View allAll Photos Tagged Form
Wheel of Life
From Wikipedia:
The Bhavacakra (Sanskrit; Devanagari: भवचक्र; Pali: भभचक्क bhavacakka) or Wheel of Becoming (Tibetan: སྲིད་པའི་འཁོར་ལོ་ srid pa'i 'khor lo) is a complex symbolic representation of saṃsāra in the form of a circle, found primarily in Tibetan Buddhist art. Saṃsāra is the continuous cycle of birth, life, and death from which one liberates oneself through enlightenment.
Legend has it that the Buddha himself created the first depiction of the bhavacakra, and the story of how he gave the illustration to King Rudrāyaṇa appears in the anthology of Buddhist narratives called the Divyavadana.
In the Buddhist depiction, different karmic actions contribute to one's metaphorical existence in different realms, or rather, different actions reinforce personal characteristics described by the realms. Leading from the human realm to the outside of the wheel depicts the Buddhist path. (Epstein 1995, p. 15-16)
The Bhavacakra is sometimes displayed with five sections, but the more recent and more common form has six sections.
The areas between the six spokes represent the six forms of unenlightened existence.[1]
For more information:
en.wikipedia.org/wiki/Bhavacakra
----------
Das Rad des Lebens gehört zu den ältesten (über 2000 Jahre) Darstellungen buddhistischer Lehrinhalte, die darauf abzielen, den Menschen aus dem Kreislauf von Tod und Wiedergeburt zu befreien, indem sie den Grund für seine Anhaftung an den „samsarischen“ Bewusstseinszustand aufzeigen.
Der samsarische Geist ist unbewusst ergriffen von den drei Grundübeln, die in der Mitte des Rades dargestellt sind: Begierde, repräsentiert durch den Hahn; Hass, dargestellt durch die Schlange; und die allumfassende Unwissenheit oder Verblendung, umschrieben mit der bildlichen Metapher des Schweins.
Anziehung, Abstoßung und Unbewusstheit über diese in verschiedenster Form auftauchenden Emotionen sind die Ursache für alles Leiden, wobei darauf hingewiesen wird, dass Unwissenheit die eigentliche Quelle allen Unglücks ist.
Auch in anderen Religionen und Philosophien wird Unwissenheit als größtes Problem auf dem Weg der Erlösung angesehen. Für Sokrates war Unwissenheit die Quelle alles Bösen und Christus machte darauf aufmerksam, dass „erst wenn du weißt, was du tust, bist du selig.“
Seligkeit ist die Erlösung aus dem inneren Zwiespalt der Gegensätze (Triebkräfte: Anziehung - Abstoßung). Diese müssen mit Bewusstheit durchdrungen werden. Ohne Wissen keine Erlösung.
HKD
Weitere Details zum Rad finden Sie hier: www.tibet-galerie.de/rad-des-lebens.html
Hier ein Auszug:
Das Rad des Lebens findet man im Eingangsbereich fast aller tibetisch buddhistischer Klöster. Es ist ein Spiegel, in dem der Mensch sich selbst erkennen kann. In der Mitte des Rades bewegen sich drei Tiere: ein Schwein, eine Schlange und ein Hahn. Jedes Tier beißt in den Schwanz des vorangehenden, so dass sie eine Kette bilden. Die Kraft, die ein Rad antreibt, setzt an seiner Nabe an. Somit bilden die drei Symbole die Triebkraft für das ganze Rad. Diese drei Triebkräfte werden im Buddhismus auch "Die Drei Unheilsamen Wurzeln" genannt. Der Hahn steht für Gier und Wollust, die Schlange für Hass und Neid, während das Schwein für Verblendung steht.
Um den Innenkreis legt sich ein zweiter Kreis, der in zwei Teile aufgeteilt ist, einen linken und einen rechten. Während die rechte Hälfte die Triebkräfte des Körpers repräsentiert, steht die linke für die vergeistigten höheren ethischen Werte. Der nächste, dritte Ring nimmt nahezu die Hälfte des Rades ein. Zwischen den Speichen sind sechs Bereiche des Lebens dargestellt, in denen eine Wiedergeburt erfolgen kann. Die oberen drei stehen für die wünschenswerten, die unteren drei für die unbequemen Möglichkeiten einer Wiedergeburt.
Es gibt auch Lebensräder mit nur fünf Bereichen. Hier bilden die Abschnitte der Götter und der Halbgötter einen zusammengezogenen Bereich.
Der äußere Kreis zeigt die 12 formenden Komponenten des Daseins: Unwissenheit, gestaltende Tat, Bewusstsein, Name und Körper, die sechs Sinne, Berührung, Empfindung, Verlangen, Ergreifen, Werden und Altern, Geburt und Tod.
Gehalten wird das Rad des Lebens von Yama, dem Gott des Todes, der mit seiner unermesslichen Kraft gegen Verblendung und Dummheit kämpft.
--------
Digital Art – spezial thanks to Julia and Thomas for raw images.
HKD
Pale Form Bee Orchid (Ophrys apifera Var.flavescens) on the South Downs, South Downs National Park, East Sussex England
I was driving to Otterden, using John Vigar's book as a guide to the East Kent churches I had missed.
I was using the Sat Nav, at least to get me to the village, so I could concentrate on the roads and sights as I went along, just on the offchance I passed another church unexpectedly.
And so I came to Eastling, and across a walled field, I saw the church, so, finding there was a large car park, I pulled up.
To get into the church yeard, one could either climb over a wooden stile, one built into the wall, or through the gate a few metres further along. I chose the gate.
Through the churchyard, and under the shadow of a huge yew tree to find the porch door, and church door beyond both unlocked.
------------------------------------------------
A huge church entered across a meadow along a path which passes a huge Yew tree. The porch is high Victorian with the jazziest floor in Kent, no doubt the work of Richard Hussey who restored the church in the mid nineteenth century. This leads to a church with origins in the 12th century but owing more to the 13th and even more to the 19th century! The arcades are built in a much replaced Early English style but work well. In the centre alley is the lovely ledger slab of a man who put it there a few years before his death and inscribed lest someone else steal his pole position! In the south transept is a pretty monument showing kneeling children and a most colourful shield of arms displaying sea creatures. The chancel contains some rare blank arcading in the north wall which may have formed sedilia elsewhere or which may be part of a monument. Its arches are held up by four strong men with bulging shoulders. What a surprise it is! Next to it is one of the finest 14th century tomb recesses in the county, though the faces at either end are Victorian fantasies. This is a much-loved and rewarding Downland church, which is open daily.
www.kentchurches.info/church.asp?p=Eastling
-----------------------------------------------
It is widely accepted that there has been a place of worship on the site of the Parish Church of St Mary's at Eastling since Anglo-Saxon times.
The oldest surviving parts of the present building are the base of the south-west Tower, the Nave and the western part of the Chancel. All are thought to have been built by the 11th century, possibly on the foundations of an earlier church. The remainder of the Tower and the central part of the Chancel are Norman.
The North and South Aisles and the Arcades between the Aisles and the Nave were built in the 13th century. In the 14th century, the Chancel was extended eastwards to create a Sanctuary. Also in that century, the St Katherine Chapel and an Arcade was added to the south-east corner of the building.
In 1855-56, the Nave, North Aisle and the South Arcade were substantially rebuilt, the West Porch added and the Nave re-roofed.
The Nave - or central area of the church - dates from the 12th century and is notable for its unusually narrow original walls (later, the Arcade walls). Fractionally over 2ft thick, they are considered to be attributable to Saxon workmanship which favoured relatively "thin" solid walls against the Norman style of "thicker" walls comprising two leaves with a filled cavity.
The western end of the Nave is thought to be a late 12th-century extension.
The South Aisle was constructed in the early part of the 13th century and substantially rebuilt by Victorian architect R. C. Hussey in 1855. Some original 13th-century material was re-used, and the eastern respond located against the Chancel remains substantially untouched.
The North Aisle was also created in the 13th century and completely rebuilt by Hussey as part of his major "modernisation" of the building. The South Aisle incorporates a 14th-century window.
The Victorians' enthusiasm for remodelling churches also extended to the Nave which was rebuilt by Hussey in 1855-56. He also added the West Porch, constructed a Vestry and re-built the Chancel arch. It's worth comparing the ceilings of the South Aisle which is said to have escaped Hussey's attentions and that of the Nave where he left only the tie beams and principal trusses visible.
The box pews, pulpit, lectern, rector's stall and choir stalls all date from the Victorian era. The wooden wall benches pre-date the pews.
The alignment of the Tower and Chancel is considered attributable to Saxon, rather than Norman, workmanship. If you stand in front of the east window and look back to the west door you will see that the Nave and Chancel are out of alignment, and this suggests that the Chancel pre-dates the Nave.
Examples of Norman workmanship to be seen in St Mary today are:
• the upper part of the Tower;
• perhaps the belfry stage with its pairs of round-headed openings;
• the re-styling of the western part of the Chancel; and
• the west end of the Nave (possibly a late 12th century extension).
Early in the 13th century, the Chancel was re-styled and given Early English lancet windows.
A further period of rebuilding-took place during the 14th century. The Chancel was extended eastwards by a further 22ft, so creating the Sanctuary.
The stained glass in the Chancel windows are memorials to the Birch Reynardson family. The east window contains picture panels, the work of famous church glass artist Thomas Willement of Davington.
On the north wall of the Sanctuary at Eastling Church is a double Aumbry.
Built as a cupboard in the wall - usually with a wooden door - this would have been used to house the Church Plate.
A piscina is, in effect, a medieval stone bowl near the altar where a priest carried out ceremonial cleaning tasks.
The piscina in Eastling Church dates from the late 13th century and takes the form of a stone cill incorporating twin bowls - one for hand washing, the other for cleaning the chalice and other sacred vessels.
It was originally located in the Chancel. When this part of the building was extended during the 14th century, the piscina was moved to its present position on the south wall of the Sanctuary.
The sedilia at Eastling Church comprise three recessed stone seats with trefoiled canopies. By convention, sedilia were placed south of the altar and used by the priest, deacon and sub-deacon.
Created late in the 13th century, Eastling's sedilia were moved, during the 14th century, from the Chancel to their present position in the (then) new Sanctuary.
The Stone Stalls, on the north side of the Chancel, would have once served as choir stalls. These recessed seats have unusual carved stone canopies in the form of four trefoiled arches carried on caryatids (columns sculpted as female figures).
In his "Notes on the Church", Eastling Church historian Richard Hugh Perks says that a 19th century ecclesiologist, Francis Grayling, theorised that they were mural recesses. Mr Perks considers the church might once have been decorated extensively with murals - born out by the traces of wall paintings found in the 1960s when the Chancel was re-decorated. However, the paintings were in such very poor condition that they were covered over. Mr Perks also draws attention to the fragment of the former Chancel east wall which can be seen at the east end of the Stone Stalls.
The St Katherine Chapel was built around 1350. As part of the scheme, an arcade was formed on the south side of the Chancel. The fluted (concave-sided) pillars are an unusual design, also found in Faversham Parish Church and at Eastchurch, Sheppey. It is thought that the workmanship might be by masons from either Leeds Priory or Faversham Abbey.
The Chapel houses a 19th century organ, the Martin James monument and a fine oak chest with an inscription of "1664 H" carved inside. The "H" is the mark of a Michael Shilling, who was churchwarden at the time.
There is evidence that Eastling Church once had a Rood Screen, possibly extending across both the Chapel and the Chancel. On this would have stood a Cross with a carving representing a crucified Jesus. The Reformation saw the destruction of the Rood and no trace remains, apart from the base of a stairs turret at the south-east corner of the South Aisle.
The West Porch was built in 1855, by Victorian architect R.C. Hussey as part of his major alterations to the church.
However, the fine Norman west doorcase is much older, possibly dating from 1180. It is carved from chalk blocks; some of the internal wall faces are also chalk, a common feature of many Downland churches. It was partly restored by the Victorians.
The churchyard owes much to a generous bequest for its maintenance by Dorothy Long (d. 1968). It used to be part of the 'Gods Acre Project' setup by the Vicar of Eastling Parish Caroline Pinchbeck (who departed the parish in 2012) but from 2013 has been returned to previous landscaping regimes.
When the churchyard was being managed with wildlife in mind, it preserved the diversity of nature alongside well kempt areas. This means parts of the old graveyard were left to grow from springtime onwards and were cut in September. Many species of wild flowers grew in a spring meadow and were followed by grasses. This encouraged wildlife into the graveyard, owls, field mice, voles, multiple species of insects and birds. The uncut areas were managed, which means to say they were not left to grow out of control. Brambles, the majority of stinging nettles and other unwanted plants were removed by hand and the graves were always tended so that the vegetation did not disturb them.
Areas of the churchyard that were mown were done so with a petrol mower but the grass was not collected, It was left on the ground as a mulch. No pesticides were used, they damaged the graves, leaving contaminated black rings around them and killed any wild flowers or grass in the affected areas. The emphasis of the gods acre project management process, started in 2008, was balance. By maintaining the churchyard in this way it was both cost effective and beneficial to local wildlife and preservation. (N. Perkins/ Grounds man Eastling Church 2007-2012)
The original graveyard has a modern extension with spaces still available for burials and close to the entry gate is an area dedicated to the burial of ashes.
Several graves date from the 17th and 18th centuries and include memorial stones to Mary Tanner who was born in the year of the Battle of Naseby; to Christopher Giles born in 1674 and his wife Susannah born in 1691; and to Thomas Lake of Eastling Gent died February the 19th 1717.
Close to the West Porch is a 13th century stone coffin slab, in the form of a cross with a sword, a style sometimes referred to as a "Crusader Tomb".(original text) This is infact incorrect, an archaeologist has confirmed that the stone is a medieval headstone most likely from the back of the church which was once standing that has been moved and placed by the entrance for asthetic qualities. There is another stone to the left of the entrance from a sarcophagus which again has been moved and placed by the entrance.
There is a Yew Tree by the West Door and It is said to be an ancient which would put it's minimum age at 2000 years, predating the church. However dating methods for Yew Trees are inconclusive.. It is hard to reliably scientifically date a Yew Tree due to several factors.. Information on the dating process can be found here. (source: ancient-yew.org) Also Yew trees can grow fast and ages can be exaggerated, a large Yew is most likely the age of the Church but unlikely to be older than it's Anglo-Saxon predecessor. There is no firm evidence to link Yew trees to pagan religions or the theory that Church's were built on Pagan Ritual Sites. (source: Illustrated History of the Countryside, Oliver Rackham)
The circle of yews which continue around the church have been said to have sprouted from the ancient Yew Tree, however archeologists and Yew Tree Specialists have put forward that actually the Yew Trees have been landscaped to look like that. In the past Yew Trees were planted to ward of witches and evil spirits. It is clear if you measure out the trees and use dimensions for aging that the trees have been landscaped.
Work carried out on the tower in 2010 to install a compostable toilet has radically changed the dimensions and structure of the lower and middle of the tower.
The base of the south-west Tower is said to date from the early 11th century, possibly earlier. Much of the remainder of the Tower is Norman.
The Tower - five feet thick at its base - is of flint and chippings, with ragstone quoins, and is heavily buttressed. The external brick buttress to the tower is 18th century. Brick was also used in rebuilding sections of the north-west angle of the Tower, the belfry openings and the Tower doorcase. Today's slated spire would once have been clad with wooden shingles.
The door to the Tower is set in a large arch with "Articles" of the Ringing Chamber, on wooden boards above it.
Eastling has six bells, four of them made by Richard Phelps during the time he occupied the Whitechapel Bell Foundry. Click here for more info. Unfortunately, the present condition of the timber bell frame with its elm headstocks (constructed around 1700) and the upper part of the Tower do not allow the bells to be rung safely.
www.eastlingvillage.co.uk/st-mary-s-church.html
----------------------------------------------------
THE next parish south-eastward from Newnham, is Easling, written in old deeds likewise Esling, and Iseling.
It is situated among the hills, on very high ground, about five miles southward from Faversham, and a little more than a mile south-eastward from Newnham valley, in a healthy but cold and forlorn country, being much exposed to the north-east aspect. The village, with the church and parsonage in it, a near pretty dwelling, stands on the road leading from Otterden to Newnham valley; in it there is a large well-timbered house, called Gregories, formerly of some account, and rebuilt in 1616, it formerly belonged to Hoskins, and then to Parmeter, in which name it still continues.—Though there is some level land in the parish, yet it is mostly steep hill and dale, the soil in gen ral a red cludgy earth, poor, and much covered with flints. It is very woody, especially in the eastern parts of it.
A fair is held in the village on Sept. 14, yearly, for toys and pedlary ware. On Nov. 30, being St. Andrew's, there is yearly a diversion called squirrel bunting, in this and the neighbouring parishes, when the labourers and lower kind of people assembling together, form a lawless rabble, and being accoutred with guns, poles, clubs, and other such weapons, spend the greatest part of the day in parading through the woods and grounds, with loud shoutings, and under the pretence of demolishing the squirrels, some few of which they kill, they destroy numbers of hares, pheasants, partridges, and in short whatever comes in their way, breaking down the hedges, and doing much other mischief, and in the evening betaking themselves to the alehouses, finish their career there in drunkenness, as is usual with such sort of gentry.
THIS PLACE, at the time of the taking of the general survey of Domesday, was part of the extensive possessions of Odo, bishop of Baieux, under the general title of whose lands it is thus entered in that record:
Herbert held of the bishop of Baieux Nordeslinge. The arable land is one carucate. It was taxed at half a suling. There two borderers pay two shillings. In the time of king Edward the Confessor, and afterwards, it was worth twenty shillings, now twenty-five shillings. Turgod held it in the time of king Edward the Confessor.
These two manors, (one of which was Throwley, described immediately before in this record) Herbert, the son of Ivo, Held of the bishop of Baieux.
And a little below,
Roger, son of Ansebitil, held of the bishop, Eslinges. It was taxed at one suling. The arable land is one carucate. There is in demesne . . . . and one borderer has half a carucate. There is a church, and one mill of ten shillings, and two acres of meadow. In the time of king Edward the Confessor it was worth sixty shillings, and afterwards twenty shillings, now forty shillings. Unlot held it of king Edward, and could go where he pleased with his land.
Fulbert held of the bishop, Eslinges. It was taxed at five suling, in the time of king Edward the Confessor, and now for two, and so it did after the bishop gave the manor to Hugh son of Fulbert. The arable land is six carucates. In demesne there are two carucates, and thirty villeins having three carucates. There is a church, and twenty-eight servants, and one mill of ten shilings. Wood for the pannage of thirty bogs In the time of king Edward the Confessor it was worth ten pounds, and when he received it six pounds, now four pounds, and yet the bishop had eight pounds. Sired held it of king Edward.
The three estates described before, included North Easting and its appendages, Huntingfield and Diven manors, with others estates in this parish, then esteemed as part of them.
On the bishop's disgrace four years afterwards, all his possessions were confiscated to the crown.
Fulbert de Dover, mentioned above as tenant to the bishop of Baieux for one of these estates, appears afterwards to have held all three of them of the king in capite by barony, the tenant of them being bound by tenure to maintain a certain number of soldiers from time to time, for the defence of Dover castle, in which there was a tower called Turris dei inimica, which he was bound by his tenure likewise to repair.
Of him and his heirs these estates were held by knight's service, of the honor of Chilham, which they had made the caput baroniæ, or chief of their barony. (fn. 1) That part of the above-mentioned estates, called in Domesday Nordeslinge, was afterwards known by the name of THE MANOR OF EASLING, alias NORTHCOURT, which latter name it had from its situation in respect to the others, being held of the lords paramount by a family of the name of Esling, one of whom, Ralph de Esling, died possessed of it in the 26th year of king Edward I. anno 1297, then holding it by knight's service of the honor of Chilham. He left an only daughter and heir Alice, who carried this manor, with that of Denton, alias Plumford, in marriage to Sir Fulk de Peyforer, who, with Sir William de Peyforer, of Otterden, accompanied king Edward. I. in his 28th year, at the siege of Carlaverock, where, with many other Kentish gentlemen, they were both knighted. They bore for their arms, Argent, six fleurs de lis, azure.
Sir Fulk de Peyforer, in the 32d year of the above reign, obtained a grant of a market weekly on a Friday, and one fair yearly on the feast of the exaltation of the Holy Cross at Esling, and free-warren for his lands there. Before the end of which reign, the property of these manors was transferred into the family of Leyborne, and it appears by an inquisition taken in the 1st year of Edward III. that Juliana, the widow of William de Leyborne, who died anno 2 Edward II. was possessed of these estates at her death, and that their grand-daughter Juliana, was heir both to her grandfather and father's possessions, from the greatness of which she was usually stiled the Infanta of Kent.
She was then the wife of John de Hastings, as she was afterwards of Sir William de Clinton, created earl of Huntingdon, who paid aid for the manor of Northcourt, alias Easling. She survived him, and afterwards died possessed of this estate in Easling, together with Denton, alias Plymford, in the 41st year of king Edward III. and leaving no issue by either of her husbands, these manors, among the rest of her estates, escheated to the crown, for it appears by the inquisition taken that year, after her death, that there was no one who could make claim to her estates, either by direct or even by collateral alliance.
These manors remained in the crown till the beginning of king Richard the IId.'s reign, when they became vested in John, duke of Lancaster, and other seoffees, in trust for the performance of certain religious bequests in the will of Edward III. in consequence of which, the king Afterwards, in his 22d year, granted them, among other premises, to the dean and canons of St. Stephen's college, in Westminster, for ever. (fn. 2) In which situation they continued till the 1st year of king Edward VI. when, by the act passed that year, they were surrendered into the king's hands.
After which the king, by his letters patent, in his 3d year, granted these manors, among others lately belonging to the above-mentioned college, to Sir Thomas Cheney, privy counsellor and treasurer of his houshold, with all and singular their liberties and privileges whatsoever, in as ample a manner as the dean and canons held them, to hold in capite by knight's service. (fn. 3) whose son Henry, lord Cheney, of Tuddington, had possession granted to him of his inheritance anno 3 Elizabeth, and that year levied a fine of all his lands.
He passed these manors away by sale, in the 8th year of that reign, to Martin James, esq. prothonotary of the court of chancery, and afterwards a justice of the peace for this county, who levied a fine of them anno 17 Elizabeth, and died possessed of them in 1592, being buried in the south chancel of this church, under a monument, on which are the effigies of himself and his wife. He bore for his arms, Quarterly, first and fourth, vert, a dolphin naiant; second and third, Ermine, on a chief gules, three crosses, or. His great-grandson Walter James, esq. was possessed of them at the time of the restoration of king Charles II. whose heirs sold them in the latter end of that reign, to Mr. John Grove, gent. of Tunstall, who died possessed of them in 1678, after which they descended down to Richard Grove, esq. of Cambridge, but afterwards of the Temple, in London, who died unmarried in 1792, and by his will devised them to Mr. William Jemmet, of Ashford, and Mr. William Marshall, of London, who continue at this time the joint possessors of them.
THE MANOR OF HUNTINGFIELD, situated in the eastern part of this parish, was, at the time of the takeing of the general survey of Domesday, part of the possessions of Odo, bishop of Baieux, as has been already taken notice of before, and on his disgrace came, with the rest of his estates, to the crown, about the year 1084.
After which, Fulbert de Dover appears to have held it, with others in this parish, of the king in capite by barony, by the tenure of ward to Dover castle for the defence of it. Of him and his heirs it was held by knight's service, of the honor of Chilham, the head or chief of their barony.
Simon de Chelsfield held it of them, as lords paramount, in the reign of Henry III. but at the latter end of that reign, this manor was come into the possession of that branch of the eminent family of Huntingfield settled in this county, descended from those of Suffolk, in which county and in Norfolk they had large possessions. Hence this manor assumed the name of Huntingfield-court, and it appears by the roll of knights fees, taken at the beginning of the reign of Edward I. that Peter de Huntingfield then held it. He resided at times both here and at West Wickham, of which manor he was likewise possessed, though it seems when he was sheriff in the 11th, 12th, and 13th years of that reign, he kept his shrievalty at Huntingfield-court. In the 9th year of it he obtained a charter of free-warren for his lands at Eslynge and Stalesfeld, and in the 28th year of it attended the king at the siege of Carlaverock, in Scotland, for which service he, with others, received the honor of knighthood. He died in the 7th year of Edward II. anno 1313, leaving by the lady Imayne his wise, who was buried in the church of the Grey Friars, London, Sir Walter de Huntingfield his son and heir, who having obtained several liberties for his manor of Wickham, and liberty to impark his grounds there, (fn. 4) seems to have deserted this place, which in the next reign of Edward III. was sold either by him or by his son, Sir John de Huntingfield, to one of the family of Sawfamere, and in the 20th year of that reign, the lady Sawfamere, Dna' de Sawsamero, as she is written in the book of aid, paid respective aid for it.
But before the end of that reign, it had passed into the name of Halden, for it appears by the escheat-rolls that William de Halden died in the 50th year of it, possessed of Easling manor, called Huntingfield, held of the castle of Chilham; soon after which it became the property of Sir Simon de Burleigh, who being attainted in the 12th year of Richard II. this manor, among the rest of his possessions, came to the crown. After which, anno 2 Henry IV. John, son and heir of Sir John de Burley, cousin and heir of Sir Simon de Burley, was, upon his petition, restored in blood, and the judgment against Sir Simon was revoked, and three years afterwards the king, with the assent of the lords, wholly restored him to all his hereditaments, except as to those excepted by him. (fn. 5) How long this manor remained in this name I have not found, but in the reign of Henry VI. it was in the possession of Sir James Fienes, who anno 25 of that reign, by reason of his mother's descent, was created Lord Say and Sele, and was afterwards made lord treasurer, but becoming unpopular, from his being so great a favorite, he was seized on in the insurrection raised by Jack Cade, and beheaded in the 29th year of that reign. He was at his death possessed of this manor, which by his will be devised to his son Sir William Fienes, who became likewise lord Say and Sele, but the unhappy contention which then subsisted between the houses of York and Lancaster, in which he risked not only his person, but his whole fortune, brought him soon afterwards into great distresses, and necessitated him to mortgage and sell the greatest part of his lands. How this manor was disposed of I have not found, but within a very few years afterwards it appears to have been in the hands of the crown, for king Richard III. in his first year, granted to John Water, alias Yorke Heraulde, an annuity out of the revenues of his lordship of Huntingfield, and afterwards by his writ, in the same year, on the resignation of John, garter, principal king at arms, and Thomas, clarencieux, king at arms, he committed to Richard Champeney, alias called Gloucestre, king of arms, the custody of this manor.
But the see of it seems to have remained in the crown till king Henry VIII. in his 35th year, granted it to John Guldford and Alured Randall, esqrs. to hold in capite by knight's service. John Guildford was the next year become the sole proprietor of it, and then alienated it to Sir Thomas Moyle; he sold it, in the 7th year of Edward VI. to John Wild, esq. of St. Martin's hill, Canterbury, with its members and appurtenances in Esling, Sheldwich, Whitstaple, Reculver, and Ulcombe. However, it appears that he was not possessed of the entire see of it at his death in 1554, for he by his will devised his two thirds of this manor, (besides the third part due to the queen, after his wife's death) to his son Thomas Wild, then an infant, whose son John Wild, esq. of St. Martin's hill, alienated his share, or two thirds of it, which included the courts, sines, amerciaments, and other privileges belonging to it, to Martin James, esq. prothonotary of the court of chancery, owner of the manor of North-court, alias Easling, as above-mentioned, whose great-grandson, Walter James, esq. possessed it at the restoration of Charles II. at the latter end of which reign his heirs sold it to Mr. John Grove, gent. of Tunstall, who died possessed of it in 1678, and his great-grandson Richard Grove, esq. of London, proprietor likewise of North-court above-described, died in 1792, having by his will devised these manors (which having been for many years united in the same owners, are now consolidated, one court being held for both, the stile of which is, the manor of Easling, alias North court, with that of Huntingfield annexed, in Easling, Ulcomb, and Sheldwich) among the rest of his estates, to Wm. Jemmet, gent. of Ashford, and William Marshall, of London, and they continue at this time the joint possessors of these manors.
BUT THE REMAINING THIRD PART of the manor of Hunting field, in the hands of the crown in the reign of Philip and Mary, as before-mentioned, in which was included the mansion of Huntingfield court, with the demesne lands adjoining to it, continued there till it was granted, in the beginning of the next reign of queen Elizabeth, to Mr. Robert Greenstreet, who died possessed of it in the 14th year of that reign, holding it in capite by knight's service. His descendant Mr. Mathew Greenstreet, of Preston, leaving an only daughter Anne, she carried this estate in marriage to Mr. Richard Tassell, of Linsted, and he alienated it in 1733 to Edward Hasted, esq. barrister-at law, of Hawley, near Dartford, whose father Mr. Joseph Hasted, gent. of Chatham, was before possessed of a small part of the adjoining demesne lands of Huntingfield manor, which had been in queen Elizabeth's reign become the property of Mr. Josias Clynch.
The family of Hasted, or as they were antiently written, both Halsted and Hausted, was of eminent note in very early times, as well from the offices they bore, as their several possessions in different counties, and bore for their arms, Gules, a chief chequy, or, and azure. William Hausted was keeper of the king's exchange, in London, in the 5th year of Edward II. from whom these of Kent hold themselves to be descended, one of whom, John Hausted, clerk, or as his descendants wrote themselves, Hasted, born in Hampshire, is recorded to have been chaplain to queen Elizabeth, and a person much in favor with her, whom he so far displeased by entering into the state of marriage, which he did with a daughter of George Clifford, esq. of Bobbing, and sister of Sir Coniers Clifford, governor of Connaught, in Ireland, that he retired to the Isle of Wight, where he was beneficed, and dying there about the year 1596, was buried in the church of Newport. His great grandson Joseph Hasted, gent. was of Chatham, and dying in 1732, was buried in Newington church, as was his only son Edward, who was of Hawley, esq. the purchaser of Huntingfield court as before-mentioned. He died in 1740, leaving by his wife Anne, who was descended from the antient and respectable family of the Dingleys, of Wolverton, in the isle of Wight, one son, Edward Hasted, esq. late of Canterbury, who has several children, of whom the eldest, the Rev. Edward Hasted, late of Oriel college, in Oxford, is now vicar of Hollingborne. He bears for his arms the antient coat of the family of Halsted, or Hausted, as mentioned before, with the addition in the field, of an eagle displayed,ermine,beaked and legged, or, with which he quarters those of Dingley, Argent, a fess azure, in chief, two mullets of the second between two burts, which colours Charles, the third son of Sir John Dingley, of Wolverton, in James the 1st.'s reign, changed from those borne by his ancestors and elder brothers, i.e. from sable to azure.
Edward Hasted, esq. of Canterbury, above-mentioned, succeeded his father in this estate, which he, at length, in 1787, alienated to John Montresor, esq. of Throwley, who continues the possessor of it.
The foundations of slint and stone, which have continually been dug up near this house, shew it to have been formerly much larger that it is at present. There was once a chapel and a mill belonging to it, the fields where they stood being still known by the name of chapel-field and mill-field, which answers the description of this estate given in Domesday.
DIVEN is A MANOR, situated almost adjoining to the church of Easting, which is so corruptly called for Dive-court, its more antient and proper name. This estate was likewise one of those described before in Domesday, as being part of the possessions of the bishop of Baieux, on whose disgrace it was, among, the rest of his estates, forfeited to the crown; after which, Fulbert de Dover appears to have held it, with others in this parish therein-mentioned, of the king in capite by barony, by the tenure of ward to Dover cattle, and of him and his heirs it was held, as half a knight's fee, of the honor of Chilham, the caput barouiæ, or head of their barony.
In the reign of Henry III. John Dive held this estate as before-mentioned, of that honor; and his descendant Andrew Dive, in the 20th year of king Edward III. paid aid for it as half a knight's fee, held of the above barony, when it paid ward annually to Dover castle. In this name the manor of Diven continued till the beginning of the next reign of king Richard II. when it was alienated to Sharp, of Ninplace, in Great Chart, in which it remained till the latter end of Henry VII. when it was conveyed to Thurston, of Challock, from which, some year after, it was passed by sale to John Wild, esq. who, before the reign of queen Elizabeth, sold it to Gates, and he alienated it to Norden, who conveyed it to Bunce, where it remained after the death of king Charles I. in 1648; soon after which this manor was sold to John Adye, esq of Down court, in Doddington, who died possessed of it in 1660, and his two sons, Edward and Nicholas, seem afterwards to have possessed it in undivided moieties.
Edward Adye, esq. was of Barham, and left seven daughters his coheirs, of whom Susanna, married to Ruishe Wentworth, esq. son and heir of Sir George Wentworth, a younger brother to Thomas, the noted but unfortunate earl of Strafford, entitled her husband to the possession of her father's moiety of this manor, with other lands in Doddington, upon the division of his estates among them. He left an only daughter and heir Mary, who married Thomas, lord Howard, of Essingham, who died possessed of this moiety of Diven-court in 1725, and leaving no male issue, he was succeeded in this estate by Francis his brother and heir, who was in 1731 created Earl of Essingham, and died in 1743. His son Thomas, earl of Effingham, afterwards alienated this moiety of Divencourt to Oliver Edwards, esq. of the six clerks office, as will be further mentioned hereafter.
The other moiety of this manor, which, on the death of his father, came into the possession of Nicholas Adye, esq. of Down-Court, in Doddington, was devised by him to his eldest son John Adye, esq. of Down court, who anno 23 Charles II. suffered a recovery of it. (fn. 6)
He left an only daughter and heir Mary, married to Henry Cullum, sergeant-at-law; but before that event, this estate seems to have been passed away by him to Thomas Diggs, esq. of Chilham castle, Whose descendant of the same name, in 1723, conveyed it, with Chilham-castle, and the rest of his estates in this county, to Mr. James Colebrook, citizen and mercer of London, who died possessed of this moiety of Diven-court in the year 1752, after which it passed in like manner with them, till it was at length sold by his descendants, under the same act of parliament, in the year 1775, to Thomas Heron, esq. of Newark upon Trent, afterwards of Chilham-castle, who about the year 1776, joined with Oliver Edwards, esq. the proprietor of the other moiety, as has been mentioned beforce, to Mr. Charles Chapman, of Faversham, who then became possessed of the whole of it, which, at his death in 1782, he devised by his will to his nephews and nieces, of the name of Leeze, two of whom are now entitled to the fee of it.
THE MANOR OF ARNOLDS, which is situated about a mile eastward from the church of Easling, was likewise part of the estates of the bishop of Baieux, mentioned before, and on his disgrace came with the rest of them, to the crown, of which it was held afterwards in capite by barony, by Fulbert de Dover, by the tenure of ward to Dover castle, and of him and his heirs it was again held, as half a knight's fee, as of the honor of Chilham, the head of their barony.
Of them it was held by Arnold de Bononia, whence it acquired the name of Arnolds, alias Esling. His son John Fitzarnold afterwards possessed it in the reign of Edward III. after which Peter de Huntingfield was owner of it, but in the 20th year of Edward III. the lady Champaine, or Champion, and the earl of Oxford paid aid for it, as half a knight's fee, held of the barony above-mentioned. How it passed afterwards I have not seen, but in the next reign of Richard II. it was become part of the endowment of the dean and canons of the collegiate free chapel of St. Stephen's, Westminster, with whom it remained till the suppression of it in the 1st year of Edward VI. when it came into the hands of the crown; after which it became the property of Gates, and after that of Terry, in which it continued several years, and by that acquired the name of Arnolds, alias Terrys, from which name it was sold, in the reign of queen Anne, one part to the Rev. William Wickens, rector of this parish, who bore for his arms, Party, per pale, or, and sable, a chevron coupee, between three trefoils, all counter changed, whose son Mr. William Wickens, succeeded to it on his death in 1718. He died without male issue, and by his will devised it to his two daughters, one of whom marrying Elvy, he bought the other sister's share in it, and his widow surviving him now possesses both of them; another part was sold to Chapman, and a third to Avery. Since which it has become more inconsiderable, by the two parts last-mentioned having been again parcelled out, so that now it is sunk into that obscurity, as hardly to be worthy of notice, but the manerial rights of the manor are claimed by John Wynne and Lydia his wife.
Charities.
EDWARD GRESWOLD, by his will in 1677, gave 20l. for the benefit of the poor not receiving alms, to be laid out in land or otherwise, by his executors, who in 1680 purchased a piece of land, called Pinkes-cross, in Easling, containing two acres, in trust, for this purpose, the rent of it is now 154. per annum, vested in the minister and parish officers.
The poor constantly relieved are about twelve, casually twenty-five.
EASLING is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.
The church, which is dedicated to St. Mary, consists of three isles and a south chancel, called St. Katherine's. The steeple, which is a low pointed one, stands at the west end; there are six bells in it.
Alicia de Esling, wife of Robert de Eschequer, and lady of the manor of Esling, with the consent of archbishop Theobald, in the reign of king Stephen, granted the church of Elinges, situated on her estate, to the priory of Ledes, in perpetual alms, together with the temporalities, or appropriation of it, to be possessed by them for ever after the death of Gervas then incumbent of it. Which gift was confirmed by archbishop Hubert, in the reign of Richard I.
Notwithstanding which, there was no vicarage endowed here, nor did the canons of Ledes ever enjoy the parsonage of it; but archbishop Stephen Langton, who succeeded archbishop Hubert, with the consent and approbation of William de Eslinges, patron of this church, granted to the canons of Ledes twenty shillings yearly, to be received from it in the name of a benefice; and he ordained, that beyond that sum, they should not claim any thing further from it, but that whenever it should become vacant, the said William de Esling should present to it. But it should seem that after this, they had not given up all pretensions to it, for they obtained, seventy years after this, viz. in 1278, of the prior, and the convent of Christchurch, Canterbury, a confirmation of the archbishops Theobald and Hubert's charters to them, in which this church is particularly mentioned. (fn. 7) How long it continued in the hands of the family of Esling I do not find, or in those of private patronage; but before the 22d year of Edward III. it was become part of the possessions of the college founded by Sir John Poultney, in the church of St. Laurence, Canon-street, London, with which it remained till the suppression of the college, in the reign of Edward VI. when it came, with the rest of the possessions of it, into the hands of the crown.
After which it seems to have been granted to Sir Thomas Moyle, of Eastwell, whose sole daughter and heir Catherine married Sir Thomas Finch, of that place, and afterwards Nicholas St. Leger, esq. who in her right presented to this rectory in 1574; after which Sir Moyle Finch, knight and baronet, the eldest son of Sir Thomas and lady Catherine, succeeded to it, in whose descendants, earl of Winchelsea and Nottingham, this advowson continued down to Daniel, earl of Winchelsea and Nottingham, who died possessed of it in 1769, without male issue, leaving his four daughters his coheirs. He was succeeded in titles by his nephew George Finch, esq. only son of his next brother William; but this advowson, with Eastwell, and the rest of his Kentish estates, he gave by his will to his nephew George Finch Hatton, esq. only son of his third brother the hon. Edward Finch Hatton, (fn. 8) who is the present owner of it.
The pension of twenty shillings payable from this church to the priory of Ledes, at its suppression in the reign of Henry VIII. came into the hands of the crown; after which it was settled, among other premises, by the King, in his 33d year, on his newerected dean and chapter of Rochester, who are now entitled to it.
¶This rectory is valued in the king's books at sixteen pounds, and the yearly tenths at 1l. 12s. In 1587 the communicants here were eighty-seven.
In 1640 it was valued at 120l. Communicants one hundred. It is now worth upwards of 200l. per annum.
London Transport, formed in 1933 to amalgamate and coordinate the operations of the capital's various transport undertakings, carried on in the tradition of its predecessors in promoting transport opportunities, particularly those outside peak hours when capacity could be put to good and profitable use. Also int he tradition of the Underground Group the quality of much of their publicity material was second to none and amongst the best of the contemporary crop.
This 1938 "Party Outings" brochure is no exception. Tipped inside is this booking or enquiry form. Around this date LT's 'new' publicity manager, Christian Barman who had been appointed by Frank Pick, was working with Curwen Press looking at various typefaces used in LT timetables and on tickets, with regards to legibility. This form for the booking of group visits really shows the fruits of that work in terms of layout and typography.
Walking down form the Church of Archangel Michael in the town of Rila, Bulgaria, this is the scene encountered.
(EN) Sand shrimpgoby - (FR) Gobie féroce
Ctenogobiops feroculus clear eyes form, Moorea, French Polynesia
Newton Crater is a large basin formed by an asteroid impact that probably occurred more than 3 billion years ago. It is approximately 287 kilometers (178 miles) across. The picture shown here (top) highlights the north wall of a specific, smaller crater located in the southwestern quarter of Newton Crater (above). The crater of interest was also formed by an impact; it is about 7 km (4.4 mi) across, which is about 7 times bigger than the famous Meteor Crater in northern Arizona in North America. The north wall of the small crater has many narrow gullies eroded into it. These are hypothesized to have been formed by flowing water and debris flows. Debris transported with the water created lobed and finger-like deposits at the base of the crater wall where it intersects the floor (bottom center top image). Many of the finger-like deposits have small channels indicating that a liquid, most likely water, flowed in these areas. Hundreds of individual water and debris flow events might have occurred to create the scene shown here. Each outburst of water from higher up on the crater slopes would have constituted a competition between evaporation, freezing, and gravity. The individual deposits at the ends of channels in this MOC image mosaic were used to get a rough estimate of the minimum amount of water that might be involved in each flow event. This is done first by assuming that the deposits are like debris flows on Earth. In a debris flow, no less than about 10% (and no more than 30%) of their volume is water. Second, the volume of an apron deposit is estimated by measuring the area covered in the MOC image and multiplying it by a conservative estimate of thickness, 2 meters (6.5 feet). For a flow containing only 10% water, these estimates conservatively suggest that about 2.5 million liters (660,000 gallons) of water are involved in each event; this is enough to fill about 7 community-sized swimming pools or enough to supply 20 people with their water needs for a year. The Mars Orbiter Camera (MOC) high resolution view is located near 41.1S, 159.8W and is a mosaic of three different pictures acquired between January and May 2000. The MOC scene is illuminated from the left; north is up.
Credit: NASA/JPL/MSSS
Image Number: PIA01039
Date: 2000
Margolies, John,, photographer.
Wahoo Bakery, Linden Street, Wahoo, Nebraska
1980.
1 photograph : color transparency ; 35 mm (slide format).
Notes:
Title, date and keywords based on information provided by the photographer.
Margolies categories: General commercial; Main Street.
Purchase; John Margolies 2008 (DLC/PP-2008:109-1).
Credit line: John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.
Please use digital image: original slide is kept in cold storage for preservation.
Forms part of: John Margolies Roadside America photograph archive (1972-2008).
Subjects:
Bakeries--1980.
United States--Nebraska--Wahoo.
Format: Slides--1980.--Color
Rights Info: No known restrictions on publication. For more information, see "John Margolies Roadside America Photograph Archive - Rights and Restrictions Information" www.loc.gov/rr/print/res/723_marg.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Margolies, John John Margolies Roadside America photograph archive (DLC) 2010650110
General information about the John Margolies Roadside America photograph archive is available at hdl.loc.gov/loc.pnp/pp.mrg
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/mrg.00724
Call Number: LC-MA05- 724
Taken with a Kodak 66 mk3 folding camera from 1959.
120 Fuji Reala ISO 100 film
Light leak in bellows caused the red flare despite my efforts to repair them!
This is a relatively new sculpture on public display at Snape Maltings in Suffolk, England. Entitled 'Large interior form' by Henry Moore. He produced this in 1982 when he was 84. There are six of these sculptures in existence worldwide.
A succession of Henry Moore works has been sited on this lawn (chosen by HM himself) outside the entrance to the huge Concert Hall at Snape. The spot has naturally become known as the Henry Moore lawn.
À l’honneur les orgues Limonaire qui ont su séduire par l’intermédiaire des forains, des cafés et des bals jusqu’en 1935. Après la liquidation de la manufacture, l’activité de réparation et la fabrication des « musiques perforées » est reprise par d’anciens collaborateurs salariés ou par des sous-traitants. Parmi ces derniers, le plus connu est la manufacture Poirot Frères de Mirecourt qui est le véritable successeur de Limonaire. La facture d’orgues de foire de Georges Poirot ferme définitivement son atelier en 1954 baissant le rideau sur l’activité dans la ville.
The Brocken Railway (German: Brockenbahn) is one of three tourist metre gauge railways which together with the Harz Railway and Selke Valley Railway form the Harz Narrow Gauge Railways railway network in the Harz mountain range of Germany.
As early as 1869 there was a design for the construction of a railway to the Brocken, but it was turned down. A resubmission in 1895 succeeded, however, and, on 30 May 1896, the construction permit was issued once Prince Otto of Stolberg-Wernigerode had allocated the requisite land. The first section of the Brocken Railway, from Drei Annen Hohne to Schierke, was opened on 20 June 1898 and construction work for the remaining section up to the Brocken was begun on 4 October 1898. Initially services to the Brocken only ran between 30 April to 15 October; during the winter trains terminated at Schierke station. At the end of the Second World War significant damage occurred to the track, mainly through bombs and grenades, in the course of fighting in the Harz, which had been declared a fortress. The section to the Brocken was only reopened, therefore, in 1949.
The operator of the Brocken Railway until 5 August 1948 was the Nordhausen-Wernigerode Railway Company (NWE), after which it belonged from the Association of Publicly-Owned Companies (VVB), part of Saxony-Anhalt's transport services, and, from 11 April 1949 to the Deutsche Reichsbahn in East Germany. Only after the German winter sports championships in 1950, which took place in Schierke, did winter trains run up to the Brocken summit. A railway station at Eckerloch was also built for the championships which was closed again after they had ended. The location of the former sidings at Eckerloch station can still be easily seen.
Goods trains continued to work the Brocken Railway right up to 1987, although since the construction of the Berlin Wall on 13 August 1961 the Brocken and its station had been part of the out-of-bounds area and thus not accessible to the public. Up to that time the trains transported coal, oil and building materials up the mountain for the East German Border Troops and Soviet soldiers who were stationed there.
Passengers services on the Brocken Railway continued to run from Drei Annen Hohne to Schierke; usually only two pairs of passenger train pairs ran each day;[1] however they could only be used with a special pass, because Schierke lay in the border zone with West Germany.
Via Aniello Falcone - Vomero- Naples.
Vomero is one of the hilly districts of Naples.
It is bordered to the north with the Arenella district , west districts with Soccavo Fuorigrotta and to the south with the Chiaia district and east with the district Montecalvario and , more to the east, but for a few meters , even with the district Advocate.
With the " decentralization reform " declared in 2005 , the Vomero and Arenella form the Municipality V, which , with its 120,000 inhabitants, is the most densely populated part of town .
In Roman times , the hill was called Vomero Paturcium (probably from Patulcius , name connected to Janus, the god to whom the hill was dedicated ) and in the Middle Ages , for linguistic corruption , Patruscolo or Patruscio . The current name , attested at the end of the sixteenth century (when it was referring not to the entire hill, but to an old farmhouse ) , presumably derives its origin from the ancient agricultural vocation and to the game of ploughshare , a hobby farmer who sanctioned as a winner who , with the plow plow , had drawn a furrow as straight as possible . However, their activities linked to the fields and the great harvest of vegetables grown for centuries earned him the nickname of the Hill of the broccoli.
Panorama from Posillipo.JPG
Magnify - clip.png The classic view of Naples with Vesuvius seen from Via Orazio in Posillipo . On the left the hill of Vomero and the Castel Sant 'Elmo on its top.
History of the hill
The Vomero ( specifically the Tavola Strozzi , 1474 )
The Vomero in a photo of Giorgio Sommer 1860-70 of approximately
Until the end of the nineteenth century, the Vomero was an almost uninhabited and suburbs far from the city of Naples , its oldest parts of the district as Antignano , residential areas were rural villages since the time of the Romans stood on the " Via Puteolis Neapolim for colles " road before the excavation of the tunnel linking Fuorigrotta and Mergellina was the only overland connection between the Phlegraean area and the city . Around the second century A.D. the road was rearranged and called on Antiniana , hence the name of the ward. Just in the ancient village that today is the district of Antignano is said to have occurred for the first time the miracle of San Gennaro, between 413 and 431 AD
Main article: For more, see Ward Antignano .
Later, after the Norman rule and the Swabian , with Anjou Naples became the capital in 1266 ( it remained so until the unification of Italy in 1860 ) . Began to rise , therefore, the need to climb the slopes of the Vomero hill , mainly for strategic reasons . The area then began to be populated mainly from the construction of the Carthusian cloister in 1325 and almost simultaneously the Angevins replaced the old lookout tower ( of Norman) near which stood the cloister , with the Castle of Belforte , core starting the Castel Sant 'Elmo . The structure of the remaining territory Vomero , however, remained unchanged.
Under the Aragonese and then under the Spanish, Naples underwent a dramatic increase in population , due to the high rate of immigration from the Iberian Peninsula and the rest of the kingdom. The need to expand the territory of the city prompted the viceroy Pedro Alvarez de Toledo to direct the development of the city ( then just flat ) to the foot of the hills , remained so far without significant settlements . However, in 1556 a law prohibited the construction of new buildings around St Elmo and , in 1583 , also on the slopes of the hill.
Floridiana
In the period subsequent to the viceroy Don Pedro, the building expansion followed , resulting in the fusion of innumerable villages , even on the hill began to form more homogeneous agglomerations , villages and hamlets . In the seventeenth century in the maps of the city are starting to be the first constructions hills.
During the plague of 1656 , the hill was used as a refuge by the nobility and the clergy had in fact been a tendency in the aristocracy residing in the old town to build a second home in the Vomero , a trend that will become more pronounced during the eighteenth century , especially thanks to the opening of the new "road Infrascata " ( Via Salvator Rosa) . Among the many noble families who settled in the Vomero , the Carafa , the Counts of Acerra , the Ruffo of Sicily, the Cacciottoli , the Cangiani . [2]
In 1817, the Vomero was promoted to the rank of residence is not only noble , but also regal , with the acquisition of a villa by Ferdinand I of Bourbon : the future Floridiana .
In 1809 , the new administrative division of the city made by Joachim Murat , all villages in the Vomero became part of the city proper , in the district dell'Avvocata . Finally, in the mid- nineteenth century , the opening of Corso Maria Teresa (renamed Corso Vittorio Emanuele after 1860 ) , commissioned by Ferdinand II , delimited the bottom border of the future Vomero district.
The foundation of the new District and urbanization of the Vomero [edit | edit source ]
Piazza Vanvitelli in the fifties
The development of residential real Vomero began towards the end of the nineteenth century , more precisely in 1885 , with the foundation ( within the law "for the cleansing of Naples" ) of the New District and the design of a road network in grid-like pattern and radial pattern that applied to the dictates rationalistic in vogue throughout the European urban planning of the century , according to the example of the Paris of Baron Haussmann ( similar experiences in urbanism are found in the Italian district of Rome Esquilino and Testaccio ) . From the first moment the Vomero was conceived as a residential area for high -bourgeois classes : the beautiful villas and late Art Nouveau style buildings that were built in large numbers at the beginning of the century around the Floridiana and to the area of Castel Sant ' Elmo and St. Martin's until the mid- twentieth century constituted the hallmark of the new district .
Main article: For more, see the Neapolitan Liberty .
Even before the law of cleansing , moreover, a Piedmontese bank , the bank Tiberina , had purchased the Vomero land between San Martino , Via Belvedere and Antignano , with the intention to build a new neighborhood (formerly Garibaldi, in fact , he had thought the hilly areas as potential new districts , in which, however, he believed you were to host the proletariat ) . The laying of the foundation stone by the sovereigns took place on May 11, 1885 , October 20, 1889 , the New District was inaugurated , with the opening of the funicular of Chiaia, which followed the Funicular Montesanto in 1891.
Upper station of the funicular railway station , in Piazza Fuga
Until that date , but for several decades later, the life and then the history of the Vomero hill and the city of Naples have evolved separately. "I go to Naples ", " go down to Naples " were the phrases of vomeresi to indicate the travel to the city. But , after the May 11, 1885 , Vomero slowly begins to weld territorially with the city. A welding , which ended at the end of the twentieth century , will inevitably mean importing all the unresolved problems inherited from the difficult history of the city of Naples.
First example of a type of construction "urban" were the " Four Palaces " in Piazza Vanvitelli , built in the early twentieth century by the Bank Tiberina . After the start of the work, however, the lack of responsiveness of the market ( due to the economic difficulties of the time and still difficult to links between the city and the hill) pushed the bank (owner of the built environment and the two funiculars ) to yield the 1899 his rights to the Bank of Italy . This resulted in the suspension of the works for several years in the plan of urbanization (the result of the agreement signed between the City and the Bank Tiberina) . At the beginning of the twentieth century were said to be made ( in addition to the layout of the subdivision ) only a part of the buildings in the center of Vomero ( between Piazza Vanvitelli , and go along Via Scarlatti Morghen ) . All new buildings were in Neo-Renaissance Naples will continue until the first decades of the twentieth century , dragging over the years the projects of the late nineteenth century .
The Bank of Italy , to recover the capital invested , he decided to sell the buildings already constructed and the land, and divide the blocks into smaller lots more sellable . Consequently, in the early years of the twentieth century there was an impetuous urban development, but there arose a housing less intensive , small villas with two, three floors, surrounded by lovely gardens , who, however, had the ability to more emphasis paesistici of places, compared to large buildings umbertini . The architectural taste that characterized the period , until the mid- twenties, was that defined liberty together with the so-called neoeclettico .
Villa La Santarella Eduardo Scarpetta
" The construction of small lots , which started at the beginning of the century, continued even after the First World War and continued to call up a new social class , able to acquire single-family villas or a few families made up primarily of professionals, entrepreneurs , people still wealthy who , with their needs and their way of life, defined the character of the new district , where at this time of life began to take their habits , turning around Piazza Vanvitelli , the cable cars , the axes of Via and Via Scarlatti Luca Giordano. (...) continued the development of the areas of Via Aniello Falcone , via Palisades , the " Santarella " opened big prestigious schools (the " Vanvitelli ", the " Sannazaro " ) , entertainment elite , such as the theater "Diana" , opened in 1933 by Prince Umberto , cinemas, restaurants, cafes (...) ; clinics clean and efficient , the elegant early Christian basilica- style church of San Gennaro , the new sports center Littorio , elegant shops. then there were not artists . Vomero of this period is what is described in the books with regret that I recall , the one that created the myth in the collective imagination , that of nostalgia, " Vomero disappeared," the " Paradise Lost " , to a unique and unrepeatable . " [3]
The opening of the new funicular railway station , in 1928 , facilitating travel between the Vomero and the center , led to a significant increase in urbanization , which is re- oriented towards the big buildings are also made according to the different styles then fashionable ( from the liberty to neoeclettismo , the first rationalism ) . The new town expanded to the ancient villages ( Old Vomero , Antignano ) , embedding them .
After World War II to the present [edit | edit source ]
Via Morghen before the war and in 2008
After World War II , the ever-increasing demand for housing and the consequent usual speculation of the sixties, which raged throughout Italy and in particular in the South had an easy life, choked it, and often supplanted the sober and elegant architecture vomeresi with huge buildings in reinforced concrete , losing to the neighborhood much of its charm. With the disappearance of almost all the gardens , the destruction of a large part of the complex of Art Nouveau villas ( guilty of " wasting" too much space ) , of many of the most ancient villas , and even some of the older buildings umbertini , Vomero it has been developing as any upper-middle class neighborhood , which now covers the Arenella and pushing up the slopes of the hill of Camaldoli , not without some authentic ruined by construction (such as the infamous Great Wall of China by Mario Ottieri Via Aniello Falcone, or buildings Via Caldieri ) . [4]
The dramatic urban mess that you worked in Naples and in particular to the Vomero and its surrounding areas was masterfully told by Francesco Rosi in his 1963 film Hands Over the City , which is a fierce denunciation of corruption and speculation of Italy those years. The film's final caption reads: " The characters and events are imaginary , but real is the reality that produces them ."
Currently the Vomero is a congested residential and commercial area with a high population density , but the image of which Vomero neighborhood pleasant , rich and wealthy , has remained almost intact in the collective imagination to this day, despite the district has lost much of its charm , as mentioned, because of the strong urbanization.
The district , however, fortunately still retains many original architectural examples , which are an asset for the whole of Italian architecture. Furthermore, it is still possible to observe , in addition to the already mentioned monuments , historical buildings , such as, for example, some of the oldest aristocratic villas ( Villa del Pontanus , Villa Belvedere, Villa Regina , Villa Lucia Villa Haas, Prescot or Villa Diaz, Villa Ricciardi , Villa Leonetti , Villa Salve) and an ancient building of duty Bourbon , in the district Antignano .
Transport and Traffic [edit | edit source ]
Main article: For more, see the Naples Metro .
Via Alessandro Scarlatti
Line 1 of the Naples metro has contributed - in recent years - to streamline the vehicular traffic ingorgava the access roads to the hill Vomero Vomero quickly connecting to the historic center and the districts of the northern outskirts of Naples .
The Vomero , such as inner city areas not closed to vehicular traffic , being a largely commercial area and at the same time with high population density is one of the busiest districts of the city. Nevertheless , or perhaps to counter this , it maintains a pedestrian round the clock and always full of citizens and tourists , as well as its surroundings (Piazza Vanvitelli , Via Cimarosa ) , thanks to the many venues that attract , especially on weekends , people of all ages. The pedestrian , originally established ( since 1994 ) the only way Alessandro Scarlatti, 11 November 2008, also incorporated by Luca Giordano , a major artery located between the top and bottom Vomero ( ie, within the area of San Martino and Piazza Vanvitelli and the via and via Cilea Belvedere) almost touching the oldest core of the Vomero , the district Antignano .
One of the main outputs of the bypass ( Vomero , exit 9 ) leads in two of the main streets : Via Cilea and so Caldieri ( individual outputs should not be considered because the deviation occurs after the toll ) . The intersection of Via Pigna ( always from the Vomero ) instead brings in neighboring districts and Soccavo Arenella (although the output remains in the immediate vicinity of Vomero district ) .
The district is connected to the metro system and then to the rest of the city , as mentioned, via the Metro Line 1 ( stops Four Days - initially " Cilea - Four Days " - and Vanvitelli ), through three of the four towns funiculars ( Central Funicular , Chiaia funicular funicular and Montesanto) who are born to connect the Vomero to the city center .
In the past few years have been finally opened three new escalators urban [5 ] to move more smoothly (uphill ) citizens and visitors , from the area of Piazza Fuga or Piazza Vanvitelli , directly above the center of Via Scarlatti , in front of the upper station of the Montesanto funicular , a few hundred meters from Castel St. Elmo and the Certosa di San Martino . There are also bus services that connect the Vomero to the rest of the city.
Formed in 2000, Ferrovie Emilia Romagna was formed by the merging of several private operators in the area. Seen here is a 4-car set powered by ALn663.1017 and ALn663.1019 waiting to depart on train R7560, 15:31 Codigoro to Ferrara on 10 November 2003.
Following a merge with ACT Bologna City Transport, the company became Trasporto Passeggeri Emilia Romagna.
A couple of magnificent thunderclouds popped up this evening beyond the lake in Rusk County. They caught the last rays of the sun and lit up the sky. This chronicles the development of one of these storms.
Autocar 627 de Transportes Generales Comes, Iveco Evadys H.
Forma parte de la serie 625-629, presentado el 22 de Enero de 2026 como parte de la renovación de flota de T. G. Comes.
Se trata de la primera vez que Comes adquiere la versión mayor del Crossway, el Evadys, y se destinarán a servicios del Consorcio de Transportes de la Bahía de Cádiz.
F. Matriculación: 17/12/2025
VIN: VNE6237R90M069105
light and shadow of the Chinese character 愛 meaning love in both Chinese and Japanese....
Sorry that the projection to the walls is reversed...
I like the Effect of Yin - Yang created by the two different walls of the corner...
Thanks for the comments guys...
An parking lot carnival was quite popular when Oklahoma started opening up when the summer of 2021 started.
This is a photograph of a sculpture of Alison Lapper, a British artist who was born in 1965 with no arms and shortened legs due to a condition called phocomelia, caused by the morning sickness drug Tholidomide.
Lapper is an inspring example of someone who has managed to overcome her childhood- spending the first 19 years in residential institutions, and her disability. She has (amongst other achievments that in the past would be thought inconcievable for a woman with disabilities) graduated with a first class honours degree in Fine Art from Brighton University, Learnt to drive, Become a successful artist, and a mother to a son named Paris (featured on the Robert Winston Documentary "child of out time").
I feel that the placing of this Statue in Trafalgar Square, London, a place always packed with people, and dominated by statues of Male war heroes, really shows the developement in acceptance, and the overcoming of prejudices in our society. Not so long ago, before the Women's liberation and the birth of feminism, people would have laughed at the thought of a statue of a woman in Trafalgar Square. Who would have thought that a Pregnant, Naked, Disabled Woman would ever take center stage as both a stunning work of art, a beautiful woman and an iconic public Statue?
This is taken form Panorama Point in the Paradise area of Mt. Rainier National Park and down below is the Nisqually River valley. As our hike progressed we could watch the clouds progressing from the Pacific Ocean way off in the distance down the valley to the right of the photograph to this point. In the bottom left you can see lights of cars heading down the mountain. The "Road to Paradise" was laid out and built by hand in the 19teens and is a great engineering and artistic masterpiece! Tis was truly a sublime experience! Hiking several miles down to Paradise Lodge in the dark was another matter! :-)
Legong is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions.
An extremely basic definition of legong is a dance traditionally performed by pre-pubescent girls in the palaces of feudal Bali.
One translation is that the word is made up of two words. Lega meaning happy and Ing wong meaning person – put them together and you get: “something that makes people happy”. Another one is oleg meaning dance and gong meaning gamelan, the music that accompanies the dance.
Legong probably originated in the 19th century as royal entertainment. Today the most common legong dance is Legong Keraton, so named by the Sultanate of Keraton Surakarta when the music and dance composer and genius I Wayan Lotring from Kuta was invited to perform in the 1920s with his Gamelan Pelegongan group in the keraton (palace) in Surakarta.
___________________________________________
Bali is an island and province of Indonesia. The province includes the island of Bali and a few smaller neighbouring islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan. It is located at the westernmost end of the Lesser Sunda Islands, between Java to the west and Lombok to the east. Its capital of Denpasar is located at the southern part of the island.
With a population of 3,890,757 in the 2010 census, and 4,225,000 as of January 2014, the island is home to most of Indonesia's Hindu minority. According to the 2010 Census, 83.5% of Bali's population adhered to Balinese Hinduism, followed by 13.4% Muslim, Christianity at 2.5%, and Buddhism 0.5%.
Bali is a popular tourist destination, which has seen a significant rise in numbers since the 1980s. It is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metalworking, and music. The Indonesian International Film Festival is held every year in Bali.
Bali is part of the Coral Triangle, the area with the highest biodiversity of marine species. In this area alone over 500 reef building coral species can be found. For comparison, this is about 7 times as many as in the entire Caribbean. There is a wide range of dive sites with high quality reefs, all with their own specific attractions. Many sites can have strong currents and swell, so diving without a knowledgeable guide is inadvisable. Most recently, Bali was the host of the 2011 ASEAN Summit, 2013 APEC and Miss World 2013.
HISTORY
ANCIENT
Bali was inhabited around 2000 BC by Austronesian people who migrated originally from Southeast Asia and Oceania through Maritime Southeast Asia. Culturally and linguistically, the Balinese are closely related to the people of the Indonesian archipelago, Malaysia, the Philippines, and Oceania. Stone tools dating from this time have been found near the village of Cekik in the island's west.
In ancient Bali, nine Hindu sects existed, namely Pasupata, Bhairawa, Siwa Shidanta, Waisnawa, Bodha, Brahma, Resi, Sora and Ganapatya. Each sect revered a specific deity as its personal Godhead.
Inscriptions from 896 and 911 don't mention a king, until 914, when Sri Kesarivarma is mentioned. They also reveal an independent Bali, with a distinct dialect, where Buddhism and Sivaism were practiced simultaneously. Mpu Sindok's great granddaughter, Mahendradatta (Gunapriyadharmapatni), married the Bali king Udayana Warmadewa (Dharmodayanavarmadeva) around 989, giving birth to Airlangga around 1001. This marriage also brought more Hinduism and Javanese culture to Bali. Princess Sakalendukirana appeared in 1098. Suradhipa reigned from 1115 to 1119, and Jayasakti from 1146 until 1150. Jayapangus appears on inscriptions between 1178 and 1181, while Adikuntiketana and his son Paramesvara in 1204.
Balinese culture was strongly influenced by Indian, Chinese, and particularly Hindu culture, beginning around the 1st century AD. The name Bali dwipa ("Bali island") has been discovered from various inscriptions, including the Blanjong pillar inscription written by Sri Kesari Warmadewa in 914 AD and mentioning "Walidwipa". It was during this time that the people developed their complex irrigation system subak to grow rice in wet-field cultivation. Some religious and cultural traditions still practised today can be traced to this period.
The Hindu Majapahit Empire (1293–1520 AD) on eastern Java founded a Balinese colony in 1343. The uncle of Hayam Wuruk is mentioned in the charters of 1384-86. A mass Javanese emigration occurred in the next century.
PORTUGUESE CONTACTS
The first known European contact with Bali is thought to have been made in 1512, when a Portuguese expedition led by Antonio Abreu and Francisco Serrão sighted its northern shores. It was the first expedition of a series of bi-annual fleets to the Moluccas, that throughout the 16th century usually traveled along the coasts of the Sunda Islands. Bali was also mapped in 1512, in the chart of Francisco Rodrigues, aboard the expedition. In 1585, a ship foundered off the Bukit Peninsula and left a few Portuguese in the service of Dewa Agung.
DUTCH EAST INDIA
In 1597 the Dutch explorer Cornelis de Houtman arrived at Bali, and the Dutch East India Company was established in 1602. The Dutch government expanded its control across the Indonesian archipelago during the second half of the 19th century (see Dutch East Indies). Dutch political and economic control over Bali began in the 1840s on the island's north coast, when the Dutch pitted various competing Balinese realms against each other. In the late 1890s, struggles between Balinese kingdoms in the island's south were exploited by the Dutch to increase their control.
In June 1860 the famous Welsh naturalist, Alfred Russel Wallace, travelled to Bali from Singapore, landing at Buleleng on the northcoast of the island. Wallace's trip to Bali was instrumental in helping him devise his Wallace Line theory. The Wallace Line is a faunal boundary that runs through the strait between Bali and Lombok. It has been found to be a boundary between species of Asiatic origin in the east and a mixture of Australian and Asian species to the west. In his travel memoir The Malay Archipelago, Wallace wrote of his experience in Bali:
I was both astonished and delighted; for as my visit to Java was some years later, I had never beheld so beautiful and well-cultivated a district out of Europe. A slightly undulating plain extends from the seacoast about ten or twelve miles inland, where it is bounded by a fine range of wooded and cultivated hills. Houses and villages, marked out by dense clumps of coconut palms, tamarind and other fruit trees, are dotted about in every direction; while between them extend luxurious rice-grounds, watered by an elaborate system of irrigation that would be the pride of the best cultivated parts of Europe.
The Dutch mounted large naval and ground assaults at the Sanur region in 1906 and were met by the thousands of members of the royal family and their followers who fought against the superior Dutch force in a suicidal puputan defensive assault rather than face the humiliation of surrender. Despite Dutch demands for surrender, an estimated 200 Balinese marched to their death against the invaders. In the Dutch intervention in Bali, a similar massacre occurred in the face of a Dutch assault in Klungkung.
AFTERWARD THE DUTCH GOVERNORS
exercised administrative control over the island, but local control over religion and culture generally remained intact. Dutch rule over Bali came later and was never as well established as in other parts of Indonesia such as Java and Maluku.
n the 1930s, anthropologists Margaret Mead and Gregory Bateson, artists Miguel Covarrubias and Walter Spies, and musicologist Colin McPhee all spent time here. Their accounts of the island and its peoples created a western image of Bali as "an enchanted land of aesthetes at peace with themselves and nature." Western tourists began to visit the island.
Imperial Japan occupied Bali during World War II. It was not originally a target in their Netherlands East Indies Campaign, but as the airfields on Borneo were inoperative due to heavy rains, the Imperial Japanese Army decided to occupy Bali, which did not suffer from comparable weather. The island had no regular Royal Netherlands East Indies Army (KNIL) troops. There was only a Native Auxiliary Corps Prajoda (Korps Prajoda) consisting of about 600 native soldiers and several Dutch KNIL officers under command of KNIL Lieutenant Colonel W.P. Roodenburg. On 19 February 1942 the Japanese forces landed near the town of Senoer [Senur]. The island was quickly captured.
During the Japanese occupation, a Balinese military officer, Gusti Ngurah Rai, formed a Balinese 'freedom army'. The harshness of war requisitions made Japanese rule more resented than Dutch rule. Following Japan's Pacific surrender in August 1945, the Dutch returned to Indonesia, including Bali, to reinstate their pre-war colonial administration. This was resisted by the Balinese rebels, who now used recovered Japanese weapons. On 20 November 1946, the Battle of Marga was fought in Tabanan in central Bali. Colonel I Gusti Ngurah Rai, by then 29 years old, finally rallied his forces in east Bali at Marga Rana, where they made a suicide attack on the heavily armed Dutch. The Balinese battalion was entirely wiped out, breaking the last thread of Balinese military resistance.
INDIPENDENCE FROM THE DUTCH
In 1946, the Dutch constituted Bali as one of the 13 administrative districts of the newly proclaimed State of East Indonesia, a rival state to the Republic of Indonesia, which was proclaimed and headed by Sukarno and Hatta. Bali was included in the "Republic of the United States of Indonesia" when the Netherlands recognised Indonesian independence on 29 December 1949.
CONTEMPORARY
The 1963 eruption of Mount Agung killed thousands, created economic havoc and forced many displaced Balinese to be transmigrated to other parts of Indonesia. Mirroring the widening of social divisions across Indonesia in the 1950s and early 1960s, Bali saw conflict between supporters of the traditional caste system, and those rejecting this system. Politically, the opposition was represented by supporters of the Indonesian Communist Party (PKI) and the Indonesian Nationalist Party (PNI), with tensions and ill-feeling further increased by the PKI's land reform programs. An attempted coup in Jakarta was put down by forces led by General Suharto.
The army became the dominant power as it instigated a violent anti-communist purge, in which the army blamed the PKI for the coup. Most estimates suggest that at least 500,000 people were killed across Indonesia, with an estimated 80,000 killed in Bali, equivalent to 5% of the island's population. With no Islamic forces involved as in Java and Sumatra, upper-caste PNI landlords led the extermination of PKI members.
As a result of the 1965/66 upheavals, Suharto was able to manoeuvre Sukarno out of the presidency. His "New Order" government reestablished relations with western countries. The pre-War Bali as "paradise" was revived in a modern form. The resulting large growth in tourism has led to a dramatic increase in Balinese standards of living and significant foreign exchange earned for the country. A bombing in 2002 by militant Islamists in the tourist area of Kuta killed 202 people, mostly foreigners. This attack, and another in 2005, severely reduced tourism, producing much economic hardship to the island.
GEOGRAPHY
The island of Bali lies 3.2 km east of Java, and is approximately 8 degrees south of the equator. Bali and Java are separated by the Bali Strait. East to west, the island is approximately 153 km wide and spans approximately 112 km north to south; administratively it covers 5,780 km2, or 5,577 km2 without Nusa Penida District, its population density is roughly 750 people/km2.
Bali's central mountains include several peaks over 3,000 metres in elevation. The highest is Mount Agung (3,031 m), known as the "mother mountain" which is an active volcano rated as one of the world's most likely sites for a massive eruption within the next 100 years. Mountains range from centre to the eastern side, with Mount Agung the easternmost peak. Bali's volcanic nature has contributed to its exceptional fertility and its tall mountain ranges provide the high rainfall that supports the highly productive agriculture sector. South of the mountains is a broad, steadily descending area where most of Bali's large rice crop is grown. The northern side of the mountains slopes more steeply to the sea and is the main coffee producing area of the island, along with rice, vegetables and cattle. The longest river, Ayung River, flows approximately 75 km.
The island is surrounded by coral reefs. Beaches in the south tend to have white sand while those in the north and west have black sand. Bali has no major waterways, although the Ho River is navigable by small sampan boats. Black sand beaches between Pasut and Klatingdukuh are being developed for tourism, but apart from the seaside temple of Tanah Lot, they are not yet used for significant tourism.
The largest city is the provincial capital, Denpasar, near the southern coast. Its population is around 491,500 (2002). Bali's second-largest city is the old colonial capital, Singaraja, which is located on the north coast and is home to around 100,000 people. Other important cities include the beach resort, Kuta, which is practically part of Denpasar's urban area, and Ubud, situated at the north of Denpasar, is the island's cultural centre.
Three small islands lie to the immediate south east and all are administratively part of the Klungkung regency of Bali: Nusa Penida, Nusa Lembongan and Nusa Ceningan. These islands are separated from Bali by the Badung Strait.
To the east, the Lombok Strait separates Bali from Lombok and marks the biogeographical division between the fauna of the Indomalayan ecozone and the distinctly different fauna of Australasia. The transition is known as the Wallace Line, named after Alfred Russel Wallace, who first proposed a transition zone between these two major biomes. When sea levels dropped during the Pleistocene ice age, Bali was connected to Java and Sumatra and to the mainland of Asia and shared the Asian fauna, but the deep water of the Lombok Strait continued to keep Lombok Island and the Lesser Sunda archipelago isolated.
CLIMATE
Being just 8 degrees south of the equator, Bali has a fairly even climate year round.
Day time temperatures at low elevations vary between 20-33⁰ C although it can be much cooler than that in the mountains. The west monsoon is in place from approximately October to April and this can bring significant rain, particularly from December to March. Outside of the monsoon period, humidity is relatively low and any rain unlikely in lowland areas.
ECOLOGY
Bali lies just to the west of the Wallace Line, and thus has a fauna that is Asian in character, with very little Australasian influence, and has more in common with Java than with Lombok. An exception is the yellow-crested cockatoo, a member of a primarily Australasian family. There are around 280 species of birds, including the critically endangered Bali myna, which is endemic. Others Include barn swallow, black-naped oriole, black racket-tailed treepie, crested serpent-eagle, crested treeswift, dollarbird, Java sparrow, lesser adjutant, long-tailed shrike, milky stork, Pacific swallow, red-rumped swallow, sacred kingfisher, sea eagle, woodswallow, savanna nightjar, stork-billed kingfisher, yellow-vented bulbul and great egret.
Until the early 20th century, Bali was home to several large mammals: the wild banteng, leopard and the endemic Bali tiger. The banteng still occurs in its domestic form, whereas leopards are found only in neighbouring Java, and the Bali tiger is extinct. The last definite record of a tiger on Bali dates from 1937, when one was shot, though the subspecies may have survived until the 1940s or 1950s. The relatively small size of the island, conflict with humans, poaching and habitat reduction drove the Bali tiger to extinction. This was the smallest and rarest of all tiger subspecies and was never caught on film or displayed in zoos, whereas few skins or bones remain in museums around the world. Today, the largest mammals are the Javan rusa deer and the wild boar. A second, smaller species of deer, the Indian muntjac, also occurs. Saltwater crocodiles were once present on the island, but became locally extinct sometime during the last century.
Squirrels are quite commonly encountered, less often is the Asian palm civet, which is also kept in coffee farms to produce Kopi Luwak. Bats are well represented, perhaps the most famous place to encounter them remaining the Goa Lawah (Temple of the Bats) where they are worshipped by the locals and also constitute a tourist attraction. They also occur in other cave temples, for instance at Gangga Beach. Two species of monkey occur. The crab-eating macaque, known locally as "kera", is quite common around human settlements and temples, where it becomes accustomed to being fed by humans, particularly in any of the three "monkey forest" temples, such as the popular one in the Ubud area. They are also quite often kept as pets by locals. The second monkey, endemic to Java and some surrounding islands such as Bali, is far rarer and more elusive is the Javan langur, locally known as "lutung". They occur in few places apart from the Bali Barat National Park. They are born an orange colour, though by their first year they would have already changed to a more blackish colouration. In Java however, there is more of a tendency for this species to retain its juvenile orange colour into adulthood, and so you can see a mixture of black and orange monkeys together as a family. Other rarer mammals include the leopard cat, Sunda pangolin and black giant squirrel.
Snakes include the king cobra and reticulated python. The water monitor can grow to at least 1.5 m in length and 50 kg and can move quickly.
The rich coral reefs around the coast, particularly around popular diving spots such as Tulamben, Amed, Menjangan or neighbouring Nusa Penida, host a wide range of marine life, for instance hawksbill turtle, giant sunfish, giant manta ray, giant moray eel, bumphead parrotfish, hammerhead shark, reef shark, barracuda, and sea snakes. Dolphins are commonly encountered on the north coast near Singaraja and Lovina.
A team of scientists conducted a survey from 29 April 2011 to 11 May 2011 at 33 sea sites around Bali. They discovered 952 species of reef fish of which 8 were new discoveries at Pemuteran, Gilimanuk, Nusa Dua, Tulamben and Candidasa, and 393 coral species, including two new ones at Padangbai and between Padangbai and Amed. The average coverage level of healthy coral was 36% (better than in Raja Ampat and Halmahera by 29% or in Fakfak and Kaimana by 25%) with the highest coverage found in Gili Selang and Gili Mimpang in Candidasa, Karangasem regency.
Many plants have been introduced by humans within the last centuries, particularly since the 20th century, making it sometimes hard to distinguish what plants are really native.[citation needed] Among the larger trees the most common are: banyan trees, jackfruit, coconuts, bamboo species, acacia trees and also endless rows of coconuts and banana species. Numerous flowers can be seen: hibiscus, frangipani, bougainvillea, poinsettia, oleander, jasmine, water lily, lotus, roses, begonias, orchids and hydrangeas exist. On higher grounds that receive more moisture, for instance around Kintamani, certain species of fern trees, mushrooms and even pine trees thrive well. Rice comes in many varieties. Other plants with agricultural value include: salak, mangosteen, corn, kintamani orange, coffee and water spinach.
ENVIRONMENT
Some of the worst erosion has occurred in Lebih Beach, where up to 7 metres of land is lost every year. Decades ago, this beach was used for holy pilgrimages with more than 10,000 people, but they have now moved to Masceti Beach.
From ranked third in previous review, in 2010 Bali got score 99.65 of Indonesia's environmental quality index and the highest of all the 33 provinces. The score measured 3 water quality parameters: the level of total suspended solids (TSS), dissolved oxygen (DO) and chemical oxygen demand (COD).
Because of over-exploitation by the tourist industry which covers a massive land area, 200 out of 400 rivers on the island have dried up and based on research, the southern part of Bali would face a water shortage up to 2,500 litres of clean water per second by 2015. To ease the shortage, the central government plans to build a water catchment and processing facility at Petanu River in Gianyar. The 300 litres capacity of water per second will be channelled to Denpasar, Badung and Gianyar in 2013.
ECONOMY
Three decades ago, the Balinese economy was largely agriculture-based in terms of both output and employment. Tourism is now the largest single industry in terms of income, and as a result, Bali is one of Indonesia's wealthiest regions. In 2003, around 80% of Bali's economy was tourism related. By end of June 2011, non-performing loan of all banks in Bali were 2.23%, lower than the average of Indonesian banking industry non-performing loan (about 5%). The economy, however, suffered significantly as a result of the terrorist bombings 2002 and 2005. The tourism industry has since recovered from these events.
AGRICULTURE
Although tourism produces the GDP's largest output, agriculture is still the island's biggest employer; most notably rice cultivation. Crops grown in smaller amounts include fruit, vegetables, Coffea arabica and other cash and subsistence crops. Fishing also provides a significant number of jobs. Bali is also famous for its artisans who produce a vast array of handicrafts, including batik and ikat cloth and clothing, wooden carvings, stone carvings, painted art and silverware. Notably, individual villages typically adopt a single product, such as wind chimes or wooden furniture.
The Arabica coffee production region is the highland region of Kintamani near Mount Batur. Generally, Balinese coffee is processed using the wet method. This results in a sweet, soft coffee with good consistency. Typical flavours include lemon and other citrus notes. Many coffee farmers in Kintamani are members of a traditional farming system called Subak Abian, which is based on the Hindu philosophy of "Tri Hita Karana". According to this philosophy, the three causes of happiness are good relations with God, other people and the environment. The Subak Abian system is ideally suited to the production of fair trade and organic coffee production. Arabica coffee from Kintamani is the first product in Indonesia to request a Geographical Indication.
TOURISM
The tourism industry is primarily focused in the south, while significant in the other parts of the island as well. The main tourist locations are the town of Kuta (with its beach), and its outer suburbs of Legian and Seminyak (which were once independent townships), the east coast town of Sanur (once the only tourist hub), in the center of the island Ubud, to the south of the Ngurah Rai International Airport, Jimbaran, and the newer development of Nusa Dua and Pecatu.
The American government lifted its travel warnings in 2008. The Australian government issued an advice on Friday, 4 May 2012. The overall level of the advice was lowered to 'Exercise a high degree of caution'. The Swedish government issued a new warning on Sunday, 10 June 2012 because of one more tourist who was killed by methanol poisoning. Australia last issued an advice on Monday, 5 January 2015 due to new terrorist threats.
An offshoot of tourism is the growing real estate industry. Bali real estate has been rapidly developing in the main tourist areas of Kuta, Legian, Seminyak and Oberoi. Most recently, high-end 5 star projects are under development on the Bukit peninsula, on the south side of the island. Million dollar villas are being developed along the cliff sides of south Bali, commanding panoramic ocean views. Foreign and domestic (many Jakarta individuals and companies are fairly active) investment into other areas of the island also continues to grow. Land prices, despite the worldwide economic crisis, have remained stable.
In the last half of 2008, Indonesia's currency had dropped approximately 30% against the US dollar, providing many overseas visitors value for their currencies. Visitor arrivals for 2009 were forecast to drop 8% (which would be higher than 2007 levels), due to the worldwide economic crisis which has also affected the global tourist industry, but not due to any travel warnings.
Bali's tourism economy survived the terrorist bombings of 2002 and 2005, and the tourism industry has in fact slowly recovered and surpassed its pre-terrorist bombing levels; the longterm trend has been a steady increase of visitor arrivals. In 2010, Bali received 2.57 million foreign tourists, which surpassed the target of 2.0–2.3 million tourists. The average occupancy of starred hotels achieved 65%, so the island is still able to accommodate tourists for some years without any addition of new rooms/hotels, although at the peak season some of them are fully booked.
Bali received the Best Island award from Travel and Leisure in 2010. The island of Bali won because of its attractive surroundings (both mountain and coastal areas), diverse tourist attractions, excellent international and local restaurants, and the friendliness of the local people. According to BBC Travel released in 2011, Bali is one of the World's Best Islands, ranking second after Santorini, Greece.
In August 2010, the film Eat Pray Love was released in theatres. The movie was based on Elizabeth Gilbert's best-selling memoir Eat, Pray, Love. It took place at Ubud and Padang-Padang Beach at Bali. The 2006 book, which spent 57 weeks at the No. 1 spot on the New York Times paperback nonfiction best-seller list, had already fuelled a boom in Eat, Pray, Love-related tourism in Ubud, the hill town and cultural and tourist center that was the focus of Gilbert's quest for balance through traditional spirituality and healing that leads to love.
In January 2016, after music icon David Bowie died, it was revealed that in his will, Bowie asked for his ashes to be scattered in Bali, conforming to Buddhist rituals. He had visited and performed in a number of Southest Asian cities early in his career, including Bangkok and Singapore.
Since 2011, China has displaced Japan as the second-largest supplier of tourists to Bali, while Australia still tops the list. Chinese tourists increased by 17% from last year due to the impact of ACFTA and new direct flights to Bali. In January 2012, Chinese tourists year on year (yoy) increased by 222.18% compared to January 2011, while Japanese tourists declined by 23.54% yoy.
Bali reported that it has 2.88 million foreign tourists and 5 million domestic tourists in 2012, marginally surpassing the expectations of 2.8 million foreign tourists. Forecasts for 2013 are at 3.1 million.
Based on Bank Indonesia survey in May 2013, 34.39 percent of tourists are upper-middle class with spending between $1,286 to $5,592 and dominated by Australia, France, China, Germany and the US with some China tourists move from low spending before to higher spending currently. While 30.26 percent are middle class with spending between $662 to $1,285.
SEX TOURISM
In the twentieth century the incidence of tourism specifically for sex was regularly observed in the era of mass tourism in Indonesia In Bali, prostitution is conducted by both men and women. Bali in particular is notorious for its 'Kuta Cowboys', local gigolos targeting foreign female tourists.
Tens of thousands of single women throng the beaches of Bali in Indonesia every year. For decades, young Balinese men have taken advantage of the louche and laid-back atmosphere to find love and lucre from female tourists—Japanese, European and Australian for the most part—who by all accounts seem perfectly happy with the arrangement.
By 2013, Indonesia was reportedly the number one destination for Australian child sex tourists, mostly starting in Bali but also travelling to other parts of the country. The problem in Bali was highlighted by Luh Ketut Suryani, head of Psychiatry at Udayana University, as early as 2003. Surayani warned that a low level of awareness of paedophilia in Bali had made it the target of international paedophile organisations. On 19 February 2013, government officials announced measures to combat paedophilia in Bali.
TRANSPORTATION
The Ngurah Rai International Airport is located near Jimbaran, on the isthmus at the southernmost part of the island. Lt.Col. Wisnu Airfield is found in north-west Bali.
A coastal road circles the island, and three major two-lane arteries cross the central mountains at passes reaching to 1,750m in height (at Penelokan). The Ngurah Rai Bypass is a four-lane expressway that partly encircles Denpasar. Bali has no railway lines.
In December 2010 the Government of Indonesia invited investors to build a new Tanah Ampo Cruise Terminal at Karangasem, Bali with a projected worth of $30 million. On 17 July 2011 the first cruise ship (Sun Princess) anchored about 400 meters away from the wharf of Tanah Ampo harbour. The current pier is only 154 meters but will eventually be extended to 300–350 meters to accommodate international cruise ships. The harbour here is safer than the existing facility at Benoa and has a scenic backdrop of east Bali mountains and green rice fields. The tender for improvement was subject to delays, and as of July 2013 the situation remained unclear with cruise line operators complaining and even refusing to use the existing facility at Tanah Ampo.
A Memorandum of Understanding has been signed by two ministers, Bali's Governor and Indonesian Train Company to build 565 kilometres of railway along the coast around the island. As of July 2015, no details of this proposed railways have been released.
On 16 March 2011 (Tanjung) Benoa port received the "Best Port Welcome 2010" award from London's "Dream World Cruise Destination" magazine. Government plans to expand the role of Benoa port as export-import port to boost Bali's trade and industry sector. The Tourism and Creative Economy Ministry has confirmed that 306 cruise liners are heading for Indonesia in 2013 – an increase of 43 percent compared to the previous year.
In May 2011, an integrated Areal Traffic Control System (ATCS) was implemented to reduce traffic jams at four crossing points: Ngurah Rai statue, Dewa Ruci Kuta crossing, Jimbaran crossing and Sanur crossing. ATCS is an integrated system connecting all traffic lights, CCTVs and other traffic signals with a monitoring office at the police headquarters. It has successfully been implemented in other ASEAN countries and will be implemented at other crossings in Bali.
On 21 December 2011 construction started on the Nusa Dua-Benoa-Ngurah Rai International Airport toll road which will also provide a special lane for motorcycles. This has been done by seven state-owned enterprises led by PT Jasa Marga with 60% of shares. PT Jasa Marga Bali Tol will construct the 9.91 kilometres toll road (totally 12.7 kilometres with access road). The construction is estimated to cost Rp.2.49 trillion ($273.9 million). The project goes through 2 kilometres of mangrove forest and through 2.3 kilometres of beach, both within 5.4 hectares area. The elevated toll road is built over the mangrove forest on 18,000 concrete pillars which occupied 2 hectares of mangroves forest. It compensated by new planting of 300,000 mangrove trees along the road. On 21 December 2011 the Dewa Ruci 450 meters underpass has also started on the busy Dewa Ruci junction near Bali Kuta Galeria with an estimated cost of Rp136 billion ($14.9 million) from the state budget. On 23 September 2013, the Bali Mandara Toll Road is opened and the Dewa Ruci Junction (Simpang Siur) underpass is opened before. Both are ease the heavy traffic congestion.
To solve chronic traffic problems, the province will also build a toll road connecting Serangan with Tohpati, a toll road connecting Kuta, Denpasar and Tohpati and a flyover connecting Kuta and Ngurah Rai Airport.
DEMOGRAPHICS
The population of Bali was 3,890,757 as of the 2010 Census; the latest estimate (for January 2014) is 4,225,384. There are an estimated 30,000 expatriates living in Bali.
ETHNIC ORIGINS
A DNA study in 2005 by Karafet et al. found that 12% of Balinese Y-chromosomes are of likely Indian origin, while 84% are of likely Austronesian origin, and 2% of likely Melanesian origin. The study does not correlate the DNA samples to the Balinese caste system.
CASTE SYSTEM
Bali has a caste system based on the Indian Hindu model, with four castes:
- Sudra (Shudra) – peasants constituting close to 93% of Bali's population.
- Wesia (Vaishyas) – the caste of merchants and administrative officials
- Ksatrias (Kshatriyas) – the kingly and warrior caste
- Brahmana (Bramhin) – holy men and priests
RELIGION
Unlike most of Muslim-majority Indonesia, about 83.5% of Bali's population adheres to Balinese Hinduism, formed as a combination of existing local beliefs and Hindu influences from mainland Southeast Asia and South Asia. Minority religions include Islam (13.3%), Christianity (1.7%), and Buddhism (0.5%). These figures do not include immigrants from other parts of Indonesia.
Balinese Hinduism is an amalgam in which gods and demigods are worshipped together with Buddhist heroes, the spirits of ancestors, indigenous agricultural deities and sacred places. Religion as it is practised in Bali is a composite belief system that embraces not only theology, philosophy, and mythology, but ancestor worship, animism and magic. It pervades nearly every aspect of traditional life. Caste is observed, though less strictly than in India. With an estimated 20,000 puras (temples) and shrines, Bali is known as the "Island of a Thousand Puras", or "Island of the Gods". This is refer to Mahabarata story that behind Bali became island of god or "pulau dewata" in Indonesian language.
Balinese Hinduism has roots in Indian Hinduism and Buddhism, and adopted the animistic traditions of the indigenous people. This influence strengthened the belief that the gods and goddesses are present in all things. Every element of nature, therefore, possesses its own power, which reflects the power of the gods. A rock, tree, dagger, or woven cloth is a potential home for spirits whose energy can be directed for good or evil. Balinese Hinduism is deeply interwoven with art and ritual. Ritualizing states of self-control are a notable feature of religious expression among the people, who for this reason have become famous for their graceful and decorous behaviour.
Apart from the majority of Balinese Hindus, there also exist Chinese immigrants whose traditions have melded with that of the locals. As a result, these Sino-Balinese not only embrace their original religion, which is a mixture of Buddhism, Christianity, Taoism and Confucianism, but also find a way to harmonise it with the local traditions. Hence, it is not uncommon to find local Sino-Balinese during the local temple's odalan. Moreover, Balinese Hindu priests are invited to perform rites alongside a Chinese priest in the event of the death of a Sino-Balinese. Nevertheless, the Sino-Balinese claim to embrace Buddhism for administrative purposes, such as their Identity Cards.
LANGUAGE
Balinese and Indonesian are the most widely spoken languages in Bali, and the vast majority of Balinese people are bilingual or trilingual. The most common spoken language around the tourist areas is Indonesian, as many people in the tourist sector are not solely Balinese, but migrants from Java, Lombok, Sumatra, and other parts of Indonesia. There are several indigenous Balinese languages, but most Balinese can also use the most widely spoken option: modern common Balinese. The usage of different Balinese languages was traditionally determined by the Balinese caste system and by clan membership, but this tradition is diminishing. Kawi and Sanskrit are also commonly used by some Hindu priests in Bali, for Hinduism literature was mostly written in Sanskrit.
English and Chinese are the next most common languages (and the primary foreign languages) of many Balinese, owing to the requirements of the tourism industry, as well as the English-speaking community and huge Chinese-Indonesian population. Other foreign languages, such as Japanese, Korean, French, Russian or German are often used in multilingual signs for foreign tourists.
CULTURE
Bali is renowned for its diverse and sophisticated art forms, such as painting, sculpture, woodcarving, handcrafts, and performing arts. Balinese cuisine is also distinctive. Balinese percussion orchestra music, known as gamelan, is highly developed and varied. Balinese performing arts often portray stories from Hindu epics such as the Ramayana but with heavy Balinese influence. Famous Balinese dances include pendet, legong, baris, topeng, barong, gong keybar, and kecak (the monkey dance). Bali boasts one of the most diverse and innovative performing arts cultures in the world, with paid performances at thousands of temple festivals, private ceremonies, or public shows.
The Hindu New Year, Nyepi, is celebrated in the spring by a day of silence. On this day everyone stays at home and tourists are encouraged to remain in their hotels. On the day before New Year, large and colourful sculptures of ogoh-ogoh monsters are paraded and finally burned in the evening to drive away evil spirits. Other festivals throughout the year are specified by the Balinese pawukon calendrical system.
Celebrations are held for many occasions such as a tooth-filing (coming-of-age ritual), cremation or odalan (temple festival). One of the most important concepts that Balinese ceremonies have in common is that of désa kala patra, which refers to how ritual performances must be appropriate in both the specific and general social context. Many of the ceremonial art forms such as wayang kulit and topeng are highly improvisatory, providing flexibility for the performer to adapt the performance to the current situation. Many celebrations call for a loud, boisterous atmosphere with lots of activity and the resulting aesthetic, ramé, is distinctively Balinese. Often two or more gamelan ensembles will be performing well within earshot, and sometimes compete with each other to be heard. Likewise, the audience members talk amongst themselves, get up and walk around, or even cheer on the performance, which adds to the many layers of activity and the liveliness typical of ramé.
Kaja and kelod are the Balinese equivalents of North and South, which refer to ones orientation between the island's largest mountain Gunung Agung (kaja), and the sea (kelod). In addition to spatial orientation, kaja and kelod have the connotation of good and evil; gods and ancestors are believed to live on the mountain whereas demons live in the sea. Buildings such as temples and residential homes are spatially oriented by having the most sacred spaces closest to the mountain and the unclean places nearest to the sea.
Most temples have an inner courtyard and an outer courtyard which are arranged with the inner courtyard furthest kaja. These spaces serve as performance venues since most Balinese rituals are accompanied by any combination of music, dance and drama. The performances that take place in the inner courtyard are classified as wali, the most sacred rituals which are offerings exclusively for the gods, while the outer courtyard is where bebali ceremonies are held, which are intended for gods and people. Lastly, performances meant solely for the entertainment of humans take place outside the walls of the temple and are called bali-balihan. This three-tiered system of classification was standardised in 1971 by a committee of Balinese officials and artists to better protect the sanctity of the oldest and most sacred Balinese rituals from being performed for a paying audience.
Tourism, Bali's chief industry, has provided the island with a foreign audience that is eager to pay for entertainment, thus creating new performance opportunities and more demand for performers. The impact of tourism is controversial since before it became integrated into the economy, the Balinese performing arts did not exist as a capitalist venture, and were not performed for entertainment outside of their respective ritual context. Since the 1930s sacred rituals such as the barong dance have been performed both in their original contexts, as well as exclusively for paying tourists. This has led to new versions of many of these performances which have developed according to the preferences of foreign audiences; some villages have a barong mask specifically for non-ritual performances as well as an older mask which is only used for sacred performances.
Balinese society continues to revolve around each family's ancestral village, to which the cycle of life and religion is closely tied. Coercive aspects of traditional society, such as customary law sanctions imposed by traditional authorities such as village councils (including "kasepekang", or shunning) have risen in importance as a consequence of the democratisation and decentralisation of Indonesia since 1998.
WIKIPEDIA
“POST IT UP!” - International Urban Art Exhibition 2011
Exhibition of posters, stickers, stencils, sketches, prints, canvas, toys, decks, vynils, photos and more...
--------------------------
--------------------------
-------------------
[ENG]
...Even if winter is freezin' us cold with his breath,
"Post it Up" will be warm enough. Thanks to the new
artworks by artists from all over the world.
You are all invited to the third edition of this event,
giving you the chance to see the real urban art coming
from different places and cultures!
The artworks all contain different meaning
but share the common ground of placing art in the public realm without looking for monetary gain.
You will enjoy the expressions of the contemporary art in unexpected forms,
with live performances found only at cutting edge venues for contemporary art.
The artist showing their works and those in attendance are friends of not only our project in Italy but offer a selection of the best emerging talent in the street art world today.
The raw essence of the streets and the artist generosity and friendliness in sharing their works with the public in their countries, as well as now in Italy enthusiastically participate with the only purpose to share their feelings, their sensations, their nonsense, their logic, and their techniques.
We are proud to say that their artworks are meant to share the art itself and their heart as well.
Even the artists whose works have come from all over the world, sometimes to distant for themselves to attend, will be with us through the spirit of their masterpieces.
A truly valid award for the artists will be your presence to this free event and extraordinary exhibition to held the 26th of February, 2011 19:00h at "L@P Asilo 31" - Firenze Street, 1 - Benevento (campania) - Italy.
-
(-Thank you Hugh Leeman-)
----------------------
[ITA]
Anche se l'inverno ci sta seguendo con un profondo respiro freddo il
"Post it Up" sarà abbastanza caldo grazie alle nuove opere inviate da artisti di tutto il mondo!
Siete tutti invitati alla terza edizione di questo evento pressoché unico nel genere,
che vi darà l'opportunità di vedere la vera arte urbana proveniente da diversi luoghi e culture!
Tutti i lavori sono rappresentativi dei più disparati significati ma di sicuro privi dell'egoismo spesso imposto da un possibile lucro.
Potrete godere delle espressioni più disparate dell'arte contemporanea in forme inaspettate,
con performance dal vivo che vengono riproposte solo in pochi altri eventi.
Gli artisti che interverranno in "carne e ossa" sono cordiali ed allo stesso tempo fuori dagli schemi,
a differenza di un certo tipo di persone del settore che presumono di essere "i migliori" solo perché noti alle masse.
La vera essenza delle strade è l'affabilità di quegli artisti contemporanei che hanno partecipato con entusiasmo,
con il solo scopo di condividere i loro sentimenti, le loro sensazioni, il loro nonsense, la loro logica, le proprie tecniche.
Con certezza è possibile affermare che condividono la loro arte ed il loro cuore.
Tutti gli artisti lontani con il corpo saranno concretamente presenti grazie ai loro capolavori.
Un valido riconoscimento per l'impegno degli artisti sarà la vostra presenza a questa straordinaria mostra gratuita che si terrà il 26 febbraio 2011, ore 19.00, presso "L@P Asilo 31" - Via Firenze, 1 - Benevento (Campania) - Italia.
----------------------
Summary of the event:
* Live Painting/Pasting - Korvo, Biodpi, Naf, Cheko’s Art, Stencilnoire, Urban Crucefixion (Audio-Visual-Painting) and more...
* Sound - Diego and Vittorio De Rienzo from 3DMCrew, glitch-ambient / techno-dub / dubstep / d'n'b
* Movie Screenings - Banksy: Exit Trought The Gift Shop, Beautiful Losers, Guerrilla Art
* Free distribution of Mašta, the magazine for creative activism
* Art and Cool Stuff Market, Mattia Amf Onlus Fagnoni Info Corner.
* Extra Happenings: Urban Photography Expo, Vinyl Disc Art Attack.
* Free Appetizer at the beginning of the event!
* Live Streaming Cam
--------------------------
---
List of the Artists (Daily Updated)
--------------------------
--------------------------
---
Fenek (FR) - www.flickr.com/phot
os/nekfe
Ollio (SWE) - www.ollio.blogspot.
com/
Vidalooka (SPA) - www.vidalooka.com/
Vinylone (NED) - www.skygazer.nl/
iwillnot (USA) - www.flickr.com/peop
le/iwillnot/
FRAMMENTI (ITA) -
Koso! (ITA) - www.flickr.com/phot
os/koso_hardcore/
La Firma (SPA) - www.la-firma.es/
Ebony-R Inc (USA) -
Tona (GER) - www.flickr.com/phot
os/tonastreetarts
KissMama (DK) - www.kissmama.dk/
Creature Ink (GER) - creature-ink.blogsp
ot.com/
M,Val (FRA) - www.flickr.com/phot
os/58465458@N00/
Lofgnatael r (SPA) -
Neromonga (GER) - www.neromonga.de/
William Vecchietti (ITA) - www.williamvecchiet
ti.com/
Bartotainment (GER) - www.bartotainment.c
om/
Lastplak (NED) - www.lastplak.nl/
Wojo (NED) - www.flickr.com/phot
os/wolfgangjosten/
Charstarr (USA) - www.flickr.com/phot
os/charstarr77
T-Ninja (RUS) - www.flickr.com/phot
os/t-ninja/
Mister P (FRA) - www.flickr.com/phot
os/mrpsticker/
C Designs (USA) - www.flickr.com/phot
os/c_atvillain/
Artprojectbrockman (GER) - artprojectbrockmann
.wordpress.com/
Elizabeth Roman (FRA) - www.arteroman.com/
Gorillarms (USA) - gorillarms.com/
Stelleconfuse (ITA) - www.flickr.com/phot
os/stelleconfuse/
Punk Robot (BRA) - rebelyeah.tumblr.co
m/
Zabratta Studio (ITA) - www.zabrattastudio.
org/
VR (PHI) -
Roberta Feoli (ITA) -
AGONISTICKo (ITA) - www.flickr.com/phot
os/agonisticko/
3MS (USA) - www.flickr.com/phot
os/3_ms/
B-Wolfe (USA) - www.waynewolfson.co
m/
Jason Ruggler (USA) -
Goiaba (GER) - www.goiaba.de/
Pidzotto (LVA) - www.flickr.com/phot
os/7251020@N02/
Claudio Parentela (ITA) - www.claudioparentel
a.net/
Ariane Pasco (FRA) - www.flickr.com/phot
os/la-fusee/
Melodreama (USA) - www.flickr.com/phot
os/melodreama/
El Niño 37 (FRA) - artofnino.blogspot.
com/ | www.flickr.com/phot
os/artofnino/
Fabio Sassi (ITA) - fabiosassi.blogspot
.com/
Adrian (SWI) - adrian-art.ch/
Andalltha (BEL) - andalltha.blogspot.
com/
Oh, No! John (ITA) -
Fonzy Cirillo - fonzyart.blogspot.c
om/
ALX (ITA) - www.flickr.com/phot
os/-alx-/
Dott. Porka’s P-Proj (ITA) - www.porka.biz/
El_even (ITA) - www.flickr.com/phot
os/el_even/
Platform 58 (UK) - www.platform58.com/
Wolf (SPA) - www.flickr.com/phot
os/wolf_street_artist/
Noke (GER) - www.flickr.com/phot
os/33117516@N04/
NOx ART (ITA) - www.flickr.com/phot
os/noxarte/
Dario Molinaro (ITA) - www.flickr.com/phot
os/dariomolinaro/
TECLOGIC (USA) - www.flickr.com/phot
os/teclogic/
Nevre (ITA) - www.myspace.com/len
evralgiecostanti
Hugh Leeman (USA) - hughleeman.com/
Carambole (ITA) -
R.A.B. (ITA) - www.myspace.com/rab
rixia
DYOUNGV (USA) - www.dyoungv.com/
Poska (ITA) - www.fotolog.com/1po
ska | www.flickr.com/phot
os/poskazp/
Mose Onetwenty (UK) - www.flickr.com/phot
os/mose120/
Sam Punzina (ITA) -
Marta Slawinska (IRE)
Ebenholz (GER) - www.flickr.com/phot
os/ebenholz/Mostra tutto
.... and more
The eBay Express checkout form uses a thin rule to separate meaningful content sections. Just the minimum amount is needed to make a clear distinction.
Wroblewski, Luke. 2008. Web Form Design: Filling In the Blanks. New York: Rosenfeld Media.
Durga
------
In Hinduism, Durga one who can redeem in situations of utmost distress; is a form of Devi, the supremely radiant goddess, depicted as having ten arms, riding a lion or a tiger, carrying weapons and a lotus flower, maintaining a meditative smile, and practising mudras, or symbolic hand gestures.
An embodiment of creative feminine force (Shakti), Durga exists in a state of tantrya (independence from the universe and anything/anybody else, i.e., self-sufficiency) and fierce compassion. Kali is considered by Hindus to be an aspect of Durga. Durga is also the mother of Ganesha and Kartikeya. She is thus considered the fiercer, demon-fighting form of Shiva's wife, goddess Parvati. Durga manifests fearlessness and patience, and never loses her sense of humor, even during spiritual battles of epic proportion.
The word Shakti means divine feminine energy/force/power, and Durga is the warrior aspect of the Divine Mother. Other incarnations include Annapurna and Karunamayi. Durga's darker aspect Kali is represented as the consort of the god Shiva, on whose body she is often seen standing.
Durga Slays Mahishasura, Mahabalipuram sculpture.
As a goddess, Durga's feminine power contains the energies of the gods. Each of her weapons was given to her by various gods: Rudra's trident, Vishnu's discus, Indra's thunderbolt, Brahma's kamandalu, Kuber's Ratnahar, etc.
According to a narrative in the Devi Mahatmya story of the Markandeya Purana text, Durga was created as a warrior goddess to fight an asura (an inhuman force/demon) named Mahishasura. He had unleashed a reign of terror on earth, heaven and the nether worlds, and he could not be defeated by any man or god, anywhere. The gods went to Brahma, who had given Mahishasura the power not to be defeated by a man. Brahma could do nothing. They made Brahma their leader and went to Vaikuntha — the place where Vishnu lay on Ananta Naag. They found both Vishnu and Shiva, and Brahma eloquently related the reign of terror Mahishasur had unleashed on the three worlds. Hearing this Vishnu, Shiva and all of the gods became very angry and beams of fierce light emerged from their bodies. The blinding sea of light met at the Ashram of a priest named Katyan. The goddess Durga took the name Katyaayani from the priest and emerged from the sea of light. She introduced herself in the language of the Rig-Veda, saying she was the form of the supreme Brahman who had created all the gods. Now she had come to fight the demon to save the gods. They did not create her; it was her lila that she emerged from their combined energy. The gods were blessed with her compassion.
It is said that upon initially encountering Durga, Mahishasura underestimated her, thinking: "How can a woman kill me, Mahishasur — the one who has defeated the trinity of gods?" However, Durga roared with laughter, which caused an earthquake which made Mahishasur aware of her powers.
And the terrible Mahishasur rampaged against her, changing forms many times. First he was a buffalo demon, and she defeated him with her sword. Then he changed forms and became an elephant that tied up the goddess's lion and began to pull it towards him. The goddess cut off his trunk with her sword. The demon Mahishasur continued his terrorizing, taking the form of a lion, and then the form of a man, but both of them were gracefully slain by Durga.
Then Mahishasur began attacking once more, starting to take the form of a buffalo again. The patient goddess became very angry, and as she sipped divine wine from a cup she smiled and proclaimed to Mahishasur in a colorful tone — "Roar with delight while you still can, O illiterate demon, because when I will kill you after drinking this, the gods themselves will roar with delight".[cite this quote] When Mahashaur had half emerged into his buffalo form, he was paralyzed by the extreme light emitting from the goddess's body. The goddess then resounded with laughter before cutting Mahishasur's head down with her sword.
Thus Durga slew Mahishasur, thus is the power of the fierce compassion of Durga. Hence, Mata Durga is also known as Mahishasurmardhini — the slayer of Mahishasur. According to one legend, the goddess Durga created an army to fight against the forces of the demon-king Mahishasur, who was terrorizing Heaven and Earth. After ten days of fighting, Durga and her army defeated Mahishasur and killed him. As a reward for their service, Durga bestowed upon her army the knowledge of jewelry-making. Ever since, the Sonara community has been involved in the jewelry profession [3].
The goddess as Mahisasuramardhini appears quite early in Indian art. The Archaeological Museum in Matura has several statues on display including a 6-armed Kushana period Mahisasuramardhini that depicts her pressing down the buffalo with her lower hands [4]. A Nagar plaque from the first century BC - first century AD depicts a 4-armed Mahisamardhini accompanied by a lion. But it is in the Gupta period that we see the finest representations of Mahisasuramardhini (2-, 4-, 6-, and at Udayagiri, 12-armed). The spear and trident are her most common weapons. a Mamallapuram relief shows the goddess with 8 arms riding her lion subduing a bufalo-faced demon (as contrasted with a buffalo demon); a variation also seen at Ellora. In later sculptures (post-seventh Century), sculptures show the goddess having decapitated the buffalo demon
Durga Puja
----------
Durga puja is an annual Hindu festival in South Asia that celebrates worship of the Hindu goddess Durga. It refers to all the six days observed as Mahalaya, Shashthi , Maha Saptami, Maha Ashtami, Maha Navami and Bijoya Dashami. The dates of Durga Puja celebrations are set according to the traditional Hindu calendar and the fortnight corresponding to the festival is called Devi Paksha and is ended on Kojagori Lokkhi Puja
Durga Puja is widely celebrated in the Indian states of West Bengal, Assam, Jharkhand, Orissa and Tripura where it is a five-day annual holiday.In West Bengal and Tripura which has majority of Bengali Hindus it is the Biggest festival of the year. Not only is it the biggest Hindu festival celebrated throughout the State, but it is also the most significant socio-cultural event in Bengali society. Apart from eastern India, Durga Puja is also celebrated in Delhi, Uttar Pradesh, Bihar, Maharashtra, Gujarat, Punjab, Kashmir, Karnataka and Kerala. Durga Puja is also celebrated as a major festival in Nepal and in Bangladesh where 10% population are Hindu. Nowadays, many diaspora Bengali cultural organizations arrange for Durgotsab in countries such as the United States, Canada, United Kingdom, Australia, Germany, France, The Netherlands, Singapore and Kuwait, among others. In 2006, a grand Durga Puja ceremony was held in the Great Court of the British Museum.
The prominence of Durga Puja increased gradually during the British Raj in Bengal. After the Hindu reformists identified Durga with India, she became an icon for the Indian independence movement. In the first quarter of the 20th century, the tradition of Baroyari or Community Puja was popularised due to this. After independence, Durga Puja became one of the largest celebrated festivals in the whole world.
Durga Puja also includes the worship of Shiva, Lakshmi, Ganesha, Saraswati and Kartikeya. Modern traditions have come to include the display of decorated pandals and artistically depicted idols (murti) of Durga, exchange of Bijoya Greetings and publication of Puja Annuals.