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My flatmate at a fancy dress party. Lit by a Lomosplash flash.

Camera: Lomo LC-A

Film: Kodak Elite Chrome 100

A song I repeat once and once again.

 

Lana Del Rey - I Can Fly

 

Olympus OM-1 / Agfa Precisa CT 100 / 台北影像沖掃

正片正沖

台中 新社花海

  

I Can Fly

You had me caged up like a bird in mid-summer

You saw me waiting I was crazy on fire waiting to fly

I Can Fly

 

I had bright wishes in the summer, I was bathing in sunlight

Painting in the garden like a ghost in Mid-July

Running fast from something with my eyes wide like

Saucers spinning in the sun

 

I had a dream that I was fine

I wasn't crazy, I was divine

 

I Can Fly

You had me caged up like a bird in mid-summer

You saw me waiting I was crazy on fire waiting to fly

I Can Fly

 

Your lies were hard kisses in the summer

I was dreaming of LA

Dreaming of the water where I'd rise like a Phoenix

Or an iron from the fire

I've got things to tell you like I know that you're a liar

 

I had a dream that I was fine

I wasn't crazy, I was divine

 

I Can Fly

You had me caged up like a bird in mid-summer

You saw me waiting I was crazy on fire waiting to fly

I Can Fly

 

Your words cut like a knife and butter

I was fighting for my art

Fighting with my lover, you had me so tied up

Thinking there's no other

Yeah, right

Yeah, right

 

I Can Fly

You had me caged up like a bird in mid-summer

You saw me waiting I was crazy on fire waiting to fly

I Can Fly

“My parents divorced when I was seven. I remember my dad leaving but I didn’t understand why. We were in Mumbai at the time. He stayed while my mum and the rest of us moved back to the UK. It was hard adapting to not having him around. I’d visit him on major holidays but I began to see less and less of him. We lost touch. I was busy working over my summer breaks. We’d talk on the phone but it became one word conversations. I wasn’t doing anything of note. And I had no interest in what he was doing. I was brought up around the film industry. His dad was an actor, his brother’s a film producer and he’s a director. I just didn’t appreciate it.

 

I started a law degree. But after the first year I called my mum saying, ‘If I have to continue doing this I’m going to kill myself’. It wasn’t an idle threat; depression runs in our family. She pulled me out immediately. Not long after my mum and I were watching a movie together. I recognised a bad cut in one of the scenes. She rewound it, played it again and asked me to explain why. After a few times I got it. I must have picked it up from being around my dad. That’s when she bought me a plane ticket to India. She said, ‘You’re going to see your dad and become a filmmaker’. So I went to India for six months, worked as an apprentice. And while I was there I was able to reconnect with him as an adult and find my true calling as a film maker.”

Worn by: Clive Owen as Walter Raleigh

Costume Designer: Alexandra Byrne

Film: Elizabeth: The Golden Age

An Elizabethan man of average means - and Raleigh is as commoner - would, in all probability, possess a single suit of clothes, so production did not have the luxury of outfitting him as they would their courtiers. Byrne explains, "There are lots of contemporary engravings of Raleigh, but the reality is that a gentleman of that time maybe had one suit of clothing - he would have gone to sea in those clothes, where they would have gotten wet, then dried, they would have gotten torn, they would have been repaired. So we worked with the idea that his clothes had gone to sea with him and they had evolved of the the journey... and remember, it was four months there and four monthes back."

The designer worked with Clive Owen on the evolution of the design, assuring him that "the britches would be fine! He was a little alarmed by them. But by the end of production, I think he was quite keen on them, the way they have become a part of him. They give you a certain way of walking and a certain scale. He wears them like no one else!"

Costumes displayed courtesy of Universal Pictures International, celebrating the release of Elizabeth: The Golden Age, only at the movies November 15.

my boy, the best hunter around! he's a lil panther

DA 21mm f3.2 AL Limited

 

processed with Tonality

 

Nikon F65

Film: Scheleker Fotoland

ISO 200

Day 4 of the project. I decided to take out some of my old film developing gear and take some pictures of it. Man do I just love this 50mm 1.8 lens! At F/8 it takes some really high quality pictures! Hope you like it!

WCR Class 37676 'Loch Rannoch' plus 4 S.R.P.S MK1 coaches.

Seen here on location film work at the Victorian Perth station ( doubled up as Edinburgh Waverley) for the forthcoming movie 'THE RAILWAY MAN' co-starring Colin Firth and Nicole Kidman. 1st May 2012.

Nikon FE + Kodak 200

Caffenol CH development, with iodized salt.

 

Canon Rebel K2

50mm f1.4

Ultrafine T-Grain 400

Olympus 35 RC & Ilford HP5+.

Canon EOS 1N, Fuji Acros Film

  

Image ©Philip Krayna, BoxxCarr, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments. See more at www.boxxcarr.com.

 

thanks to some awesome friends and some lucky ebay auctions, i now have a few sx70's. some that are almost completely broken, and some that are kind-of-sort-of working. they're all pretty moody, but, this one works the best for now. i'm still on the search.

 

(also, i was without film for months, but i came home last week to an amazing girlfriend holding a box full of 40 packs of 600, and 20 packs of 779... i'm still in shock.)

Leaders and ends of Agfa Iso-Rapid Film CN 17 and Agfa Iso-Rapid Film CNS 17 film

  

© Dirk HR Spennemann 2013, All Rights Reserved

 

Nikon FE2, Adox CHS 25, Nikkor 35-70/3.5 AiS @ f/3.5

Borough, er, Market. Just where you come out of London Bridge tube. Shot on Adox Color Implosion film.

Camera: Cosmic Symbol.

好了好了

負片最後一張了

會這麼說完全是因為正片還沒去沖洗 哈哈

 

Olympus om-1 / fuji superia premium 400

Comparison of 110 films. Between Kodak 400 expiry date Apr 2009 vs Konica Centuria 200 expiry date Apr 2006 vs Quality brand by EC expired. All are taken within a few days using Pentax 110 + 20-40mm zoom lens.

 

I think they are very similar in quality, but Quality brand at less than half price.

 

1 roll - HK$22 (by mail only please add $3 for postage)

3 rolls - HK$55 (by mail only please add $5 for postage)

5 rolls - HK$75 (by mail only please add $8 for postage)

10 rolls - HK$130 only (if by mail please add $12 for postage or please contact to meet)

 

Conversion to US about 1US = HK$7.8

Conversion to EUR about 1EUR = HK$12

Accepts paypal, please email for details and cheap postage rate worldwide

 

110film@gmail.com

FUJI NATURA1600/FUJI NATURA BLACK

PENTAX 645NII / PENTAX FA 80-160mm F4.5 / RVP 100

polaroid sx70

film 600

nd filtre

hello....

do you have Tuberculosis, chest distemper or Interstitial black Lung Disease,yes.

that's great so why not try are rather lovely ilford H.P.X.film.

guaranteed to give an englishman a spiffing phototgraphic x-ray picture of his deadly infection.

and because of the handy 35mm size the pictures of disease make great family gifts.

comes in a 100% cardboard pulp box with a choice yellow label premium or the budget version with no label and no film inside.

this film will also work on mutant women but because of the high cost it may be better to probe and prod the lady with your fingers,and pretend that she is fine rather than waste this super product on her.

Found film from a Kodak Brownie Hawkeye Flash

Kodak Verichrome Pan 620 developed in Caffenol CH

Model: Nikon F5 Camera

 

Zenit B, Kodak Gold 200, AS color 200

Mamiya 645AF,Kodak E100G,Nikon D700 film scan

Olympus OM20 / Ektar 100

 

Lawrencebrew.wixsite.com/mysite

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