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Instead of illustrating the Aperture versus Lightroom development issue I had with this image in two separate uploads, I have combined the two in one with a split wedge showing the Lightroom version developed from X-T2 RAF file. The sky highlights are where they should be, the shadows have changed a bit and this version is sharper with more detail in the trees and green along the other shore.

The surrounding image shows the Aperture enhanced version from out-of-camera JPG. I can't work with the RAF files in Aperture, since Apple still has no Raw support for this camera and for some reason DNGs don't work either. So the comparison isn't totally fair as one cannot compare JPGs to RAWs, but I was so fascinated by the X-T2 JPG output and how much I could manipulate them in Aperture — until I ran into this problem.

 

Definitively didn't watch for cloud burn-out when I took this image. And yes, I do watch my histogram carefully, but not here. Plus my EV correction was in the wrong direction. I tried to get those cloud details out of the RAW file by reprocessing in camera, and also with Iridient Developer, but both methods failed to get the sky proper, until I transferred it to Lightroom where the 'White' slider came to the rescue. Lightroom does a great job with the dynamic range of the Fujifilm RAFs and also with sharpening and preserving detail.

I love Aperture for what it offers in file management and I have FlickrExport, which makes uploading a breeze. If Lightroom had a decent uploader I would switch, but for now my workflow will be back and forth between the two apps, which is complicating things. I still think Apple made a huge mistake abandoning Aperture.

 

Section 2:

Cassiar Hwy 37 to Kitwanga, Yellowhead Hwy 16.

The Corsa 505 program is focused on developing drivers into accomplished racers by competing in the deepest and most competitive fields in the nation.

 

To that end, the Spec Racer Ford is the most successful purpose built road racing car in the United States, with fields of over 30 cars at regional SCCA races and over 60 cars at the National Championship Runoffs. Additionally the Spec Racer Ford (SRF/SRF3) rules, stipulate that no performance enhancing modifications can be made to the car and thus the success of any racer in this class, is solely based on his or her own skill and nothing else. These attributes make the SRF3 Class the ideal platform for our Driver Development Program.

 

We are proud to have MBI Racing as our technical partner, providing full service 'arrive and drive' track support and driver coaching.

 

Located at Buttonwillow Raceway Park, MBI Racing is a full service race shop. The MBI team primarily races Spec Racer Fords (SRF/SRF3) but has considerable knowledge and experience in racing Formula Mazda, Formula Continental, and Formula F. To date, MBI has won thirteen Regional Championships and four National Championships.

 

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5x7

Arista 100 edu

Tray developed Hc110

6 minutes

 

When I started photography about 16 years ago I found a small mom and pop shop to develop my film in Park Slope Brooklyn. Years later I use the same place - Accurate Photoshop is run by Connie and Tony are always there working the counter, developing film and now they expanded to a pharmacy run on the corner. Their daughter is taking the reins of the business and hopefully keeps it going for years to come.

Developed using darktable 4.0.0

developed in PS & NIK Silver Efex Pro 2

Developed by real bad chemicals.

Film

 

Taken, developed and scanned by me

 

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Developed and scanned by Carmencita Film Lab

camera Diana F+ with 35 mm back, film Lomography F2/400, developed in Digibase C-41

In developing news as written on 28th November 2025, EASA (the European Union Aviation Safety Agency) has issued an Emergency Airworthiness Directive on recommendation from Airbus which affects all Airbus A320 family aircraft across the world (the Airbus A318 even though not listed is affected by the EAD) which does include the next-generation Airbus A320neo family.

Earlier in the day, reports began emerging from Airbus and various news sources that they were issuing guidance that a new software update must be implemented on affected Airbus A320 family aircraft before their next scheduled flight which will affect numerous airlines across the world.

The guidance comes following a major incident on 30th October 2025 where JetBlue Flight 1230 bound from Cancún to Newark-Liberty, New Jersey suffered an uncommanded sharp loss of altitude in-flight causing injuries to several passengers, whereby the flight was ultimately diverted to Tampa, Florida. Airbus has stated that intense solar radiation could corrupt safety critical flight controls, notably the Airbus A320 family fly-by-wire ELAC system (Elevator & Aileron Computer) for which there are 2.

Since Airbus published the news, EASA have published their EAD which stipulates that all 5,100 aircraft have until 23:59 UTC on Saturday 29th November 2025 to comply with the new software update, any aircraft that does not meet this deadline will ultimately have to be grounded until they have been modified. The software update according to Airbus takes 2 hours, however as stated by BBC News that "the remaining 900 aircraft which are older versions will need new hardware as well and will need to be taken out of service to be modified."

Good on Airbus for swiftly getting information out on a potential safety problem for the Airbus A320 family (now the most popular jet in the world), a fix for the issue plus EASA for the publication of the EAD. There is going to be disruption as many airlines have indicated their fleet are affected, but better to keep everyone safe.

Airbus A320-251N G-TTSD on final approach into Runway 27R at London Heathrow (LHR) on BA653 from Santorini (JTR).

developed the last 120 films i had...need to get some more <.<

© Rory O’Bryen, 2017. FP4+ ISO125. Developed for 9.5 mins. Leica MP + Summilux-M 35mm ASPH. www.roryobryen.com

Self-portrait

Film

 

Developed and scanned at home.

Shanghai GP3 400 @ 800. Developed with Kodak

HC-110 at 20°C for 9 minutes and 45 seconds.

 

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Olympus OM1, Zuiko 50mm f1.8, Ilford HP5 developed in Adonal 1:50

Une expérience un peu folle, juste pour voir, un mélange de Xtol (fabrication maison) + Pyrocat hd = stand developement 80 minutes - agitation 30 seconde au début. Fixer 5min. Film: Astrom 100. Caméra: Nikon Ftn Lentille: Micro-Nikkor 55mm f3.5

Developed in Adobe Lightroom

 

I've finally developed my film at home.

 

I had been wanting to home develop for a while, but kept putting it aside for various excuses. I finally took the plunge though, ordering an Unicolor C-41 Press Kit and a Paterson Super System 4 Universal Tank. The stuff arrived today, so I went to work, putting through a roll of Lomography 800 and an expired roll of Ferrania 100 dated July 2006.

 

I have not scanned anything yet, but I've got actual negatives ready, so it worked! It felt like magic. I did screw up a bit in the inversions, plus, when I had the blix, the lid blew off and took flight (gas had built up). Anyhow, I'm pretty stoked that I can do my C-41 at home now, and I'm actually going to test stand development next.

 

I ordered the chem powder kit and tank online:

buyfilm.ca/

homemade Matchbox pinhole camera, film Adox HR-50, dev in Adox HR-DEV 1+49 for 11 min

Leica llla, Canon 50mm f1.8, yellow filter, Kentmere 100 developed in Super Prodol, Epson GT-X830. 1/200, f/8.

Minolta Autocord

Fomapan 400

Fomadon Excel 1+1

 

Black Alder swamps along the course of the river Briese in Brandenburg, Germany

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Paludi di ontani neri lungo il corso del fiume Briese, nel parco naturale del Briesetal, Brandeburgo, Germania

Developed in Adobe Photoshop

Self developed expired Fomapan 100 medium format film loaded into a Kodak Box Brownie.

In developing a roll of film yesterday (my first home-developed roll of C-41 color!), I came across this alternate view of the Summit Valley Methuselah tree. I took it from nearly the same vantage point as my first image, but with a different camera, different film, on a different day, at a different time of day, and with different weather and light. Whereas the first photo highlights the tree's age, strength, and mythic nature, this second image seems to emphasize its vitality and eternal youth. Two pictures and two trees from parallel universes, perhaps? Just presented to you, as Rod Serling used to say on The Twilight Zone, “for your consideration.”

 

Camera: Kodak Tourist II (1951-1958, with Kodet 86mm f/12.5 lens).

 

Film: Lomography 100 ISO Color Negative 120 rolled onto a 620 spool, developed using The Film Photography Project's C-41 Home Processing Kit, and scanned with an Epson V600 scanner.

The right foot also seems less developed than the left foot.

Self developed double exposure on the backside of Lomochrome Purple film loaded into an Olympus om10.

A still image of this weather event (www.flickr.com/photos/cloud_spirit/55103889698) cannot portray the dynamics of the atmosphere adequately. Strong down bursts were captured as these showers reached the ground.

 

Picture of the day

Winchester developed from the Roman town of Venta Belgarum, which developed from an Iron Age oppidum. Winchester's major landmark is Winchester Cathedral, one of the largest cathedrals in Europe, with the distinction of having the longest nave and overall length of all Gothic cathedrals in Europe. The city is also home to the University of Winchester and Winchester College, the oldest public school in the United Kingdom. The city's architectural and historic interest, and its fast links to other towns and cities have led Winchester to become one of the most expensive and desirable areas of the country.

The McMinns Lagoon Recreation Reserve is situated in 41 hectares of unspoilt wetland, near Humpty Doo in the Darwin rural area, Northern Territory, Australia

It is a natural jewel amongst the Municipality's Reserves. It offers nature enthusiasts and bird watchers alike a wide spectrum of bird life and butterfly activity all year round.

The Reserve holds a comprehensive Bird Sanctuary status and contains one of the largest varieties of flora and fauna habitats in the Northern Territory.

The Lookout is a well kept lawn area with picnic tables and a light at night for people to relax and unwind whilst looking over the scenic lagoon. A very popular lunch spot for many, it is also a favoured location for professional and amateur photographers and videographers. A perfect venue for bush weddings.

There are a number of walking tracks including "Scotty's Walkway" that take visitors around the lagoon and through the surrounding woodland.

 

Film: Tri-X 400 @ 400 ISO | Develop: D-76 (1:1) - 9.45 min @ 20°C | Scan: Plustek OpticFilm 8200i

developed film by JOMO Film Lab

kodak ultramax400, olymous om-1

Lots of colour film scans on the way.. here is the first colour film image from Budapest

 

Leica M2 + Voigtlander Nokton 35mm 1.4 + Kodak Vision3 200T (no filter/available light only) @f1.4 1/30 approx @200

 

Model - Nikki (Miss Universe HU 2015)

 

I bought a new Leica yesterday for when i'm shooting mutliple film stocks side by side / part used and in camera. Please welcome the Leica M4-P! mrleica.com/2016/12/03/leica-m4-p/

 

Film was developed and scanned at home - mrleica.com/2016/11/04/c41-colour-film-developing/

 

Instagram - www.instagram.com/mrleicacom/

Experiment in over development in lightroom

 

Cooks River at Holbeach Avenue, Tempe

 

Minox 35 GL

Agfa APX 100

EI80

Taken on 28th August 2022

Ilford ID11(1+2) 14min 20c

Epson v850

Silverfast 8

Lightroom

 

Tempe

Sydney

New South Wales

Australia

 

Development details on FilmDev

  

i used KIRO400 Film with Olympus OM-1.

developed film by JOMO Film Lab,BKK Thailand.

I developed some very expired 110 and 126 film for someone, and helped with a 35mm point-and-shoot, getting a new battery installed and donating and loading a fresh roll of film. I offered to develop and scan the film once she was done also. These were also brought in.

 

This box had one 110, one 127, and three 126's cameras; unfortunately, I told her shooting these would be difficult, since film for these would be hard to get and develop, so best to use 35mm. For the most part, I think these can go to someone who wants decorative pieces or props.

 

Diramic Micro RSD

Industar 50-2

Flic Film Ultrapan 400 (Foma 400?)

Blazinal/Rodinal 1:25, 5.5 minutes, 20°C/68°F

Pakon F135

 

I think I needed a bit more time and agitation on this roll, and to be honest, I used Foma 400 developing time, because I think this Flic Film Ultrapan 400 is re-spooled Foma.

Develop: Paterson FX-37

Rollfilm: Fuji HR-U

camera: Rolleicord III 6x6

1989 Canon EOS-1 analog, 1989 Canon EF 70-210 f4, Foma ISO400 film loaded from bulk roll, Foma developing chemistry. Photographed / developed / scanned with Canon R10 mirrorless personally.

26th January 2020, Canon 90uII and Agfa APX 100 film, developed at home in Kodak D76.

Pescadero State Beach. Pescadero, California USA

Developed using darktable 3.2.1

Developed in PS & NIK Color Efex Pro 5

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