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Seen in Mainz, Rheinland-Pfalz, Germany. The fence belongs to some church and there is a university institute right opposite.
Zeiss Ikon Contaflex III with Tessar 50mm f/2.8
Ilford XP2 black&white negative film, rated at ISO 400, exposed at ISO 200
Developed and scanned by www.meinfilmlab.de
IN ENGLISH BELOW THE LINE
Fotografia feta amb la Hasselblad 500 C/M, fabricada el 1979; objectiu Carl Zeiss Planar f2.8/80mm; pel·licula Ilford FP4+ revelada en Rodinal 1+25.
Al nord del Solsonès, en una de les zones amb menys habitants de Catalunya, podeu trobar aquesta barreja d'allotjament japonès dins d'una masia catalana. Es tracta del Mas Puigpinós, ara convertit en hotel japonès, el que vindria a ser un ryokan (petit allotjament rural al Japó). Els propietaris són una parella formada per una catalana i un japonès, pel que tot l'hotel reflecteix aquesta barreja. De fet, la masia mateixa és propietat familiar des de fa segles (obviament per la part catalana).
L'estructura principal és obviament una preciosa masia d'origen medieval, al terme de Lladurs, prop de l'església de Timoneda (a Lladurs no hi ha poble propiament dit, només masies aillades). La part japonesa la trobareu en la decoració, el mobiliari (algunes habitacions tenen futons i tatami) i el menjar, plenament japonès però amb aires del paisatge del Solsonès. Només faltaria, sobretot als mesos freds de l'any, que tinguessin un onsen, però potser d'aquí un temps...
hoteljaponespuigpinos.com/hotel/
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Picture taken with a Hasselblad 500 C/M, made in 1979; Carl Zeiss Planar f2.8/80mm lens; Ilford FP4+ film developed in Rodinal 1+25.
At the feet of the Catalan Pyrenees, in the comarca of Solsonès, one of the least populated areas of Catalonia, you can find this mixture of Japanese accommodation inside a Catalan manor (masia). This is Mas Puigpinós, now converted into a Japanese hotel, what you can call it a ryokan (small rural accommodation in Japan). The owners are a couple made up of a Catalan woman and a Japanese man, so the whole hotel reflects this mix. In fact, the manor itself has been family property for centuries (obviously on the Catalan side). Puigpinós means "pine hill" in Catalan.
The main structure is obviously a beautiful masia of medieval origin, in the district of Lladurs, near the church of Timoneda (in Lladurs there is no village proper, only isolated churches and manors). You will find the Japanese part in the decoration, the furniture (some rooms have futons and tatami mats) and the food, fully Japanese but with elements of the Solsonès landscape. The only thing missing, especially in the cold months of the year, would be for them to have an onsen, but maybe in a while...
the name for a pole in Amsterdam
film: Ilford FP4 expired 2 years
develop: Bellini HC-110 B
cam: Rolleiflex E2
The Corsa 505 program is focused on developing drivers into accomplished racers by competing in the deepest and most competitive fields in the nation.
To that end, the Spec Racer Ford is the most successful purpose built road racing car in the United States, with fields of over 30 cars at regional SCCA races and over 60 cars at the National Championship Runoffs. Additionally the Spec Racer Ford (SRF/SRF3) rules, stipulate that no performance enhancing modifications can be made to the car and thus the success of any racer in this class, is solely based on his or her own skill and nothing else. These attributes make the SRF3 Class the ideal platform for our Driver Development Program.
We are proud to have MBI Racing as our technical partner, providing full service 'arrive and drive' track support and driver coaching.
Located at Buttonwillow Raceway Park, MBI Racing is a full service race shop. The MBI team primarily races Spec Racer Fords (SRF/SRF3) but has considerable knowledge and experience in racing Formula Mazda, Formula Continental, and Formula F. To date, MBI has won thirteen Regional Championships and four National Championships.
On Explore - September 22, 2025 - #225
Gobi Desert. Mongolia.
Bellini Foto C-41 - Home Developed
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Belmondo developed the vehicle called Volugrafo Bimbo 46, in November 1945 and produced from spring 1946. Production ended in 1948 after about 60 were made. The vehicle had a tubular frame and a narrow track of only 78 cm. The fully encased front wheels were guided on double wishbones of equal length and steering from the large steering wheel positioned slightly left of the centre was transmitted by a chain. The open, doorless body contained a bench on which two people could sit next to each other in an emergency. The vehicle was 2.4 meters long and 90 centimeters high. There was a thin fabric top without side panels as weather protection.
It was powered by an air-cooled single-cylinder 125cc engine of 5 HP (3.7 kW) driving the left rear wheel.
There was also a sports version equipped with a second drive set on the right rear wheel.
At least five vehicles have survived.
Casterbridge Motor Museum
Witrivier
Mpumalanga Province
South Africa
To develop the park began in 1976, the 200th anniversary year of American independence, to celebrate the relationship between the two freedom-loving countries, Israel and the US. The forest developed and extended an existing woodland planted in the region in the 1950s by new immigrants from the surrounding area and nearby Beit Shemesh, who had arrived soon after the founding of the State of Israel.
Okay, this one was a ride (to develop), ..again. Part 7 of the "lost gorge series", in no particular order, but this is still from the 1st 1/3 of the gorge.
Felt kind of ambivalent about the whole thing. For one, I'm pleased that I could 'keep it together', and not totally blow out hightlights and / or shadows.
By the way, these panos are all one exposure in terms of settings, I'd rather spend more time doing some tests (into the bright areas, into the shadows etc. and then find a middle ground based on the histogram) and optimizing things, than mess around during the sequence, that's asking for troubles. It was necessary to do some local developments (top, middle and bottom row came out very different), which I try to avoid and only do if it is promising, cause this escalates quickly with that number of images.
I felt compelled to show it all, but the false-color development got really busy with tons of details and a bit too HDR-y for my taste, but technically it really is even though I did not do any bracketing. I aim at making it look natural though, well as natural as an IR false-color pano can be. I had to stand back for a little bit until I got the courage to crop, which ultimately made the image more digestible, less visually stimulating, highlighting the essential parts that sort of help anchor the eye also, I think.
The stream makes just a slight bend here, most of which you can see in the pano is due to the wide horizontal angle (maybe around 240°) and also due to being in the lower part of the panorama.
Can you find the small sandy batch to the right, this little island in the pool?
You can see it here in this pano to the left, displaying how different things can look, depending on the angle and technique:
www.flickr.com/photos/197010762@N05/53600737132/in/datepo...
Technically it's a 33 piece mercator projection, ~341,5MP, finished to 8:5 with 18696 x 11685px, ~218,5MP
Nikon D90 (APS-C, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
Hoya R72 (720nm infrared pass-filter)
ISO250, 24mm, f/6.3, 0,8sec
(therefore 36mm full frame equivalent)
tripod, panorama head, remote (ML-L3)
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Kodak Gold 200
Converted to B&W using LR5 & Nik Software
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
"HAVE A GO AT OUR OPEN MONTHLY CHALLENGE"
The subjects for this month and details on how to take part can be found here.
Anyone, anywhere with any camera can take part.
I am still getting film developed from my adventures over the past month or so. Early last month saw a half day visit out to the Tulip Festival for the first time in about a decade. Whilst there I decided to spend the morning photographing in ways that had not been available to me the last time I'd visited. One of those additions to my creative toolbag are the Lomochrome films such as Purple and Turquoise. I've had a lot of fun with Purple over the years. I really enjoy taking it into a good verdant forest, but in the last year or so I have been branching out a bit more with it. I recently did some extreme floral macros with the film and then shot this roll at the tulip fields. Of those exploratory photos, this one turned out as my favorite.
But having said that, it isn't the possession of this image that makes me smile. Rather it is the creative exploration and the sense of discovery that comes with being able to peek around the world and find/create scenes like this. It keeps the familiar fresh and wondrous, and of course the fresh and wondrous become doubly amazing. So much of our existence is lived in our heads (maybe all of it according to some), so I feel like keeping a keen sense of imagination and curiosity in turn makes that existence quite enjoyable and rich.
Hasselblad 500CM
Lomochrome Purple
Une expérience un peu folle, juste pour voir, un mélange de Xtol (fabrication maison) + Pyrocat hd = stand developement 80 minutes - agitation 30 seconde au début. Fixer 5min. Film: Astrom 100. Caméra: Nikon Ftn Lentille: Micro-Nikkor 55mm f3.5
I've finally developed my film at home.
I had been wanting to home develop for a while, but kept putting it aside for various excuses. I finally took the plunge though, ordering an Unicolor C-41 Press Kit and a Paterson Super System 4 Universal Tank. The stuff arrived today, so I went to work, putting through a roll of Lomography 800 and an expired roll of Ferrania 100 dated July 2006.
I have not scanned anything yet, but I've got actual negatives ready, so it worked! It felt like magic. I did screw up a bit in the inversions, plus, when I had the blix, the lid blew off and took flight (gas had built up). Anyhow, I'm pretty stoked that I can do my C-41 at home now, and I'm actually going to test stand development next.
I ordered the chem powder kit and tank online:
Please press L to view.
Great Egrets usually pair for life. During breeding season males and females develop a delicate
cloak of long feathers on their backs, as seen in previous images. They nest in colonies together
in both freshwater wetlands, and salt water marshes; building nests in trees and reed beds.
Usually three eggs, bluish-green in color are laid. Both parents take turns to incubate the eggs
and feed the chicks. Strangely Great Egret parents allow their chick to squabble over food. Often
the strongest chick survives during this scrum. This chicks also have an unfortunate tendency of
climbing out of their nest, and often fall prey to predators. Great Egrets reach maturity in two years
and can live for twenty two years.
ISO 250
340mm
Nikkor 70-200mm f/2.8 lens
Nikon 1.7 tele convertor
+5ev
exposure 1/1000sec
When I started photography about 16 years ago I found a small mom and pop shop to develop my film in Park Slope Brooklyn. Years later I use the same place - Accurate Photoshop is run by Connie and Tony are always there working the counter, developing film and now they expanded to a pharmacy run on the corner. Their daughter is taking the reins of the business and hopefully keeps it going for years to come.
In developing a roll of film yesterday (my first home-developed roll of C-41 color!), I came across this alternate view of the Summit Valley Methuselah tree. I took it from nearly the same vantage point as my first image, but with a different camera, different film, on a different day, at a different time of day, and with different weather and light. Whereas the first photo highlights the tree's age, strength, and mythic nature, this second image seems to emphasize its vitality and eternal youth. Two pictures and two trees from parallel universes, perhaps? Just presented to you, as Rod Serling used to say on The Twilight Zone, “for your consideration.”
Camera: Kodak Tourist II (1951-1958, with Kodet 86mm f/12.5 lens).
Film: Lomography 100 ISO Color Negative 120 rolled onto a 620 spool, developed using The Film Photography Project's C-41 Home Processing Kit, and scanned with an Epson V600 scanner.
Greece October 2025
Minolta AF-S point and shoot
Kentmare 400@400
Developed in Caffenol-C- L 35min@20C
semi-stand
It was blue skies to the left with massing black clouds over Malton giving it darker skies to the right due to the rain blocking the light out.
Winchester developed from the Roman town of Venta Belgarum, which developed from an Iron Age oppidum. Winchester's major landmark is Winchester Cathedral, one of the largest cathedrals in Europe, with the distinction of having the longest nave and overall length of all Gothic cathedrals in Europe. The city is also home to the University of Winchester and Winchester College, the oldest public school in the United Kingdom. The city's architectural and historic interest, and its fast links to other towns and cities have led Winchester to become one of the most expensive and desirable areas of the country.
Photos From Home Project - Flip Flop in driveway - Ilford HP5 Plus 400 - Roll #11 - shot 33 of 37 - home developed in D76 - Minolta SRT 200 - Albinar 28mm F2.8 macro - Epson V600.
Color reversal, so first develop with BW developer, then with RA4 bleach and fix. (EP2 is not really made for RA4 but it works)
I once bought a big box of expired color paper, Labaphot, it appears to be from about 1989, it is EP2 paper which came before RA4 paper. I thought if would be worth to see if could be used for some experiments. So I started yesterday look what it can do still. Color paper is normally not known to be that long active. In any case after the UV flashlight which I all processed in light, today I went for the darkroom. Turns out the paper still has good active silver and the coulor couplers work except yellow seems to missing fully.
Zorki-4K & Jupyter-8 f/2 50mm
Ilford Pan 400 pushed to 800 ISO
Home developed in Silberra Aphenol (Kodak Xtol alternative), 14.5 min, 20°C
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Lomography Colour 400
Converted to B&W using LR5 & Nik Software
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
"HAVE A GO AT OUR OPEN MONTHLY CHALLENGE"
The subjects for this month and details on how to take part can be found here.
Anyone, anywhere with any camera can take part.
Late afternoon light and shadow in Miller Canyon spill down the hillside and onto the trail, in transverse lines behind and filigree in front. The trail forms a loop with a convenient shortcut across it farther on, but sometimes we run short on time or Cookie the chihuahua's legs get tired, and rather than completing the loop, we walk back the way we came, as we did this day. Fortunately, the trail always looks different heading in the opposite direction, and the dogs, who sniffed one side of the trail heading up, get to sniff the other side heading back :-)
Camera: My dad's old Six-16 Brownie Special (1938-1942), a metal viewfinder/box camera which was his first camera, and after he progressed to an Argus C3, became my first camera. The camera's native 616 film (8 images, 2-1/2 x 4-1/4 in. in this camera) has not been available since 1984; I substituted 120 film, using Holgamods 616/120 spool adapters. The slightly narrower width of the 120 film (2-1/4 in.) accentuates the panoramic dimensions (in this case, vertically) of the 616 format.
Film: 100 ISO Arista.edu Ultra 120, developed in Arista Liquid Developer for 7:40 minutes @ 68 degrees, scanned with an Epson V600 scanner.
Ashibetsu, Hokkaido.The poles are for signify the border of the road in snowy season.
CanonAV-1, Tokina RMC 135mm F2.8, negative ISO 100 for recording from Fuji, expired in 2015, developed with reversal processing as described before ( 1st: Korectol at 30 Deg.C. for 2 minutes and 40 second, a little too long ), scanned with Epson V700 + EpsonSoftware edited with GIMP.
I developed some very expired 110 and 126 film for someone, and helped with a 35mm point-and-shoot, getting a new battery installed and donating and loading a fresh roll of film. I offered to develop and scan the film once she was done also. These were also brought in.
This box had one 110, one 127, and three 126's cameras; unfortunately, I told her shooting these would be difficult, since film for these would be hard to get and develop, so best to use 35mm. For the most part, I think these can go to someone who wants decorative pieces or props.
Diramic Micro RSD
Industar 50-2
Flic Film Ultrapan 400 (Foma 400?)
Blazinal/Rodinal 1:25, 5.5 minutes, 20°C/68°F
Pakon F135
I think I needed a bit more time and agitation on this roll, and to be honest, I used Foma 400 developing time, because I think this Flic Film Ultrapan 400 is re-spooled Foma.
In developing news as written on 28th November 2025, EASA (the European Union Aviation Safety Agency) has issued an Emergency Airworthiness Directive on recommendation from Airbus which affects all Airbus A320 family aircraft across the world (the Airbus A318 even though not listed is affected by the EAD) which does include the next-generation Airbus A320neo family.
Earlier in the day, reports began emerging from Airbus and various news sources that they were issuing guidance that a new software update must be implemented on affected Airbus A320 family aircraft before their next scheduled flight which will affect numerous airlines across the world.
The guidance comes following a major incident on 30th October 2025 where JetBlue Flight 1230 bound from Cancún to Newark-Liberty, New Jersey suffered an uncommanded sharp loss of altitude in-flight causing injuries to several passengers, whereby the flight was ultimately diverted to Tampa, Florida. Airbus has stated that intense solar radiation could corrupt safety critical flight controls, notably the Airbus A320 family fly-by-wire ELAC system (Elevator & Aileron Computer) for which there are 2.
Since Airbus published the news, EASA have published their EAD which stipulates that all 5,100 aircraft have until 23:59 UTC on Saturday 29th November 2025 to comply with the new software update, any aircraft that does not meet this deadline will ultimately have to be grounded until they have been modified. The software update according to Airbus takes 2 hours, however as stated by BBC News that "the remaining 900 aircraft which are older versions will need new hardware as well and will need to be taken out of service to be modified."
Good on Airbus for swiftly getting information out on a potential safety problem for the Airbus A320 family (now the most popular jet in the world), a fix for the issue plus EASA for the publication of the EAD. There is going to be disruption as many airlines have indicated their fleet are affected, but better to keep everyone safe.
Airbus A320-251N G-TTSD on final approach into Runway 27R at London Heathrow (LHR) on BA653 from Santorini (JTR).