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Just a bit of fun .I stood next to this woman filming with her smartphone and snapped this shot which I did the selective colouring in PS.
In my ongoing quest to make digital art less flat, it's time to introduce the latest offering from The Shop: the analog film textures.
My wife's grand father gifted me some of his film cameras just over a decade ago. I shot some rolls of film, then promptly forgot to get them processed. I recently found the rolls, and a nice, independent lab to get them taken care of.
Since I don't know too much what I'm doing when shooting manually, the results were really funky, and captured more the artifacts of the process (gain, light leaks, dust, etc.) than actual images. That means one can overlay these on top of flat artwork, and instantly give it depth, substance, and meaning. All from real film!
Each negative strip has been scanned at ultra-high resolution (1,200 ppi+), then carefully edited, then output into 18" wide images at 300 ppi.
The resulting sixty-nine (69) textures produce interesting things either by using blending modes (Overlay, Soft light, Screen, Lighten, Color dodge), or on their own, as background elements.
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- Sixty-nine (69) base assets
- 18" wide @ 300 ppi
- A group of film grain/dust speckles textures
- A group of light leaks/fogged film textures
- A group of failed shots/misc. artifacts textures
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I need a film scanner. Until then, this is all I can show you from the shots taken today at the students' manifestation (weapon used: a full-manual Minolta X-700). home developed.
Well that does it for Seattle! Next up will be Fort Lauderdale and then on to the Caribbean!
This is my kind of December!
Fort Lauderdale, Florida
December 2013
Film: Kodak Gold 200, Scanner: Noritsu Koki
Developed at the 沸点, 淘宝
Have no special feeling about this city
Brighton
晚安
These are cookies made for a boy who was just accepted into University of Arizona's BFA program for Film Studies.