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Film Investment -A lot of people think that film investment is all about risks. And yet, investors from all over the globe are looking for movie projects in which they can be a part of.https://www.movieinvestor.com/blog/film-investment-investment-never-overemphasised/
So I recently became the owner of a Yashica SLR, and I decided to be brave and actually take a roll of film and see if anything came out, which I doubted... but I'm so happy with the results :) I'll probably post some more, and I feel like I'm being converted from being a digital fan into loving film...
Shot on Kodak film from Poundland, by someone who doesn't really understand shutter speed.
And it's my sister Elsie.
taken with an old polaroid lightmixer 630 sl (and film that has been expired for 10 years) today at the vitra haus (next to the vitra design museum in weil am rhein, germany).
september 13, 2011
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The opening night of the Doha Tribeca Film Festival kicked off with a red carpet and screening of Mira Nair's "The Reluctant Fundamentalist" at Souq Waqif on Saturday, November 18.
This is my 2nd film photograph. The first one was a test shot out of the window which is boring and the 2nd one is quite a marvel. Arosha was hovering near me, getting under my desk and out. So I just focused on him and took a shot. Ended up being a great portrait. The exposure, the soft light, the depth.
I found two rolls of developed 16 mm film in Mamiya Enlahead which I bought on ebay. They look as early 70th. I suppose they are shot on Rollei 16 - single perforation, 12x17mm, very consistent intervals between frames.
swatch, brut deoderant, double-roll tape dispenser, airwalks box, stellar 7 on the commodore 64, upstairs in the knotty pine palace my family built in toledo, or. baller!
after a 3 year absence, I finally developed some film and scanned it. I see all the flaws of the processing as well as the wonder of film.
Occasionally the archive throws up something that for aesthetic or technical reasons was overlooked first time round.
As here. Enigmatic photographs capturing unmotivated gestures in evocative if uncertain locations. John Lennon once said (and I'm paraphrasing wildly here as I'm not a particular fan of the Beatles music or Mr Lennon) that life is what happens between the things you think you're doing. Or words to the effect.
Typically gnomic, they are inarguable nevertheless. I'd extend it to photography. The most interesting photos happen between the ones you're trying to take.
It's like the pixies get in now and again but try to cover their tracks by messing with the film.