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"Amo la fotografia e, soprattutto, amo la fotografia di strada, per questo motivo fotografo spesso nei luoghi pubblici in cui appaiono le persone. Nella maggior parte dei casi non chiedo il permesso di fotografare perché probabilmente cambierei le immagini che cerco di ottenere. Queste foto obbediscono sempre ad un intento culturale, estetico, artistico e / o documentaristico e in nessun caso hanno lo scopo di mostrare a nessuno una situazione che potrebbe lederne l'immagine, minacciare la loro dignità o ottenere un beneficio economico. Tutto questo non significa affatto che non mi interessi delle persone che appaiono nelle mie immagini, quindi se ti riconosci in una delle mie fotografie e questo ti infastidisce, devi solo farmelo sapere e la ritirerò immediatamente . Allo stesso modo se vuoi una copia della tua immagine su carta o in un formato che ti permetta di stamparla tu stesso , ovviamente è tua. Grazie."
2017 has already brought us a mish-mash of snow, rain, ice, warm & now cold temperatures!!! Looked like one of my bird feeders was turning into a little prison with the icicles getting longer & longer by the minute! Poor little birds! (Best viewed Large"
View form the Carfax Tower
Carfax is the junction of St Aldate's (south), Cornmarket Street (north), Queen Street (west) and the High Street (east) in Oxford, England. It is considered to be the center of the city. The name "Carfax" derives from the Latin quadrifurcus via the French carrefour, both of which mean "crossroads". The Carfax Tower, also known as St. Martin's Tower (it is the remaining part of what was the City Church of St. Martin of Tours) is a prominent landmark and provides a look-out over the town. (Wikipedia)
Allestito all’interno dell’Ex Palestra della Gioventù Italiana del Littorio, il Museo della Forma Urbis custodisce i frammenti superstiti di una grande planimetria di Roma incisa su 150 lastre di marmo tra il 203 e il 211 d.C., originariamente esposta sulla parete di un’aula nel Tempio della Pace, in seguito inglobata nel complesso dei SS. Cosma e Damiano. Si tratta di uno dei più rari documenti giunto a noi dall’antichità , che restituisce un panorama unico del paesaggio urbano di Roma antica. Nella sua integrità , su di una superficie di 18x13m circa erano rappresentati almeno 13.550.000 m2 di città attraverso una moltitudine di sottili incisioni che raffiguravano le planimetrie degli edifici di Roma, a una scala media di circa 1:240. Considerata la posizione, la difficile leggibilità e la generale assenza di dettagli, è probabile che la pianta marmorea avesse, più che una finalità pratica, una funzione di propaganda e di celebrazione del potere, fornendo all’osservatore una visione generale della città e dei suoi grandiosi monumenti, le cui sagome erano facilmente individuabili anche grazie all’uso del colore.
Anche se rinvenuti a centinaia, a partire dal 1562 e fino ai pezzi scoperti più di recente, i frammenti della Forma Urbis costituiscono circa un decimo della pianta originale, in uno stato di conservazione che varia da piccole schegge a settori di lastra con interi quartieri, case, portici, templi e botteghe. Solamente per circa 200 frammenti circa è stato finora possibile raggiungere un’identificazione e un’ideale collocazione sulla topografia moderna.
Rapidly forming clouds swirling around the massive summit of Mount Rainier and its many glaciers. As seen from the trail high above Paradise.
Thanks for stopping by. I hope you have a wonderful weekend, wherever in the world you might be.
This Rock Pigeon rested for a few minutes on the railing along a walkway by the Norwalk River. I managed to get a couple of shots of the numbers and letters on the leg bands and with a bit of online research determined that this is a racing pigeon from a club in a nearby town. I sent them an email, but no response so far.
Feeding on Betony.
Not only the best year I can remember for SWFritz, but the best for the rare Valesina form too... Popping up all over the place. Nice to see them out of the woods in the open meadows... :@)
Today's forms of money have developed from primitive money, e.g. B. mussels or rice, which were accepted as a means of exchange in business life. Money initially belonged to the cultic and legal sphere and referred to "that with which one can repay or pay penance and sacrifices". Only after the 14th century did it assume its current meaning as a "coined currency". From the middle of the 19th century, the gold standard existed in many countries, promising the exchange of legal tender (coins, banknotes) for a fixed amount of gold. By the 1930s almost all major states had abandoned the gold standard. Instead of such a standard, monetary policy measures were taken by the central banks to ensure price stability.
Partial excerpt from: (de.wikipedia.org/wiki/Geld#Etymologie)
Geld, auch benannt als:
Cash (englisch für „Bargeld“)
Kies (jiddisch kis, „Geldbeutel“)
Mäuse (jiddisch meus, „Geld“)
Moneten (lateinisch moneta, „Münze“; vgl. engl. money)
Moos (jiddisch und rotwelsch moos, mous (Plural), „Geld“)
Penunze (berlinisch Penunse, von polnisch pieniÄ…dze, aus dem Westgermanischen, verwandt mit althochdeutsch pfenning)
Zaster (rotwelsch saster, „Eisen“)
Kohle
Asche
Pulver (gemeint ist Zündpulver; vgl. sein Geld verpulvern, veraltet: verzünden)
Kröten, Mücken
Entwickelt haben sich die heutigen Geldformen aus Primitivgeld, z. B. Muscheln oder Reis, die im Geschäftsleben als Tauschmittel akzeptiert wurden. Geld gehörte anfangs zur kultischen und rechtlichen Sphäre und bezeichnete „das, womit man Buße und Opfer erstatten bzw. entrichten kann“. Erst nach dem 14. Jahrhundert nahm es seine aktuelle Bedeutung als „geprägtes Zahlungsmittel“ an. Ab Mitte des 19. Jahrhunderts existierte in vielen Ländern der Goldstandard, bei dem der Umtausch von gesetzlichen Zahlungsmitteln (Münzen, Banknoten) in eine feststehende Menge Gold versprochen wurde. Um 1930 haben fast alle größeren Staaten den Goldstandard aufgegeben. An die Stelle eines solchen Standards traten geldpolitische Maßnahmen der Notenbanken, die eine Preisniveaustabilität sicherstellen sollten.
Teilweise Auszug aus: de.wikipedia.org/wiki/Geld#Etymologie
All my photographs are © Copyrighted and All Rights Reserved. None of these photos may be reproduced and/or used in any form of publication, print or the Internet without my written permission.
BNSF 4047 & 683 lead V LPCROB4 18B past the newly (re-)opened Santa Fe depot in Fort Madison, Iowa. For the first time in several decades, passenger trains are once again utilizing this classic AT&SF structure (Southwest Chief, Amtrak train Nos. 3 and 4). Taken on the BNSF Chillicothe Subdivision on 12/19/21.
L'enceinte forme un carré presque parfait de 69 mètres de côté flanqué de huit tours : une à chaque angle (hormis l'angle nord-est occupé par le donjon), une au milieu de chaque courtine et deux protégeant l'entrée.
Les courtines ont 2,65 mètres d'épaisseur et une hauteur d'environ 8 mètres : crénelées, elles supportaient le chemin de ronde.
Mes nouveaux pinceaux multicolores attendent sagement le signal de départ pour un concours de formes et de couleurs.
Joshua Tree National Park is a desert landscape in southeastern California that forms the transition between the Mojave Desert and the Colorado Desert. The park is named after the striking Joshua tree (Yucca brevifolia), the largest species of the genus (Yucca), also called the Joshua tree.
In addition to the Joshua's forests, the park offers one of the most interesting geological formations found in the California deserts. There are bare rocks, which are usually broken up into individual rock formations.
It is always fantastic to admire the weather that arises after a rainstorm - especially in the desert. On the one hand, it's pretty rare, it hadn't rained for months, and on the other hand, the light is incredibly beautiful afterwards and the air is so crystal clear and cleaned of the dust that always hangs in the air in the desert. This morning too. If we were showered in the evening by a rain shower, the next morning we were compensated with a great atmosphere and the best photo weather ...
It was the first time I was in this national park - and it was fully worth it …
Ein wunderbarer Sonnenaufgang nach einer stürmischen Regennacht im Joshua Tree Nationalpark, Kalifornien.
Der Joshua-Tree-Nationalpark ist eine Wüstenlandschaft im Südosten Kaliforniens, die den Übergang zwischen der Mojave-Wüste und der Colorado-Wüste bildet. Der Park ist nach der auffälligen, im Englischen „Joshua Tree“ genannten Josua-Palmlilie (Yucca brevifolia) benannt, der größten Art der Gattung der Palmlilien (Yucca), die auch Josuabaum genannt wird.
Neben den Joshuabaum-Wäldern bietet der Park eine der interessantesten geologischen Formationen, die man in den kalifornischen Wüsten findet. Es herrschen kahle Felsen vor, die in der Regel in einzelne Felsformationen aufgebrochen sind.
Es ist immer wieder fantastisch, das Wetter zu bewundern, das nach einem Regensturm entsteht - speziell in der Wüste. Zum einen ist das ziemlich selten, es hatte seit Monaten nicht geregnet, und zum anderen ist danach das Licht unglaublich schön und die Luft so glasklar und gesäubert vom Staub, der in der Wüste immer in der Luft hängt. So auch an diesem Morgen. Wurden wir abends noch von einem Regenschauer geduscht, so wurden wir am nächsten Morgen mit einer tollen Atmosphäre und bestem Fotowetter entschädigt...
Es war das erste Mal, dass ich in diesem Nationalpark war - und es hat sich voll gelohnt...
When it was time to setup for an evening shot, the sun was teasing me with light. Although present and to my left, it was timidly hiding behind a low cloud. It seemed to mock me with its faint glow, provoking a shot, then just as quickly hiding, as if playing some game.
However, I knew the chance for side lighting would come because the clouds had vacated the horizon. I composed the shot with the use of tiny puddles in the mud. They appear disproportionate to the scene with the lens inches away. But lead the viewer in. Then for a moment the canceled becomes the revealed, and the side lighting changes the scene, helping shapes take form.
In the most southern part of Gotland you find Holmhällar Nature reserve. Its a very nice place to explore. I visited the place during midday so it was not in the best lightning situations for portfolio worthy photos. This one was ok though. I would guess this place will be super stunning on an early morning. I will most definitely revisit this place in the future.
This photo was taken with my Fuji X-T1 and Fujinon 10-24 f4 lens. For more information about me and my photography please visit my website at www.andreaslarzon.com
You can follow me on Instagram at: @andreaslarzonphoto
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Swallowtail, southwest France this summer. I liked the way the insect and the leaf have the same shape and pattern
A ScotRail "Inter7City" HST, formed of set HA18 with power cars 43031 and 43135, approaches Drumochter Summit, working 1H17 13.32 Edinburgh Waverley - Inverness. [Pole, 3/6 sections (~4m)]
I'm stood on top of a small mound, not as high or as wide as the one south of Dalnaspidal, but one I'd located (but not visited) back in March. After wishing I'd had it with me the previous day at Jamestown, I took the pole to both locations (but didn't need it on the other mound), and found that using it here meant I could get a slightly better angle; higher still would have been better, but there was a bit of a breeze.
I was actually after a shot looking the other way, but there was a northbound train due as well, about seven minutes before the southbound. The railings of a small bridge meant the shot of a train approaching was better than the shot of one going away when looking north, so the two trains had to be photographed looking in different directions. However, an added complication was that the northbound train - in theory due first - was running slightly behind schedule (it actually passed nine minutes late), while the southbound was slightly less late (it actually passed six minutes behind time); both could have lost or gained time, so I kept checking Realtime Trains for their estimated time at Dalnaspidal, which is about a minute or two south of this spot...
I decided that the northbound would appear first (and I had more warning of it approaching), so set up for that, even though the sun wasn't yet quite on the front. After I pressed the shutter there was just time to lower the pole, turn round and then raise it again before the southbound appears - the two sets of pictures were taken about two minutes apart.
The railway and A9 road are passing through the Pass of Drumochter, the highest stretch of mainline railway on the UK network. The sign at the summit proclaims it to be the Druimuachdar Pass, although the name in Gaelic is, according to internet sources, Druim Uachdair (two words, and with an extra "i").
Visit Brian Carter's Non-Transport Pics to see my photos of landscapes, buildings, bridges, sunsets, rainbows and more.
Landmannalaugar, Iceland
Landmannalaugar – natures sculptures. An area of varied shapes and forms with colorful rolling hills and mountains tinted by rhylolite minerals and obsidian post glacial lava flows.
It is at the edge of Laugahraun lava field that was formed in an eruption around the year 1477.
Digital paint with Art History Brush + 9 texture + love
The secret of my little painted from a photo still life is easy to discover ... love the little things, the need for light and color ... love the textures and brushstrokes digital ..... my little world!
"Leandro Erlich gelingt es seit vielen Jahren mit seiner Kunst, die Besucher*innen auf ganz unterschiedlichen Ebenen zu begeistern. Viele seiner Werke erscheinen auf einer ersten Ebene spektakulär, irritierend, spielerisch und humorvoll. Aber bei einer genaueren Betrachtung zeigen sich viele Bezüge zu heutigen kulturellen, gesellschaftlichen und mithin politischen Erscheinungsformen und Herausforderungen, wie etwa der ganze Komplex rund um Fake News, dem (populistischen) Verdrehen von Wahrheit und Lüge, den weltweiten Fluchtbewegungen oder auch nicht zuletzt die immer bedeutender werdende Macht von Bildern und deren Manipulationsmöglichkeiten."
Quelle: www.wolfsburg-erleben.de
Der Künstler verwandelt das Museum in eine Blackbox, die gewohnte Perspektiven umkehrt und zum Träumen und Imaginieren einlädt.
Vom Verhältnis von Himmel und Erde, von oben und unten, von innen und außen handelt auch die mehrteilige Arbeit The Cloud (2018–2022). In vier Vitrinen fängt der Künstler vermeintlich flüchtige Wolken ein und „konserviert“ diese für die museale Präsentation. Die einzelnen Vitrinenobjekte bestehen jeweils aus mehreren bedruckten Glasscheiben, die hintereinander geschichtet zum freien Assoziieren von Formen einladen – wie beim Blick auf das Wolkenspiel am Himmel. Erst beim genauen Hinsehen werden in Erlichs Wolkenbildern Tiere oder die Umrisse Südamerikas sichtbar.
I have been fascinated for some time by the diversity of texture and form of the plants that grow on the roadside verges.
The problem for image creation is that all the leaves are green. However, with the latest selection tools in Photoshop it is possible to select individual leaves and treat them differently,
I am currently trying two approaches: black and white which emphasises texture; and, colour.
This is one of my first attempts using colour. I think the use of colour should allow me to illustrate the competitive nature of the enviornment.
2016 ©Isabelle Bommes. All rights reserved.
This image may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any forms or by any means, including electronic, mechanical, photocopying & recording without my written permission.
inspired by Barbara Hepworth!
ODC CONFUCIUS OR CONFUSION SAYS 17 - 23 January
(read description in the thread)
"Everything has its beauty but not everyone sees it."
www.flickr.com/groups/ourdailychallenge/discuss/721576612...
_X4A1317 copy
To gain control of the world of space is certainly one of our tasks. The danger begins when in gaining power in the realm of space we forfeit all aspirations in the realm of time. There is a realm of time where the goal is not to have but to be, not to own but to give, not to control but to share, not to subdue but to be in accord. Life goes wrong when the control of space, the acquisition of things of space, becomes our sole concern.
Nothing is more useful than power, nothing more frightful. We have often suffered from degradation by poverty; now we are threatened with degradation through power. There is happiness in the love of labor; there is misery in the love of gain. Many hearts and pitchers are broken at the fountain of profit. Selling himself into slavery to things, man becomes a utensil that is broken at the fountain.
AS CIVILIZATION ADVANCES, the sense of wonder almost necessarily declines. Such decline is an alarming symptom of our state of mind. Mankind will not perish for want of information, but only for want of appreciation. The beginning of our happiness lies in the understanding that life without wonder is not worth living. What we lack is not a will to believe but a will to wonder.
-Thunder in the Soul To Be Known by God, Abraham Joshua Heschel