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This is some of the film negatives(they look bad sorry , i don't have a film scanner thingy) from my photography class(i inverted them in picnik so you can kinda see what they look like ) though a lot of my shots are underexposed because my light meter is busted (the needle won't move ) next time i need to be more careful at my settings . Photography class is kinda fun i guess , though theres a lot more book work involved and i forget to do it sometimes and it takes a long time for the class to move forward(because 30 students + one small darkroom = not much happening) . Today i learned how to make a print from the negative with the enlarger and it was not what i expected the whole process to be . If anybody was wondering i got a 91 on my 4 seasons project for Arts and Comm:
www.flickr.com/photos/annafur/2936000017/
Though my project the teacher has it , though it looks a little different now .
Thanks to everyone that helped with the project :)
These were taken with a Canon Canonet QL17 GIII that I found in a bin at a Goodwill outlet store and paid about $2, including a base and canon canolite d flash. The light meter is broken, and I have no experience whatsoever with film cameras, so using this manually was a bit of a challenge/adventure. I like the results and I can't wait to go shoot with it again.
Grand Canyon from the Soth Rim at head of Kaibab Trail. Kodak Ektachrome 127film slide taken in April 1973 with Baby Rollei, scanned with the macro function of my Panasonic DMC FZ300.
A song I repeat once and once again.
Olympus OM-1 / Agfa Precisa CT 100 / 台北影像沖掃
正片正沖
台中 新社花海
＝
I Can Fly
You had me caged up like a bird in mid-summer
You saw me waiting I was crazy on fire waiting to fly
I Can Fly
I had bright wishes in the summer, I was bathing in sunlight
Painting in the garden like a ghost in Mid-July
Running fast from something with my eyes wide like
Saucers spinning in the sun
I had a dream that I was fine
I wasn't crazy, I was divine
I Can Fly
You had me caged up like a bird in mid-summer
You saw me waiting I was crazy on fire waiting to fly
I Can Fly
Your lies were hard kisses in the summer
I was dreaming of LA
Dreaming of the water where I'd rise like a Phoenix
Or an iron from the fire
I've got things to tell you like I know that you're a liar
I had a dream that I was fine
I wasn't crazy, I was divine
I Can Fly
You had me caged up like a bird in mid-summer
You saw me waiting I was crazy on fire waiting to fly
I Can Fly
Your words cut like a knife and butter
I was fighting for my art
Fighting with my lover, you had me so tied up
Thinking there's no other
Yeah, right
Yeah, right
I Can Fly
You had me caged up like a bird in mid-summer
You saw me waiting I was crazy on fire waiting to fly
I Can Fly
Just arrived today 5 rolls of Russian (Tasma) TACMA ФHOTO B&W film ISO 64.
They didn't even come in canisters. just 36 exposures rolled in foil, then rolled in black paper, then in film box.
I'll likely be shooting them (appropriately) with my Zenit Automat and developing in Caffenol. Anyone with advise please Flick me...
“My parents divorced when I was seven. I remember my dad leaving but I didn’t understand why. We were in Mumbai at the time. He stayed while my mum and the rest of us moved back to the UK. It was hard adapting to not having him around. I’d visit him on major holidays but I began to see less and less of him. We lost touch. I was busy working over my summer breaks. We’d talk on the phone but it became one word conversations. I wasn’t doing anything of note. And I had no interest in what he was doing. I was brought up around the film industry. His dad was an actor, his brother’s a film producer and he’s a director. I just didn’t appreciate it.
I started a law degree. But after the first year I called my mum saying, ‘If I have to continue doing this I’m going to kill myself’. It wasn’t an idle threat; depression runs in our family. She pulled me out immediately. Not long after my mum and I were watching a movie together. I recognised a bad cut in one of the scenes. She rewound it, played it again and asked me to explain why. After a few times I got it. I must have picked it up from being around my dad. That’s when she bought me a plane ticket to India. She said, ‘You’re going to see your dad and become a filmmaker’. So I went to India for six months, worked as an apprentice. And while I was there I was able to reconnect with him as an adult and find my true calling as a film maker.”
This was actually a happy accident. I accidentally double exposed a photo I was taking of people waiting for trams in front of a sort of gritty street in the praga district, with this festival for the EU that we happened upon across the river. It's sort of old and new Poland combined into one image. A bit downtrodden yet celebratory. Poland, she is a survivor.
Day 4 of the project. I decided to take out some of my old film developing gear and take some pictures of it. Man do I just love this 50mm 1.8 lens! At F/8 it takes some really high quality pictures! Hope you like it!
Muzeum Techniki i Komunikacji w Szczecinie
The Museum of Technology and Transport in Szczecin
Camera: Praktica MTL 50
Lens: Helios 44 1:2 f=58mm
Film: Kodak ColorPlus 200
WCR Class 37676 'Loch Rannoch' plus 4 S.R.P.S MK1 coaches.
Seen here on location film work at the Victorian Perth station ( doubled up as Edinburgh Waverley) for the forthcoming movie 'THE RAILWAY MAN' co-starring Colin Firth and Nicole Kidman. 1st May 2012.
Canon EOS 1N, Fuji Acros Film
Image ©Philip Krayna, BoxxCarr, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments. See more at www.boxxcarr.com.
thanks to some awesome friends and some lucky ebay auctions, i now have a few sx70's. some that are almost completely broken, and some that are kind-of-sort-of working. they're all pretty moody, but, this one works the best for now. i'm still on the search.
(also, i was without film for months, but i came home last week to an amazing girlfriend holding a box full of 40 packs of 600, and 20 packs of 779... i'm still in shock.)
Leaders and ends of Agfa Iso-Rapid Film CN 17 and Agfa Iso-Rapid Film CNS 17 film
© Dirk HR Spennemann 2013, All Rights Reserved
Borough, er, Market. Just where you come out of London Bridge tube. Shot on Adox Color Implosion film.
Camera: Cosmic Symbol.
Comparison of 110 films. Between Kodak 400 expiry date Apr 2009 vs Konica Centuria 200 expiry date Apr 2006 vs Quality brand by EC expired. All are taken within a few days using Pentax 110 + 20-40mm zoom lens.
I think they are very similar in quality, but Quality brand at less than half price.
1 roll - HK$22 (by mail only please add $3 for postage)
3 rolls - HK$55 (by mail only please add $5 for postage)
5 rolls - HK$75 (by mail only please add $8 for postage)
10 rolls - HK$130 only (if by mail please add $12 for postage or please contact to meet)
Conversion to US about 1US = HK$7.8
Conversion to EUR about 1EUR = HK$12
Accepts paypal, please email for details and cheap postage rate worldwide
110film@gmail.com