Antique Farm Equipment
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The old corn cribs were designed so the equipment can pull through and unload, then the equipment stored over winter for protection. Over the years the corn cribs evolved to outpost garages and junk collections in the fileds.
A view of the Farmer's Dwelling-Stables in Saint-Marie Among The Hurons located in Midland in Simcoe County in Central Ontario Canada
The French used wood and iron farming implements, while Huron tools were of bone,stone and wood.
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...as the farmer eats his sunny side up eggs. His tractor and the harvest warms up to a rising golden sunny morning!
And now for something completely different. I was struck by the light and shadow on these implements in a mug on the kitchen counter.
Hope you are enjoying a beautiful week. Thanks, as always, for stopping by and for all of your kind comments -- I appreciate them all.
© Melissa Post 2016
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The key to writing any good book is not in how the words are printed but in how the story is told. But it certainly doesn't hurt when the nature of the implement of said writing is one of unique and time worn character.
For 52 in 2015 - week #42 - theme: "in a row"
Model 5610,
Disc harrows are the perfect implement for tilling soil.
Bordering the Atlantic Ocean.
Porto Covo, Setúbal, Portugal
This is a small sample of old farm implements preserved in perfect condition!
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Esta es una pequeña muestra de antiguos aperos de labranza conservados en perfecto estado!
Former tractors, harvester, and other farm implements.
Camera: Beacon Two-Twenty-Five, a low-end 1950s plastic camera with a 70mm doublet lens. The focus is fixed and ranges from about 5 1/2 feet to infinity. The shutter, at around 1/50 second, is best for daylight shots, but even small movements (such as the horse's ear) can result in blur. Overall, the camera is quite fun to shoot and I was very pleased at the quality of image produced by the doublet lens. The camera is called the "Two-Twenty-Five" because it produces 2.25-inch square images.
A fascinating history of the company which produced the Beacon can be found at Mike Eckman's website: mikeeckman.com/2023/07/beacon-two-twenty-five-1950/
Film: 120-size Arista 100 ISO, respooled onto a 620 reel.
Developing: Kodak HC-110, Dilution B, 6 min.
A seguito dell'implementazione del sistema di sicurezza ETCS lungo l'asse alpino del San Gottardo le Br185 che DB adoperava abitualmente su questo itinerario dovettero essere distolte dall'abituale servizio per permettere la progressiva installazione dei sistemi necessari. SBB Cargo e DB Schenker siglarono pertanto un accordo commerciale per lo "scambio" di una parte delle proprie dotazioni.
Mentre quindi una decina di Br185 vennero assegnate ai servizi "domestici" delle Ferrovie Federali elvetiche, prevalentemente assegnate al deposito di Zurich Limathal, SBB sostituì fino allo scorso cambio d'orario, le TRAXX tedesche con le proprie locomotive su tutti i convogli che dalla Germania si dirigevano in Ticino ed Italia.
Nella foto la Re4/4.11183 sta proprio trainando sul San Gottardo uno dei convogli forse più indelebilmente associati alle Br185 tedesche, il "Winnerzug" Wuppertal-Piacenza. (30/10/15)
In the last months the DBS Br185.1s used along the Gotthard route had been withdrawed due to the ETCS implementation.
While some loks were working with SBB in domestic freight activities around Zurih Limathal, some Re10/10 were employed to haul also the DBS international trains from Basel to Chiasso.
Beyond the many mixed freight from Mannheim, also the "Winnerzug" Wuppertal-Piacenza had been entrusted to the Swiss loks.
Here the Re4/4.11183 and a Re6/6 are running just before the Biaschina Loops heading the southbound train. (30/10/15)
This neat little device (farm implement) turns your tractor into a small combine, or corn picker.
August 17, 2019
Montgomery County Old Threshers Show 2019
Missouri
An extreme close up of the working side of a meat tenderiser.
Last week my son and I were making schnitzel. He had the job of bashing the pork loins and he commented that the tenderiser looked like a Cluedo murder weapon: Colonel Mustard, in the kitchen, with the meat tenderiser!
HMM to you all.
"Spreading a Little Sunshine" in Capitol Reef National Park.
I photographed this vintage farm implement, an old manure spreader, in a park that includes a lot of agricultural history. I grew up using a more modern version of this spreader, on our family dairy farm in eastern Oregon. Ours was pulled by a tractor, rather than a team of horses. Ours used the Power-Take-Off (PTO) from the tractor to convey the manure to the spinning tines at the end, which flung the dung out into the field; whereas, theirs was powered just by the horses and those large wheels connected to a series of gears. Either way, you didn't want to be near those spinning teeth at the back end, or you'd get "sunshine" in your face!
The hardest part of creating this photo was making sure the Photopills app was correctly calibrated on my cell phone, so that my Blue Hour camera/tripod alignment shot was correct for the Milky Way core, which wouldn't be visible for another 90 minutes.
TECHNIQUE & EXIF: Stacked and Blended • Canon 6Da + Canon 24mm f/1.4 • Blue Hour exposure: f/16, 30 sec, ISO 800 • Nautical Twilight exposure with lighting glow underneath (Lume Cube Panel Mini, with diffuser, 3800º K): f/16, 30 sec, ISO 3200 • Milky Way Sky (during Astronomical Dusk): f/2.8, 15 sec, IS0 8000 - using a stack of 15 exposure for noise reduction, processed in Starry Landscape Stacker • All 3 exposures blended together in Ps layers, with the glow blended last, using the "Lighten" mode.
My eBook, Milky Way NightScapes, gives extensive details on my style of starry night landscape photography. Four chapters cover planning, scouting, forecasting star/landscape alignment, light painting, shooting techniques and post processing. Special Flickr Promo: Use Discount Code FLIK for $5.00 off at checkout (limited time only).
Last summer I shared a story about my magical encounter with a Short-eared Owl and subsequent experiences that taught me a valuable lesson in file storage, disk failure and its ultimate restoration. Files can't always be restored, and it took me more than three years to recover these. I'll never forget my awe when sharing a private moment with this beautiful owl. Even better, I'm so grateful that I have the photos, once again, to remember the details. More about this tale, my 2020 peregrine experience that led me to recover these photos and my lessons learned my blog "Lost and Found and the Shot-eared Owl". Photographed #OnThisDay February 17, 2017.
Excerpt from en.wikipedia.org/wiki/Sam_Tung_Uk_Museum:
The Sam Tung Uk Museum is a museum restored from Sam Tung Uk (三棟屋; 'three-beam-dwelling', which describes the original floorplan), a Hakka walled village in Tsuen Wan, Hong Kong.
It was built by a Chan (陳) clan under the leadership of the clan patriarch, Chan Yam-shing, in 1786 during the Qing dynasty. The Chan clan was originally from Fujian; they had moved to Guangdong, and then to Hong Kong to engage in farming. The site has been carefully restored and opened to the public as a museum.
Sam Tung Uk was vacated in April 1980 and declared a historic monument in March 1981. The Hong Kong government funded its restoration and converted it into a museum between 1986 and 1987. The restoration work won the Pacific Heritage Award of the Pacific Asia Tourist Association in 1990.
The entrance, assembly and ancestral halls, and twelve of the original houses are preserved. Other rooms have been modified to accommodate a reception area, an orientation room, an exhibition hall, a museum office, and a lecture theatre. The agricultural implements and everyday objects of Hakka village life are on permanent display. The main exhibition hall at the far end of the building complex changes its displays approximately every six months. Documentation of the restoration process is on display in Orientation Room.
I went to the museum last weekend with some friends who were visiting. You know what struck me, more than any other detail? How interesting the supportive structures are. These bones are of course intriguing, but when I focused on the structures that hold them up… all the structures of display in the museum, in fact… I really saw the whole experience through new eyes.
Farm implement near McBaine, Missouri. Photography by Notley Hawkins. Taken with a Canon EOS R5 camera with a Canon EF8-15mm f/4L FISHEYE USM lens at ƒ/5.6 with a 239-second exposure at ISO 50, processed with Adobe Lightroom CC.
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An abandoned villa in the Italian countryside with some nice details in the living areas upstairs and a lot of large barrels in the basement. Unsure on the history of this but seems to have been abandoned for many years.
The man down Italian toll tour. Taking in some Italian delights on a 4 day explore.
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Farm implement near McBaine, Missouri. Photography by Notley Hawkins. Taken with a Canon EOS R5 camera with a Canon RF15-35mm F2.8 L IS USM lens at ƒ/4.0 with a 152-second exposure at ISO 50, processed with Adobe Lightroom CC.
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©Notley Hawkins. All rights reserved.