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Film shots from the first time I ever worked with a film camera... like 7 months ago. Finally developed the film!
Location photo from the set of Director Holly Adams 2010 48 Hour Film, Leather Kittens Gone Bad. Produced By, Anton Kozikowski. Director of Photography, Tim McClelland.
Lloyd-Thrap-Creative-Photography
© 2011 Lloyd Thrap Photography for Halo Media Group
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Film scanner film take up attachement has taken control, so this is from this summer. Been shooting "personal" stuff on film, and may have to pause with the sharing of this stuff for a while.
Unless, anyone knows of a cheap stationary film adapter I can score (the one that fits in the slide bay)...they used to go for $20, but now they are 105 on ebay, which I think is too pricey for a cheap peace of plastic with holes in it and a tin clip.
Polaroid 600SE
Mamiya Sekor 127mm f4.7
ProS 6x7 120 Roll film back
Kodak 400TX @ 200
Stand developed in Caffenol-C-L
Epson V500
Photoshop CS
I went to London today, my first time on my own :)
I decided to go to the London Film Museum and Camden Market.
The museum was right next to The Eye. I've been on that before, so I didn't bother this time :)
Camera: Zeiss Ikon Nettar
Film: Ilford HP5 Plus
Lab: Harman Lab, Cheshire
Scanner: Epson Perfection V550
Software: Adobe Photoshop & Lightroom
Must say I'm jolly impressed with the results I've had from Fuji Acros Neopan 100 developed in Ilford DD-X. I think the Fuji may become my film of choice for the summer half of the year. I keep telling myself to "standardise" on a particular film/developer combination, but I can't resist the temptation to keep trying different permutations. Much of the summer's output has gone down the toilet because I thought I'd give Promicrol a go. It's a "speed increasing" developer. I didn't know this when I bought it and, frankly, I'm not sure what it means. Do the published development times take the "speed increase" into account, or do I have to make the adjustment? I bought a batch of Fomapan film and got crap results whatever I did. But only yesterday I was reading that the trade-off with speed increase is a loss of sharpness and contrast ...so perhaps it wasn't entirely my incompetence after all. I'd like to have a crack at the 400ASA version of Neopan for winter use, but find it no longer available in 120 size. Bummer. I'm happy with Ilford Delta 400 though ...it also comes up very well in DD-X (unfortunately rather expensive in that it is diuted 1+4)... and I've just stocked up for the coming season of gloom.
This was a film user-upper shot taken as I walked back to the car after taking the "Freight on the Fens" pic, a few places back in my photostream. You can see the railway line advancing across the horizon. I'm not fond of these rolled-up bales of hay, which are visibly the product of a mechanised process. Mrs B and I call them "rolos". I prefer "squareos", which are, of course, no less the product of a mechanised process. My preference is merely a prejudice. I am too young to remember proper "stooks" of hay, although they were still around in my boyhood.
Canon EOS 1N, Fuji Acros Film
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thanks to some awesome friends and some lucky ebay auctions, i now have a few sx70's. some that are almost completely broken, and some that are kind-of-sort-of working. they're all pretty moody, but, this one works the best for now. i'm still on the search.
(also, i was without film for months, but i came home last week to an amazing girlfriend holding a box full of 40 packs of 600, and 20 packs of 779... i'm still in shock.)