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Il palazzo vescovile è un edificio dalle forme romaniche situato in piazza Duomo 1 a Parma, di fronte al Duomo; costituisce la sede della Diocesi di Parma e del Museo diocesano di Parma.
L'ampio palazzo si sviluppa attorno al grande cortile centrale, occupando l'intero isolato.
La lunga facciata principale e quella verso sud sono caratterizzate al piano terreno dal porticato con pilastri in grossi conci di pietra, tamponato in epoca rinascimentale; i livelli superiori sono rivestiti in laterizio e arricchiti, al primo piano, da una serie di notevoli trifore romaniche archivoltate, suddivise da sottili colonnine binate in marmo rosso di Verona; nella porzione nord della facciata principale, all'interno e al di sopra dei timpani delle trifore, sono presenti numerose patere in ceramica. Al secondo livello, a eccezione della porzione nord della facciata, in origine più bassa in quanto ricoperta da un terrazzo, è presente un'ulteriore serie di trifore, di dimensioni minori, oltre a due bifore nella zona centrale. A coronamento dei prospetti corre un alto cornicione rinascimentale in terracotta, che si prolunga anche sulla porzione nord, ove tuttavia è presente anche un elegante cornicione medievale poco più in basso.
Il nucleo più antico, affacciato su vicolo al Vescovado, è interamente rivestito in laterizio ed è caratterizzato dalla torre che si innalza nell'angolo nord-ovest, dall'ampio portale ad arco con cornice in blocchi in pietra d'epoca romana e dalle tracce di bifore.
All'interno il grande cortile è contornato dal porticato rinascimentale a colonne in arenaria del piano terreno, su cui si innalza sui tre lati opposti all'ingresso un elegante loggiato; sono presenti due stemmi del vescovo Sangiorgio sul colonnato e le sue iniziali su numerosi architravi. Sul lato est sono inoltre visibili le tracce di due trifore medievali, una delle quali, ancora decorata a tempera, conserva una colonnina in marmo rosso di Verona e un capitello in pietra.
Il Museo diocesano si apre su un'ala del palazzo su vicolo al Vescovado.
Está formada por el Pazo de Fefiñans, el arco-puente, la atalaya Torre del Homenaje y por la Iglesia de San Benito, es un de los conjuntos arquitectónicos más bellos y admirados de Galicia, data del siglo XVI. Está rodeada de edificios históricos y monumentales.
Antiguamente era conocida como la plaza del mercado, pues era donde se celebraba semanalmente,
Esta plaza se encuentra en Cambados´, Galicia.
A form of sailing barge similar to a scow, gundalows characteristically employed tidal currents for propulsion, but shipped a single lateen sail brailed to a heavy yard to harness winds.
Ana Sieberi
Hair - Exile - Temptation Waits Browns
Dress - Pixel Forms - Dominiqui Dress (Belleza/Maitreya/Slink)
Shoes - Empire - Triteleia (unpacked) (Belleza/Maitreya/slink)
Pose - STUN - Pose Pack Collection Donatella #29
The new year brought us quite a treat! Orcas Island is in the background. Welcome 2020.
All my photographs are © Copyrighted and All Rights Reserved. None of these photos may be reproduced and/or used in any form of publication, print or the Internet without my written permission.
The small twenty-one car ferry docking on the island side during a lovely sunrise. Lummi Island, Washington, USA.
Website: edmundlowephoto.com/
All my photographs are © Copyrighted and All Rights Reserved. None of these photos may be reproduced and/or used in any form of publication, print or the Internet without my written permission.
I set off form the great ocean road 2 days ago with the main goal of getting a shot of this iconic pier over the next 7 days or so before I duck back to Sydney for a few days.
From about lunch time today I had my eye on the forming clouds just hoping they would hang around until sunset. They didn't, they rarely do. However this set rolled over the horizon and put on a real welcome to SA show.
Uploading late as it took me ages to align the pano, I hadn't though to re-adjust the pivot point on my pano head for the new lens. So I had to manually align then use auto blend cs5, got there in the end.
6 shot vert
20sec ish per shot
f16ish
cic pol
3 stop soft
5 stop solid
Prob needs a slight colour adjustment, (clouds need to swing a bit from that pinkish to more orange) but its late ill do it later.
Check out my Travel & photogaphy Blog | Website
Suffering, in all it's varied forms, is what exactly?
A compounding of fractured soul, so matter-of-factly,
She said that He Himself said,
That surgery is an art gallery of faith instead
Masterpieces where health invariably decreases
Swan songs of broken hearts where love ceases
To enliven home truth's of carefree surrealism
One empty soul does not make another idealism,
Minimal is the grey day that paves the way for darkness
Looming on the horizon of unseen weathering blackness
A colossus of sky with the upper land
Nature the only card, saviour, and prophet to hand
Fear may only be a feeling, but the feeling is beyond fear itself
As they say, depression is expectant as we each try to find oneself
In the mire of news, be it the betrayal of the health of our citizens
Or just the assassination of natural resources wealth, that bloody well glistens
In the headlights and highlights of our obit we now live in memory alone
"A Song for Departure" plays upon the mind that cannot find adequate words to bemoan
The lack of attention paid to the well-being of Mother Nature, ageism spammed!
We are seeking the revolution for the revolving Earth whose door's are jammed
By the annual quagmire of festive exposure by all means time is spent!
Here by the grace of God, we breathe in life, in a place, in grace Heaven sent
It's tempting to stop reading, as it is to cease listening, turning a blind eye as well, why not?
But dare I say, it's nigh on impossible for very long to do the whole damned lot!
Mother Nature, She is suffering can't you see upon this obdurate land
We tune-in to be deceived, ghost hunters and faithful followers of a new kind of religious brand
Detect only what the illusion alludes to in the lost art of heart and soul
In part, life is already obfuscated with it's own toxins, we're the decade on parole
1988, 1998, 2008, I remember well, the future that is coming too soon
Here before tomorrow ever knows what to do with itself, we must find the answers to be in tune
Petty arguments wage wars within the minds of boys whose toys have been confiscated by ignorance
A belief of faith cannot be true if it sees red at every turn, nor can it bring hope for the children in whom we bestow what kind of continuance?
Benevolence is awaited with a youthful eagerness that has grown old waiting on the wings of fighters
Knives replace fists that substitute backs for tables in the cities full of such blighters
Intervention risks life and death for the removal of compassion brings the hooded underworld
That has now come up to grab society by the ruddy throat twirled
A society indeed, un-policed and unappeased the x-factor of fearless nerves
Can no longer meet with the supply, that which steals warns of what it serves
We're a breed apart though we never used to be and never should be
Walking tall when we should be down on our damned knees begging for forgiveness until we all finally agree
So the trepidant beggars of belief peaceably fly in the face of popular opinion,
For the standards of today will invariably fail the tests of time and ever-changing dominion
If you feel the force of scientific tribulation, will it numb the senses of tomorrow
Can the government's diet, passed fit for us all, sustain us through political sorrow?
If a smile should pass your face someday, cherish it's presence upon the lifestyle that forgot how to use it
Wear yourself well, but for the love of life we must address what does reciprocally befit.
by anglia24
09h55: 02/10/2008
©2008anglia24
Berlin Hauptbahnhof ist der wichtigste Personenverkehrsbahnhof in Berlin und zugleich der größte Turmbahnhof Europas.
Der Bahnhof wurde am 28. Mai 2006 in Betrieb genommen
Der Bahnhof umfasst eine Grundfläche von 430 m × 430 m. Das Herzstück bildet eine Fläche von 80 m × 80 m, auf der fünf Verteilerebenen angeordnet sind. Der Höhenunterschied zwischen der obersten und untersten Ebene liegt bei 25 Metern.[1] Insgesamt 54 Rolltreppen, sechs Panoramaaufzüge, zehn weitere Aufzüge sowie diverse feste Treppen verbinden die verschiedenen Ebenen.[
Berlin Hauptbahnhof "Berlin main station", sometimes translated as Berlin Central Station[, is the main railway station in Berlin, Germany.[8][9] It came into full operation two days after a ceremonial opening on 26 May 2006. It is located on the site of the historic Lehrter Bahnhof, and until it opened as a main line station, it was a stop on the Berlin S-Bahn suburban railway
After German reunification it was decided to improve Berlin's railway network by constructing a new north-south main line, to supplement the east-west Stadtbahn.
The design called for five levels. The highest level, on a bridge 10 metres above street level, was to have platforms for both long-distance and S-Bahn trains on the existing Stadbahn. The lowest level, 15 metres underground, was to have platforms served by new tunnels to Potsdamer Platz under the Spree and the Tiergarten, forming a new north-south line running to the northern part of the S-Bahn ring around central Berlin.
The main station hall is spanned by a similarly curved glass roof with a surface area of about 85 metres (279 ft) by 120 metres (390 ft), which was installed in February 2002.
The main concourse, supported by two towers, provides roughly 44,000 square metres (470,000 sq ft) of commercial space.
(Wikipedia)
Delle forme particolari di aggressività vanno considerate pure l’impertinenza e l’ironia. L’ostilità si maschera con il sarcasmo; si fa intendere di non attribuire il giusto peso alle parole o si invita ad afferrare il contrario di quanto si è proferito. Il vero messaggio si nasconde sotto il tono di voce e dietro l’umorismo.
© Jerry T Patterson - All Rights Reserved Worldwide In Perpetuity - No Unauthorized Use. Absolutely no permission is granted in any form, fashion or way, digital or otherwise, to use my Flickr images on blogs, personal or professional websites or any other media form without my direct written permission.
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Camera equipment: Canon 5D Mark III, 16-35mm f2.8L II USM lens
If you're in Jackson Hole, WY (USA) anywhere between May and early August and you don't shoot the Milky Way over one of the Moulton Barns then you are certainly missing out. Go for it. Get out there and expand your photography knowledge, skills and the depth of your photography content. Don't be afraid of the dark ... take a couple of friends and have a great time with night photography and don't forget to light paint a few other objects throughout Jackson Hole.
The light in the clouds is from the town of Jackson which is about 15 minutes south of this barn.
As time goes on, I will upload other night sky / Milky Way shots I've taken ... I just don't want to upload one after another and bore people to death.
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Nightsky / Milky Way photography in Jackson Hole, WY
In 2018, I will be leading two 4 day photography workshops. One with Ryan Smith in Arches National Park in March and one in GTNP during the middle of June. During both workshops, I will take my group out for 3 nights of my Milky Way night sky workshop.
My 2018 4-5 day photography workshop schedule:
Icons of the Southwest w/Ryan Smith - April 14-18
Jackson Hole, Wyoming spring - June 15-19
Washington, DC Milky Way Monuments - November 7-9
The great part is that in 2018 I will return to Jackson Hole for the incredible wildflowers throughout the valley and the surrounding mountains.
Do you shoot the Milky Way but need a little help in getting the Milky Way to jump out of your photos ? If so, take a look at my ebook A Photographer's Milky Way Processing Guide - A Photoshop HowTo
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You may also find me at: .. Amazon || Smashwords || 500px || 72dpi || Google+ || facebook || Instagram
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Time to chill out to Lara Fabian's song ... Quedate.
Thanks for stopping by.
Still Life in the abstract. Brush strokes, pant dabs form a unique, contemporary version of the classic still life.
* Dans le village de Saint Bertrand de Comminges, l'esthétisme des rues est important, le géranium rouge, le pot vert vif et le volet est bleu gris participent à l'ensemble. Tout cela est strictement aligné.
Seulement un ne respecte pas l'alignement!
* The red and green line. In the Saint Bertrand de Comminges French village, south of France. Streets aesthetic is important, the red of the geranium, the lime green of the flowerpots, and the blue-grey of the window shutters do so. All this form a line.
Only one does not respect the rule!
formato A5, schizzo ainchiostro con pennino e pennello su carta riciclata, iterpretazione della bellissima fotografia di Y. Lemeur (que je remercie encore pour l'inspiration continue)
The Augustusburg and Falkenlust Palaces form a historical building complex in Brühl, North Rhine-Westphalia, Germany, which has been listed as a UNESCO cultural World Heritage Site since 1984. The buildings are connected by the spacious gardens and trees of the Schlosspark. Augustusburg Palace (German: Schloss Augustusburg) and its parks also serve as a venue for the Brühl Palace Concerts.
The palaces were built at the beginning of the 18th century by the Archbishop-Elector of Cologne, Clemens August of Bavaria of the Wittelsbach family. The architects were Johann Conrad Schlaun and François de Cuvilliés. The main block of Augustusburg Palace is a U-shaped building with three main storeys and two levels of attics. The magnificent staircase was designed by Johann Balthasar Neumann.
The gardens were designed by Dominique Girard. An elaborate flower garden for an area south of the palaces was also designed, but it was restructured by Peter Joseph Lenné in the 19th century and turned into a landscape garden. Attempts to renovate the area have proven difficult, due to poor source material availability.
Falkenlust hunting lodge was designed by François de Cuvilliés and built from 1729 to 1740, in the style of the Amalienburg hunting lodge in the park of Nymphenburg Palace.
From shortly after World War II until 1994, Augustusburg was used as a reception hall for guests of state by the German President, as it is not far from Bonn, which was the capital of the Federal Republic of Germany at that time.
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Fujifilm X-S10
Fujinon XC15-45mm F3.5-5.6 OIS PZ
Petit-duc maculé | Eastern Screech Owl | Megascops asio
Longue chronique aujourd'hui. Pardonnez m'en. Prenez le temps d'examiner les images inédites dont vous trouverez dans le texte les liens, autrement non-accessibles.
De la belle et grande visite!
Dimanche dernier j’ai eu le grand plaisir d’accueillir et guider quelques-uns de mes amis Flickr provenant de Vancouver et Québec. Toutes et tous d’excellents photographes animés par la même passion, la photographie animalière. C’est en début d’avant-midi de cette journée idéale pour la photo, baignée par un mercure des plus cléments et sous un soleil à l’intensité parfaite que nous nous sommes retrouvé face au trous no 6 et 2... vides. Connaissant les habituels allées et venues de nos Petit-ducs, je ne m'en suis pas vraiment inquiété. Le moment était donc propice à prendre le temps de savourer les premiers instants de ces toutes premières rencontres sur le terrain avec ces amis jusqu’alors virtuels, amis que nous avons l’impression parfois de bien connaître de part les partages et échanges sur nos images qui illustrent si bien nos visions et nos émotions. Je rencontrais donc pour la toute première fois Pascale et Alberto et je retrouvais Sandra et Maxime . Pur plaisir. Nous étions fin prêts à débuter notre chasse photographique aux Petit-ducs d’Angrignon!
Devant ces trous vides nous avons pris la direction du secteur que fréquente Odi, l'autre femelle de forme grise du Parc, située un peu plus loin. Juste auparavant j’ai jeté un coup d’œil au trou no 5, situé quant à lui à l’opposé du 6 dans le même arbre. Merveilleux! Shannon, le rouquin, s’y trouvait de ce côté ombragé du grand hêtre. Heureux et émouvant moment pour toutes et tous. Un lifer pour trois de mes visiteurs... La tournée démarrait en force! Nous avons trouvé Odi un peu plus tard bien installée aux abords du no 9, là où elle nous présente toujours ses plus belles poses. Royale apparition! Au retour auprès de Shannon, une surprise de taille nous attendait, Shannon avait passé, en notre absence, du no 5 au no 2 placé avantageusement en plein soleil, mes convives et quelques-uns de mes amis réguliers du Parc, tel Robert Dupont et Christian Fritschi qui se sont joint à nous plus tard, pouvaient maintenant le capter dans les meilleures conditions. Un trou pas trop haut parfaitement libre de toutes branches lui permettant, tout comme le faisait Victor ces dernières années, d'avoir à l'oeil l'arbre où se repose sa douce. Comble de bonheur, nous avons justement retrouvé la belle Amandine, bien installée aux abords du minuscule trou no 6, alors bien exposé à la belle lumière matinale. La totale! Nos trois Petit-ducs maculés auront été généreux et présents ainsi toute la journée. Nombreux observateurs, promeneurs, randonneurs et photographes auront bénéficié de cette journée parfaite! Ce fut notamment le cas aussi pour de nombreux membres du Club des ornithologues de Châteauguay que j’ai eu aussi le plaisir de guider en après-midi. Une journée parfaite!
Ayant passé alors la journée entière auprès de nos Petit-ducs, j'ai été en mesure de les capter dans plusieurs poses moins habituelles. À venir dans mes prochaines chroniques.
Le lendemain matin, venus tôt au Parc, Sandra et Maxime ont fait l'étonnante observation de retrouver le couple en même temps au trou no 6. Cet orifice trop petit pour les apercevoir ensemble, ils ont pu capter Amandine et Shannon venus chacun à leur tour aux abords du trou. Comme nous sommes maintenant dans la période où la nichée peut débuter, ce sera peut-être là le lieu de la couvée 2018.
J'ai justement retrouvé Shannon hier matin, samedi, aux abords de ce trou no 6. Il y était encore à 17h. Après avoir allègrement lissé son plumage (voir l'image ici), Amandine l'a tiré au fond du trou afin de prendre, à son tour, un peu d'air et de bien se réveiller avant que tout deux, l'un après l'autre quittent la cavité afin de vivre leur nuitée de chasse. Voyez ici Amandine en train de se placer aux abords du trou tout juste après que Shannon l'eut intégré.
La présente image que je vous présente aujourd'hui a été prise avant hier, vendredi, Amandine était alors seule dans la cavité. Après avoir entendu à quelques reprises Shannon chanter non-loin dans un coin où je n'ai jamais encore localisé de trou, je l'ai trouvé sur une branche, très, très haute (près de deux fois plus haute que le trou no 7, déjà positionné tout en hauteur), installé au côté de ce qui semble être un nid d’écureuil aux feuilles de la même teinte que lui. Voyez-le ici, comme de raison, dû à la distance, l'image ayant subi un fort recadrage n'est pas de très bonne qualité. Mais elle illustre bien cette situation où le nouveau maître des lieux trône avec panache tout en surveillant le secteur où sa douce Amandine se repose et répond de tant à autres à ses chants répétés...
FlickrFriday - #Bottles
Jörg Schubert / #schubertj73
Titel: Flasche mit Herz Form – Industrie Produkt Kunst Fotografie.
Jörg Schubert / #schubertj73
Title: Bottle with Heart Shape - Industrial Product Art Photography.