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“THE WET” AND “THE DRY” IN THE NORTHERN AUSTRALIAN TROPICS
The Northern Tropics of Australia in the Darwin region are described as having only 2 seasons – the “wet season” (or simply “The Wet”)(broadly November to April) and the “dry season” (or simply “The Dry”) (May to October). There is no local designation of Spring, Summer, Autumn and Winter, although it should be noted that some ancient local indigenous calendars describe up to 8 seasons, categorised by not only weather but also flowering and fruiting of edible plants, appearance of migratory animals as food sources, river heights, etc.
While Europeans settled Darwin in the 1860s, indigenous Australians have occupied the area for at least 40,000 years.
In broad terms, the main differences between the Wet and the Dry relate to humidity levels, prevailing wind direction, and (as the names imply) rain, or the absence of rain.
Darwin has no frost, no snow and no hail. Darwin is also largely flat and unelevated, with few locations exceeding 30 metres above sea level.
THE WET – NOVEMBER TO APRIL
During the Wet, temperatures range from a minimum of 27 – 28C overnight (sometimes not dropping below 30C) and 34 – 36C during the day. Humidity levels are in the range of 75 – 95%.
The prevailing wind direction is from the North West (i.e. from the Timor Sea), except during the frequent storms, which normally come from the South East.
Cyclones (the local name for a typhoon or hurricane) also form during the Wet as part of monsoon trough activity. The wind from a cyclone can come from any direction, depending on the relationship between the cyclone’s eye and the observer’s position.
Rainfall during the Wet approaches 2,000 mm; with the record for a 6 month Wet season period being 3,000 mm. It should be noted that due to quite obvious climatic changes these totals have not been reached in recent years and this may herald a permanent change to the local climate.
Sea temperature during the Wet is around 32C.
THE DRY – MAY TO OCTOBER
During the Dry, temperatures range from a typical minimum of 20 - 21C overnight (on rare occasions dropping to 16C) and 30 -31C during the day. Humidity levels are in the range of 10 - 30%.
The prevailing wind direction is from the South East (i.e. from the direction of the Great Australian Desert); with an occasional light North West sea breeze rising in the late afternoon.
The sky is largely cloudless, with the occasional cumulus cloud rising above wetlands or generated by bushfire smoke.
There is virtually no rain between April and October.
Because of the absence of rain, a high bushfire danger exists throughout the area during the Dry, with the highest risk occurring in August and September, before the next Wet season storms occur. During these months, the humidity is very low and the South East winds are at their strongest – up to 30 knots (around 55 km/hr).
Bushfire smoke blows out to sea and causes spectacular sunset effects.
The Mission of Turning Point Ministries (TPM) Church is to develop believers into mature Disciples of Christ so that we know how to effectively witness to unbelievers. As a mature believer each member will have an accurate understanding of God’s word and be able to discern truth from error. The Mission is based on the ministry and work of Jesus Christ according to St. Luke 4:18-19. In an effort for Turning Point Ministries Church to fulfill its mission each member will know their gift and calling for service within this local body of believers.
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Our Mother of Sorrows Catholic Church and School: 1967-2009
September 15th is the memorial of Our Lady of Sorrows. Simeon predicted that a sword would pierce Mary’s heart (Luke 2:35) and the Church honors her seven sorrows. There have been two churches with this title in the Archdiocese of Cincinnati, one in Monroe and the other in Roselawn, pictured above, which closed in 2009. Take from The Catholic Telegraph issue dated 28 September 1967, the caption reads,
“Archbishop Karl J. Alter addresses parishioners at the newly renovated Our Mother of Sorrows Church, Cincinnati [Roselawn]. The school cafeteria was converted into a church to accommodate a larger number of persons. Parishioners performed most of the work, according to Father Andrew J. Hoying, pastor. The dedication ceremony was held on the feast of the Seven Sorrows of the Blessed Virgin Mary, Sept. 15.”
Credit for the data above is given to the following websites:
wedge3.hcauditor.org/view/re/1170009006790/2019/summary
childcarecenter.us/provider_detail/learning-clubhouse-llc...
www.catholicchurchnearme.com/church/6556/our-mother-of-so...
www.catholiccincinnati.org/94125/our-mother-of-sorrows-ro...
© All Rights Reserved - you may not use this image in any form without my prior permission.
Canon AE-1P
28mm
Ilford FP4+
Developed in Rodinal
Stanislaus River, Dorington, CA
The end of summer 2011, and the water was frightenly frigid. After a few dares Liam got waste deep in the runoff.
Father of the year!
Taken on the 804 trail along the ocean at Yachats Oregon. Mamiya C330 F TLR camera. Kodak Tmax 400 film self-developed in PC-TEA.
A result from attempt #3 of developing E6 film, Lomography X-Pro 200, in B&W then C41 chemistry. This time, I developed in Rodinal 1:25 at 38C/102F for 30 minutes, fogged the film for 3.5 minutes on each side, then developed in Unicolor/Argentix developer at 38C/102F for 25 minutes, followed by 6.5 minutes in blix.
E6 chemistry is not the easiest for me to get, plus its shelf-life is short, and I don't shoot too much E6, so those are the reasons for me for trying this method. I only have another 2 rolls of E6 film; two other Lomography X-Pro 200 rolls. I may try this method, with some alterations again, or cross process them. Don't think Rodinal and Lomography X-Pro 200 are the most ideal, but just experimenting with what I have available at the moment; it produces a lot of grain and an orange tint, which needs to be colour corrected. I read that Provia 100 and HC-110 is a good combo.
Pentax K1000
Lomography X-Pro 200
Rodinal/Blazinal --> Unicolor/Argentix
Epson V550
White translucent plasmodium that emerged from the wood overnight forming into rising clumps at dawn, an hour or so earlier, is in the comment.
Shot at Morgan Arboretum in Montreal
This is a 6x7 crop of a 35mm image
Shot with a Nikon FM | Nikkor S.C. Auto 50mm f/1.4
Shot on Ilford FP4+
Self-developed with Ilfosol 3
Another favorite from my self-developed and printed treasures on film.
Canon T70
Kodak Tri-X
ISO 400
scanned print
For Film26
The letter C
Cuando se saca el baño de paro se le echa el fijador. Yo uso este de Tetenal, a proporción de 1+3 durante 4 minutos.
Horsefly bites are painful. Some people develop serious allergies to horsefly bites, but this is rare. Avoiding horseflies can be difficult outdoors in summer.
Horseflies are a flying insect found most in rural, farmland areas, where they feed on large mammals.
Scientists call horseflies blood-feeding arthropods. The scientific name for their family of species is Tabanus.
Horseflies must bite large animals - including horses, cattle, dogs, and humans - as part of their lifecycle.
Only female horseflies bite. Male horseflies do not have the mouthparts that females use to bite animals. Females do this to drink the blood that they need to produce their eggs.
Female horseflies need a large amount of blood for reproduction - up to 0.5 milliliters. Scientists estimate that they can take up as much as 200 milligrams of blood in a few minutes.
Compared with other insect bites, horsefly bites are particularly painful and slow to heal. This is because of the way the flies bite.
The bite from a horsefly:
Is a cut type of wound, rather than a small puncture hole
The mouthparts of the horsefly use a scissor-like action to create a wound in our skin
The fly "mops up" the bleed after cutting through the skin
The fly anchors to the skin while drinking the blood, with the help of small hooks along its mouthparts
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I can hear the bull frog callin' me.
Wonder if my rope's still hangin' to the tree.
Love to kick my feet way down the shallow water,
Shoe fly, dragon fly, get back t your mother.
Pick up a flat rock, skip it across Green River.
Green River - Creedence Clearwater Revival - 1969
Carrozzeria Ghia had developed a Pick-up version built on a Fiat Nuova 500 Giardiniera base. It was first shown on the 'Salone dell' Automobile di Torino' in November 1961. It was a prototype, and it did not came into production.
But a few years later Moretti and Giannini took over this design and started to take in production almost identical Pick-ups.
Ghia is a main coachwork company in Italy. It did a lot of commissioned work for Ford, Volkswagen and Fiat. But it developed also own production cars.
One of the most successful cars on a Fiat 500/600 based cars was the Jolly, a funny beach cabriolet with wicker seats.
The firm is since 1974 part of Ford Motor Company.
499,5 cc 2 cylinder air-cooled Boxer engine.
Max. speed: 95 km/h.
Production Fiat Nuova 500: July 1957-1975.
Production Ghia-Fiat 500 Ziba: 1961.
Image is taken from the book 'De Fiat 500 & 600', Jan de Lange, Uitgeverij Elmar, Rijswijk, 1997.
Original photographer, place and date unknown.
Halfweg, Aug. 17, 2022.
© 2022 Sander Toonen Halfweg | All Rights Reserved
Well, hello everyone :-)
Just had a mad hectic week in Townville & Mackay for work.
This was my first time to Townsville & fortunately for me a flickr friend arranged to met up with me & we went for a short drive to The Strand & spent an hour or so together with tripods & cameras inhand
This shot was taken just on dark.
Cheryl, I loved meeting you, & I really appreciated your precious time.
Thank you
I didn't get to see a whole lot, but you live in a beautiful city
Cheryl's posted shot for the day
www.flickr.com/photos/26323552@N04/4537679424/
I will post my sunset shot later
Explored #291 April 24th - thanks all for comments & favs - much appreciated
Bolehill Quarry, The Peak District, Derbyshire.
Linhof Technikardan S45
Schneider-Kreuznach Super-Symmar 5.6/110 XL
20mm front fall
1° front left swing
f32
2 seconds
Fuji Acros 100 (EI 50)
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in Pyrocat-HD 1:1:100 at 22 °C for 14 mins (minimal agitation) using a modified Paterson Orbital
Digitised using 16-shot pixel-shift capture
Toned
Best viewed fullscreen in the lightbox (Press L + F11)
Film: Rollei Superpan 200 @ 200 ISO | Develop: HC-110B, 6:00 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Grass, Ilkley Moor.
22/5/17
Taken with Yashica Mat with yellow filter.
Ilford HP5+ 120 format film.
Developed myself in Rodinal 1 + 50 11 Mins at 20C.
Water Stop.
Adofix.
Scanned with Epson V550.
Adjusted in Lightroom.
057007.
Develop and scanned some rolls from last weeks outings with Ingemar. This at the old mill =)
Rolleiflex - Carl Zeiss Tessar 75mm f3.5 - Kodak T-max 400 - Develop in Adonol 1:25 at 6 min Scanned with my Epson V800.
Verkeån 2017.10.09
Mirit Ben-Nun develops a style where he tries to demonstrate the manifestation of movement, rhythmic repetition and the speed of objects on the canvas.In the process the artist often asks difficult questions or causes reflection without giving easy answers. Her curiosity, your open mind and a commitment to dialogue are her best tools to address your artworks.
These works often challenge our ideas about how art should look or how it should behave. Her art is not based on what was said before and does not depend on the academies of art, breaks traditions, and does not imitate the real world, it is an art that transmits through its works the inner world of the artist. Through imprecise and significant characters, it radiates different ideas about the reality of the world of human dreams.Mirit gives us a clear idea that art is not separated from life and from the real world in which we live, reflects thoughts with style and unique focus.
Mirit Ben-Nun uses lines and points as an expressive resource and does so by exploiting nuances and associations to their fullest. Some forms follow the same direction and others change constantly, even urgently. Its language is visual and independent of its expressiveness; it lies in the value and organization of its elements.
The 'things' of the visual world are unimportant, the point is the achievement of reproduction of the world and human nature. Constantly encouraging creativity. In this case pointillism conveys emotions by the effect of using color, points, lines and thus capturing the attention of the observer.
Dora Woda
Members of the Junior hockey team scoring some community service credits at the Rutland Scarecrow Festival
A still image of this weather event (www.flickr.com/photos/cloud_spirit/55103889698) cannot portray the dynamics of the atmosphere adequately. Strong down bursts were captured as these showers reached the ground.
Picture of the day
A little experiment, developing expired color negative film in black and white chemistry.
Shot with a Pentax LX fitted with an SMC Pentax-M 50mm f/1.4 lens, loaded with Etos Kleurenfilm 100/24, developed in Adonal and scanned with a Nikon LS-8000ED.
I did a small write up of my experiences here.
I don’t remember where this is because it’s been 11 years since I took it. It's somewhere in Oregon.
The negative is sub optimum. I was new at large format, and traveling with a Linhof Technica, which, while it’s got decent movements for a press camera, was not really made for this kind of shot. The lens had a small image circle, so when I attempted the ballet of adjustments that one has to perform to do a simple front and back tilt on a Technica, I missed that the top of the image was vignetted. Needless to say, this is cropped. I let the negative sit unloved for over a decade until I plucked it out of its sleeve today, and tried to see what I could make of it. You know, It’s not too bad. I wish the foreground was sharper, but I’ll take it.
Camera: Linhof Technica 4x5
Lens: 150mm Linhof
Film: Arista.edu 100 developed in W2D2 Pyro
# #largeformat #filmphotography #garyquay #oregonexplored #myoregon
My Blog: Gary L. Quay Photography
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After developing as a large bud over many months, this flower of Rafflesia cantleyi will take just 24 hours to fully open, and last for only 3 days before withering. Perak, Malaysia.
Photos From Home Project - Christmas ornament in the driveway - Ilford HP5 Plus 400 - Roll #8 - shot 30 of 37 - home developed in D76 - Minolta SRT 200 - Albinar 28mm F2.8 macro - Epson V600.
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Kodak Gold 200
Converted to B&W using LR5 & Nik Software
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
"HAVE A GO AT OUR OPEN MONTHLY CHALLENGE"
The subjects for this month and details on how to take part can be found here.
Anyone, anywhere with any camera can take part.