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So I've been debating buying a $30 Holga camera and some film.
I don't really want to get it to make prints from analog film. I want one to get some developed film and then take digital photographs of the negatives.
So today I decided to dig up some of my old black and white film from my high school days in rural Arkansas and I "digitized" some of the film.
All I did was set the negatives on my iphone to serve as a light box and then I just took some photos using my Nikon D7000.
Then I loaded the digital photos into photoshop to invert the colors and then do some color correction. Then I add some fake light leaks to simulate the plastic camera look.
The thing about holga cameras is that first off, they are cheap, but they can also be modified to expose the film all the way to the edge of the film (aka sprocket hole photography). So I think they make for more attractive digital prints of the film. Also, I think the light leaks and retro feel is endearing.
I think I might buy a book on amazon about plastic cameras and read it before I actually get one though. It's been a very long time since I've used analog so I want a refresher before I get a new film camera, even if it is just a $30 plastic toy cam.
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Any feedback good or bad is welcomed!
I managed to snap this picture of a seagull in flight, while I was at Huntington Beach.
I took the picture with my Minolta SRT-101 camera, but unfortunately I don't remember what kind of film I used. It was probably Kodak Gold 200. I'll take a look at the negatives later and find out.
Double exposure of clouds and a building, shot with my Canon500N on 35mm Fuji film that I sank in Ouzo for two days.
---model and interview with : Aï Nakayama---
When it comes to my daily routine, it's makeup. Unless they have sensitive skin, many Japanese women wear it to go to work. I (M) talked about it with Ai Nakayama (A) through old prime lens.
You can read more on
facebook : www.facebook.com/MiiYatogi
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Twitter / Instagram : @miiyatogi
給人看透，願表情可得自由。
污穢害羞，意清理或是儲留？
放開，是要放，還是應該開？
seen through to be
your face deserves the freedom
any impurities
they'll stay or go when it's open
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Agfa CT Precisa
Camara: Canon T50 (reflex de 35mm)
Lente: Zoom-Macro Vivitar 28-210 f:3.5-5.6
Pelicula Kodak Proimage 100
Filtro Polarizador
On a chilly November day at an out of the way place with a couple of good friends, I spent some hours making a few photographs. Some of the unprocessed film was stashed and forgotten for years. It recently turned up when I processed my hoard of things-I-need-to-do-some-day rolls of film.
There is a lot to this that speaks unspeakable things for me. It's haunting and perfect in contrast with our current late summer lushness.
Photographed on April 23, 2011 with Ansco All-Weather Pan film from 1964, in a Rolleiflex Automat MX camera. (c) Chuck Miller.
60915 Gap of Dunloe - Black Valley - Old Kenmare Road walk
Linhof Wista 45 camera, Schneider Symmar 135/5.6 lens
Fuji Velvia 100 film
Film Afişi/ Poster,2004
Afiş Tasarımı / Film poster design: Emrah Yücel
Yönetmen/Director: Yılmaz Erdoğan
Oyuncular/Actors: Yılmaz Erdoğan, Altan Erkekli, Demet Akbağ, Tarık Akan, Tuba Ünsal
so i finally got my first roll if film back from jasmine & my little frolic, and oh. my. goodness. it's quite possible that i love, love, love almost every single image, and i still have another roll that i have yet to see! i can't believe how gorgeous almost every image is, and that is a big deal to me, seeing as i went from possibly a 20-25% of images i love per roll, to a 75% of images i love per roll.
there is just something about film that feels way more tangible than digital. each image feels more precious. & the medium certainly loves jasmine's gorgeous face. ;)
(not to mention that i didn't have to do ANY computer work! no staring at my computer screen for hours on end to get this *look*! hallelujah!)
oh, you bet more are coming.
p.s. doesn't her expression just get you?