Still, I had a reasonably productive afternoon.
Can anyone tell me what this implement is for? It was found in the same yard as the two previously pictured Massey Ferguson tractors.
Norwood, Bronx
The Williamsbridge Reservoir Keeper's House is the only surviving building in New York City associated with the Bronx and Byram Rivers water system. Particularly between 1884 and 1906, this system served the critical function of supplying the burgeoning western section of the Bronx and helped the city to bridge the gap in the years between the construction of the Old and New Croton Aqueducts. The Bronx River portion of the system was constructed between 1880 and 1889, under the supervision of George W. Birdsall, chief engineer of the Croton Aqueduct in the New York City Department of Public Works.
The fifteen-mile Bronx River pipeline was completed in 1884, but the Williamsbridge Reservoir was not finished until 1889. The Keeper's House, located at the northeast end of the reservoir, was constructed in 1889-90 by contractor Terence A. Smith. L-shaped in plan, the two-and-a-half-story house is built of rock-faced, variegated gray-tan gneiss ashlar with smooth, speckled-gray granite trim, including keyed enframements. In 1925, when it was no longer needed, the reservoir was drained; it was later converted into a playground. The Keeper's House, after five decades as a private residence, was purchased in 1998 by the Mosholu Preservation Corp., a non-profit organization active in neighborhood improvement in Norwood.
DESCRIPTION AND ANALYSIS
The Water Suoolv of New York Citv in the Nineteenth The Bronx and Bvram Rivers Water Supply System
Until the mid-nineteenth century, New York City did not have an adequate and reliable source of fresh water. Citizens were forced to subsist on water from the Collect pond, various wells and pumps, and cisterns. But the serious pollution of these water sources, which were sometimes linked with diseases and epidemics, along with general civic filth and periodic fires exacerbated by lack of water, posed major problems. These were especially aggravated by the rapid growth of the population. Manhattan island, moreover, is located amidst saltwater estuaries, presenting substantial obstacles to bringing in potable water.
As early as 1798, several plans were advanced to divert water from the Bronx River to Manhattan, but these were not implemented. After decades of discussion, an independent Water Commission was authorized by the state legislature in 1834 to plan and construct a water system. The city finally obtained a supply of fresh water in 1842 through the gravity-fed Croton Aqueduct, which was begun in 1837 and completed in 1848. An innovative engineering achievement, an outstanding (if expensive) public works project, and one of the first major municipal water systems in the United States, the Croton Aqueduct was planned under chief engineer David B. Douglass, the leading proponent of the Croton River as water source, but built under chief engineer John B. Jervis.
Water emanating from the Croton River and Reservoir in Westchester County, N.Y., traveled 41 miles through an embanked tunnel, across the High Bridge over the Harlem River/ to a receiving reservoir in what later became Central Park and then to a distributing reservoir at Fifth Avenue and West 42nd Street. An additional water supply system became a municipal necessity after the Civil War with the explosion of the city's population, accompanied by the emergence of indoor plumbing and ever-increasing water usage. However, attempts were first made to increase the capacity of the water flow of the existing Croton system, and extensions were constructed. These included a new receiving reservoir in Central Park, alterations to the High Bridge, and the High Bridge Water Tower and reservoir/ A hydrographic survey of the Croton River watershed in 1857-58 resulted in plans for fourteen additional reservoirs outside the city; this plan was mostly carried out between 1866 and 1911. The (Old) Croton Aqueduct remained the city's principal source of water until 1890.
In 1870, the New York City Department of Public Works was established under Commissioner William M. ("Boss") Tweed, and the Croton Aqueduct came within its jurisdiction. After Tweed's conviction on various graft charges in 1873, the department was headed by Allan Campbell, who promoted a plan to utilize the Bronx and Byram Rivers as the next municipal water source. Of immediate concern was the development and water needs of the western portion of the Bronx, formerly part of Westchester County, annexed as the 23"* and 24* Wards of New York City on January 1,1874. Opponents of Campbell's plan, led by reformers in the Union League Club and others, fearing further departmental corruption, advocated a New Croton Aqueduct under the control of an independent commission. Droughts in 1876-77 and 1880-81 added to anxieties about the adequacy of the city's water. Eventually, both systems were constructed, but the more modest and less expensive Bronx and Byram plan was the first one to be implemented, due largely to strained municipal financial circumstances after the Tweed years and the Panic of 1873.
The proposed scheme consisted of dams and reservoirs to be built across the Byram River in Connecticut, and, in Westchester County, across the Bronx River at Kensico, and at Rye Ponds. The plan also included tapping Byram Pond and digging a channel connecting the two rivers. Construction of the Bronx River portion of this gravity-fed system began in October 1880, under the supervision of Ceorge W. Birdsall, chief engineer of the Croton Aqueduct in the Dept. of Public Works. The Bronx River pipeline, consisting of a 48-inch cast-iron pipe, began service in 1884 and carried water fifteen miles from Kensico to the site of the planned reservoir near Willi amsbridge.
The Bronx River portion of this water system was completed in 1889, while the Byram River portion was delayed until 1891 -97 due to complications in acquiring land. Particularlybetween 1884 and 1906, the Bronx and Byram Rivers water system served the critical function of supplying water to the burgeoning western section of the Bronx. (Part of the eastern section of the Bronx was annexed to the city in 1895, and the entire borough became part of New York City in 1898.) It thus helped to bridge the gap in the years between the construction of the Old and New Croton Aqueducts, and facilitated the rapid development of the Bronx, especially the construction of taller buildings, which needed greater water pressure. This could not have occurred without an adequate water supply.
The Williamsbridge Reservoir and Keeper's House " The use of the name Williams' Bridge for this area dates back to before the American Revolution. It is said to have come from John Williams, owner of a farm adjacent to the bridge carrying the Boston Post Road over the Bronx River since the late seventeenth century. A settlennt called Williamsbridge eventually grew up around the bridge and was the location of a station on the New York & Harlem Railroad in 1842. The city acquired land located to the west of the village, on a ridge called Gun Hill, for the Williamsbridge Reservoir in August 1882. This included part of the farm associated with the Valentine-Varian House (1758) and land owned by Amanda Bussing and the Estate of John Bussing.' This location is bounded by Woodlawn Centery (opened in 1865) and Van Cortlandt Park to the north, the Bronx River to the east, the Mosholu Parkway to the west, and Bronx Park to the south. The city acquired the above-nntioned parkland in 1888.
Though the Dept. of Public Works started plans for the reservoir in 1880, a construction contract was not signed until June 1884. The contractor was Sullivan & Moore. In September 1884, the Bronx River pipeline was finished and supplied water to the city, running under Putnam Place and terminating at the site; however, the reservoir was not completed for several more years. The (?Marter/y Rpo/ty of the Dept. of Public Works contain complaints about the slowness of the reservoir contractor's construction work and annua! cessations because of severe winter weather. The oval reservoir was surrounded by an earthen and stone embanknnt, with the bottom covered with concrete. The interior was completed at the end of 1888. As reported by Stephen Jenkins in 77tg Jfory #/vnjt (1912), "water was admitted into the reservoir on December 4,1888, and the distribution of the water to the Annexed District was begun. The reservoir has a capacity of 150,000,000 gallons when it is filled to a depth of forty fect...."' Chief engineer BirdsaH noted then that "it will take next year to complete and sod the outside bank of this reservoir, erect the necessary fences and complete the roads around same.'"* The receiving and distributing reservoir was filled and in full use by the fall of 1889, and was completed at the end of that year. The cost had been nearly $524,000.
Plans for a Reservoir Keeper's House, to be built of stone with a comer tower, were drawn up by architect Douglas Smyth.'* Apparently, this proposal was scrapped in favor of a less elaborate building. Plans for a two-and-a-half-story stone house, to be located at the northeast end of the reservoir, were approved by Birdsall in February 1889, and a contract was signed in March with building contractor Terence A.Smith. Construction began in September 1889, the exterior stonework was finished by March 1890, and the house was completed in June. The total cost was $8749. shaped in plan, the house is built of rock-faced, variegated gray-tan gneiss ashlar with smooth, speckled-gray granite trim, and embellished by keyed enframennts. The house originally had three wooden porches. Straightforward and massive, the stone house follows the tradition of building stone structures for both Croton Aqueducts. The Williamsbridge Reservoir Keeper's House is the only surviving building in New York City associated with the Bronx and Byram Rivers water supply system.
The first reservoir keeper, whose job it was to maintain and guard the reservoir, was Irish immigrant Matthew Mallahan (1834-1913), in this position from 1890 to about 1911. Mallahan came to the United States in 1875, was a Bronx hotel keeper and liquor dealer in the 1880s, and lived here with several relatives. The house also contained a first-story office for the keeper.
Later History
The Bronx and Byram Rivers water system played a brief but significant role in supplying water to New York City. Shortly after its completion, this system was surpassed by the more extensive New Croton Aqueduct. Constructed between 1885 and 1907 under chief engineers Benjamin S. Church and Alphonse Fteley for the New York City Aqueduct Commission, the New Croton Aqueduct was put into service in 1890. The Jerome Park Reservoir (1895-1906), the New Croton's receiving and distributing reservoir located to the west of the Williamsbridge Reservoir, held a much larger volume of water than the earlier one. Eventually, the capacity of New York's water supply was greatly expanded with the Catskill (1907-29) and Delaware River (1937-50s) water systems. The Old Croton Aqueduct ended service to New York City in 1955.
During the early twentieth century, the Williamsbridge Reservoir continued to supply a percentage of the borough's water. The Bronx and Byram Rivers watersheds were merged into the Catskill system in the 1910s. The reservoir was reduced to serve as an emergency backup system after 1919. The water supply was cut off and the reservoir was drained in 1925. After the land was transferred to the Dept. of Parks, the reservoir was converted into Williamsbridge Oval Playground, which opened in 1937 under parks commissioner Robert Moses.
The park served the neighborhood, known since the construction of the reservoir as Norwood, that had been developed largely with apartment buildings after 1905. Montefiore Hospital locatedherein 1913. The Reservoir Keeper's House was abandoned by the city, but plans were made in the 1930s to convert it to a branch library. However, Dr. Isaac H. Barkey, a physicist and engineer, and his wife Dorothy, interested inpurchasing the house, convinced the city to build a new library nearby and acquired the property in 1946. After five decades in residence, the Barkeys sold the house in 1998 to the Mosholu Preservation Corp. A non-profit organization established in 1981 by Montefiore Medical Center to address the problem of housing abandonment and deterioration in the ethnically diverse Norwood neighborhood, the Mosholu Preservation Corp. has been active in neighborhood improvement and publishes the Norwood Mewy community newspaper. Plans are under way to renovate the Keeper's House for use as its offices, for a local meeting facility, and a youth summer employment center. The building was listed on the National Register of Historic Places in September 1999.
Description
The Williamsbridge Reservoir Keeper's House is a two-and-a-half-story, L-shaped building constructed of rock-faced, variegated gray-tan gneiss ashlar, with smooth, speckled-gray granite trim, including the watertable, a band course terminating the second story, and keyed enframements. The rubble stone foundation is currently exposed. The roof has gables at the northern end of the front (west) elevation and at the south elevation. Fenestration is rectangular, except for a small round-arched window in each gable. Windows were originally two-over-two double-hung wood sash; these were replaced (c. 1950s) by multipane metal casements.
Front (west) elevation: This elevation has four bays, two tm each wing. The main entrance originally had a wood paneled door; this was replaced (c.1950s) with an historic decorative metal door from a Manhattan town house. The southernmost bay on the first story originally had a double French window (which was salvaged and is currently in storage); the opening is currently covered. There was originally a wood porch with latticework, posts, and steps; a steel mesh deck was installed (c. 1950s).
Rear (east) elevation: This elevation has four bays on the first story and three bays on the second story. The central entrance originally had a wood paneled door (converted into a window c. 1950s) and a wood porch with latticework, posts, and side steps. Stone steps, flanked by a stone areaway wall, lead to a basement entrance with a solid metal door (c. 1950s). North elevation: This elevation has two bays. The entrance in the eastern bay of the first story originally had a wood paneled door (the lower portion survives in part) and a wood porch with latticework, posts, and steps.
South elevation: This elevation has two bays on the southern end of the building, as well as one bay on the second story of the wing projecting from the northern end.
Roof: The roof, a replacement (c. 1950s) of the original slate roof, is covered in variegated slate shingles, with red tile ridgecap (with end finials), snow guards, and copper gutters. Originally there were two corbeled brick chimneys; the one near the southern end survives, while another at the juncture of the two wings was removed.
Lot: There is an original stone retaining wall along the eastern property line, with portions of a deteriorated pipe railing. A chain-link fence currently surrounds the property.
- From the 2000 NYCLPC Landmark Designation Report
That long pointed implement is a Flemish Goedendag made famous from it's use at the Battle of the Golden Spurs (the Battle of Courtrai) in 1302 AD. Legend has it that prior to the onset of the battle the native Flemish would greet people. Anyone who answered in French got one of these bad boys thrust into them, hence the name meaning "good day" in English.
Beside the Goedendag is a steel coronel used to tip a lance in jousts of peace. Those prongs may look nasty, but they catch the oponent and throw them from the saddle rather than pierce them as a sharp lance tip would do.
We're taking a new approach to how we perform critical inspection and maintenance of subway components that are necessary to providing reliable service -- FASTRACK. The third implementation of FASTRACK is taking place on the Sixth Avenue B/D/F/M Line from 57 Street to W 4 Street from Feb. 27 to March 2, 2012. Because a section of the subway is closed to trains for seven consecutive hours, FASTRACK is a safer and more efficient way to maintain and clean New York City's sprawling subway — a system that never closes.
With no trains running along Sixth Avenue, 800 MTA employees are able to inspect signals, replace rails and cross ties, scrape track floors, clean stations and paint areas that are not reachable during normal train operation. Workers also took the opportunity to clean lighting fixtures, change bulbs and repair platform edges while performing high-intensity station cleaning.
Photo by Metropolitan Transportation Authority / Patrick Cashin.
29 August 2012 - The UN refugee agency (UNHCR) in Afghanistan has recently completed implementation of 18 livelihood projects for returnee families in Saracha village, Bihsud district of Nangarhar province in eastern Afghanistan.
The projects include the rehabilitation of canals, roads, protection walls, micro-hydro power plants, a computer centre, a pickle and jam production plant, and training on beekeeping and honey production, as well as poultry and cow-raising.
Almost 1,900 families have returned to the village since 2002 and still face economic hardships and insecurity. In 2011, UNHCR conducted a returnee monitoring survey and found that over 90 per cent of male heads of households in the returnee population made a living as unskilled daily wage workers and don’t earn enough money to support their families.
“The current environment of scarce jobs, food, and shelter coupled with the deteriorating security situation has brought more challenges to helping these returnees remain in their places of origin,” said Mohammad Eamal, a UNHCR official in Jalalabad. “These pilot projects aim at addressing the challenges, which include improving the socio-economic situation of returnees as well as receiving communities in the village.”
A UNHCR statement released yesterday said the number of Afghan refugees returning home in the first eight months of 2012, from Pakistan, Iran and other countries, has already surpassed 50,000 individuals.
Part of the projects is “investing in green” where three micro hydro power stations are built in the village. These stations can produce environment-friendly, more sustainable “green energy” and provide electricity for the entire community.
“This project is very valuable. Now we have 24-hour electricity,” said Ghulam Naseer, the chairman of a Community Development Shura in Saracha village.
Lack of education amongst school-age returnees is also one of the gaps that the UN agencies are trying to bridge. It is estimated that 8,300 children are not attending school. Due to lack of female teachers, girls in early teens are kept home and end up being married at an early age. To address the issue, five community-based schools and two literacy classes have been supported by the United Nations Human Settlements Programme (UN-HABITAT). In addition, rehabilitation of existing schools has also taken place in the village.
UNHCR has an education-related project: the construction of a computer centre. “We are currently running the centre and are planning to hand it over to the community sometime next year,” said Mr. Eamal.
One of the highlights of the projects is women’s empowerment. Since the start of the projects in 2011, women in the community have received training on various income generation activities, such as poultry raising and fruit and vegetable processing. A pickle and jam production plant was established in the village and provides jobs for women.
“We are happy because we can work here and receive incomes. We can also make pickles at home after work. We are very poor and I’m not allowed to work far from home by my family. With the establishment of this plant in our village, I’ve had a chance to earn money,” one of the women in the plant, Shirigul, told UNAMA.
Photo: UNAMA / Alkausar
Plot - Alex Katz, Georg Baselitz, Iris (Detail), 2009, Albertina - Sammlung Batliner
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
© Earl C. Leatherberry, Do Not Use Without Written Consent
In the late 1800s and early 1900s, the Oliver Chilled Plow Works was one of the country's major plow producers. The company was out of South Bend, Indiana. The company moved into manufacturing farm machinery, and Chicago became its headquarters. In 1929, the company merged with four other farm machine companies to form Oliver Farm Equipment Company. Oliver lost its corporate identity during a period of industry-wide mergers and consolidation-when purchased by White Motor Corporation in 1960.
Judith Williams, SAP speaking during the Session "Implementing Stakeholder Capitalism 1" at the World Economic Forum, Annual Meeting of the Global Future Councils 2019. Copyright by World Economic Forum / Benedikt von Loebell
El presidente Danilo Medina recibió hoy en su Despacho del Palacio Nacional a destacados empresarios del país, quienes le giraron una visita de cortesía y expresaron su respaldo a las políticas públicas implementadas desde el 2012 a la fecha.
Foto: Romelio Montero/Presidencia República Dominicana
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Water & Light at Sassi Mazar Balochistan May30, 2015
SUN SHINES IN THE NIGHT
Sassi punnu mausoleum got Solar Energy
Every year thousands of peoples from various parts of Sindh, Baluchistan and Punjab gather at the shrine of Sassi and Punnu in Singher village to attend a 3 days carnival. Singher village is , 52 Kilometers away from Hub town. Singher means chain, as the village is surrounded by the chain of hills where it is believed that Sassi and Punnu were buried under a landslide.
Before the monsoon a carnival organizing committee receives donation from the Baloch tribal chiefs of Sindh and Balochistan to bear the expenditures of the event. Collected funds are mostly used for providing food, water and accommodation to all the devotees there. Sufi Faqirs (singers) from Sindh, Balochistan and Punjab travel to perform songs on the occasion to pay homage to Sassi Punnu, the popular tragic romance of Sindh and Balochistan. Besides folk songs, a traditional Sindhi game malakhro similar to Japanese wrestling sumo also attracts a large number of the people to come there.
Lands from mountains with old graves scattered in the area and rainy water ways are quite difficult to cross for the travellers. Despite this, devotees, males and females, travel long distance to visit the site the entire year. For the local people, camel is the only means of transport and people gather there during the occasion.
There is only one well, which is useful for the communities otherwise the entire area underground water level is unsafe for human consumption. In case the area receives monsoon rains the people use rainy water from ponds.
For the benefit of peoples living in surroundings as well as devotees who visit during carnival and over the year, Masood Lohar, country Manager UNDP, GEF small grant program decided to use solar energy for providing clean and safe water and lighting on the mausoleum.
On 30th May 2015, Shaan Technologies Private Limited installed a 3 HP Solar Powered pump on a 250 ft deep well that is located near the tomb. Operating on a 3 kilowatt solar panel bank this pump provide 30 Gallon water per minutes & eliminates requirement of diesel generator operated pump that organizing committee previously used to supply water during the festival.
Now solar pump serves as a continuous source of clean water without any additional cost. A water tank is provided to store pumped water. This tank helped as a 24 hours ready source of water for the local people.
In addition to that 2 solar powered floodlights were also installed in front yard of tomb. These 14 watt LED lights runs on a 35 watt solar panel that provide sufficient power to run LED lamps up to 12 hours. Dusk to Dawn photo sensors is also used in the system that automatically turns on the light just before the sunset and turns off at dawn. This project was financed by the UNDP GEF Small grant program. Lodhie foundation contributed 10% cost of the project under its poverty alleviation initiative.
Project Summary
Location: Sassi Punnu Moseleum, Singher Village, Near Hub Dam, Baluchistan
Coordinates: 25°18'41"N 66°53'21"E
Nearby cities: Karachi, Hub City, Sonmiani / Winder city
Initiated By: UNDP, GEF Small Grant Program in association of Lodhie Foundation
Implemented by: Shaan Technologies Private Limited Karachi
Implantation Date: 30Th May 2015
Equipment installed:
(1) One 3HP DC Submersible water pump with 3KW Solar panels and Pump Controller
(2) Two Solar Powered LED Floodlights
Beneficiaries: Up to 2500 people living in the Singher village and surroundings
Folktale of Sassi & Punnu
Sassi Punnu is a famous folktale of love told in the length and breadth of Sindh, Pakistan. The story is about a faithful wife who is ready to undergo all kinds of troubles that would come her way while seeking her beloved husband who was separated from her by the rivals
Sassi was the daughter of a Brahman Hindu Rajah from Rohri . Upon Sassui's birth, astrologers predicted that she was a curse for the royal family’s prestige. The Raja ordered that the child be put in a wooden box and thrown in the Sindhu, present day’s river Indus. However, she was saved by a washer-man belonging to Bhanbhor, near Gharo district, Thatta . The washer-man raised her as his own daughter.
When Sassui became a young girl, she was as beautiful as the fairies of heaven. Stories of her beauty reached Punhun a prince from Kech Makran Balochistan and he became desperate to meet Sassi. The handsome young Prince therefore travelled to Bhambore. He sent his clothes to Sassi's father (a washerman) so that he could catch a glimpse of Sassi. When he visited the washerman's house, they fell in love at first sight. Sassui's father was dispirited, hoping that Sassi would marry a washerman and no one else. He asked Punnhun to prove that he was worthy of Sassui by passing the test as a washerman. Punnhun agreed to prove his love. While washing, he tore all the clothes as, being a prince, he had never washed any clothes; he thus failed the agreement. But before he returned those clothes, he hid gold coins in the pockets of all the clothes, hoping this would keep the villagers quiet. The trick worked, and Sassui's father agreed to the marriage.
At last Punnu (Punhoon) married her. However, his father, Ari, the King of Ketch, did not like his son getting married to a low-caste girl, so he instructed his other sons to go to Bhanbhor and bring back Punnu at any cost. They visited Punnu as his guests and during the night they intoxicated him and his wife. Later, they put their brother on one of the camels and left. When Sassi woke up in the morning, she was shocked to find Punnu missing and all his brothers gone. She understood their trickery. She left Bhambhor immediately to Kech Makran on foot in search of him. The Kech Makran is located along the Makran Coastal Highway in Baluchistan, Pakistan.
After crossing Pab Mountain, she reached the Harho range. She could not proceed further when her path was blocked by the Phor River. So she started retracing her steps. Soon she was accosted by a beastly goatherd who intended to molest her. Sassi prayed to God for protection. Immediately the ground below her feet started caving in like quicksand and she disappeared within seconds. Seeing the miracle, the goatherd repented sincerely, and to make amends for his misconduct, he made a grave in the site and became its custodian.
Punnu found no peace of mind at Kech. He languished and soon became an invalid. Under the circumstances, his father allowed him to return to Bhambhor.
During his return journey, Punnu happened to pass by the site where Sassi had met her death. When the goatherd came to know his story, he told him as to what had happened to Sassi. Punnu was beside himself on hearing the horrible news.
He prayed to God to unite him with Sassi. Again the ground became quicksand and he soon disappeared into the bowels of the earth. So came to an end the tragic love story of Sassi and Punnu. The legendary grave still exists in this valley.
The famous Sufi saint and poet Shah Abdul Latif Bhittai sings this historic tale in his sufi poetry “Shah jo Risalo” as an example of eternal love and union with Divine.
Sassi’s resting place is said to be about 45 miles away in the Pub range to the west of Karachi. A local man of some importance constructed a simple mausoleum in 1980 over the joint grave of Sassi and Punnu. It is often visited by tourists.