View allAll Photos Tagged Exploits
ALEXANDRIA, VA: National Coalition to Prevent Child Sexual Abuse and Exploitation 2019 Annual Meeting Oct. 22, 2019 Sarah Baker/NCMEC
Port au Prince, quartier général de la MINUJUSTH, 20 avril 2018. Atelier de sensibilisation des medias sur la lutte contre l'exploitation et les abus sexuels. Définition de l’exploitation et des abus sexuels (SEA) et présentation des différents volets de la politique de tolérance zéro par Benjamin Rue, représentant de l’Equipe de Conduite et de Discipline - CDT de la MINUJUSTH. Ainsi que l'explication du processus d’application des règles pour chaque sorte d’allégation et l’appui aux victimes .
Photo Leonora Baumann UN/MINUJUSTH
WASHINGTON, DC: National Center for Missing & Exploited (NCMEC) 2023 Hope Gala, Sept. 14, 2023
The National Center for Missing & Exploited Children’s (NCMEC) Hope Gala held on Sept. 14, 2023, at the Smithsonian National Portrait Gallery in Washington, D.C. The event is a celebration of the inspiring work being done globally to protect children. We recognized leaders in child safety, honor survivors, and remember the families and victims who are still seeking justice and safety. Every child deserves a safe childhood. Claire Edkins/NCMEC
WASHINGTON, DC: National Center for Missing & Exploited (NCMEC) 2023 Hope Gala, Sept. 14, 2023
The National Center for Missing & Exploited Children’s (NCMEC) Hope Gala held on Sept. 14, 2023, at the Smithsonian National Portrait Gallery in Washington, D.C. The event is a celebration of the inspiring work being done globally to protect children. We recognized leaders in child safety, honor survivors, and remember the families and victims who are still seeking justice and safety. Every child deserves a safe childhood. Claire Edkins/NCMEC
A small butterfly exploits a bigger one to get warm from the sun better
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The 2 story buildings with blue roofs in the background are the living quarters for Chinese laborers. They are building their country's new embassy on Van Ness Street.
La vigilance et la mobilisation sont toujours de mises pour les collectifs citoyens opposés à l'exploitation du gaz et de l'huile de schiste, comme le montrent ces images de la manifestation de Barjac, dimanche 23 octobre 2011.
I have started a series of posts on my blog about a book I just read about activism and Zen practice. I hope to create a series of photos and posts, feel free to stop by and get some inspiration and support.
All images are from Creative Commons searches with words added by me form the book.
Exploit sui social network la notizia del nuovo parquet sportivo Dalla Riva a Reggio Calabria
Quasi 1200 contatti in una settimana, record senza precedenti per l’azienda del marchio DR.
www.parquetsportivi.com/exploit-sui-social-network-la-not...
A little mini-series I'm going to be doing featuring my best friend. It will basically just be photographing her doing what she does in this style.
Could be Shaun or John well dressed for a long days fishing in the heat no joke we see hundreds of visitors every year come back from fishing absolutely fried because they thought sun screen was enough to protect them.An afghan wouldn't wear board shorts and a tank top when hes in the desert.
After using 'Scrub'. Both users are still logged in except the 'demoaccount' user is hidden from 'who', 'w' and 'lastlog'. He's a ghost!
From Water Life series 2018
Aïda Muluneh
Photographs, inkjet print on paper
In this series, Muluneh explores rural water access and its impact on women’s rights, well-being, and education. While living in Ethiopia, she encountered women travelling for hours by foot while carrying heavy vessels of water. With the rise of extreme weather events caused by climate change, access to clean water is becoming a widespread issue. Droughts make its availability unpredictable, while flooding threatens the contamination of supplies. Using a striking palette of bright blue and red, Muluneh incorporates traditional African body painting and dress as a celebration of the beauty and culture of the continent. ‘The world is continually bombarded with the social plight of Africa, therefore my focus in this project was to address these topics without the cliché that we see in mainstream media. In a sense, to advocate through art.’*
In the exhibition’s final chapter, artists contemplate futures shaped by globalisation and the climate emergency.
In times of crisis, they find inspiration in the promise of new worlds and shared dreams for a new society. Dispensing with colonial visions of Africa, they turn to the ‘planetary’, where humans, technology and the natural world come together to form interconnected ecosystems.
Artists explore how urbanisation has transformed the continent and its ways of life. Foreign and domestic investment and higher-paying jobs have encouraged Africa’s young population to move to cities. Kinshasa, Lagos and Cairo are now considered megacities, with populations over 10 million. For these artists, the city becomes a site of collective histories and a dynamic stage for the production of global networks and relations.
Shifting geopolitics and plentiful resources mean Africa’s economic growth is now predicted to outpace the rest of the world. However, the exploitation of natural and human resources has left the continent caught between the promise of a brilliant future and an uncertain present. In recent years natural disasters, extreme weather and mass migration have put the future of our planet into focus. While global in reach, these issues disproportionately affect citizens of the Global South. Here, artists address this uncertainty by turning to their environment. They face the consequences of humanity’s self-destruction and explore alternative ways of being.*
From the exhibition
A World in Common: Contemporary African Photography
(July 2023 – January 2024)
A celebration of the varied landscape of contemporary African photography today
Bringing together a group of artists from different generations, this exhibition will address how photography, film, audio, and more have been used to reimagine Africa’s diverse cultures and historical narratives.
Moving beyond a traditional photography exhibition, the show seeks to explore the many ways images travel across histories and geographies. Using themes of spirituality, identity, urbanism and climate emergency, the exhibition will guide the viewer through dream-like utopias and bustling cityscapes viewed from the artists’ perspectives.
The exhibition follows artists across the many landscapes, borders and time zones of Africa to reveal how photography allows the past and the future to co-exist in powerful and transformative ways.
...A World in Common: Contemporary African Photography brings together 36 artists who use photography to reimagine Africa’s place in the world. It is inspired by the continent’s rich cultural traditions, as well as present-day social and political realities. Drawing on the theories of Cameroonian philosopher Achille Mbembe (born 1957), the exhibition invites us to imagine ‘a world in common’. To do this, Mbembe claims, we must ‘think the world from Africa’. A World in Common explores Africa’s past, present and future to create a more expansive and inclusive narrative of humanity. It suggests that to conceive ‘a world in common’ is to imagine a future of possibility.
There is no single, definitive history of Africa. It is a continent of multiple, interconnected realities. Pushing the boundaries of photography and film, the artists in A World in Common confront reductive representations of African peoples and cultures. They address photography’s past and embrace its potential to reframe the present and shape tomorrow.
The exhibition is divided into three chapters: Identity and Tradition, Counter Histories and Imagined Futures. The first chapter is rooted in ancient African cultures and traditions which have survived periods of struggle and resistance. Inspired by Pan-African liberation movements, the second chapter looks at photography’s ability to produce counter histories - archival practices and the agency of photographer and subject are brought into focus. The third chapter explores the impact of globalisation and the climate emergency. Here, artists imagine a shared future informed by common realities. A World in Common creates space for exchange and discovery, inviting us to imagine new ways of inhabiting the earth.
[*Tate Modern]
Taken in Tate Modern