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apr'15

canon ae-1 fd 50mm f1.8

 

+

 

kodak colorplus 200 'aguardente' experience

Small plants for sale in the Farmer's Market, downtown Dallas, TX. TX. Shot on 35mm Kodak TMAX 100 black and white film with a 1938 Argus C camera. This shot is a good example of the focus error on the Argus C. The range-finder was used to set the focus on the nearest plants (approximately 3.5 feet from the camera) but area in focus is actually at the far end of the image, about 8 feet away. Focus was consistently wrong, even when set on infinity.

Dianna Agron at the premiere of "Bare" during Tribeca Film Festival April 19, 2015

Voor het eerst dit jaar was het zo druk dat het hek dicht moest. Niet vreemd met zo'n topfilm als The Wolfpack - een 8,1 maar liefst voor de audience award. Paste je er niet meer bij? Geen nood: de film gaat dankzij Pluk en distributeur Periscoop Film vanaf 10 september ook de bioscopen in. En in dit fotoverslag kun je zien hoe de avond er verder uit zag.

 

Photo credit: Ka Wing Falkena.

Originally published on the Daily Pluk.

Canon EOS 3000 and Kodak T-MAX 100 film. Unprocessed, except for a slight crop.

in the cameo. korean photographers sleeping during screening of 'the host'.

This week, Mike is in for a bit of Italian glamour at CinemAmbiente - an environmental film festival in Turin, in northern Italy. On the show he talks to Ric O'Barry - who once trained flipper but who now campaigns to save dolphins - about the oscar winning film, The Cove.

capture du film Renault TWIZY

 

director: Julien Widmer

agency: Publicis Events

Client: Renault

 

©julien widmer

WarPaint were amazing. My favourite band of the weekend.

Cast and crew on stage after the screening.

Film horse and Amazon

Filmmakers at the Filmmaker Party. 2018 Woodstock Film Festival. Photo by Isabell Lawkins

Summer view camera.

through the sand-caked screen

analogue

© Lillian Stutz

I found a roll of film in a little Brownie camera that I bought in Kunming, China. I wonder who these midwestern looking people are, and how their camera ended up in southern China?

Nikon F65 35mm SLR camera

+ Nikkor G 28-100 lens

Developed in the dark room, printed in the dark room

Marseille - Vieux-Port - photoshopped back street

Party at the great lawn of the Grand Traverse Commons.

Plaubel Makina 67, Leica M6 & Contax T3

Her filmde efsaneleşmeye doğru giden Javier Bardem "İhtiyarlara Yer Yok"taki performansı ile sinema tarihinin acımasız katilleri arasında farklı bir konuma yerleşti.

Some very old negatives I got from a friend colector to scan.

 

So interessting I had to share.

nikon F501, w/Kodak TMX 100

CVS 400 COLOR FILM

Photo by Hugh McCreadie

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