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On July 7, 2025 in western Ohio I was photographing clouds and storm development. Thunderstorms developed rapidly that afternoon in western Ohio on July 7, 2025.
Intrepid 4x5 Mk II, Fujinon 150/5.6
Fomapan 100 @ 100
1s @ f/32
Ilfoctec LC29 1+100 for 60m semi-stand develop
Nikon F2, Nikkor-S 35mm f2.8, orange filter, Kentmere PAN 400 developed in Microfine, Epson GT-X830, 1/30, f/4.
If an Eastern Kingbird developed a tail 3 times its body length, it would look something like this flamboyant tropical flycatcher. A Lifer seen on a "field birding" (vs. "feeder birding") trip to Colombia in the Casanare region. Hato La Aurora.
I posted an image of this woodpile, just off the trail in Miller Canyon, nearly a year ago, when it was draped in a blanket of light snow (see below). The new image above was taken with a different camera, different film, and different lighting, on the same overcast day on which I took the recent culvert image with the Ikonta. In the months which have elapsed between the two woodpile images, the canyon seems to have begun to recapture the woodpile, to absorb it noticeably back into its natural setting. The grass has grown taller between the logs, and the litterfall of leaves and twigs has grown deeper. From above, vines have begun to drape down from extended willow branches. Even Miller Creek, in the background, has contributed to the changes, its swollen waters adjusting its banks and depositing and removing sediment as it moves along past the pile.
Camera: Kiev 4 (1968, with Jupiter-8 50mm f/2 lens).
Film: 35mm 100 ISO Arista.edu Ultra, developed in Arista Liquid Developer for 6:30 minutes @ 70 degrees, and scanned with an Epson V600 scanner.
Sunday's brilliant sunset slowly developed as the day-long clouds and rain cleared to the west.As it was forming, I captured this farm in th every late afternoon.
I parked my car for bit one afternoon and watched the sky develop from white, tranquil clouds to something more threatening. Although this part of Oregon rarely sees lightening, I was hoping I would get a shot of it. But none appeared. (Random Stuff 068.jpg)
The Columbia Center, formerly named the Bank of America Tower and Columbia Seafirst Center, is a skyscraper in downtown Seattle, Washington, United States. The 76-story structure is the tallest building in Seattle and the state of Washington, reaching a height of 933 ft (284 m). At the time of its completion, the Columbia Center was the tallest structure on the West Coast; as of 2017 it is the fourth-tallest, behind buildings in Los Angeles and San Francisco.
The Columbia Center, developed by Martin Selig and designed by Chester L. Lindsey Architects, began construction in 1982 and was completed in 1985. The building is primarily leased for class-A office spaces by various companies, with the lower floors including retail space and the upper floors featuring a public observatory and private club lounge. The tower has the highest public viewing area west of the Mississippi River. It occupies most of the block bounded by Fourth and Fifth Avenues and Cherry and Columbia Streets.
Columbia Center was designed by Washington architect Chester L. Lindsey. The base of the building is clad in Rosa Purino Carnelian granite. The building's structure is composed of three geometric concave facades with two setbacks, causing the building to appear like three towers standing side by side.
Ground level elevation on the Fifth Avenue side of the building is higher than on the Fourth Avenue side; the part of Cherry Street it faces was identified as one of the steepest streets in the Central Business District with a slope of 17.1%. The tower was originally designed to be about 306.5 m (1,006 ft), but federal regulations by the Federal Aviation Administration (FAA) would not allow it to be that tall so close to the nearby Sea-Tac Airport. Although city land use regulations at the time were intended to limit skyscrapers to about 50 stories, the developer, Martin Selig, obtained the necessary permits for a 76-story skyscraper due to a part of the law that allowed bonus height for providing retail space with street access. Because three separate stories could access the street on the sloped site, the developers were allowed a bonus for each of the three stories they set aside for retail, which was reportedly an unintended loophole in the law. There is an observation deck on the 73rd floor which offers views of Seattle and environs. The top two floors of the building (75th and 76th) are occupied by the private Columbia Tower Club, which houses a restaurant, bar, library, and meeting rooms. The 40th floor is accessible to the public and features a Starbucks cafe. An underground concourse connects the building to the nearby Seattle Municipal Tower and Bank of America Fifth Avenue Plaza.
The tower, originally proposed as Columbia Center, opened under the name Columbia Seafirst Center after its largest tenant and financier, Seafirst Bank, and then changed to the Bank of America Tower, when Seafirst, which had been owned by Bank of America since 1983, was fully integrated into Bank of America. That name gave it the nickname "BOAT" (Bank of America Tower). In November 2005, the building's name was changed back to Columbia Center after the bank reduced its presence in the building. Bank of America still maintains office space within the building, but has since closed the bank branch at the base of the tower.
Development and construction
Martin Selig, a local real estate developer who had recently opened the Fourth and Blanchard Building, announced plans for a 75-story office building at 4th Avenue and Columbia Street in October 1980. The $120 million project, named the "Columbia Center", would be funded by the Seafirst Mortgage Company and constructed by Howard S. Wright. Selig borrowed $205 million in 1981 to develop the property. The Columbia Seafirst Center, as it came to be known, was constructed by Howard S. Wright starting in 1982 with a 120-foot (37 m) deep excavation hole that required 225,000-cubic-yards of dirt and soil to be removed. This was one of the largest foundations for a building in Seattle along with concrete footings extending 134 feet (41 m) below street level. While the structural steel of the building was built at a rate of 2 floors per week, the building itself was completed on January 12, 1985,[10] and opened on March 2 of that same year. U.S. Steel Corporation was contracted to provide 16,000 short tons (15,000 t) of steel for construction. It was approximately 50% taller than the previous tallest skyscraper in Seattle, the 630-foot (190 m) Seattle First National Bank Building (now Safeco Plaza) that opened in 1969.
Financial issues and height controversy
Selig continued to own and manage the building until 1989, when financial problems forced him to sell it to Seafirst Corporation for $354 million. Management was taken over by the Tishman West Company of Los Angeles.
Controversy regarding the skyscraper's size contributed to the passage of a 1989 law called the Citizen's Alternative Plan (CAP) that enforced more stringent restrictions on the size of buildings in Downtown Seattle. In 1990, after rejecting earlier plans for 300-foot (91 m) antennas, Seattle and the FAA granted permission to erect two 192-foot (59 m) antennas on top of Columbia Center, which were expected to be used for broadcasting radio and television throughout the region. Though the FAA was originally worried about the tower's height encroaching the airspace, they deemed the addition of the antennas not problematic. The antennas were not built before the permits expired in 1994, however.
Ownership changes
EQ Office bought Columbia Center from Seafirst in 1998 for $404 million. The New York State Common Retirement Fund bought a 49.9% stake in the building and then several years later sold its share back to EQ Office. In 2007, Columbia Center was sold by EQ Office to Boston-based Beacon Capital Partners for $621 million; Beacon later defaulted on a loan in 2010, the height of the Great Recession, at a time when vacancies reached 40%. On August 7, 2015, Hong Kong-based Gaw Capital Partners purchased the building for $711 million.
Renovations
On July 1, 2013, the Columbia Center's observation deck, known as the Sky View, was remodeled from 270 degrees to a 360 degree viewing area. The observation deck underwent further renovations in 2018, adding two express elevators and a new lounge. The 4th Avenue entrance was also renovated.
(Wikipedia)
Das Columbia Center ist das höchste Gebäude in Seattle und im US-Bundesstaat Washington. Mit einer Gesamthöhe von 285 Metern war es bei der Fertigstellung 1985 der höchste Wolkenkratzer westlich des Mississippi, wurde allerdings 1989 durch den U.S. Bank Tower in Los Angeles mit 310 Metern übertroffen. Die Höhe des Columbia Centers beträgt einschließlich einer Antennenkonstruktion auf dem Dach 295 Meter. Diese wird jedoch nicht als Teil des Gebäudearchitektur angesehen, und somit nicht zur formalen Höhe gewertet.
76 oberirdische Etagen dienen als Büroraum, die sieben Kellergeschosse werden vielseitig genutzt. Der Wolkenkratzer sollte ursprünglich etwa 306,5 Meter hoch werden. Die FAA erlaubte die Höhe nicht, da sich das Gebäude dafür zu nah am Flughafen Seattle/Tacoma befände, wodurch ein höheres Sicherheitsrisiko entstünde. Es wurde in das Projekt Raum für die Öffentlichkeit und Einzelhandel einbezogen, damit die zulässige Höhe nicht zu sehr eingeschränkt werden kann. Das 73. Stockwerk dient nun teilweise als Aussichtspunkt, von dem sich Seattle und seine Umgebung überblicken lässt. Der Columbia Tower Club verteilt sich auf die beiden obersten Stockwerke (75 und 76) und besteht aus einem Restaurant, einer Bar, einer Bibliothek und einigen Tagungsräumen. Ein unterirdischer Gang verbindet das Columbia Center mit dem nahegelegenen Seattle Municipal Tower und dem Bank of America Fifth Avenue Plaza.
Mehrere größere Unternehmen mieten Büros im Columbia Center. Dazu zählen vor allem die Bank of America, Heller Ehrman LLP und Amazon.com.
Ursprünglich trug der Wolkenkratzer seinen heutigen Namen. Später wurde er nach der dort ansässigen Seafirst Bank als Columbia Seafirst Center bezeichnet. Diese gehörte seit 1983 zur Bank of America, wurde im Laufe der 1980er Jahre jedoch vollständig integriert. Daher bekam das Gebäude den Namen Bank of America Tower mit dem Spitznamen BOAT. Im November 2005 wurde es wieder in The Columbia Center (TCC) umbenannt.
Am 16. Juni 2004, noch vor Herausgabe ihres 9/11 Commission Report, machte die Untersuchungskommission zum 11. September 2001 nicht in die Tat umgesetzte Pläne der Terroristen bekannt, die vorsahen mit zehn entführten Passagierflugzeugen die höchsten Gebäude in Kalifornien und im Staate Washington zu beschädigen bzw. zu zerstören. Neben dem Columbia Center in Seattle habe auch der U.S. Bank Tower in Los Angeles zu den Zielen gehört.
(Wikipedia)
Ashibetsu, Hokkaido.The poles are for signify the border of the road in snowy season.
CanonAV-1, Tokina RMC 135mm F2.8, negative ISO 100 for recording from Fuji, expired in 2015, developed with reversal processing as described before ( 1st: Korectol at 30 Deg.C. for 2 minutes and 40 second, a little too long ), scanned with Epson V700 + EpsonSoftware edited with GIMP.
Mt.Kurodake, Kamikawa, Hokkaido.
Pentax MZ-M, Tamron 28mm F2.8, negative ISO 100 from Fuji exposed as ISO 100, developed with reversal processing ( 1st: Korectol 30 Deg.C. 2 minutes and 30 seconds, 2nd: BAN1 ), scanned with Plustek OpticFilm8100, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/52375210176/sizes/ up to 8000 × 5386 pixels compatible. No one will believe this is from 135 size color negative. Learn DIY development and upgrade to film!
With a thunderstorm developing in 45c heat, 842,869,871 depart Murdinga for Lock after shunting off grain wagons for loading on 4-1-1999
A result from attempt #3 of developing E6 film, Lomography X-Pro 200, in B&W then C41 chemistry. This time, I developed in Rodinal 1:25 at 38C/102F for 30 minutes, fogged the film for 3.5 minutes on each side, then developed in Unicolor/Argentix developer at 38C/102F for 25 minutes, followed by 6.5 minutes in blix.
E6 chemistry is not the easiest for me to get, plus its shelf-life is short, and I don't shoot too much E6, so those are the reasons for me for trying this method. I only have another 2 rolls of E6 film; two other Lomography X-Pro 200 rolls. I may try this method, with some alterations again, or cross process them. Don't think Rodinal and Lomography X-Pro 200 are the most ideal, but just experimenting with what I have available at the moment; it produces a lot of grain and an orange tint, which needs to be colour corrected. I read that Provia 100 and HC-110 is a good combo.
Pentax K1000
Lomography X-Pro 200
Rodinal/Blazinal --> Unicolor/Argentix
Epson V550
I developed my own film for the first time today(!!!) as you can see by my mass flickr upload. It was really really easy and fun
Mirit Ben-Nun develops a style where he tries to demonstrate the manifestation of movement, rhythmic repetition and the speed of objects on the canvas.In the process the artist often asks difficult questions or causes reflection without giving easy answers. Her curiosity, your open mind and a commitment to dialogue are her best tools to address your artworks.
These works often challenge our ideas about how art should look or how it should behave. Her art is not based on what was said before and does not depend on the academies of art, breaks traditions, and does not imitate the real world, it is an art that transmits through its works the inner world of the artist. Through imprecise and significant characters, it radiates different ideas about the reality of the world of human dreams.Mirit gives us a clear idea that art is not separated from life and from the real world in which we live, reflects thoughts with style and unique focus.
Mirit Ben-Nun uses lines and points as an expressive resource and does so by exploiting nuances and associations to their fullest. Some forms follow the same direction and others change constantly, even urgently. Its language is visual and independent of its expressiveness; it lies in the value and organization of its elements.
The 'things' of the visual world are unimportant, the point is the achievement of reproduction of the world and human nature. Constantly encouraging creativity. In this case pointillism conveys emotions by the effect of using color, points, lines and thus capturing the attention of the observer.
Dora Woda
The “line_up“ is a paperwork series I developed since 2010. The “liners” are made out of paper (Din A3/A4),
oil paint and graphite. The theme is the hermetical laws of polarity and movement. There is no ending and no beginning in any direction, just an endless movement. You have the possibility to arrange the papers like you want and that makes it an endless playground for my photo-work and the eyes of the viewers.
Yanomano
Not with weapons. Motomachi park, Iwamizawa, Hokkaido. Canon AV-1,Tokina RMC 24mm F2.8, negative ISO 100 for recording from Fuji, expired, exposed as ISO 100, developed with reversal processing ( 1st: Korectol 30 DegC. 3 minutes, 2nd BAN1 ), scanned with PlusteK OpticFilm 120 at 5300dpi, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/52093755447/sizes/ up to 7438 × 4947 pixels compatible. Learn DIY development and upgrade to film !
Well, hello everyone :-)
Just had a mad hectic week in Townville & Mackay for work.
This was my first time to Townsville & fortunately for me a flickr friend arranged to met up with me & we went for a short drive to The Strand & spent an hour or so together with tripods & cameras inhand
This shot was taken just on dark.
Cheryl, I loved meeting you, & I really appreciated your precious time.
Thank you
I didn't get to see a whole lot, but you live in a beautiful city
Cheryl's posted shot for the day
www.flickr.com/photos/26323552@N04/4537679424/
I will post my sunset shot later
Explored #291 April 24th - thanks all for comments & favs - much appreciated
Leicaflex SL
60mm Elmarit
Kodak Eastman 5234
Shot Somewhere Between ISO 6 & ISO 12
Rodinal Stand Developed (1:100 for 60 mins)
Found by the rear loading dock of an abandoned Toy "R" Us.
I was experimenting with this Eastman 5234 film that I haven't shot before. Steve has who knows how many feet of it that he's been rolling into his little film canisters and he was willing to share.
ISO 6 should be a big advantage in the bright FL sun and it is, kind of. He warned me that it's a bit finicky if you don't get the metering spot on but it also has the potential to deliver some interesting effects. This first roll did end up being a bit hit or miss. I like it well enough though to shoot some more, so I'll run some through my Nikon F100 next and see how that works out.
Brighton Seafront i360
Asahi Pentax SV, 8 blade Carl Zeiss Jena Pancolar 50mm 1.8 Thorium lens, and Rollei Retro 400S, semi-stand developed in Rodinal 1+100, 1-minute gentle initial agitation, then 5 seconds at the 30 minute mark.
Hasselblad 500C with Planar 80/2.8 lens. Fuji Acros developed for 11min. in 1/25 Rodinal at 20C in a Jobo 2520 tank. Printed with an LPL 7453 enlarger + EL-nikkor 135mm/5.6 lens. Paper MCC110 5x7. Base exposure was Grade0 31.8sec@f11 . The foreground was burned in for 3 base exposures and then both sides were burned in 11.7sec@G5. All were determined using the Zonemaster II.
This was done without any test prints.
Using the zone system has resulted in a much more refined look than my previous print from a similar negative.
www.flickr.com/photos/98261451@N06/39582756261/in/datepos...
Members of the Junior hockey team scoring some community service credits at the Rutland Scarecrow Festival
Megamid from Black Diamond. Mono pole, floorless. Mt.Oputateshike,Biei, Hokkaido. Fujica GF679, Positive ISO 100 expired, developed as described before ( 1st Dev.: Papitol 37 deg.C. 10 minutes ), scanned with Plustek OpticFilm 120 ; VueScan at 5300 dpi, edited with GIMP. Bigger sizes : www.flickr.com/photos/threepinner/51138612461/sizes/ to 14204 × 11519 pixels compatible. Learn DIY development and upgrade to film !