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Sunlight streams through a workshop window, casting strong shadows across the wooden floorboards inside the Black Country Living Museum. Taken on Eastman Kodak 5222 Double X, in my Nikon FE and developed in 510 Pyro.
Nikon FE | Voigtlander 58mm f1.4 SL-IIs Nokton | Eastman Kodak 5222 Double-X 200
Digitized with Nikon Z7 / 60mm Micro Nikkor | Raleno LED Light Panel | Nikon ES-2
Home developed in 510 Pyro 1:100 | 6m 30s at 21c | Compensated Rotary Processing
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Italian lines in BL beige.
Produced from 1980 to 1984, this revised Morris Marina dates back to 1971. With a not-yet developed new offering for the family car segment, BL turned to Giorgetto Giugiaro (think: Fiat Dino, BMW 3200 CS, Lotus Esprit) for a stylish redesign producing mixed results. The Ital name comes from Giugiaro's famous ItalDesign Studio.
Somewhat infamous in automotive history, along with similar BL offerings at the time, very few have survived with (fortunately) a band of enthusiastic owners looking to preserve those left. In SL trim, only 15 examples are currently taxed in the UK (www.howmanyleft.co.uk/vehicle/morris_ital_sl).
Back in '83 when this model was new, contemporary offerings included:
Ford Sierra MK1
Vauxhall Cavalier MK2
Honda Accord MK2
Talbot Alpine facelift
Taken on the 804 trail along the ocean at Yachats Oregon. Mamiya C330 F TLR camera. Kodak Tmax 400 film self-developed in PC-TEA.
A result from attempt #3 of developing E6 film, Lomography X-Pro 200, in B&W then C41 chemistry. This time, I developed in Rodinal 1:25 at 38C/102F for 30 minutes, fogged the film for 3.5 minutes on each side, then developed in Unicolor/Argentix developer at 38C/102F for 25 minutes, followed by 6.5 minutes in blix.
E6 chemistry is not the easiest for me to get, plus its shelf-life is short, and I don't shoot too much E6, so those are the reasons for me for trying this method. I only have another 2 rolls of E6 film; two other Lomography X-Pro 200 rolls. I may try this method, with some alterations again, or cross process them. Don't think Rodinal and Lomography X-Pro 200 are the most ideal, but just experimenting with what I have available at the moment; it produces a lot of grain and an orange tint, which needs to be colour corrected. I read that Provia 100 and HC-110 is a good combo.
Pentax K1000
Lomography X-Pro 200
Rodinal/Blazinal --> Unicolor/Argentix
Epson V550
Uryu-numa wet highland, Uryu, Hokkaido.
Mamiya Press Standard 23, Sekor 65mm F6.3, Velvia, developed as described before ( 1st: Korectol 37 Deg.C 11 minutes, 2nd: CD3 + NaOH pH 11.8 ), scanned with Plustek OpticFilm 120 + VueScan, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/53201168237/sizes/ up to 10000 × 6680 pixels compatible. Learn DIY development and upgrade to film !
Mt.Kurodake, Kamikawa, Hokkaido.
Pentax MZ-M, Tamron 28mm F2.8, negative ISO 100 from Fuji exposed as ISO 100, developed with reversal processing ( 1st: Korectol 30 Deg.C. 2 minutes and 30 seconds, 2nd: BAN1 ), scanned with Plustek OpticFilm8100, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/52375210176/sizes/ up to 8000 × 5386 pixels compatible. No one will believe this is from 135 size color negative. Learn DIY development and upgrade to film!
In developing news as written on 28th November 2025, EASA (the European Union Aviation Safety Agency) has issued an Emergency Airworthiness Directive on recommendation from Airbus which affects all Airbus A320 family aircraft across the world (the Airbus A318 even though not listed is affected by the EAD) which does include the next-generation Airbus A320neo family.
Earlier in the day, reports began emerging from Airbus and various news sources that they were issuing guidance that a new software update must be implemented on affected Airbus A320 family aircraft before their next scheduled flight which will affect numerous airlines across the world.
The guidance comes following a major incident on 30th October 2025 where JetBlue Flight 1230 bound from Cancún to Newark-Liberty, New Jersey suffered an uncommanded sharp loss of altitude in-flight causing injuries to several passengers, whereby the flight was ultimately diverted to Tampa, Florida. Airbus has stated that intense solar radiation could corrupt safety critical flight controls, notably the Airbus A320 family fly-by-wire ELAC system (Elevator & Aileron Computer) for which there are 2.
Since Airbus published the news, EASA have published their EAD which stipulates that all 5,100 aircraft have until 23:59 UTC on Saturday 29th November 2025 to comply with the new software update, any aircraft that does not meet this deadline will ultimately have to be grounded until they have been modified. The software update according to Airbus takes 2 hours, however as stated by BBC News that "the remaining 900 aircraft which are older versions will need new hardware as well and will need to be taken out of service to be modified."
Good on Airbus for swiftly getting information out on a potential safety problem for the Airbus A320 family (now the most popular jet in the world), a fix for the issue plus EASA for the publication of the EAD. There is going to be disruption as many airlines have indicated their fleet are affected, but better to keep everyone safe.
Airbus A320-251N G-TTSD on final approach into Runway 27R at London Heathrow (LHR) on BA653 from Santorini (JTR).
I have developed a bit of a fascination with Mother Cap recently!
Considering the history of Hathersage Moor and it's conspicuous positioning, I thought that a bit of research may be called for. I came across a piece of information that suggests that Mother Cap may have been used as a marker for much of the prehistoric activity in the surrounding hills and was possibly illuminated by fire at night.
This caught my imagination and I thought it may be fun to try to recreate how the massive outcrop may have looked by firelight (of course not wanting to set half of the moor on fire, I used a 5 million candle power torch). So on Tuesday night, I found myself trudging up the lower slopes of Over Owler Tor by the light of a brilliant full moon. Over Owler is an odd place at the best of times, a bit of a geologist's playground with rocks worn into all manner of strange shapes. But by moonlight it is amazing!
The exposures were about two and a half minutes at f8 to catch the colours in the sky, with short blasts from the torch to fill areas of the rock in. Some shots look as if the light is coming from within the rock. The moon is dropped in from a different exposure as the long exposures blew it out to a non-descript glare.
PS. If anyone knows people in Hathersage who have seen lights on the moor on the night of the full moon, it's not some band of neo-pagan druids. It's just me, with my big torch!
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Golden Gate, S.F. California (USA)
Plaubel Makina 67, Nikkor 80mm f2.8
Kodak Gold, self-developed Tetenal Kit
Cuando se saca el baño de paro se le echa el fijador. Yo uso este de Tetenal, a proporción de 1+3 durante 4 minutos.
Taken with a Contax IIa and Carl Zeiss Biogon 35/2.8 lens on Kentmere 400. Developed with Ilfosol 3 at a 1+14 dilution at 24 °C for 12 minutes.
I can hear the bull frog callin' me.
Wonder if my rope's still hangin' to the tree.
Love to kick my feet way down the shallow water,
Shoe fly, dragon fly, get back t your mother.
Pick up a flat rock, skip it across Green River.
Green River - Creedence Clearwater Revival - 1969
Well, hello everyone :-)
Just had a mad hectic week in Townville & Mackay for work.
This was my first time to Townsville & fortunately for me a flickr friend arranged to met up with me & we went for a short drive to The Strand & spent an hour or so together with tripods & cameras inhand
This shot was taken just on dark.
Cheryl, I loved meeting you, & I really appreciated your precious time.
Thank you
I didn't get to see a whole lot, but you live in a beautiful city
Cheryl's posted shot for the day
www.flickr.com/photos/26323552@N04/4537679424/
I will post my sunset shot later
Explored #291 April 24th - thanks all for comments & favs - much appreciated
Mobile shot of my first contact sheets and a glimpse of the end film image. Spent a delightful two days last weekend learning to work with b&w film and then develop my own film in the darkroom.
Brilliant course...............film here I come
C-41 Coffee & film serves both coffee (at all levels) and is the one place on the island where you can get your film developed. That and the owner is very knowledgeable and interested in all things photography. A great place to geek out about pictures.
Shot with Cinestill 800
Hasselblad 500 C/M
Carl Zeiss Planar 80mm 1:2.8 C T*
Kodak Tri-X 400
Self-developed in Kodak HC-110 1:63 (Dillution H) @ 21°C for 13m30s. Agitated constantly first 30 seconds, then 3 times at 4, 8 and 11 minutes.
Scanned w/ Epson V800.
Members of the Junior hockey team scoring some community service credits at the Rutland Scarecrow Festival
Brighton Seafront i360
Asahi Pentax SV, 8 blade Carl Zeiss Jena Pancolar 50mm 1.8 Thorium lens, and Rollei Retro 400S, semi-stand developed in Rodinal 1+100, 1-minute gentle initial agitation, then 5 seconds at the 30 minute mark.
Fayette County, Georgia
Misread Massive Development Chart and developed in Dilution B, HC-110 for 38 minutes. Should have been Dilution H.
Worked better than expected.
Mirit Ben-Nun develops a style where he tries to demonstrate the manifestation of movement, rhythmic repetition and the speed of objects on the canvas.In the process the artist often asks difficult questions or causes reflection without giving easy answers. Her curiosity, your open mind and a commitment to dialogue are her best tools to address your artworks.
These works often challenge our ideas about how art should look or how it should behave. Her art is not based on what was said before and does not depend on the academies of art, breaks traditions, and does not imitate the real world, it is an art that transmits through its works the inner world of the artist. Through imprecise and significant characters, it radiates different ideas about the reality of the world of human dreams.Mirit gives us a clear idea that art is not separated from life and from the real world in which we live, reflects thoughts with style and unique focus.
Mirit Ben-Nun uses lines and points as an expressive resource and does so by exploiting nuances and associations to their fullest. Some forms follow the same direction and others change constantly, even urgently. Its language is visual and independent of its expressiveness; it lies in the value and organization of its elements.
The 'things' of the visual world are unimportant, the point is the achievement of reproduction of the world and human nature. Constantly encouraging creativity. In this case pointillism conveys emotions by the effect of using color, points, lines and thus capturing the attention of the observer.
Dora Woda
Part of the southern end of Evergreen Lake in Comlara Park, McLean County. Taken with an Agfa Clack, Kentmere 400 film, developed in Caffenol C-M.
Pentax 67II, 105mm F2.4, f3.5 1/250, KODAK PORTRA 400, developed by FRAME*
My photos appeared in...
My Modern Metropolis / U.S.
www.mymodernmet.com/profiles/blogs/two-sweet-sons-growing...
BOOOOOOOM! / Canada
www.booooooom.com/2010/12/06/photographer-hideaki-hamada/
Fubiz / France
www.fubiz.net/2011/02/08/haru-and-mina/
iGNANT / Germany
www.ignant.de/2011/02/09/hideaki-hamada/
clickblog / Italia
www.clickblog.it/post/10056/hare-tokidoki-haru-il-paese-d...
muitolegal blog / Brazil
www.muitolegal.net/2011/02/dois-filhos-crescendo-no-japao...
VOICER / China
blogs.com / Japan
jp.blogs.com/2010/04/family-photos.html
Thanks!