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Konica Auto-Reflex 60's SLR camera
Hexanon lens 57mm 1:1.4
Kodak Portra 160 Film
f 1.4 at 1/30
Lab Developed in C-41
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Lomography Colour 400
Converted to B&W using LR5 & Nik Software
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
"HAVE A GO AT OUR OPEN MONTHLY CHALLENGE"
The subjects for this month and details on how to take part can be found here.
Anyone, anywhere with any camera can take part.
Salton CIty was developed in the 1950s and established in 1958 primarily by M. Penn Phillips and the Holly Sugar Corporation as a resort community on the Salton Sea, a saline, endorheic rift lake located directly on the San Andreas Fault.]
In the 1970s, most of the buildings constructed along the shoreline were abandoned due to rising sea elevation, including the city's marina. Throughout the 1980s and 1990s, as salinity and suspected pollution levels in the Salton Sea increased, the attraction of the Salton Sea as a recreational destination diminished.
In the 2000s, development in Salton City began to rise as a result of the escalating California housing market. Cheap land and housing costs, improvements to Highway 86, and a casino opened by Torres-Martinez Desert Cahuilla Indians attracted new residents.
- Wikipedia
This is the one nice building in Salton City.
A trailer for a good documentary on the Salton Sea can be seen here:
www.youtube.com/watch?v=Atgg7t4XbPk
Explore 6 June, 2013. Best position #459.
© All Rights Reserved. Please do not use this image on websites, blogs or other media without my prior permission.
Art by @SaraErenthalArt
Nikon Action Touch
Ultrafine Xtreme 400
Dev: Kodak D-76 1:1 for 14 min at 68 degrees
Developed during World War II for the U.S. Navy, the Douglas AD Skyraider almost disappeared before having the chance to excel during the Vietnam War, where the aircraft proved well suited for close air support (CAS) to ground forces.
Nevertheless support of search and rescue (SAR) missions had been the Skyraider’s crowning achievement during the conflict. In fact it became dramatically apparent early in the war that lone helicopters were too vulnerable to conduct combat search and rescue (CSAR) missions. For this reason in 1965 a SAR task force decided that rescue helicopters would work in pairs, and that Skyraiders would provide rescue escort.
The callsign “Sandy” was founded in late 1965 by Capt. J.W. “Doc” George during an A-1 replacement flight to one of the several A-1 groups that rotated through Udorn. Actually it was George’s Bine Hoa departure callsign. After having landed at Udorn he was asked what call sign he would like to use while there. George answer was “Sandy.” Not only the callsign was retained by George’s replacement, but also became the callsign of any Skyraider assigned the SAR mission.
This Skyraider was built in California in 1951 with the c/n 7802 and after the US Navy serial number 127002.
In 1961, he was first assigned to the 3/20 "Oranie" Fighter Squadron with the callsign 20-FP then to the 1/21 Support Aircraft Squadron with the callsign 21-LN and finally to EAA 2/21 “Oranie” with callsign 21-ZH.
Down in Kokyakusawa valley, Mt.Oputateshike, Biei, Hokkaido. The name means "lone guest", just as I was there.
Fujica GF679, Positive ISO 100 expired, developed as described before ( 1st Dev.: Papitol 37 deg.C. 10 minutes ), scanned with Plustek OpticFilm 120 ; VueScan at 5300 dpi, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/51140314257/sizes/ to 14186 × 11466 pixels compatible. Learn DIY development and upgrade to film !
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Lomography Colour 400
Processed using LR5 & Nik Software.
This obviously has nothing to do with my normal genre of street photography but I had my camera in my pocket and I just snapped the scene to see what would come out in the end. I actually forgot I took this shot.
Thanks for taking the time to view my image. Your comments, faves and constructive criticism are greatly appreciated.
Developed in Great Britain by Hawker Siddeley (later part of British Aerospace) the Harrier is one of only two vertical/short takeoff and landing jets to go into full production. First placed in service by the Royal Air Force and Royal Navy the Harrier first saw combat in the 1982 Falklands War between Britain and Argentina. The United States Marine Corps first ordered the Harrier in 1969 with the first deliveries in 1971.
Minolta XD, MC Rokkor-PG 58/1.2 (probably), Ilford Delta 400 Pro @1600.
Film: expired in 2014, shot in 2016 or before, forgotten in fridge, and just developed (2022.11). When, where and why, did I take these images?
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Lomography Colour 400
Processed using LR5 & Nik Software.
Thanks for taking the time to view my image. Your comments, faves and constructive criticism are greatly appreciated.
Olympus OM-1, Zuiko MC Auto-W 35mm f2, orange filter, Arista 400 developed in Super Prodol, Epson GT-X830. 1/500, f/5.6.
South Beach, also nicknamed SoBe, is a neighborhood in the city of Miami Beach, Florida, United States, located due east of Miami city proper between Biscayne Bay and the Atlantic Ocean. The area encompasses Miami Beach south of Dade Boulevard.
This area was the first section of Miami Beach to be developed, starting in the 1910s, due to the development efforts of Carl G. Fisher, the Lummus Brothers, and John S. Collins, the latter of whose construction of the Collins Bridge provided the first vital land link between mainland Miami and the beaches.
The area has gone through numerous artificial and natural changes over the years, including a booming regional economy, increased tourism, and the 1926 hurricane, which destroyed much of the area. As of 2010, 39,186 people lived in South Beach.
South Beach started as farmland. In 1870, Henry and Charles Lum purchased 165 acres (67 ha) for coconut farming. Charles Lum built the first house on the beach in 1886. In 1894, the Lum brothers left the island, leaving control of the plantation to John Collins, who came to South Beach two years later to survey the land. He used the land for farming purposes, discovering fresh water, and extending his parcel from 14th Street to 67th in 1907.
In 1912, Miami businessmen the Lummus Brothers acquired 400 acres (160 ha) of Collins' land in an effort to build an oceanfront city of modest single-family residences. In 1913 Collins started construction of a bridge from Miami to Miami Beach. Although some local residents invested in the bridge, Collins ran short of money before he could complete it.
Carl G. Fisher, a successful entrepreneur who made millions in 1909 after selling a business to Union Carbide, came to the beach in 1913. His vision was to establish South Beach as a successful city independent of Miami. This was the same year that the restaurant Joe's Stone Crab opened. Fisher loaned $50,000 to Collins for his bridge, which was completed in June 1913. The Collins Bridge was later replaced by the Venetian Causeway.
On March 26, 1915, Collins, Lummus, and Fisher consolidated their efforts and incorporated the Town of Miami Beach. In 1920 the County Causeway (renamed MacArthur Causeway in 1942 was completed. The Lummus brothers sold their oceanfront property, between 6th and 14th Streets, to the city. To this day, this area is known as Lummus Park.
In 1920, the Miami Beach land boom began. South Beach's main streets (5th Street, Alton Road, Collins Avenue, Washington Avenue, and Ocean Drive) were all suitable for automobile traffic. The population was growing in the 1920s, and several millionaires such as Harvey Firestone, J.C. Penney, Harry C. Stutz, Albert Champion, Frank Seiberling, and Rockwell LaGorce built homes on Miami Beach. President Warren G. Harding stayed at the Flamingo Hotel during this time, increasing interest in the area.
In the 1930s, an architectural revolution came to South Beach, bringing Art Deco, Streamline Moderne, and Nautical Moderne architecture to the Beach. South Beach claims to be the world's largest collection of Streamline Moderne Art Deco architecture. Napier, New Zealand, another notable Art Deco city, is architecturally comparable to Miami Beach as it was rebuilt in the Ziggurat Art Deco style after being destroyed by an earthquake in 1931.
By 1940, the beach had a population of 28,000. After the December 7, 1941 attack on Pearl Harbor, the Army Air Corps took command over Miami Beach.[citation needed] That year, tourism brought almost two million people to South Beach.
In 1964, South Beach became even more famous when Jackie Gleason brought his weekly variety series, The Jackie Gleason Show to the area for taping, a rarity in the industry. Beginning in the mid-1960s and continuing through the 1980s, South Beach was used as a retirement community with most of its ocean-front hotels and apartment buildings filled with elderly people living on small, fixed incomes. This period also saw the introduction of the "cocaine cowboys," drug dealers who used the area as a base for their illicit drug activities. Scarface, released in 1983, typifies this activity. In addition, the television show Miami Vice used South Beach as a backdrop for much of its filming. A somewhat recurring theme of early Miami Vice episodes was thugs and drug addicts barricading themselves in run-down or empty buildings. Only minor alterations had to be made for these scenes because some buildings in South Beach were in poor condition at the time.
While many of the unique Art Deco buildings, such as the New Yorker Hotel, were lost to developers in the years before 1980, the area was saved as a cohesive unit by Barbara Baer Capitman and a group of activists who spearheaded the movement to place almost one square mile of South Beach on the National Register of Historic Places. The Miami Beach Architectural District was designated in 1979.
Before the days of Miami Vice, South Beach was considered a very poor area with a very high rate of crime. Today, it is considered one of the wealthiest and most prosperous commercial areas on the beach. Despite this, poverty and crime still exist in some isolated places surrounding the area.
In 2009, Natalie O'Neill of the Miami New Times said, "Until the 1980s, Miami Beach was a peculiar mix of criminals, Cubans, and little old ladies. Then the beautiful people moved in." In the late 1980s, a renaissance began in South Beach, with an influx of fashion industry professionals moving into the area. In 1989, Irene Marie purchased the Sun Ray Apartments (captured in the chainsaw scene in Scarface) located on Ocean Drive and opened Irene Marie Models.
Thomas Kramer is credited with starting the construction boom in South Beach, driving the gentrification of the area. It is now a popular living destination for the wealthy. Condominium units in the upscale high rises sell for millions. There are a number of vocal critics of the developments. The high-rise and high-density buildings are derided as a "concrete jungle". However, even critics concede that the development has changed the area into a pedestrian-friendly, low-crime neighborhood.
Credit for the data above is given to the following website:
en.wikipedia.org/wiki/South_Beach
© All Rights Reserved - you may not use this image in any form without my prior permission.
A commercial forest seen through the ‘eyes’ of a 3D laser scanning system developed by the ESA-supported Treemetrics company.
The trees of planet Earth – recently estimated to number three trillion in total – are both environmental and economic resources, and require careful stewardship.
“We estimate 20% of global forest resources are currently going to waste as they are harvested,” explains Enda Keene, CEO of Irish company Treemetrics.
“What Treemetrics aims to deliver is more wood from fewer trees, through a complete end-to-end forest management system. It combines forest mapping, assessment and valuing with decision-making tools for harvest planning as well as real-time monitoring of the cutting and collecting process.”
Treemetrics developed a project in collaboration with ESA’s Advanced Research in Telecommunications Systems (ARTES) programme’s Integrated Applications Promotion to integrate satellite communications into its system, enabling managers to monitor their equipment and track harvesting as it happens, even from remote forest locations.
The company can perform forest mapping through aerial and drone photography and ‘laser radar’ lidar, as well as satellite Earth observation – using missions including ESA’s Sentinel-1 and Sentinel-2.
These maps are given a third dimension through ‘ground truthing’. Laser scanners perform a 360-degree survey at regular intervals to measure the straightness and health of trees – accurately estimating their quality as logs in advance of them being logged.
Mr Keene adds: “We are very grateful for the great technical, financial and business planning support we received through ESA’s IAP, which enabled the creation of a world class product for the global forest industry.”
The company’s customers to date include state forest agencies in 26 countries, as well as private forest owners and government agencies.
Credit: Treemetrics
Ichikishiri shrine, Mikasa, Hokkaido. Lights are set up for the prayers.
Fujica GF670, Fujinon 80mm F3.5, negative iso160, developed with reversal processing for experiment as described below, scanned at 3200 DPI with Epson V700 + Epson Software, edited with GIMP.
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1st Dev.A: Papitol + KSCN 3.0g/500ml 4min. at 43 deg.C.
1st Dev.B: Papitol + KSCN 0.3g/500ml 4min. at 43 deg.C.
Rinse.
Reexposure
2nd Dev: C41 about 37 Deg.C for about 7 minutes.
Rinse.
Bleach.
Rinse.
Fix.
Rinse and wash
Dry
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Excellent in night scene just like for 135, but not satisfactory in color saturation and sensitivity in daylight use.
View in bigger sizes www.flickr.com/photos/threepinner/24844828497/sizes/l up to 8656 x 6856 pixels.
Conditions difficiles, peu de lumière, du sport!
Difficult conditions, low light and Sport!
Il y a des monuments qui n'ont pas la place qu'ils devraient avoir dans les guides touristiques sans qu'on puisse savoir ce qui leur vaut ce dédain. Il en est ainsi pour l'église Saint Jean de Dieu ou San Juan de Dios qui pourtant est un des exemples les plus outrés du baroque qu'on connaisse. Elle possède de surcroît un somptueux retable churrigueresque (Le baroque churrigueresque est l'aspect que prend le baroque en Espagne au xviiie siècle et qui se caractérise par une abondance ornementale. Il développe en particulier les valeurs décoratives d’éléments singuliers tels que le retable, le portail, et la façade. Il tient son nom de la famille des Churriguera, sculpteurs à Salamanque, dont les retables sont célèbres pour être des structures spectaculaires, sculptées de manière artisanale, mêlant des motifs décoratifs islamiques, gothiques et plateresques qui sont refondus dans des compositions baroques extravagantes.) Elle se trouve entre l'hôpital toujours en activité et qui cache de belles fresques et d'agréables patios et une institution pour jeune handicapés mentaux, il faut passer par le petit jardin de celui-ci pour accéder à l'église. C'est peut être à cause de cette entrée un peu dissimulée que le monument n'a pas la notoriété qu'il mérite.
Dès que l'on pénètre dans l'église on est submergé d'or. Il n'y a pas un centimètre carré qui ne soit pas ouvragé, ce n'est que tableaux, fresques, stucs et sculptures.
There are monuments that have no place they should have in the tourist guides without being able to know what is their disdain it. This is for the Saint John of God or San Juan de Dios yet is one of the most extravagant examples of the baroque we know. It has moreover a sumptuous Churrigueresque altarpiece (The Churrigueresque baroque is the aspect that makes the Baroque in Spain in the eighteenth century and is characterized by an ornamental abundance. It develops in particular the decorative values of singular elements such as the altarpiece, the portal and the facade. It takes its name from the family Churriguera, sculptors in Salamanca, whose altarpieces are famous for being spectacular structures, carved by craftsmen, combining Islamic decorative motifs, Gothic and Plateresque which are remelted in extravagant baroque compositions.) it is located between the hospital still active and hides beautiful frescoes and pleasant patios and an institution for mentally disabled young, it must pass through the small garden of it to access the 'church. This may be due to this entry somewhat concealed that the monument does not have the recognition it deserves.
As soon as one enters the church one is overwhelmed with gold. There is not a square centimeter that is not carved, it is only paintings, frescoes, stucco and sculptures.
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Developed in Caffenol C-L Semi-Stand (1 inversion) 40min@20°C;Ilford Pan 400@200; Pentax P30; Helios 44M 58mm f.2; Epson V600
Roll: 2018 - Février - N&B - Strasbourg (2)
Furano, Hokkaido.
Canon T50, Tamron 90mm F2.5, Kodak Microfilm Imagelink HQ exposed as ISO 40, developed with SPD ( Superprodol from Fujifilm for B&W film developer ) for 10 minutes at 20 Deg.C., alkaline pushing added, scanned with Plustek OpticFilm 120 + VueScan, edited with GIMP.
Bigger sizes: www.flickr.com/photos/threepinner/49629259068/sizes/ up to 10000 × 6604 pixels compatible. Learn DIY development and upgrade to film !
Developed at home with the Digibase C-41 kit using the 37°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Kodak Ultramaxx 400
Converted to B&W in LR5
Thanks for taking the time to view my image. Your comments, faves & constructive criticism are greatly appreciated.
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Kodak Gold 200
Converted to B&W using LR5 & Nik Software
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
"HAVE A GO AT OUR OPEN MONTHLY CHALLENGE"
The subjects for this month and details on how to take part can be found here.
Anyone, anywhere with any camera can take part.
So I finally developed rolls of film that I completed from 2012-2013....and honestly it was just 3 rolls and I struggled to actually finish them. Of course like always--the last few frames are always mirror selfies as I head out to take the subway, then subway photos as I travel to get my film developed...in other words--I just take random photos just to finish the roll and in further words, I don't feel as creative anymore. The only camera that makes me do work is my exa-1a...and I haven't used that since 2012 :(
#sadness.
will post more random photos.
Oh and I scan my own film...and this is what happens when you don't use the template and just throw in the negatives--them edges curve! and I've honestly gotten way too lazy to care. Wait till you guys see the really dusty ones!