View allAll Photos Tagged Films
Tried to fool the meter on a first roll test in a recently acquired Trip 35. The highlights from this back-lit car don't seem to make much difference. No lens flare and great contrast, too.
Camera set on automatic, (A,) Kodak Gold 200.
SEEN AT WEST YELLOWSTONE ROD RUN, 2011
Comparison of 110 films. Between Kodak 400 expiry date Apr 2009 vs Konica Centuria 200 expiry date Apr 2006 vs Quality brand by EC expired. All are taken within a few days using Pentax 110 + 20-40mm zoom lens.
I think they are very similar in quality, but Quality brand at less than half price.
1 roll - HK$22 (by mail only please add $3 for postage)
3 rolls - HK$55 (by mail only please add $5 for postage)
5 rolls - HK$75 (by mail only please add $8 for postage)
10 rolls - HK$130 only (if by mail please add $12 for postage or please contact to meet)
Conversion to US about 1US = HK$7.8
Conversion to EUR about 1EUR = HK$12
Accepts paypal, please email for details and cheap postage rate worldwide
110film@gmail.com
A small photo tour at Parc de la Tête d'Or, Lyon, France, to test the Pentacon lens 2.8/29 mm (former Meyer-Optik Görlitz Orestegon) with a color film Kodak 200.
The lens was mounted on my Pentacon Praktica VLC3 SLR camera body equipped with its waist-level finder and the squared focusing screen. The 24-exposure Kodak 200 was exposed for 200 ISO using the camera reading or the indication of my Minolta Autometer III with a 10° finder for selective measurement.
Roseraie internationale, November 7, 2022
Parc de la Tête d'Or
69006 Lyon
France
About the lens:
The Pentacon Auto 1:2.8 f=29mm is the former Meyer-Optik Görlitz Orestegon 2.8/29mm lens (zeissikonveb.de/start/objektive/wechselobjektive-1960er/m...) conceived in the sixties and integrated in the VEB Pentacon Dresden, Germany, in the seventies. It has still a diaphragm ring "zebra" but the focusing ring of this series is more influenced by the Japanese production of that time.
About the camera:
The Praktica VLC is of the 3rd generation (VLC3, 1978-1981) and was manufactured by "VEB Pentacon" (formally Zeiss-Ikon) in Dresden, Germany. It came with orignal Pentacon accessories including, a shade hood for its normal lens Pentacon "electric Multi-coated" 1:1,8 f=50mm, a waist finder, a straight magnification finder, and the regular pentaprism. There are also 6 different focusing screens, the Pentacon hot shoe for a flash, lens and body caps, and a Praktica ever-ready case.
The camera has a CdS photometric circuitry powered by an unusual 4.5V battery that I replaced by a set of 3 LR44 alkaline batteries in series. As the ASAHI PENTAX Spomatic SP, the bridge circuit is insensitive to the voltage difference. To be independent of the finders, the cell is functioning behind the mirror as in the Topcon Super D or the Miranda Auto Sensorex EE.
This Praktica operates at full aperture using an electrical transmission of the aperture using 3 contacts on the M42 lens mount. It could however operates any non electric M42 lenses at real aperture too by acting on the rotary switch at the top left. As for the other Praktica of the L series the shutter is made of vertical steel curtains making the X-flash synchro at about 1/125 s.
Overall Pentacon produced 85 000 Praktica VLC between 1974 and 1981 among about 3 millions of Praktica "L" (LLC MTL TL L etc).
A former colleague of mine gave me this WAY-Expired polaroid film. One pack of 691 film for colour transparencies (Like low-quality large-format slides) which expired in 1994 and 7 (SEVEN!) rolls of high-contrast 'instant' slides, which were the predecessor of powerpoint presentations. I have no idea how to process them... there's a second roll of 'processor' in the box, which was used in an automated slide developer machine. I'll find SOME cool shit to do with it :)
Pony Boy in Philly. We squated together then rode a friehgt train to NYC the next day. He was jumped the night before.
Bazı filmler henüz yeni olduğu için özetleri bulunmuyor.
25.’71
Yönetmen: Yann Demange
Oyuncular: Jack O’Connell, Charlie Murphy, Sean Harris, David Wilmot
24.PRIDE
Yönetmen: Matthew Warchus
Oyuncular: Ben Schnetzer, George MacKay, Andrew Scott, Bill Nighy, Joseph Gilgun, Freddie Fox, Monic...
www.kadinlarindikkatine.com/empire-dergisinin-belirledigi...
Film film film.
Still alive, still busy.
And of course with my luck, after this roll, my lens for my film camera broke.
偶爾喜歡這樣的感覺
所以總是一肩數位一肩底片
迷人的底片你的名字叫做菲林～
正片很迷人 不過測光需要更精準
還在嘗試的階段
希望下次能試試別支底片的效果
Olympus OM-1 / Agfa CT100 Precisa
2015 不是只有紫藤的 ～紫藤咖啡園
Passed by an abandoned property while out scouting today. There is an abandoned trailer (have to find a way in), an abandoned barn (nothing but road apples) and an abandoned garage. I cannot, for the life of me, understand why this old roll of film was dangling off the side of a workbench, but I wasn't arguing. The difficult thing was balancing my feet on the old sofa (behind me) and my chest on the broken screen door , and laying semi-parallel to the ground. Since I can't move anything in my adventures (it's a personal thing), I have to find ways around.