View allAll Photos Tagged Develop
Whatcom County, WA. September 16, 2018. Shot on a Hasselblad Xpan II and Kodak Portra 160. Developed and scanned by The Darkroom.
Nikon F with waist level finder
Expired 2005 Ilford Pan-F 50
Continuous rotation via Jobo
Promicrol 1:14 for 15 minutes
Epson F3200
SOOC | RAW-developed
- Press L or view in Large for better view.
- Your ratings, comments, faves and views are greatly appreciated.
- Please don't use this on any websites, blogs etc. without my permission.
- Have a wonderful Monday my friends.
I developed some very expired 110 and 126 film for someone, and helped with a 35mm point-and-shoot, getting a new battery installed and donating and loading a fresh roll of film. I offered to develop and scan the film once she was done also. These were also brought in.
This box had one 110, one 127, and three 126's cameras; unfortunately, I told her shooting these would be difficult, since film for these would be hard to get and develop, so best to use 35mm. For the most part, I think these can go to someone who wants decorative pieces or props.
Diramic Micro RSD
Industar 50-2
Flic Film Ultrapan 400 (Foma 400?)
Blazinal/Rodinal 1:25, 5.5 minutes, 20°C/68°F
Pakon F135
I think I needed a bit more time and agitation on this roll, and to be honest, I used Foma 400 developing time, because I think this Flic Film Ultrapan 400 is re-spooled Foma.
In developing news as written on 28th November 2025, EASA (the European Union Aviation Safety Agency) has issued an Emergency Airworthiness Directive on recommendation from Airbus which affects all Airbus A320 family aircraft across the world (the Airbus A318 even though not listed is affected by the EAD) which does include the next-generation Airbus A320neo family.
Earlier in the day, reports began emerging from Airbus and various news sources that they were issuing guidance that a new software update must be implemented on affected Airbus A320 family aircraft before their next scheduled flight which will affect numerous airlines across the world.
The guidance comes following a major incident on 30th October 2025 where JetBlue Flight 1230 bound from Cancún to Newark-Liberty, New Jersey suffered an uncommanded sharp loss of altitude in-flight causing injuries to several passengers, whereby the flight was ultimately diverted to Tampa, Florida. Airbus has stated that intense solar radiation could corrupt safety critical flight controls, notably the Airbus A320 family fly-by-wire ELAC system (Elevator & Aileron Computer) for which there are 2.
Since Airbus published the news, EASA have published their EAD which stipulates that all 5,100 aircraft have until 23:59 UTC on Saturday 29th November 2025 to comply with the new software update, any aircraft that does not meet this deadline will ultimately have to be grounded until they have been modified. The software update according to Airbus takes 2 hours, however as stated by BBC News that "the remaining 900 aircraft which are older versions will need new hardware as well and will need to be taken out of service to be modified."
Good on Airbus for swiftly getting information out on a potential safety problem for the Airbus A320 family (now the most popular jet in the world), a fix for the issue plus EASA for the publication of the EAD. There is going to be disruption as many airlines have indicated their fleet are affected, but better to keep everyone safe.
Airbus A320-251N G-TTSD on final approach into Runway 27R at London Heathrow (LHR) on BA653 from Santorini (JTR).
Visiting the Stubaier Alps. Leica Monopan 50 Film, scanned via Valoi Easy35, developed in Darktable.
Just a flower pot from my father's house.
I am thinking about taking a course at a nearby University called Theme Photography. I think it sounds rather interesting, but I am just not sure yet. I am not what you would call "artistic," so I am thinking this would be a course that will really challenge me. Here is the description:
"Prepare to be challenged! Theme Photography challenges your imagination and develops your artistic skills by inviting the student to photograph the intangible. Sensations, feelings and perception are all fair game in this course aimed at strengthening the students' ability to introduce artistic depth into their photographic work."
What do you think?
“THE WET” AND “THE DRY” IN THE NORTHERN AUSTRALIAN TROPICS
The Northern Tropics of Australia in the Darwin region are described as having only 2 seasons – the “wet season” (or simply “The Wet”)(broadly November to April) and the “dry season” (or simply “The Dry”) (May to October). There is no local designation of Spring, Summer, Autumn and Winter, although it should be noted that some ancient local indigenous calendars describe up to 8 seasons, categorised by not only weather but also flowering and fruiting of edible plants, appearance of migratory animals as food sources, river heights, etc.
While Europeans settled Darwin in the 1860s, indigenous Australians have occupied the area for at least 40,000 years.
In broad terms, the main differences between the Wet and the Dry relate to humidity levels, prevailing wind direction, and (as the names imply) rain, or the absence of rain.
Darwin has no frost, no snow and no hail. Darwin is also largely flat and unelevated, with few locations exceeding 30 metres above sea level.
THE WET – NOVEMBER TO APRIL
During the Wet, temperatures range from a minimum of 27 – 28C overnight (sometimes not dropping below 30C) and 34 – 36C during the day. Humidity levels are in the range of 75 – 95%.
The prevailing wind direction is from the North West (i.e. from the Timor Sea), except during the frequent storms, which normally come from the South East.
Cyclones (the local name for a typhoon or hurricane) also form during the Wet as part of monsoon trough activity. The wind from a cyclone can come from any direction, depending on the relationship between the cyclone’s eye and the observer’s position.
Rainfall during the Wet approaches 2,000 mm; with the record for a 6 month Wet season period being 3,000 mm. It should be noted that due to quite obvious climatic changes these totals have not been reached in recent years and this may herald a permanent change to the local climate.
Sea temperature during the Wet is around 32C.
THE DRY – MAY TO OCTOBER
During the Dry, temperatures range from a typical minimum of 20 - 21C overnight (on rare occasions dropping to 16C) and 30 -31C during the day. Humidity levels are in the range of 10 - 30%.
The prevailing wind direction is from the South East (i.e. from the direction of the Great Australian Desert); with an occasional light North West sea breeze rising in the late afternoon.
The sky is largely cloudless, with the occasional cumulus cloud rising above wetlands or generated by bushfire smoke.
There is virtually no rain between April and October.
Because of the absence of rain, a high bushfire danger exists throughout the area during the Dry, with the highest risk occurring in August and September, before the next Wet season storms occur. During these months, the humidity is very low and the South East winds are at their strongest – up to 30 knots (around 55 km/hr).
Bushfire smoke blows out to sea and causes spectacular sunset effects.
The Mission of Turning Point Ministries (TPM) Church is to develop believers into mature Disciples of Christ so that we know how to effectively witness to unbelievers. As a mature believer each member will have an accurate understanding of God’s word and be able to discern truth from error. The Mission is based on the ministry and work of Jesus Christ according to St. Luke 4:18-19. In an effort for Turning Point Ministries Church to fulfill its mission each member will know their gift and calling for service within this local body of believers.
********************************************************************************
Our Mother of Sorrows Catholic Church and School: 1967-2009
September 15th is the memorial of Our Lady of Sorrows. Simeon predicted that a sword would pierce Mary’s heart (Luke 2:35) and the Church honors her seven sorrows. There have been two churches with this title in the Archdiocese of Cincinnati, one in Monroe and the other in Roselawn, pictured above, which closed in 2009. Take from The Catholic Telegraph issue dated 28 September 1967, the caption reads,
“Archbishop Karl J. Alter addresses parishioners at the newly renovated Our Mother of Sorrows Church, Cincinnati [Roselawn]. The school cafeteria was converted into a church to accommodate a larger number of persons. Parishioners performed most of the work, according to Father Andrew J. Hoying, pastor. The dedication ceremony was held on the feast of the Seven Sorrows of the Blessed Virgin Mary, Sept. 15.”
Credit for the data above is given to the following websites:
wedge3.hcauditor.org/view/re/1170009006790/2019/summary
childcarecenter.us/provider_detail/learning-clubhouse-llc...
www.catholicchurchnearme.com/church/6556/our-mother-of-so...
www.catholiccincinnati.org/94125/our-mother-of-sorrows-ro...
© All Rights Reserved - you may not use this image in any form without my prior permission.
The McMinns Lagoon Recreation Reserve is situated in 41 hectares of unspoilt wetland, near Humpty Doo in the Darwin rural area, Northern Territory, Australia
It is a natural jewel amongst the Municipality's Reserves. It offers nature enthusiasts and bird watchers alike a wide spectrum of bird life and butterfly activity all year round.
The Reserve holds a comprehensive Bird Sanctuary status and contains one of the largest varieties of flora and fauna habitats in the Northern Territory.
The Lookout is a well kept lawn area with picnic tables and a light at night for people to relax and unwind whilst looking over the scenic lagoon. A very popular lunch spot for many, it is also a favoured location for professional and amateur photographers and videographers. A perfect venue for bush weddings.
There are a number of walking tracks including "Scotty's Walkway" that take visitors around the lagoon and through the surrounding woodland.
Fo Guang Shan Nan Tien Temple
Berkeley, New South Wales
MOM Mometta II
Fomapan100
EI 50
Taken on 8 May 2022
Kodak Xtol(1+1) 5:45 min 22c
Epson v850
Silverfast 8
Lightroom
Berkeley
Wollongong
New South Wales
Australia
_____________________________________
Golden Gate, S.F. California (USA)
Plaubel Makina 67, Nikkor 80mm f2.8
Kodak Gold, self-developed Tetenal Kit
Monument Valley, Arizona
When I finished processing this roll of film, I was intrigued by a shadow I discovered on the rock wall on the center-right of the background. It has the appearance of a gigantic indian warrior holding a shield.
Camera: Pentax 645n, Lens: SMC Pentax-FA 645 1:3.5 35mm, Film: Ilford FP4 Plus 125 ISO developed in Rodinal
Another favorite from my self-developed and printed treasures on film.
Canon T70
Kodak Tri-X
ISO 400
scanned print
For Film26
The letter C
Every story has it's end. After one year I managed to get the shot of the historical 28E lisbon. Since I developed the roll of film and realized that the first shot of the roll was empty, I had now plans to go there again. But finally when the decision was made to return to lisbon I knew that I had to give it a second try. This time the secure way (flic.kr/p/ngRPvw).
When I headed to the Calcado do Combro from Rua de O Século I recognized that the house on the left now was covered by a scaffolding which corrupted the scene. With the shorter focal length of 35mm I had now to go closer anyways. To get the final shot as good as possible, in terms of high contrast from sky to shade I took one or two test shots. Then I had to wait until the tram entered the scene, released the shutter and was done. With some minor post-processing I got the result as I planed it.
To sum it up, meanwhile I shot the whole role of film with some descent results. For more information see the link below
I can hear the bull frog callin' me.
Wonder if my rope's still hangin' to the tree.
Love to kick my feet way down the shallow water,
Shoe fly, dragon fly, get back t your mother.
Pick up a flat rock, skip it across Green River.
Green River - Creedence Clearwater Revival - 1969
Well, hello everyone :-)
Just had a mad hectic week in Townville & Mackay for work.
This was my first time to Townsville & fortunately for me a flickr friend arranged to met up with me & we went for a short drive to The Strand & spent an hour or so together with tripods & cameras inhand
This shot was taken just on dark.
Cheryl, I loved meeting you, & I really appreciated your precious time.
Thank you
I didn't get to see a whole lot, but you live in a beautiful city
Cheryl's posted shot for the day
www.flickr.com/photos/26323552@N04/4537679424/
I will post my sunset shot later
Explored #291 April 24th - thanks all for comments & favs - much appreciated
Bolehill Quarry, The Peak District, Derbyshire.
Linhof Technikardan S45
Schneider-Kreuznach Super-Symmar 5.6/110 XL
20mm front fall
1° front left swing
f32
2 seconds
Fuji Acros 100 (EI 50)
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in Pyrocat-HD 1:1:100 at 22 °C for 14 mins (minimal agitation) using a modified Paterson Orbital
Digitised using 16-shot pixel-shift capture
Toned
Best viewed fullscreen in the lightbox (Press L + F11)
Folkestone (pronounced /ˈfoʊkstən/) is the principal town in the Shepway District of Kent, England. Its original site was in a valley in the sea cliffs and it developed through fishing and its closeness to the Continent as a landing place and trading port. The coming of the railways, the building of a ferry port, and its growing importance as a seaside resort made the town grow. However, business has declined. The beginning of high speed rail services for commuters on the HS1 line to London St Pancras has cut the journey time from London to less than an hour. Folkestone now has the only sandy beach ["Sunny Sands"] and coastal park within an hour of north London.
Mikasa, Hokkaido.
Mamiya Universal press shot on a monopod, Sekor 50mm F6.3, Acros exosed as ISO 50, developed with SPD for four minutes at 20 DegC., scanned with Plustek OpticFilm 120 + VueScan at 5300 dpi, edited with GIMP.
The Rhodesian Ridgeback is a dog breed developed in Southern Africa where it was used (amongst other things) to hunt lions. This is most likely why this dog is known for its bravery. Its European forebears can be traced to the early pioneers of the Cape Colony of southern Africa, who crossed their dogs with the semi-domesticated, ridged hunting dogs of the Khoikhoi.
In the earlier parts of its history, the Rhodesian Ridgeback has also been known as Van Rooyen's Lion Dogs, the African Lion Hound or African Lion Dog—Simba Inja in Ndebele, Shumba Imbwa in Shona—because of their ability to distract a lion while awaiting their master to make the kill.
The original breed standard was drafted by F.R. Barnes, in Bulawayo, Southern Rhodesia (now Zimbabwe), in 1922. Based on that of the Dalmatian, the standard was approved by the South African Kennel Union in 1926. This dog is now used to help athletes train.
The curved bonnet and headlamp of a classic car parked on the streets of the Black Country Living Museum. Taken on Eastman Kodak 5222 Double X, in my Nikon FE and developed in 510 Pyro.
Nikon FE | Voigtlander 58mm f1.4 SL-IIs Nokton | Eastman Kodak 5222 Double-X 200
Digitized with Nikon Z7 / 60mm Micro Nikkor | Raleno LED Light Panel | Nikon ES-2
Home developed in 510 Pyro 1:100 | 6m 30s at 21c | Compensated Rotary Processing
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Please visit my website www.tylertakespictures.squarespace.com
Camera: Pentax Zoom 280P
Film: Retrochrome160
Developed at Home: Unicolour E6 kit
Leica M4-P, Voigtlander Color Skopar 35mm f2.5, Ilford Hp5 - Developed in Ilfosol 3 (11min@20C), hyperfocal -
This is one of the scene's I remember really clear! I saw him kicking a bottle accros the street, and then he shouted something to his mom in french. This was my signal to aim my camera at him. Then he jumped. I can't remember if he even landed,... I just walked away re-checking my camera settings to see if I had it. For the next 5 minutes I must have drove my girlfriend mad talking about this shot. :-)
So If you have seen any flat bottles in Avignon, it has probably been this kid.
© Eelco van Collenburg
All Rights Reserved
Develop and scanned some rolls from last weeks outings with Ingemar. This at the old mill =)
Rolleiflex - Carl Zeiss Tessar 75mm f3.5 - Kodak T-max 400 - Develop in Adonol 1:25 at 6 min Scanned with my Epson V800.
Verkeån 2017.10.09
Mirit Ben-Nun develops a style where he tries to demonstrate the manifestation of movement, rhythmic repetition and the speed of objects on the canvas.In the process the artist often asks difficult questions or causes reflection without giving easy answers. Her curiosity, your open mind and a commitment to dialogue are her best tools to address your artworks.
These works often challenge our ideas about how art should look or how it should behave. Her art is not based on what was said before and does not depend on the academies of art, breaks traditions, and does not imitate the real world, it is an art that transmits through its works the inner world of the artist. Through imprecise and significant characters, it radiates different ideas about the reality of the world of human dreams.Mirit gives us a clear idea that art is not separated from life and from the real world in which we live, reflects thoughts with style and unique focus.
Mirit Ben-Nun uses lines and points as an expressive resource and does so by exploiting nuances and associations to their fullest. Some forms follow the same direction and others change constantly, even urgently. Its language is visual and independent of its expressiveness; it lies in the value and organization of its elements.
The 'things' of the visual world are unimportant, the point is the achievement of reproduction of the world and human nature. Constantly encouraging creativity. In this case pointillism conveys emotions by the effect of using color, points, lines and thus capturing the attention of the observer.
Dora Woda
Members of the Junior hockey team scoring some community service credits at the Rutland Scarecrow Festival
Since developing a fever on February 3, Siu has not set foot outside her rooftop shanty home, except for once to visit the hospital.
In their 240 square foot home, she and her
husband, his 60-year-old mother, and their
three sons - the youngest of whom is just
eight-months-old - have spent more than two
weeks waiting to be relocated to a government
Covid-19 quarantine facility, Siu told HKFP.
Siu’s family share the only bathroom they have and eat in the same space with each other. “We only took off our masks when it became too exhausting, but you simply cannot tell a three-year-old to wear a mask on all the time,” the 38-year-old mother said.
Siu was working in the cosmetics industry but has been on maternity leave since giving birth to their youngest son. The family’s financial burden then rested solely on her husband, who worked as a private driver but lost his job since the “home quarantine” began.
Siu said they have been burning through their savings as the family had no way of obtaining any income since the Lunar New Year holidays. She also said they were not able to apply for any governmental subsidies as they could not leave. “It feels like we are left to die, do you understand?” she said. (HKFP)
A still image of this weather event (www.flickr.com/photos/cloud_spirit/55103889698) cannot portray the dynamics of the atmosphere adequately. Strong down bursts were captured as these showers reached the ground.
Picture of the day
Leicaflex SL
60mm Elmarit
Kodak Eastman 5234
Shot Somewhere Between ISO 6 & ISO 12
Rodinal Stand Developed (1:100 for 60 mins)
Found by the rear loading dock of an abandoned Toy "R" Us.
I was experimenting with this Eastman 5234 film that I haven't shot before. Steve has who knows how many feet of it that he's been rolling into his little film canisters and he was willing to share.
ISO 6 should be a big advantage in the bright FL sun and it is, kind of. He warned me that it's a bit finicky if you don't get the metering spot on but it also has the potential to deliver some interesting effects. This first roll did end up being a bit hit or miss. I like it well enough though to shoot some more, so I'll run some through my Nikon F100 next and see how that works out.
A little experiment, developing expired color negative film in black and white chemistry.
Shot with a Pentax LX fitted with an SMC Pentax-M 50mm f/1.4 lens, loaded with Etos Kleurenfilm 100/24, developed in Adonal and scanned with a Nikon LS-8000ED.
I did a small write up of my experiences here.