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Looking west late afternoon, with dew points in the mid-60's, it was only a matter of time when instability would erupt.
A still image of this weather event (www.flickr.com/photos/cloud_spirit/55103889698) cannot portray the dynamics of the atmosphere adequately. Strong down bursts were captured as these showers reached the ground.
Picture of the day
Situé au cœur de la ville, le port de Saint-Vaast-la-Hougue avant tout un port de pêche très actif mais aussi un port de plaisance très apprécié. Il est abrité à l’ouest par la terre, au sud par une grande jetée et à l’est par deux brise-lames discontinus. On trouve à l’extrémité du quai, une cale de construction et de radoub.
Troisième plus grand port de la Manche, le port de pêche accueille 37 unités et le port de plaisance de propose 760 places à l’année, ainsi que 80 places visiteurs. Il est réservé aux bateaux de moins de 35 mètres et dispose d’un tirant d’eau maximum de 2,30 mètres.
Afin de soutenir l’activité de la pêche, en 2014 s’ouvre le Centre Logistique de Débarque de Saint-Vaast-la-Hougue qui affiche dès sa première année de fonctionnement, des résultats très encourageants et voit son activité se développer au fil des années.
Le port bénéficie actuellement du Pavillon Bleu et du label Qualité plaisance
Located in the heart of the city, the port of Saint-Vaast-la-Hougue is above all a very active fishing port but also a very popular marina. It is sheltered to the west by land, to the south by a large pier and to the east by two discontinuous breakwaters. At the end of the quay there is a construction and refit slipway.
The third largest port in the Channel, the fishing port accommodates 37 units and the marina offers 760 berths all year round, as well as 80 visitor berths. It is reserved for boats less than 35 meters and has a maximum draft of 2.30 meters.
In order to support fishing activity, in 2014 the Landing Logistics Center of Saint-Vaast-la-Hougue opened, which showed very encouraging results in its first year of operation and saw its activity develop over time. years.
The port currently benefits from the Blue Flag and the Quality Plaisance label.
Developed in Caffenol C-L Stand 30min@ 19°C; Ilford FP4+; Pentax P30; SMC Pentax 50mm f.1.7 (Red Filter); Epson V600
Juillet - N&B - Vanoise - Larches (05)
Cedar Key is a city in Levy County, Florida, United States. The population was 702 at the 2010 census. The Cedar Keys are a cluster of islands near the mainland. Most of the developed area of the city has been on Way Key since the end of the 19th century. The Cedar Keys are named for the Eastern Red Cedar, Juniperus virginiana, once abundant in the area.
The old-fashioned fishing village is now a tourist center with several regionally famous seafood restaurants. The village holds two festivals a year, the Spring Sidewalk Art Festival and the Fall Seafood Festival, that each attract thousands of visitors to the area.
In 1950, Hurricane Easy, a category 3 storm with 125-mile-per-hour (201 km/h) winds, looped around Cedar Key three times before finally making landfall, dumping 38 inches (970 mm) of rain and destroying two-thirds of the homes. Luckily, the storm came ashore at low tide, so the surge was only 5 feet (1.5 m).
Hurricane Elena followed a similar path in 1985, but did not make landfall. Packing 115-mile-per-hour (185 km/h) winds, the storm churned for two days in the Gulf, 50 miles (80 km) to the west, battering the waterfront. All the businesses and restaurants on Dock Street were either damaged or destroyed, and a section of the seawall collapsed.
After a statewide ban on large-scale net fishing went into effect July 1, 1995, a government retraining program helped many local fishermen begin farming clams in the muddy waters. Today Cedar Key's clam-based aquaculture is a multimillion-dollar industry.
A local museum exhibit displays a reproduction of one of the first air conditioning installations. The system, with compressor and fans, was used in Cedar Key to ease the lot of malaria patients.
Cedar Key is home to the George T. Lewis Airport (CDK).
Credit for the data above is given to the following website:
4/52
Call your girlfriend
It's time you had the talk
Give your reasons
Say it's not her fault
But you just found somebody new
Tell her not to get upset, second-guessing everything you said and done
And then when she gets upset tell her how you never mean to hurt no one
Then you tell her that the only way her heart will mend is when she learns to love again
And it won't make sense right now but you're still her friend
And then you let her down easy
Call your girlfriend
It's time you had the talk
Give your reasons
Say it's not her fault
But you just met somebody new
Don't you tell her how I give you something that you never even knew you missed
Don't you even try and explain how it's so different when we kiss
You tell her that the only way her heart will mend is when she learns to love again
And it won't make sense right now but you're still her friend
And then you let her down easy
Call your girlfriend
It's time you had the talk
Give your reasons
Say it's not her fault
But you just met somebody new
And now it's gonna be me and you
And you tell her that the only way her heart will mend is when she learns to love again
And it won't make sense right now but you're still her friend
And then you let her down easy
Call your girlfriend
It's time you had the talk
Give your reasons
Say it's not her fault
Call your girlfriend
It's time you had the talk
Give your reasons
Say it's not her fault
But you just met somebody new
This weeks theme gave me a few ideas but again it came down to time and not having the right props, so instead i went for this.
There are many ways you can envisage your ideas coming into your head, for me they stir around bubbling to the surface or popping into existence as they develop in my mind. That's my problem as i just have too many things flowing through my head at times.
Anyhoo im finishing off my holding web page soon and id love to hear what you think when its done, ill keep you posted.
:)
My DIY drier for home-developed film.
A result from attempt #3 of developing E6 film, Lomography X-Pro 200, in B&W then C41 chemistry. This time, I developed in Rodinal 1:25 at 38C/102F for 30 minutes, fogged the film for 3.5 minutes on each side, then developed in Unicolor/Argentix developer at 38C/102F for 25 minutes, followed by 6.5 minutes in blix.
E6 chemistry is not the easiest for me to get, plus its shelf-life is short, and I don't shoot too much E6, so those are the reasons for me for trying this method. I only have another 2 rolls of E6 film; two other Lomography X-Pro 200 rolls. I may try this method, with some alterations again, or cross process them. Don't think Rodinal and Lomography X-Pro 200 are the most ideal, but just experimenting with what I have available at the moment; it produces a lot of grain and an orange tint, which needs to be colour corrected. I read that Provia 100 and HC-110 is a good combo.
Pentax K1000
Lomography X-Pro 200
Rodinal/Blazinal --> Unicolor/Argentix
Epson V550
Pictured is a British Para leaving the Drop Zone carrying his parachute after a jump from a Spanish CH47 Chinook helicopter during EXERCISE LISTED PARATROOPER...The Parachute Regiment, conducted low-level training with parachutists from the Spanish Airborne Brigade (BRIPAC) as part of a two-week joint exercise to test interoperability and develop relations between the two units..The Paras got to grips with some of the weapon systems used by their Spanish counterparts, as well as receiving an introduction to some of the vehicles used by the Brigade. ..In addition to building shared understanding and military capability, EX LISTED PARATROOPER enabled the British paratroopers to train on Spanish parachutes, earning their wings on a joint jump from CH47 helicopters....The Parachute Regiment, conducted low-level training with parachutists from the Spanish Airborne Brigade (BRIPAC) as part of a two-week joint exercise to test interoperability and develop relations between the two units...The Paras got to grips with some of the weapon systems used by their Spanish counterparts, as well as receiving an introduction to some of the vehicles used by the Brigade.
In addition to building shared understanding and military capability, EX LISTED PARATROOPER enabled the British paratroopers to train on Spanish parachutes, earning their wings on a joint jump from CH47 helicopters.
-------------------------------------------------------
© Crown Copyright 2014
Photographer: Cpl Jonathan Lee van Zyl RLC
Image 45161858.jpg from www.defenceimages.mod.uk
Use of this image is subject to the terms and conditions of the MoD News Licence at www.defenceimagery.mod.uk/fotoweb/20121001_Crown_copyrigh...
For latest news visit www.gov.uk/government/organisations/ministry-of-defence
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Mamiya C330 S and Sekor 80mm f/2.8
Fujifilm Neopan 100 Acros developed in Xtol (1:1)
Self developed long exposure on self redscale Lomography medium format film loaded into a Kodak Box Brownie.
Camera: Minolta Autocord
Film: Ilford Kentmere Pan 100, shot at 100.
Stand Development: Adox FX39 II 1+40, pre-soak 3 min, agitate 1 min, stand 90 min (some trace of over-developed), 21C.
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus Trip 35
D.Zuiko 40mm f/2.8
Lomography Colour 400
Converted to B&W using LR5 & Nik Software
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
"HAVE A GO AT OUR OPEN MONTHLY CHALLENGE"
The subjects for this month and details on how to take part can be found here.
Anyone, anywhere with any camera can take part.
Decided just to make it 4 shots rather than 5 so you don't get bored😀. So here is shot 3 of 4. The rainbow is quite intense now and still holding that weird shape. There's probably a name for it.
minolta SR-1, manual SLR, 35mm
ROKKOR-PF 55mm, F/2
cokin cromofilter SA +1 orange A002
fujicolor ISO200 pulled to 32
caffenol444C5, stand developed 20 minutes.
epson V500 @ 750proof300
Nikkormat FT2 - Nikkor-P 2,5 105mm
Ilford FP4+ 125@100 ISO
Moersch Eco developer, semi-stand developed
DSLR- digitalized
patrickjoust | flickr | tumblr | facebook | books
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Konica Hexar RF and Voigtlander Color-Skopar 21mm f/4
Legacy Pro 400 developed in Xtol (1:1)
A model I kept saying I'd get back to. Folded a similar one for the last New York convention, but the paper was too thick and the lack of humidity in the gallery was too much for the lock. (All public buildings in New York are kept at meat-locker temperatures. And the lock was not as well researched as it might have been. We will not speak of it.)
Though not apparent from the photo, perhaps, the creases are slanted off the edges of the paper, so that the corners tuck in at the top and hold each other in place. Very much like a dome with a keystone. I'd like to tell you that the globes are spherical in nature, but it would be a lie -- they're oblate as a tertiary Benedictine.
From a rectangle of 24 lb. bond, ~90 gm². Crease pattern.