View allAll Photos Tagged Develop
Mirit Ben-Nun has developed a style that is manifested as movement, rhythmic repetition and the speed of objects on the canvas. In the process the artist often asks difficult questions or invites reflection without providing easy answers. Her curiosity, her open mind and a commitment to dialogue are her best tools for addressing her artwork.
These art pieces often challenge our ideas about how art should look or behave.
Her art is not based on what was said before and does not depend on the Academies of Art; it breaks traditions, and does not imitate the real world, it transmits the inner world of its creator. Through imprecise and significant characters, it radiates different ideas about the reality of the world and of human dreams.
Mirit transmits clearly with a unique focus the concept that art is not separated from life and the real world in which we live.
Dora Woda
Started watching this curl develop in the morning, then we had a mass of cloud until around 5pm, when technically I wouldn't normally bother looking and/or imaging. But having had the setup out all day just in case, I decided a peek was worth it. Seeing wasn't great with odd thin cloud and unexpected moderate gusts of wind interspersed with total calm.
Taken on an Altair Lightwave 72 ED-R, Quark Chromosphere and Orion SSAG Planetary webcam.
Having quite a lot of problems with the SSAG at the moment including some nasty dust motes on the CMOS that have appeared.
Expired Fuji Superia 400, C41 50 min x 2 in Tetenal, developed in the kitchen, room temperature.
Zorki C (1957) with Industar 22 lens. Flash on.
This roll of b&w film was developed in coffee and the negative was scratched afterwards. More info about coffee development can be found here or here.
[Kodak Junior Six-20 | Lucky SHD 100 | developed in coffee]
he's nostalgic right now.. looking at the window of our new apartment.
This was shot with 779 (exp 2009), nd filter over pack, and exposure turned all the way to darken.
Developed in the fridge for a cooler balance. Which actually made it just neutral. It almost doesn't look expired.
The SAI Shahak (שחק/Sky) was a tactical bomber developed at the end of the 1940s, that entered service in 1950. After two prototypes crashed due to buffeting and stability issues, a redesigned aerofoil was used that solved the problems. Power comes from two engines in the wings, and top speed is 923 km/h /580 mph, and range is 1900 km/1180 mi. Crew consists of three, two of which are housed in a spacious bubble canopy, allowing for great all-round visibility and comfort. The bomb aimer lies in the front. The pilots like flying their Shahaks, due to their reasonable agility and comfort. However, the engines are a bit underwhelming, and top speed is only reached on the long stretch or during a steep dive.
A payload of 4,700 kg/ 10,362 lbs can be carried, but never in combat.
A typical full bomb load consists of eighteen 227 kg/500 lb GP bombs, 12 in the bomb bay, and six on wing-mounted pylons. This can be switched for three 1,050 kg/2,315 lb laser-guided bombs, a jamming pod and a targeting pod, or a rotary launcher, limiting the bombs carried internally to 8. Other combinations can also be carried. Two 231 kg/ 508 lb torpedoes can be carried by the B-model.
After nine prototypes, the A-model was accepted into service. This is the basic bomber model, virtually identical to the last prototypes. The A* is an updated model, with provisions for a jamming pod and a Gomorra missile for self-defence. The engines produce more thrust, but the added weight means the performance is identical to the previous model.
The Shahak B is the version for coastal defence, and is basically an A* with equipment that allows for navigation over the ocean and provisions for two torpedoes and specialized equipment for anti-ship and -submarine warfare.
The Shahak D is a ground-attacker/ medium- to low-altitude bomber. The bombardier was replaced with an armour plate, and the pilot was given a fancy sight to aim the four 20mm cannons in the wings, each holding 230 rounds.
Quick summary:
Tactical Bomber
5,000 kg Bomb load: +0
Mediocre agility: +1
Subsonic: +0
2000km Range: -2
Comfy: +1
Good visibility: +1
Underpowered: -1
Cost: 30₪
For D&C VI
Loosely based on the English Electric Canberra
IN ENGLISH BELOW THE LINE
El conjunt dels objectius tipus Petzval, tots de bronze. De moment només he pogut fer servir el Derogy, però espero aviat poder emprar el Voigtlander, el Lerebours i el Dallmeyer, tant per plaques de 13x18 com de 18x24.
Es tracta d'un ambrotip en vidre fosc, format 4x5 polzades, realitzat amb una Graflex Speed Graphic, fabricada entorn 1950; objectiu Kodak Anastigmat f4.5; col·lodió Mamuth Liliana, revelat amb Mamuth MD8. He de dir que no estic gens content amb aquest col·lodió, m'ha donat força problemes.
Les plaques de col·lodió es realitzen al moment, cobrint una placa de vidre o planxa metal·lica negra amb col·lodió i sals de cadmi i/o potassi, sensibilitzat amb nitrat de plata. Aleshores s'ha de fer la fotografia i revelar-la en uns 5 minuts, abans no s'assequi la emulsió. És un dels processos fotogràfics més antics del món, inventat el 1851, i que dominà fins el 1880. Però ara ha resorgit, ja que les imatges, molt treballades, que dona són úniques, màgiques i i irrepetibles.
ca.wikipedia.org/wiki/Col%C2%B7lodi%C3%B3_humit
Aquí en teniu una demostració de com es fan:
www.youtube.com/watch?v=P1ZH4RTaM60
=====================
Those are my brass oldies, all petzvals. By now I could only use the smaller Derogy, but I'm preparing lens boards et al. to use at least the Voigtländer, Lerebours and Dallmeyer.
Ambrotype in 4x5 format, made with a Graflex Pacemaker Speed Graphic; Kodak Anastigmat f4.5 lens; Mamuth Liliana collodion, developed with Mamuth MD8. I'm not happy at all with this Liliana collodion, has given a lot of problems, like cloudly lines & peeling, even with the developer!
The collodion plates are made covering a glass plate or black metal plate with collodion and salts of cadmium and / or potassium, sensitized with silver nitrate. Then you have to take the photo and reveal it in about 5 minutes, before the emulsion dries. It is one of the oldest photographic processes in the World, invented in 1851, and which dominated photography until 1880. But now it has resurfaced, as the images, very elaborate to create, that it gives are unique, razor sharp, magical and unrepeatable.
en.wikipedia.org/wiki/Collodion_process
intrepidcamera.co.uk/blog/rikard-osterlund-guide-to-wet-p...
Here's a nice video of the wet plate collodion process:
New connections are being developed – families and communities – everything must be started from scratch – there are no easy shortcuts – we have decided
In the land of Heartquakes: Roio Poggio (L'Aquila) - Aprile 2017
Canon Eos 55Qd - Zoom 28-80mm
Fomapan 100 Developed in HC110 [B]
Check more in my film photography blog here: thefilmrenaissance.wordpress.com/
All Rights Reserved - All images are © - Use without my explicit written content is Illegal.
Taken with Mamiya 645 1000s
Kodak Portra 160
Negative digitized with Canon 5dmkii
Photo was taken 2-3 years ago, developed over a year ago, digitized 8 months ago.
Developing items left in an abandoned farm house.
Was lovely to find this today - combining 2 of my hobbies.
I even added the light by bouncing my torch off a sheet of Photographic paper.
Another HDR merged in CS6 then processed in Analogue FX Pro.
Noblex 06/150 Pro • Tessar 1:4.5 50mm
Kodak Tri-X @100 ISO developed in Caffenol CLCS (Cold Start) stand 60min @15°-20°C
Scanned with Plustek OpticFilm 120 at 2400dpi with Silverfast AI Studio 9
Bourscheid • Luxembourg
Caffenol CL
500 ml Filtered Water
8gr Anhydrous Washing Soda
5gr Vitamin C
0.5gr KBr
20gr Instant coffee ("Cora")
60 sec. slow agitations then let stand for 59 minutes
Developed in ACR with custom made "Fujifilm FinePix S5 pro" DCP profile.
Color graded in Dehancer Photoshop plugin with "Kodak Ektar 100" film profile, "Kodak Endura Glossy" paper profile and film simulation effects.
Additional color corrections in PS to match real Kodak Ektar 100 colors.
Developed as a long-range exploration vessel sized between its more famous stablemates the LL928 and LL924, the LL926 Cosmos Explorer ended up having less in the way of cargo space in the rear compartment, only able to fit the smallest design of rover available to the Lagrange-Lunacorp designers. Most of the extra space was taken up with fuel storage and crew supplies, giving the Cosmos Explorer the longest unsupplied range of the three vessels.
The lack of cargo capacity made the Cosmos Explorer less versatile than either of the other early LL-type explorer ships, however, and many planetary fleets of the inner system bought only a few of the craft. In the far reaches of the Uranian and Neptunian leagues and the Kuiper Belt Alliance, however, these ultra-long-range craft really came into their own.
~~~
So I was planning to build a sleekened, updated version of the old LL924 Space Transporter, but I think this ended up a bit bigger than that venerable beauty. Not quite up to the LL928, but that might actually be within reach now. Amazing thought.
From Norra Bantorget. Central Stockholm. Playing with contrasts. Mamiya 645 Pro. Sekor 55/2.8. Ilford FP4+. Developed in DD-X. Digitized with DSLR. Harsh contrast added and some digital dodge-burn.
Shinshinotsu, Hokkaido.
Canon AV-1, Tokina RMC 200mm F3.5, negative ISO 100 exposed as ISO 100, developed with reversal processing as described before, scanned with Plustek OpticFilm 120.
Shot at ISO 250 (Sekor 80mm 2.8). Home developed in CS41, DLSR scan converted with Negative Lab Pro.
The Flatiron Building was developed as the headquarters of construction firm Fuller Company, which acquired the site from the Newhouse family in May 1901. Construction proceeded rapidly, and the building opened on October 1, 1902. Originally 20 floors,[8] a "cowcatcher" retail space (a low attached building so called for its resemblance to the device on rail locomotives) and penthouse were added shortly after the building's opening. The Fuller Company sold the building in 1925 to an investment syndicate. The Equitable Life Assurance Society took over the building after a foreclosure auction in 1933 and sold it to another syndicate in 1945. Helmsley-Spear managed the building for much of the late 20th century, renovating it several times. The Newmark Group started managing the building in 1997. Ownership was divided among several companies, which started renovating the building again in 2019. Jacob Garlick agreed to acquire the Flatiron Building at an auction in early 2023, but failed to pay the required deposit, and three of the four existing ownership groups took over the building. In October 2023, it was announced that the building would be converted to residential condominiums.
The Flatiron Building's facade is divided vertically into three sections, similarly to the components of a classical column. The three-story base is clad with limestone, while the upper stories are clad with glazed terracotta. The building's steel frame, designed by structural engineering firm Purdy and Henderson, was intended to withstand four times the maximum wind force of the area. Called "one of the world's most iconic skyscrapers and a quintessential symbol of New York City",[11] the building anchors the south (downtown) end of Madison Square and the north (uptown) end of the Ladies' Mile Historic District. The neighborhood around it is called the Flatiron District after its signature, iconic building.[a] The building was designated a New York City landmark in 1966,[7] was added to the National Register of Historic Places in 1979,[12] and was designated a National Historic Landmark in 1989.[13][14] A survey in 2023 found that the Flatiron Building was the fourth-most-loved building in the United States.[15]
Ashibetsu, Hokkaido.
Fujica AZ-1 set on a monopod, EBC Fujinon 55mm F1.8, Kodak Microfilm Imagelink HQ exposed as ISO 64, developed with H&W control ( phenidone 2x ) 18min. at 18deg C., scanned with Plustek OpticFilm 120, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/51674408392/sizes/up to 10000 × 6604 pixels compatible. Learn DIY development and upgrade to film !
Developed in Caffenol C-L Stand 30min@ 19°C; Ilford FP4+; Pentax P30; SMC Pentax 50mm f.1.7; Epson V600
Juillet - N&B - Larches - Menton (06)