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Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus Trip 35
D.Zuiko 40mm f/2.8
Kodak Gold 200
Converted to B&W using LR5 & Nik Software
Thanks for taking the time to view my image. Your comments, faves and constructive criticism are all greatly appreciated.
On Explore - September 22, 2025 - #225
Gobi Desert. Mongolia.
Bellini Foto C-41 - Home Developed
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Sauerbruch Hutton has harnessed the power of wind to develop a model of passive ventilation, creating one of the first high-rise office buildings to consume less than 100KWh/sq m energy per year.
The facade is entirely clad in a sawtooth skin of angled glazing, with each window separated by a slender, coloured panel, alternately fixed and pivoting. This forms the outer layer of a 700mm-deep double-skin facade, which operates as a “pressure ring”. Unlike a conventional double-skin system, the cavity is not ventilated by means of a stack effect, but instead by exploiting wind pressure and suction at the lee side of the tower.
During warmer months, the motorised flaps on the south-west and north-east elevations open to allow air to flow through the cavity, while during cooler times of year the flaps are closed, allowing air to be preheated before entering the offices.
The KfW Westarkade was awarded “Best Tall Building in the World 2011” by the Council of Tall Buildings and Urban Habitat, Chicago (CTBUH)
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Belmondo developed the vehicle called Volugrafo Bimbo 46, in November 1945 and produced from spring 1946. Production ended in 1948 after about 60 were made. The vehicle had a tubular frame and a narrow track of only 78 cm. The fully encased front wheels were guided on double wishbones of equal length and steering from the large steering wheel positioned slightly left of the centre was transmitted by a chain. The open, doorless body contained a bench on which two people could sit next to each other in an emergency. The vehicle was 2.4 meters long and 90 centimeters high. There was a thin fabric top without side panels as weather protection.
It was powered by an air-cooled single-cylinder 125cc engine of 5 HP (3.7 kW) driving the left rear wheel.
There was also a sports version equipped with a second drive set on the right rear wheel.
At least five vehicles have survived.
Casterbridge Motor Museum
Witrivier
Mpumalanga Province
South Africa
Furano, Hokkaido.
Canon T50, Tamron 90mm F2.5, Kodak Microfilm Imagelink HQ exposed as ISO 40, developed with SPD ( Superprodol from Fujifilm for B&W film developer ) for 10 minutes at 20 Deg.C., alkaline pushing added, scanned with Plustek OpticFilm 120 + VueScan, edited with GIMP.
Bigger sizes: www.flickr.com/photos/threepinner/49629259068/sizes/ up to 10000 × 6604 pixels compatible. Learn DIY development and upgrade to film !
Developed at home with the Digibase C-41 kit using the 37°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Kodak Ultramaxx 400
Converted to B&W in LR5
Thanks for taking the time to view my image. Your comments, faves & constructive criticism are greatly appreciated.
Camera: Yashica Mat 124 G
Lens:Yashinon 80/3.5
Film: Fomapan 100
Film Developing: Kodak X-tol
1+1,
Time: 20C° -5,45 min
scanned with Epson Photo V 500
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Kodak Gold 200
Converted to B&W using LR5 & Nik Software
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
"HAVE A GO AT OUR OPEN MONTHLY CHALLENGE"
The subjects for this month and details on how to take part can be found here.
Anyone, anywhere with any camera can take part.
Minolta X-700, Fomapan 100, developed in Adox XT-3 (XTOL) Stock.
From the first roll I've processed in XTOL.
I really like the look, it’s so different from my rodinal-processed fomapan films. I had no idea fomapan 100 could look like that!
scanned with my Sony a7 and Minolta MC Macro Rokkor-QF 50mm f3.5 + Minolta Extension Tube
Belsay House and Grounds, Northumberland, 23rd April 2022. Nikonos iii with 35mm f2.5 lens and Rollei RPX 100 film, developed in Rodinal.
Okay, this one was a ride (to develop), ..again. Part 7 of the "lost gorge series", in no particular order, but this is still from the 1st 1/3 of the gorge.
Felt kind of ambivalent about the whole thing. For one, I'm pleased that I could 'keep it together', and not totally blow out hightlights and / or shadows.
By the way, these panos are all one exposure in terms of settings, I'd rather spend more time doing some tests (into the bright areas, into the shadows etc. and then find a middle ground based on the histogram) and optimizing things, than mess around during the sequence, that's asking for troubles. It was necessary to do some local developments (top, middle and bottom row came out very different), which I try to avoid and only do if it is promising, cause this escalates quickly with that number of images.
I felt compelled to show it all, but the false-color development got really busy with tons of details and a bit too HDR-y for my taste, but technically it really is even though I did not do any bracketing. I aim at making it look natural though, well as natural as an IR false-color pano can be. I had to stand back for a little bit until I got the courage to crop, which ultimately made the image more digestible, less visually stimulating, highlighting the essential parts that sort of help anchor the eye also, I think.
The stream makes just a slight bend here, most of which you can see in the pano is due to the wide horizontal angle (maybe around 240°) and also due to being in the lower part of the panorama.
Can you find the small sandy batch to the right, this little island in the pool?
You can see it here in this pano to the left, displaying how different things can look, depending on the angle and technique:
www.flickr.com/photos/197010762@N05/53600737132/in/datepo...
Technically it's a 33 piece mercator projection, ~341,5MP, finished to 8:5 with 18696 x 11685px, ~218,5MP
Nikon D90 (APS-C, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
Hoya R72 (720nm infrared pass-filter)
ISO250, 24mm, f/6.3, 0,8sec
(therefore 36mm full frame equivalent)
tripod, panorama head, remote (ML-L3)
IN ENGLISH BELOW THE LINE
Fotografia feta amb la Hasselblad 500 C/M, fabricada el 1979; objectiu Carl Zeiss Planar f2.8/80mm; pel·licula Ilford Delta 400 revelada durant 9:30 minuts en D76 sense disoldre.
Un SEAT 124 Sport Coupe, versio rally, a la exposició Motor Clàssic III de 2024, a Sabadell.
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Picture taken with a Hasselblad 500 C/M, made in 1979; Carl Zeiss Planar f2.8/80mm lens; Ilford Delta 400 film developed in stock D76 for 9:30 minutes.
A vintage SEAT 124 Sport Coupe in a Rallie livery, in the Motor Clàssic III meeting, in Sabadell.
en.wikipedia.org/wiki/SEAT_124_Sport
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When I started photography about 16 years ago I found a small mom and pop shop to develop my film in Park Slope Brooklyn. Years later I use the same place - Accurate Photoshop is run by Connie and Tony are always there working the counter, developing film and now they expanded to a pharmacy run on the corner. Their daughter is taking the reins of the business and hopefully keeps it going for years to come.
I've finally developed my film at home.
I had been wanting to home develop for a while, but kept putting it aside for various excuses. I finally took the plunge though, ordering an Unicolor C-41 Press Kit and a Paterson Super System 4 Universal Tank. The stuff arrived today, so I went to work, putting through a roll of Lomography 800 and an expired roll of Ferrania 100 dated July 2006.
I have not scanned anything yet, but I've got actual negatives ready, so it worked! It felt like magic. I did screw up a bit in the inversions, plus, when I had the blix, the lid blew off and took flight (gas had built up). Anyhow, I'm pretty stoked that I can do my C-41 at home now, and I'm actually going to test stand development next.
I ordered the chem powder kit and tank online:
They are moving to the points. Kamifurano, Hokkaido.
Fujica AZ-1, Tamron 28mm F2.8 ( CW-28 ), Kodak Microfiilm Imagelink HQ, exposed as ISO 40, developed as described before, scanned wit Plustek OpticFilm 120 + VueScan, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/50734529276/sizes/ up to 10000 × 6571 pixels compatible. learn DIY development and upgrade to film !
Une expérience un peu folle, juste pour voir, un mélange de Xtol (fabrication maison) + Pyrocat hd = stand developement 80 minutes - agitation 30 seconde au début. Fixer 5min. Film: Astrom 100. Caméra: Nikon Ftn Lentille: Micro-Nikkor 55mm f3.5
This photo was developed in photmatix to bring out the colors and details- and then tweaked in photoshop to achieve a "painterly " look. The view is one from the Trail Ridge Road in Colorado.
Linda Hartong Photography. ©All Rights Reserved. 2006. Do not use, copy or edit any of my photographs without written permission.
ID: 003986
This picture is (c) Copyright Frank Titze, all rights reserved.
It may NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.
See more pictures on frank-titze.art.
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Exposure: Digital
Developing: ---
Enlarging: ---
Scanning: ---
Processing: Digital
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Exposure: 12/2015
Processing: 01/2016
Published: 03/2016
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Flickr "taken" date set as actual publish date.
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Hasselblad 500cm
Zeiss Distagon 50mm f4 FLE
Ilford fp4 plus
Canoscan 9000f
Developed by me in caffenol cm.
Winchester developed from the Roman town of Venta Belgarum, which developed from an Iron Age oppidum. Winchester's major landmark is Winchester Cathedral, one of the largest cathedrals in Europe, with the distinction of having the longest nave and overall length of all Gothic cathedrals in Europe. The city is also home to the University of Winchester and Winchester College, the oldest public school in the United Kingdom. The city's architectural and historic interest, and its fast links to other towns and cities have led Winchester to become one of the most expensive and desirable areas of the country.
WorldGranny
Ageing is not only a western problem. People in developing countries are getting older too. Pensions or home care services do not exist in most of these countries. Children are expected to take care of their parents. But nowadays the family circles are getting disrupted. Migration, urbanization, wars and the aids-epidemic take their toll. Many older people have to rely on themselves and as a result, they live in extreme poverty.
Besides that, more and more children are depending on their grandfather or grandmother in terms of care and finance.
On one of my travels to Zambia, I saw the strong women, who took care of their children.
Meet: Elika, 60 years, takes care of 8 children, Esther, 72 years, takes care of 1 child, husband and 3 children died of aids, Katerina, 60 years, lost 4 children, takes care of 9 children.
SOOC | RAW-developed
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- Have a wonderful Monday my friends.
In developing a roll of film yesterday (my first home-developed roll of C-41 color!), I came across this alternate view of the Summit Valley Methuselah tree. I took it from nearly the same vantage point as my first image, but with a different camera, different film, on a different day, at a different time of day, and with different weather and light. Whereas the first photo highlights the tree's age, strength, and mythic nature, this second image seems to emphasize its vitality and eternal youth. Two pictures and two trees from parallel universes, perhaps? Just presented to you, as Rod Serling used to say on The Twilight Zone, “for your consideration.”
Camera: Kodak Tourist II (1951-1958, with Kodet 86mm f/12.5 lens).
Film: Lomography 100 ISO Color Negative 120 rolled onto a 620 spool, developed using The Film Photography Project's C-41 Home Processing Kit, and scanned with an Epson V600 scanner.
I developed some very expired 110 and 126 film for someone, and helped with a 35mm point-and-shoot, getting a new battery installed and donating and loading a fresh roll of film. I offered to develop and scan the film once she was done also. These were also brought in.
This box had one 110, one 127, and three 126's cameras; unfortunately, I told her shooting these would be difficult, since film for these would be hard to get and develop, so best to use 35mm. For the most part, I think these can go to someone who wants decorative pieces or props.
Diramic Micro RSD
Industar 50-2
Flic Film Ultrapan 400 (Foma 400?)
Blazinal/Rodinal 1:25, 5.5 minutes, 20°C/68°F
Pakon F135
I think I needed a bit more time and agitation on this roll, and to be honest, I used Foma 400 developing time, because I think this Flic Film Ultrapan 400 is re-spooled Foma.
After 'foretaste' I headed up over the headland to catch the show in case it was a fizzer ..
This is above the entry to the 'Blowhole' that Kiama is famous for, interestingly when looking south (as we are here) at Kiama we're looking to the 'Heights' and Kiama Downs is in the North - has always tickled my sense of irony.
Olympus OM-1 w M.Zuiko 7-14/2.8 Pro
ISO800 f/11 7mm 8s x three frames shot as a vertical Panorama.
Raw developed in DxO PhotoLab, stitched and corrected in Affinity Photo 2, colour graded in Nik6 Color Efex, touched up in Topaz Denoise and finished off back in PhotoLab.
Kiama Blowhole, Kiama, NSW
Lot of 360 photo's to develop from the trip ... this one of Ralph Falls Valley turned out pretty neat I reckon :-)
Insta360X5
ISO109 f/2 1.74mm -2.3ev
Single frame raw developed in Affinity Photo 2.6.5, colour graded in Nik 8 Color Efex, tweaked in Topaz Sharpen AI and finished off in DxO PhotoLab 9.3
Ralph Falls, Tasmania
The BAE P.1216 was developed as a follow on to the Harrier. A limitation of the Harrier was that it was unable to achieve supersonic flight. The P.1216 was intended to remedy that with its engine and sharply swept wings. Due to the vibrations introduced by the more powerful engine, the fuselage was kept as short as possible, with distinctive twin booms going around and providing the rest of the aircraft functions.
Tested as a model in the 1980s, it was likely canceled due to the end of the Cold War and the nascent beginnings of what we know now as the F-35.
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One of those “what if” aircrafT that never made it past the concept stage, with very little documentation, this jet was a bear to figure out. Without cutaways, I had to infer where fuel, weapons, engine chambers, and avionics would go to make the most sense. The most challenging part was the underside and the thrust vectoring engine. It’s a fun model to do VTOL takeoffs and landings with.
Uryu-numa wet highland, Uryu, Hokkaido.
Mamiya Press Standard 23, Sekor 65mm F6.3, Velvia, developed as described before ( 1st: Korectol 37 Deg.C 11 minutes, 2nd: CD3 + NaOH pH 11.8 ), scanned with Plustek OpticFilm 120 + VueScan, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/53201168237/sizes/ up to 10000 × 6680 pixels compatible. Learn DIY development and upgrade to film !