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TITLE: Lord Valentines Castle
AUTHOR: Robert Silverberg 1935-
TYPE: novel paperback
PUBLISHER: EOS
COVER PRICE: $6.99
ISBN: 0-06-105487-9
PAGES: [16]+506+(6)
PUB DATE: unknown
EDITION: 4th edition EOS paperback
COPYRIGHT: 1979, 1980 by author
COVER ARTIST: Jim Burns
ISFDB: Yes,
RATING:
NOTATION:
Undated 4th printing that states
First Eos paperback printing: July 2000
First HarperPrism paperback printing: July 1995
Printed in the U.S.A.
OPM 10 9 8 7 6 5 4
There are maps from pages [12] to [15] but they are not credited nor signed
INDEX: 0252 - Lord Valentines Castle - 19 - RS - IFB
CULPABILITY: All images posted are from publications owned by RC/\Weazel. RC/\Weazel performed image scanning, editing and the compiling of bibliographic data.
ISFDB: Internet Speculative Fiction Data Base.
RATING: On a scale of 1 to 10 with 10 being great and 1 don’t read.
NO entry indicates specific information not available from book.
QUOTE….“The study of history was oddly congenial to Joseph. There was a kind of poetry in it for him. He had always loved those flamboyant tales of far-off strife, the carefully preserved legends of the fabled kings and kingdoms of Old Earth. But they were just tales to him, gaudy legends, ingenious dramatic fictions. He did not seriously think that men like Agamemnon and Julius Caesar and Alexander the Great and Genghis Khan had ever existed”. Robert Silverberg from The Longest Way Home
TITLE: Sorcerers of Majipoor
AUTHOR: Robert Silverberg 1935-
TYPE: novel paperback
PUBLISHER: Harper Prism
COVER PRICE: $6.99
ISBN: 0-06-105780-0
PAGES: 611
PUB DATE: August 1998
EDITION: 1st paperback in US
COPYRIGHT: 1996 by author
COVER ARTIST: Jim Burns
ISFDB: Yes,
RATING:
NOTATION:
Stated 1st printing(per number line) of 1998 Harper ed.
INDEX: 0251 - Sorcerers of Majipoor - 18 - RS - IFB
CULPABILITY: All images posted are from publications owned by RC/\Weazel. RC/\Weazel performed image scanning, editing and the compiling of bibliographic data.
ISFDB: Internet Speculative Fiction Data Base.
RATING: On a scale of 1 to 10 with 10 being great and 1 don’t read.
NO entry indicates specific information not available from book.
QUOTE….“The study of history was oddly congenial to Joseph. There was a kind of poetry in it for him. He had always loved those flamboyant tales of far-off strife, the carefully preserved legends of the fabled kings and kingdoms of Old Earth. But they were just tales to him, gaudy legends, ingenious dramatic fictions. He did not seriously think that men like Agamemnon and Julius Caesar and Alexander the Great and Genghis Khan had ever existed”. Robert Silverberg from The Longest Way Home
BELINDA, saymon diaz, fotos, desnusa, jczr, tvnotas, tv notas, terra, sexo, sex, anal, porno, por, empresario Repuesta de Belinda ante el escándalo de las fotos con Symon Díaz cachicha19 | 10 de noviembre de 2010 siguenos en: twitter.com/cachicha o en: facebook.com/cachichaCategoría: Noticias y política
Etiquetas: Belinda_y_saymon beli_saymon_belinda_saymon lenceria_belinda
Saymon Diaz Belinda fotos calientes tv-notas novia escandalo
nuevo capítulo de Belinda en mujeres asesinas se dice q ella está por lanzar nueva linea de lenceria jczr tv notas tvnotas hoy televisa
Respuesta de Belinda ante el escándalo de las fotos con Symon Díaz
belinda y saymon díaz segun tv notas tvnotas.com
belinda_y_saymon_diaz_jczr_tvnotas_tv_notas_beli_sexo_desnuda_1_prensa_danna_hoy_televisa_carpe_diem symon diáz belinda y saymon diaz saymon jczr tv notas tvnotas mujeres asesinas 3 megan fox sexo porno sex intimas lenceria megan fox danna prensa xxx google youtube facebook twitter beli Carpe diem liguero lenceria
www.flickr.com/photos/55999340@N06/
01- Letra Religión. 02- Letra Culpable. 03- Letra Duele. 04- Letra Wacko. 05- Letra Planeta. 06- Letra Bossa. 07- Letra Mueve. 08- Letra Lolita. 09- Letra Egoísta. 10- Letra Cuida De Mi. 11- Letra Amor Transgénico. 12- Letra Eventos Desafortunados. 13- Letra Sal De Mi Piel. 14- Letra Dopamina.
Saymon y belinda, fotos, imágenes, empresario, jczr, tvnotas, lenceria, desnuda sexo, pornp, anal, culona, beli carpe diem belinda, saymon, diaz, fotos, imagenes, empresario, jczr, tvnotas, lenceria, desnuda, sexo, porno, anal, danna, prensa, beli, carpe, diem, sex, porn, xxx, chiches belinda_y_saymon_diaz_fotos_jczr_lolita, beli belinda, saymon, diaz, beli, tetas, jczr, nalgas, carpediem, dopamina, culo, img.
belinda_y_saymon_diaz_jczr_tvnotas_fotos_imagenes
TITLE: Alien Debt
AUTHOR: F.M. Busby 1921-2005
TYPE: paperback Novel
PUBLISHER: Bantam 24176
COPYRIGHT: 1984 by author
ISBN: 0-553-24176-1
EDITION:
PUB DATE: June 1984
PAGES: 226
COVER PRICE: $2.75
COVER ARTIST: credited Wayne Barlowe
ISFDB: Yes
COMMENTS: It is said that the woman in the cover illustration was based upon the author’s wife.
CULPABILITY: All images posted are from publications owned by RC/\Weazel. Image scanning, editing and the compiling of bibliographic data was performed by RC/\Weazel.
ISFDB: Internet Speculative Fiction Data Base.
RATING: On a scale of 1 to 10 with 10 being great and 1 don’t read.
NO entry indicates specific information not available from book.
QUOTE….“He learned about pain and death from an ugly dying dog. It had been run over and lay by the side of the road…. To understand what the dog was saying he put his hand on its stumpy tail. “Who mandated this death for you?” he asked the dog. “What have you done?” “I did nothing,” the dog replied. “But this is a harsh death.” “Nonetheless,” the dog told him. “I am blameless.” from The Divine Invasion by Philip Kindred Dick
Old cigarette advertising can always be counted on for an extra smirk or two because the deceit tends to be obvious and in your face, refuted by science and common sense. This one, for example, has plenty to snicker about (smoking, it turns out, is all about fitness and weight loss). But it also carries a measure of sadness. There's no linkage, that I know of, between Gershwin's death from a brain tumor and his smoking but think of all the other Gershwin's whose careers were truncated by smoking. The poignance of what-might-have-been will always be part of Gershwin's legacy but here it adds a level of creepiness and culpability.
Ella es mi hermana menor la que me ase pasar mas rabias y que cn sus estupideses me ase reir que cn sus escandalos de malcriiada me ase correr y la culpable de que me digan TITI¬¬
Fuego, agua, explosiones de confetti, saltos de plataformas, y muchas cosas más hubo durante el rodaje en Banzai Studio de “Culpable” el recién estrenado video clip de David Bisbal dirigido por Dani de la Orden.
“Culpable” contiene un magnífico plano secuencia en el que aparecen unos 10 decorados. En Banzai Studio construimos todos los sets.
Productora: Playtime Movies
Director: Dani de la Orden
1r Ayudante dirección: Dídac Meya
2º Ayudante dirección: Júlia Martín
Auxiliar dirección: Carlota Meya
Directora de producción: Cristina Tapia
Ayudante producción: Armando J. Rios
Auxiliar de producción: Anna Salgado
DoP: Ricard Canyellas Guasch
Foquista: Andrea Leria
Co-Directora de Arte: Carla Moreno Coll
Co-Directora de Arte: Vicki Viñas
Ayudante de Arte: Marta Salazar
Ayudante de Arte: Guille Fernández Santana
Ayudante de arte: Gemma Tagliata Vinyals
Maquillaje y Peluquería: Ana Cano
Vestuario: Núria Sala Huguet
Supervisor MFX: Lluís Rivera
Actriz: Kimberley Tell
www.youtube.com/watch?v=X6FUrfHYRQE
www.vevo.com/watch/david-bisbal/culpable/ES1701400151
Making of:
Joran Van Der Sloot se declarará culpable del asesinato de Stephany Flores y revela que enseña inglés a carceleros
In 1992 artist Nick Cave sat in a Chicago park, still reeling from news of the Rodney King beating and ensuing Los Angeles riots. Feeling Vulnerable and that he -- like any African American man -- could be targeted, he gathered Sticks from the ground. At the studio, he turned these sticks into his first Soundsuit, a wearable Sculpture and defensive shell. Often seen as a celebration of movement and material, Cave's Soundsuits mask the body, erasing identity. Now, more than twenty years later, Cave takes us inside the belly of one of his iconic sculptures with this immersive installation Until -- a play on the phrase "innocent until proven guilty" or, in this case, "guilty until proven innocent." Cave's work began as a protective response to violence, and, with Until, he tackles the recent deaths of African Americans in the United States -- Trayvon Martin, Eric Garner, Tamir Rice, Oscar Grant... the list goes on -- eulogizing these victims while providing a platform for civil discourse, debate, and, ultimately, hope.
Until began with a question Cave asked himself: Is there racism in heaven? Instead of providing a direct answer, Cave offers us an experience. Across this space, visitors traverse a sculptural forest of metallic lawn ornaments --punctuated by images of guns, bullets, and targets, positioning us all as culpable, vulnerable, and potentially under attack --before arriving at a crystal cloud topped by a garden of found ceramic birds, metal flowers, and black-face lawn jockeys. By removing the lawn jockeys (cast-iron figurines and racist remnants) from circulation, Cave transforms them into agents for change, placing beaded nets in their hands as dream catchers. Our journey through Until continues to a cliff wall constructed of millions of woven plastic beads, an immersive video, and a metaphoric cleansing in a Mylar waterfall.
Until is also a site for performances and community engagement, with the immersive installation becoming a stage for testimonials, music, dance, poetry, and discussion. In the end, Cave takes off the protective mask his Soundsuits. Once provided, offering an environment to discuss important issues in a space that is at Once Seductive, provocative, and -- ultimately -- optimistic.
Cité Mémoire is a multi-media tableaux taking place in Montreal Canada during summer 2017. Projections throughout the streets, sidewalks and walls of Old Montreal tell the story of the city’s history through light and sound. Even if you’re not in Montreal this summer, you can still experience Cité Mémoire by downloading the app here: www.montrealenhistoires.com/en/mobileapplication/
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Marie-Josèphe dite Angélique was a Portuguese-born black slave in New France (later the province of Quebec in Canada). She was accused, tried and convicted of setting fire to her owner's home, burning much of what is now referred to as Old Montreal. In the early evening hours of Saturday, April 10, 1734, a fire had started on the south side of rue Saint-Paul and rapidly spread, eventually destroying nearly fifty structures.
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At the time, French law allowed a suspect to be arrested based on "public knowledge", when the community agreed that a suspect was guilty. During a six week trial, the prosecution called several witnesses, none of whom testified to having seen Angélique set the fire, but all of whom claimed they were certain that she had done it. They testified at length as to Angélique's character as a badly behaved slave who often spoke back to her owners, but no solid evidence was presented as to her culpability for the fire.
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Angelique was convicted, but because she refused to confess, or name her accomplices, she was tortured using a device known as a boot, which consisted of an assemblage of wooden planks bound to the prisoner's legs. A wedge is then driven between the planks, thus applying increasing pressure which gradually crushes the prisoner's legs. She finally confessed and begging to end her misery, Angélique was taken one last time through the streets of Montreal and, after the stop at the church for her “amende honorable” and facing the ruins of the buildings destroyed by the fire was hanged, then strangled and her body flung into the fire, the ashes scattered in the wind.
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It has been generally accepted that Angélique was guilty, but it has recently been argued that she was innocent of the crime and was convicted more on the basis of her reputation as a rebellious runaway slave than on the basis of factual evidence.
.
No consensus has ever been reached among historians regarding Angélique's actual guilt or innocence.
'Trial in High Court 16th July 1877. Lord Justice Clerk Moncrieff.
for Crown Solicitor General (MacDonald) and Burnet. a. 8.
for Panel MacIntosh and G. R. Gillespie.
Plea Not Guilty - Verdict (unanimous) Guilty of Culpable Homicide.
Sentence Ten years Penal Servitude.'
Sp Coll Mu Add. f50-51
cuando sopla el viento con fuerza
el caminar de las nubes es volar
con mucha diligencia sin perder
el compás del tres por cuatro
cuando es tiempo de vals
que eso tenemos que aprender
para ser más diligentes
a la hora del madrugar
ya que los negligentes siempre
irán detrás a la hora de bailar
y siempre tomarán la más fea
moza del lugar, pues tiempos
de no perder, están por llegar
¡¡ si no es que han llegado ya !!
Robert Jenkins hands a swooning Prime Minister Robert Walpole his Spanish-sliced ear which led to the War of Jenkin's Ear in1739. His companions lift off his wig to show the scar while one of Walpole's associates displays total indifference, preferring to converse with a lady. Satirical Cartoon, 1738, British Museum.
Returning home from the West Indies in command of the brig Rebecca in April 1731, Captain Jenkins' ship was stopped and boarded by the Spanish guarda-costa La Isabela. Though no proof of smuggling had been found her commander, Captain Julio León Fandiño, had Jenkins bound to a mast, then sliced off one of his ears with his sword and told him to say to his King "same will happen to him (the king) if caught doing the same".
There are various conflicting contemporary stories about this episode. Jenkins was allowed to appear before the king with his story shortly after his return to England in June the same year but the matter was dropped and only revived again during the agitation of 1738 when political capital was eventually made out of the incident. Brooke in his 1806 History of St. Helena relates that: Captain Jenkins was insulted, tortured, and had one of his ears torn off, which, upon his arrival in England, he exhibited at the bar of the House of Commons, and, being asked by a member what he thought and did when they mangled him, made that memorable reply, "I committed my soul to God, and my cause to my country."
The evidence from parliamentary records is inconclusive. It is recorded in the House of Commons Journal that on 16 March 1738 it was 'Ordered, that Captain Robert Jenkins do attend this House immediately'. He obviously did not do so because again on 17 March it was 'Ordered, That Captain Robert Jenkins do attend, on Tuesday morning next, the Committee of the whole House to whom the Petition of divers merchants ... interested in the British plantations in America ... and many others is referred'. After that there is no mention of him at all, even though reference is made to the petitions 'of divers merchants ...' etc. several times on 21-22, 28 and 30 March. The MP William Pulteney, however, refers to the Jenkins case in a speech after the Committee had reported to the House and other contemporary accounts state that Jenkins did in fact appear before the Committee.
Unfortunately detailed records of the proceedings of the Committee of the whole House do not exist for this period. According to the Dictionary of National Biography Jenkins produced something which he asserted was the ear which was cut or torn off, which suggests that it need not have been the actual ear. Indeed, it seems highly improbable that he would have kept it for seven years. After all, he was not to know in 1731 that his story was going to be brought back into the limelight and become an important factor in bringing about war with Spain so many years later. During the popular excitement following the Committee's report it was said that Jenkins paraded around showing off his 'ear' wrapped in cotton wool and kept in either a box or a bottle. Producing the alleged ear in the House of Commons (described as a retrospective put-up job) helped to force Walpole into what became known as the ‘War of Jenkins’ Ear’ against Spain in 1739, which then merged into the War of the Austrian Succession between 1740 and 1748
The second administration of Governor Pyke, starting in March 1731, was notable for his arbitrary conduct. White inhabitants were ignominiously whipped and imprisoned for trivial offences and military officers fined and suspended without courts martial. He was eventually judged unfit to be any longer trusted with the power he so grossly abused, the Court of Directors dismissed him, but prior to the receipt of their orders to this effect, in July 1738, he died. The Court then confirmed the senior member of Council, Mr John Goodwin, as Governor. The next ranking individual was Mr. Duke Crisp who Brooke describes as; “a man not deficient in talents, and possessed of no common share of knavery and cunning. He was concerned in trade with Governor Goodwin, had an entire influence over him, and was, in fact, the grand spring which regulated all the measures of Council. The Company's lands were disposed of for a tenth part of their value, the stores embezzled, the most infamous frauds committed by erasure and false entries, and the treasury robbed of nearly four thousand pounds”.
In 1739 Goodwin died and Crisp succeeded him as acting Governor but he had neglected to give a due share of the plunder to G. Powel, one of his colleagues in Council, a man still more artful than himself, and equally devoid of principle. Powel turned informer, and from the nature of the intelligence he secretly transmitted to London, it was judged proper that a person of integrity should be immediately sent out, with extraordinary powers, to investigate the charges, and even, if necessary, to supersede the Governor and Council. The man selected for this was Robert Jenkins who was appointed Supervisor of all the Company's affairs at St. Helena. Under this title he left for the island, where he arrived in May, 1741, and, pursuant to his instructions, landed in the first boat, and immediately proceeded to the Castle, accompanied by Mr. John Godfrey, his assistant. Announcing that he had charge of dispatches, a Council was instantly assembled. He then opened his commission, summoned the chief Supercargoes, and Captains of the Company's ships then at the island, and in their presence demanded the keys of the treasury. The cash found, and counted on the spot, amounted to only six pounds sterling. Mr. Crisp and the rest of the Council (with the exception of Mr. Powel), were declared to be no longer in the Company's service, and Jenkins assumed the government and formed a Council. A thorough investigation was started and most ample proof found in support of the accusations made by Mr. Powel, who was in consequence made second in Council; and the estates of the guilty were seized to the extent of the Company's losses, which were calculated at six thousand two hundred and eighty-four pounds.
May 9th 1741.—Governor Robert Jenkins arrived with Powell as deputy Governor—and Mr. Godfrey 3rd in Council. Agreeable to our Hon. Master's orders we immediately demanded of Messrs. Duke Crispe and Bazett the keys of the Castle. We found Cash in notes £94 7 6 and the Cash Book brought up to 31st March by which there appears to be due to the Company only £6 19 0.
Mr. Crispe and Bazett being told they were not to go hence until they have satisfied our just demands they answer the late Mr. Goodwin was cashere they therefore consider him to be wholly culpable with respect to the deficiency. Resolved, as they have refused to give the security asked that there be a guard upon their persons until the Dane ship now riding in the road was sailed.
Letter from Gov. Jenkins to Directors, 11th May 1741.—Your Honours Estate here is in a worse condition than we expected. The frauds are so errant and so open that Mr. Crispe and Mr. Bazett have confessed them only they scruple being made accountable. Mr. Goodwin we find (unhappily for him) was concerned with Mr. Crispe. We would if we could point out who has been the chief actor therein but all that we are able to say is that it is evident that Mr. Crispe has been the wheel by which the other two have blindly moved—the total deficiency is £6284. The Estates of the late Mr. Goodwin and Mr. Bazett are more than sufficient to make good their proportions. Mr. Crispe gave an Inventory 1st of £1,427, afterwards one of £2,461—now we assure your Honours we know not what to say of this gentleman.
Council Proceedings 10th June.—Mr. Crispe owns to having burnt papers and letters which were taken by him from a file of Mr. Goodwin's a few hours after he died. Council agreed that Mr. Crispe appears to us in such colours as is not possible for us to paint.
June 4th 1742.—Mr. Crispe finds Bonds for £1145 and is allowed to leave by next ship.
Jenkins, having executed his commission, was succeeded by Major Lambert who arrived on the 22nd of March, 1742, in the ship Harrington, of which Captain Jenkins was directed to assume the command for the remainder of the voyage. Lambert didn’t last long as Governor, dying on July 20th the same year and nothing further is on the record relating to Robert Jenkins, though he is remembered in the name of one of the houses at Prince Andrew School. During his time on the island Jenkins lived in a cottage on the Sandy Bay road, on the right after the Baptist Chapel (nearly as far as it was possible to be from Jamestown!!)
www.bweaver.nom.sh/brooke/brooke_ch6.html
www.bweaver.nom.sh/janisch/janisch_1725-49.html
www.parliament.uk/business/publications/parliamentary-arc...
Sólo mirenme como un individuo en el limbo de los procesos, intentando fusionar los inicios con lo finales para tener la fotografia perfecta que identifique claramente el TODO.
Casi siempre sé como son los comportamientos de las personas. a veces los mios. Sólo Agradecer es lo que puedo hacer, y lo basura y escoria que soy, no les haga efecto. La sensación de perderlo todo, de sentir que hay búsqueda de culpables, de no mirarse a sí mismo, de estar falsamente encubriendo nuestros errores para salir victoriosos pero destruidos, lleva al caos interno que siempre está presente y florece por el Instinto, que siempre tiene claro los objetivos poruqe no los piensa. Es malinterpretado, pero siempre de admiración. El grado de Evolución mental de escuchar el poder visionario de la mente y el cuerpo, inevitablemente lleva al colapso las situaciones en este sistema.
...De vuelta al origen...: www.youtube.com/watch?v=RiV_ue-PbL4
Yo creo en la Armonía. Quien desarmoniza, sabe muy bien que lo hizo porque es un impulso natural, quizás no conciente. El caos de este momento, es un reflejo solamente del yo interior encausado en otras filas.
Compute - Soulwax
All we ever wanted
is to know how the shake off every impulse
looking up evolution's skirt
to see what the future will bring
The thing that smacks our nostrils
track down it's origin and reason
and somehow we just can't help but feel
we beat up the wrong guy
Everything seems to work fine
but something doesn't compute
it does not compute
Everybody's feelin' alright
but something doesn't compute
it does not compute
The answers gone to waste
the question is wrapped in hesitation
but all the handshakes in the world
couldn't grasp why this is absurd
Everytime this happens
some repsentative of instinct
slips you his business card and leaves you
to figure out what it means
This sinking feeling
that there's more than meets the eye
You just have to wonder why
(proporción aúrea)
мир
© Andrew Bossi, flic.kr/s/aHsjXUgY4p
-----------------------------------------
2014 May 2
Today one friend (Pro-Ukraine) missed being shot by less than a meter. Another (Pro-Russia) was beaten by opposing protesters. And another (Pro-Ukraine) was lit on fire by a Molotov cocktail. ...And I *saw* that last one as it happened on a livestream. And what happened at Odessa's Trade Union Building today is an absolute travesty. If you aren't paying attention to what has been happening, is happening, and what is still to come: you should be.
What is going on in Ukraine is sickening, and worsened in that at the start of this year these same people were friends. You don't throw rocks or tear up cobblestones, toss Molotovs or fill the bottles, fire bullets or stand beside them & expect none of that is intended to kill. Those of both sides who contribute to the carnage are as culpable as those who perform it.
Behind every front line of thugs is a mindless mob, and behind every mindless mob -- to some glimmer of hope -- are the good people, ignored, who will pickup the fallen and clean the mess of both sides.
Fuego, agua, explosiones de confetti, saltos de plataformas, y muchas cosas más hubo durante el rodaje en Banzai Studio de “Culpable” el recién estrenado video clip de David Bisbal dirigido por Dani de la Orden.
“Culpable” contiene un magnífico plano secuencia en el que aparecen unos 10 decorados. En Banzai Studio construimos todos los sets.
Productora: Playtime Movies
Director: Dani de la Orden
1r Ayudante dirección: Dídac Meya
2º Ayudante dirección: Júlia Martín
Auxiliar dirección: Carlota Meya
Directora de producción: Cristina Tapia
Ayudante producción: Armando J. Rios
Auxiliar de producción: Anna Salgado
DoP: Ricard Canyellas Guasch
Foquista: Andrea Leria
Co-Directora de Arte: Carla Moreno Coll
Co-Directora de Arte: Vicki Viñas
Ayudante de Arte: Marta Salazar
Ayudante de Arte: Guille Fernández Santana
Ayudante de arte: Gemma Tagliata Vinyals
Maquillaje y Peluquería: Ana Cano
Vestuario: Núria Sala Huguet
Supervisor MFX: Lluís Rivera
Actriz: Kimberley Tell
www.youtube.com/watch?v=X6FUrfHYRQE
www.vevo.com/watch/david-bisbal/culpable/ES1701400151
Making of:
Several Americans, among the 21 captured GIs who decided to stay behind in North Korea, carry communist flags on a march to Panmunjom January 28, 1954 where they met with news media.
A mascot dog with a “Non-Repat” sign walks along with the marchers.
As the Red Scare of the late 1940s and 1950s continued in the United States, the prisoners who refused repatriation were labeled as “brainwashed” and fear of communists’ ability to shape people’s minds was spread across the country.
However most were African Americans who did not wish to return to face racial discrmination. Others agreed with their hosts that communism represented a better hope for mankind than the capitalism of the United States.
Most, though ultimately had difficulty adapting to the culture and language of the host country and eventually returned to the United States.
Prisoner repatriation was one of the greatest stumbling blocks in the long cease-fire negotiations between the forces of the United Nations and those of China and North Korea.
In June 1953, the two sides agreed that no prisoner who did not wish to be repatriated would be forced to do so (this had long been a sticking point in negotiations, with the Chinese and North Koreans wanting all prisoners returned to their home countries).
Prisoners who did not wish to go back to their home countries would be given 90 days in a neutral compound near Panmunjom to reconsider before being allowed to stay in enemy territory. Following the armistice that was signed on 27 July 1953, effectively ending the Korean War (South Korea never signed), the main prisoner exchange was free to proceed.
One British and 23 American soldiers (along with 327 South Koreans) refused to be returned to their homelands. Two, Corporal Claude Batchelor and Corporal Edward Dickenson, changed their minds before the 90-day window expired. Both were court-martialed and sentenced to prison terms, with Batchelor serving 4½ years and Dickenson 3½.
This left 22 U.N. soldiers who voluntarily stayed with the Communists after the final exchange of prisoners. The 21 Americans were given dishonorable discharges.
This had the unintended consequence of rendering them immune to court-martial when they finally returned to the United States (which the majority eventually did), because they were no longer active-duty military. However, they were still criminally culpable for any acts of collaboration or offenses against fellow prisoners committed while they were POWs.
About 4 a.m. on February 24, 1954, a train carrying the 21 American defectors rumbled across the Yalu River into China. The Chinese soon shipped some of the men off to study language and politics. Others went to mills, factories, and farms across Eastern China.
For more random radicals, see flic.kr/s/aHske413N1
The photographer is unknown. The image is an auction find.
MAURICE GARIN (1871-1957) began his cycling career in 1892 when the secretary of the cycling club in Maubeuge persuaded him to sign up for the regional race Maubeuge-Hirson-Maubeuge pver 200 kilometers. Garin finished fifth in this race and decided to take part in competitions more often. It soon became clear that Garin was a talent. In 1893 he won a race over 800 kilometers in Paris, in 1894 he became first in a 24-hour race in Liège and in 1895 he booked a world record in the 500 km after derny.
Maurice also participated in the first three editions of PARIS-ROUBAIX.
In 1896, HE finished third in the first performance of the Paris-Roubaix cycling classic. A year, 1897, later he wrote the race on his name when he managed to stay ahead of the Dutchman Mathieu Cordang on the cycling track in Roubaix . In 1898, the victory in Paris-Roubaix went back to Garin. After a solo he reached the finish line with a twenty minute lead.
In 1900 Garin managed the finish on a thrird place.
In 1901 Maurice Garin won the second performance of the Paris-Brest Paris trial, which was held once every ten years. Garin put the 1208 kilometers in 52 hours 11 minutes and 1 second and reached the finish almost two hours ahead of the number two.
When Henri Desgrange organized the first TOUR DE FRANCE in 1903, Maurice Garin was the first cyclist to sign up. Although he was already 32 years old by now and in the autumn of his cycling career, he appeared on July 1 as the big favorite at the start in Montgeron, a suburb of Paris.
By winning the first stage, which went to Lyon over 467 kilometers, Garin immediately took the lead in the general classification. He would no longer lose this leading position. With victories in the fifth (Bordeaux-Nantes over 425 kilometers) and the sixth stage (the final stage Nantes-Paris over 471 kilometers) Garin even extended his lead. In the final classification he had almost three hours ahead of the number two, Lucien Pothier. Since then, the time difference between number one and two has never been greater. With his victory Garin earned 6000 francs, which was a considerable amount for that time.
In 1904 Garin also appeared as a big favorite at the start. Again he seemed to be making his favorite role coming true as he won, just like in 1903, the first stage. He kept the conquered lead to Paris. The lead on the number two, Lucien Pothier, was 'only' 3 minutes and 28 seconds, but on the other hand Garin had covered the 2428 kilometers more than an hour faster than in the previous year.
However, nothing happened two weeks after the last stage, when normally the final results would be announced. It was not until 2 December that it became clear why: Garin and the numbers two, three and four of the final classification were removed from the final ranking because they would have covered parts of the course by train.
Garin, who always denied (*) the allegations, was suspended for two years. Although he still participated in a single race in 1905, this suspension actually meant the end of his cycling career.
Garin invested his race winnings in a garage in the city of Lens, which he ran the rest of his working life.
(* by Bill McGann's bikeraceinfo) Garin publicly maintained his innocence, but historian Les Woodland found an old friend of Garin who said that in his old age Garin laughed about the 1904 Tour and acknowledged his culpability.
CAT
El passat dimarts 22 d’octubre, la Coordinadora d’Assemblees de Facultat (CAF) de la Universitat Autònoma de Barcelona (UAB) va okupar un espai en desús que futurament hagués cedit a la representació estudiantil institucional, i en tant que institucional còmplice i culpable de l’espoli i elitització que pateix l’educació pública, al campus de Bellaterra de la UAB. Aquest nous espai serà gestionat per estudiants mobilitzades i pels diferents col·lectius vetats des de les cúpules institucionals, i representa un pas més d’empoderament i de recuperació d’espais que sobirans de l’estudiantat.
CAST
El pasado martes 22 de octubre, la Coordinadora de Asambleas de Facultad (CAF) de la Universidad Autónoma de Barcelona (UAB) okupó un espacio en desuso que futuramente hubiera sido cedido a la representación estudiantil institucional, y en tanto que institucional cómplice y culpable del expolio y la elitización que sufre la educación pública, al campus de Bellaterra de la UAB. Este nuevo espacio será gestionado por las estudiantes movilizadas y por los diferentes colectivos vetados des de cúpulas institucionales, y representa un paso más de empoderamiento y de recuperación de espacios soberanos al estudiantado.
Els cargols a la petarrellada, secs i rematats al forn, són un clàssic d’aquesta casa i venen amb dues bones salses (vinagreta i allioli) per anar-los sucant. Doncs bé, els cargols estaven excessivament ressecs, clarament com si fossin del dia anterior i haguessin estat reescalfats. Ho vam comentar i de seguida ho van reconèixer i es van oferir a portar-nos una altra ració que, efectivament, estaven més al punt. Cal destacar que van reaccionar ràpid i sense qüestionar res (suposem que se sabien culpables) però això no justifica una lletja acció.
Seen here is the construction of a Dollar General store nearing completion at 5800 Buttermilk Hollow Road in Lincoln Place in Pittsburgh. Five years ago this same plot of land held Elks Lodge #11, which in late 2013 was held culpable for allowing a man to inbibe an estimated 17-21 beers at a "gun bash" on September 26, 2009, on its premises, after which he drove head-on into another vehicle while travelling at 70 MPH, killing two people, one directly and one indirectly, and injuring two others. His blood-alcohol level was found to be .226, almost three times the legal limit in Pennsylvania, and the crash occured about .2 miles, or 300 meters, from the parking lot. The family of the passenger who was killed in the crash itself sued the drunken driver and the Elks Lodge, which resulted in a jury award of $28 million in damages to the victims and their families. $10 million of that total were punitive damages against the Elks Lodge.
Imaginen contar con las condiciones perfectas para fotos magníficas: un día soleado, una bellísima chica sin experiencia en modelaje pero con mucha voluntad de posar, un parque muy escénico. Sin embargo las fotos apestan y el único culpable eres tú, el fotógrafo. Pero hay que ser preciso: no es al persona, si no que la técnica, que se puede cultivar. Y esa mejora proviene de ser honesto y volver siempre a analizar los errores.
Los errores que cometí son tantos, que me avergüenza reconocerlos. Pero hay ue dejar de lado la vergüenza para aprender: tomar pocas fotos, dar malas instrucciones para las poses, no saber poner en palabras eso que la modelo no es capaz de ver y que es lo más bello, no chequear el enfoque (ese día estaba obsesionado con manual), no cuidar los fondos y los contrastes de luz.
Algunos podrían decir que el error estuvo en la cámara. Pero mi misión de vida es demostrar que con una cámara ponit and shoot puedes lograr buenas fotos, siempre y cuando conozcas todos sus engranajes. Aún así, a veces, ese conocimiento técnico se tiene, pero las fotos salen mal igual.
A años de ver estas fotos, identifico concretamente lo que haría diferente. No siempre hay que contar los wins.
Mi equipamiento en esta foto: Canon PowerShot SX 240 hackeada con CHDK.
Ediciones: Muchas, para compensar mi ineptitud: Ajuste de blancos, curva de tonos, desaturación de rojo, magenta, violeta y azul. Desde RAW generado por CHDK, con Adobe Lightroom.
Mira más de ella aquí: www.flickr.com/photos/dewutroppa/54244090331/in/dateposte...
Imagine having the perfect conditions for great photos: a sunny day, a gorgeous girl with no modeling experience but a lot of desire to pose, a very scenic park. However, the photos suck and the only one to blame is you, the photographer. But you have to be precise: it's not the person, but the technique, which can be cultivated. And that improvement comes from being honest and always re-analyzing the mistakes.
The mistakes I made are so many that I'm ashamed to admit them. But you have to put shame aside to learn: taking few photos, giving bad instructions for the poses, not knowing how to put into words what the model is not able to see and that is the most beautiful, not checking the focus (that day I was obsessed with manual), not taking care of the backgrounds and light contrasts.
Some might say that the mistake was in the camera. But my mission in life is to show that with a point and shoot camera you can get good photos, as long as you know all its gears. Still, sometimes you have that technical knowledge, but the photos still come out bad.
After years of looking at these photos, I can specifically identify what I would do differently. You don't always have to count the wins.
My gear in this photo: Canon PowerShot SX 240 HS hacked with CHDK.
Edits: Many, to compensate my incomoetence: White balance; tone curve; red, magenta, violet and blue desaturation. From RAW generated by CHDK, with Adobe Lightroom.
Check more of her here: www.flickr.com/photos/dewutroppa/54244090331/in/dateposte...
other visual propaganda.......
UJC : Union de Jovenes Communistas (Young Communist League) . Founded
in 1962, simultaneously with The Communist Party of Cuba. Membership
is voluntary but selective (?) and currently stands at 600,000. But if one is
not "voluntarily" a member many job positions are not available to you !!
Estudio.Trabajo. Fusil....Work. Study. Rifle (Gun) !! Strange combination
of words. Or is there another translation for the word "fusil"? fight?
Corazón, ahora tienes que pedirte perdón
por creerte siempre feo y culpable
y sufrir cada vez que sale el sol.
TITLE: Kings of Dreams
AUTHOR: Robert Silverberg 1935-
TYPE: novel paperback
PUBLISHER: EOS
COVER PRICE: $7.50
ISBN: 0-06-102052-4
PAGES: 480
PUB DATE: May 2002
EDITION: 1st paperback; prior editions
COPYRIGHT: 2001 by author
COVER ARTIST: Jim Burns
ISFDB: yes, RATING:
NOTATION:
Stated 1st printing(per number line) of 2002 Eos ed.
Cover artist is unaccredited but its identical to the hc edition
INDEX: 0253 - Kings of Dreams - 20 - RS - IFB
PART OF TRILOGY:
Prestimion
1 Sorcerers of Majipoor (1997) by Robert Silverberg
2 Lord Prestimion (1998) by Robert Silverberg
3 The King of Dreams (2001) by Robert Silverberg
CULPABILITY: All images posted are from publications owned by RC/\Weazel. RC/\Weazel performed image scanning, editing and the compiling of bibliographic data.
ISFDB: Internet Speculative Fiction Data Base.
RATING: On a scale of 1 to 10 with 10 being great and 1 don’t read.
NO entry indicates specific information not available from book.
QUOTE….“The study of history was oddly congenial to Joseph. There was a kind of poetry in it for him. He had always loved those flamboyant tales of far-off strife, the carefully preserved legends of the fabled kings and kingdoms of Old Earth. But they were just tales to him, gaudy legends, ingenious dramatic fictions. He did not seriously think that men like Agamemnon and Julius Caesar and Alexander the Great and Genghis Khan had ever existed”. Robert Silverberg from The Longest Way Home
12 Angry Men is a play by Reginald Rose. It is about a jury member who persuades the other 11 members to change the verdict (guilty) they have given, on the basis of reasonable doubt.
The story begins after closing arguments have been presented in a homicide case, as the judge is giving his instructions to the jury. As in any American criminal case, the twelve men must unanimously decide on a verdict of 'guilty' or 'not guilty'. (In the American justice system, failure to reach a unanimous verdict, a so-called "hung jury", results in a mistrial.) The case at bar pertains to whether the young man murdered his own father. The jury is further instructed that a guilty verdict will be accompanied by a mandatory death sentence (something that could not happen in the current American legal system). These twelve then move to the jury room, where they begin to become acquainted with the personalities of their peers. Throughout their deliberation, not a single juror calls another by his name because the names are unknown by the jurors.
The story begins after closing arguments have been presented in a murder case, as the judge is giving his instructions to the jury. According to American law at the time, any jury that will decide whether the death penalty is appropriate must be unanimous. The question they are deciding is whether the defendant, an 18-year-old man,[1] murdered his father. The jury is further instructed that a guilty verdict will be accompanied by a mandatory death sentence - the electric chair (something that could not happen in the current American legal system). The jury of twelve move to the jury room, where they begin to become acquainted with each others' personalities and discuss the case.
The plot of the film revolves around their difficulty in reaching a unanimous verdict due, in some cases, to the jurors' prejudices. Juror #8 dissents in the initial voting, stating that the evidence presented is circumstantial and the boy deserves a fair deliberation, upon which he starts questioning the accuracy and reliability of the sole two witnesses to the murder, the fact that the knife used in the murder is not as unique as assumed (he produces an identical one from his pocket) and that the overall circumstances are rather shady.
His most fierce opponents - Jurors 3, 4 and 10 - claim that the boy's alibi is blotched, since he does not remember any detail from the movies he watched at the theatre the night of the murder and he has sufficient motivation to kill his father. His lack of memory, however, is excused by panic attack; also, one of the witnesses is accused of wanting attention whilst the other might have "witnessed" the murder without her glasses on. As the deliberation goes on, the jurors go on to vote not guilty - in order, Jurors 9, 5, 2, 11, 6, 7, 12, 1, 4, 10 and finally 3. Juror 9 makes up his mind at the very beginning, in a secret vote; after hearing his reasons and listening to the complaints of Jurors 7 and 10, Jurors 5 and 2 change their votes. After Jurors 11 and 6 also decide on "not guilty," 7 becomes tired and also votes "not guilty" just so that the deliberation may end. Juror 12 changes his mind after voting "not guilty," but switches back moments after; the jury Foreman, 1, also votes "not guilty". Juror 10 loses all favor or respect after indulging in a bigoted rant, after which he is told to "shut up" by Juror 4 - who in turn is convinced that the witness who "saw" the murder may be inaccurate in her account owing to the fact that she may not have been wearing glasses at the time.
Last of all is the adamant Juror 3, who, after a long confrontation with Juror 8, breaks down after glancing at and furiously tearing up a picture of him and his son, whom he hasn't seen in two years (his angry rage suggesting a probable falling out with the boy). All jurors leave and clear the accused of all charges off-screen. In the epilogue, the friendly Jurors 8 and 9 exchange surnames (all jurors have remained nameless throughout the movie) and the movie ends.
12 Angry Men (titulado en castellano como Doce hombres sin piedad (España) Doce hombres en pugna (Argentina / Venezuela)) es una obra teatral escrita por Reginald Rose. En 1957 se realizó su versión cinematográfica.
La película fue dirigida por Sidney Lumet, obteniendo cuatro nominaciones a los premios Oscar de la Academia. La película trata sobre un juicio de un homicidio en el que doce hombres tienen que deliberar sobre el futuro de un muchacho, dictaminando si el chico es culpable o inocente del asesinato de su padre. Todas las pruebas apuntan a que el chico es el culpable, por ello once de los doce miembros del jurado opinan que es culpable pero el miembro número 8 del jurado tiene en cuenta diferentes argumentos que se han citado en el juicio y hace que surja la duda sobre la culpabilidad del chico. De este modo poco a poco el miembro número 8 hace que los demás vayan cambiando de opinión y de que éstos se den cuenta de otros factores que no habían sido analizados en el juicio.
Aunque en esta foto lucimos sonrientes, la verdad es que en la práctica (de la cucaracha) teníamos otras caras y no necesariamente eran de satisfacción. Pobres cucas.... todo sea por la ciencia (¿?).
Lo que verán en las siguientes cuatro fotografías es la disección de una Cucaracha de Madagascar, esto realizado en una práctica de la materia de Fisiología de Insectos (obligatoria). Mis amiguitos biólogos recordarán viejos tiempos en el que hicimos esta práctica pero para la materia de Zoología de Invertebrados con el maestro Guajardo, solo que aquella ocasión abrimos Periplaneta americana (cucaracha común) ¿se acuerdan del olorcito??, bueno las de Madagascar no lo tienen, aunque el aspecto compensa muchas otras cosas desagradables.
Captain Scott's ill-fated South Pole 'Terra Nova' Expedition 1910 - 1913.
The Terra Nova Expedition, officially the British Antarctic Expedition, was an expedition to Antarctica which took place between 1910 and 1913. It was led by Robert Falcon Scott and had various scientific and geographical objectives. Scott wished to continue the scientific work that he had begun when leading the Discovery Expedition to the Antarctic in 1901–04. He also wanted to be the first to reach the geographic South Pole. He and four companions attained the pole on 17 January 1912, where they found that the Norwegian team led by Roald Amundsen had preceded them by 34 days. Scott's entire party died on the return journey from the pole; some of their bodies, journals, and photographs were found by a search party eight months later.
The expedition, named after its supply ship, was a private venture, financed by public contributions augmented by a government grant. It had further backing from the Admiralty, which released experienced seamen to the expedition, and from the Royal Geographical Society. The expedition's team of scientists carried out a comprehensive scientific programme, while other parties explored Victoria Land and the Western Mountains. An attempted landing and exploration of King Edward VII Land was unsuccessful. A journey to Cape Crozier in June and July 1911 was the first extended sledging journey in the depths of the Antarctic winter.
For many years after his death, Scott's status as tragic hero was unchallenged, and few questions were asked about the causes of the disaster which overcame his polar party. In the final quarter of the 20th century the expedition came under closer scrutiny, and more critical views were expressed about its organization and management. The degree of Scott's personal culpability, and more recently, the culpability of certain expedition members, remains controversial.
Salman Khan's jail sentence was suspended for 5 years on the Mumbai High Court pending appeal .The bollywood superstar will not go to jail now, and while his appeal against the lower court ruling is heard from the High Court, he will continue to be on bail.
Salman Khan's 2002 Toyota Land Cruiser ran over men sleeping on the pavement in front of the bakery group, killing a man and leaving four injured. May 6, additional sessions judge DW Deshpande took Salman Khan guilty of all the prosecution of seven charges including culpable homicide not equal murder, rash and drunk driving and driving without a valid license that has been sentenced to five years in prison.
Salman Khan's complaints are claimed in the High Court senior lawyer Amit Desai and Shrikant Shivade. Today is the last working day of the High Court, before it starts to an annual summer holidays until 8 June. So for now, until 8 june Salman Khan is at rest and can now concentrate on his upcoming projects.
Era el año de la ola de calor
de las camas improvisadas en el balcón
y del pic-nic en mi alfombra
donde juntos huíamos del sol.
Cada vez que me vuelvo a enamorar
estoy amándote a ti
Cada vez que te quiero olvidar
te amo un poco más.
Hay errores que no se acaban de pagar
y hay pasiones que no se acaban de apagar.
Soy culpable de quererte
soy culpable de lo que quieras tú.
Cada vez que me vuelvo a enamorar
estoy amándote a ti.
Cada vez que te quiero olvidar
te amo un poco más.
letter of candidature to be invited with the BIENNALIST format to expose at the Vatican pavilion at the Venice Biennale 2013
dear Cardinal Gianfranco Ravasi ,
Please take in consideration my canditature to be include in the Vatican pavi
lion .
I am interest to exhibiti the BIENNALIST format activate the GENESIS .
I read you were looking for sponsors and I think it is an interesting issue as sometimes they can be the origin of our misery . I am also interest in the artistic work about Adam and EVE and culpability as well a reflection about power and encyclopedie .
I can come to a meeting at the Vatican and debate further proposition
best regards
Geoffroy
SAD AFFAIR AT THE GAS WORKS.
BURIED BY A FALL OF COAL
A singular accident at the Auckland Gas Works yesterday caused the death of a stoker named Mr James Watts. It appears that the deceased entered one of the rooms the works about 3 o'clock in the afternoon with the intention of moving some coal. From this room a shute leads down into a storage room below, and it is conjectured that while clearing away a pile of coal from the mouth of the shute, he fell into it and was covered by quantities of coal, which slipped down after him, and suffocated him. About an hour later, one of the men passing through the storage-room at the bottom of the shute noticed tho legs of deceased showing among the coal, and at once extricated the body. Dr. Mackellar was summoned, but found that life was extinct. Constable Finnerty, of the Freeman's Bay Station, conveyed the body to the morgue to await an inquest. Deceased was a married man about 30 years old, with a wife and four children, and lived in Brown-street, Ponsonby. The inquest commenced at 3 o'clock this afternoon.
paperspast.natlib.govt.nz/newspapers/AS19020723.2.35
THE FATAL ACCIDENT AT THE GASWORKS.
CORONER'S INQUEST.
A coroner's inquest, touching the death of the man, Jas. Watts, who lost his life on Tuesday afternoon through being suffocated by a fall of coal while working at the Auckland Gas Company's works, Nelson-street, was held before Mr. Gresham (city coroner), at Gleeson's Hotel, Hobson-street, yesterday, afternoon.
Dr. Robert Bedford, the first witness examined, stated that he was called to the works to deceased, and found the man quite dead. His appearance indicated that the cause of death was suffocation. There was nothing in the appearance of the body to suggest that deceased had been struck on the head by a lump of falling coal, the only marks being bruises on the chest, caused by pressure of the weight of coal.
Thomas Matthew Collins, coaler at the Auckland Gas Works, deposed to discovering deceased in the shute into which he had fallen, by noticing his trousers sticking through the shute when he (witness) went into the room below to fill his truck with coal. He and his mates extricated the body, getting it down into the coal tunnel, and carrying it out into the engine yard. Witness last saw deceased, who was always a steady man, alive about twenty minutes past three on Tuesday afternoon. He was then in the tunnel in company with another stoker, named Hyman, breaking coal. It was about five minutes past four when witness found the body in the shute.
James Lawford, shift foreman of the stoke hole, and of the coal shed and tunnel, said that it was part of his ordinary duty to get the coal from the coal shed down through the trap into the tunnel. Deceased had been constantly employed on that work, and knew his duties and responsibilities. He was a very steady man. Witness last saw him alive about three p.m. on Tuesday in the stoke hole. About a quarter of an hour before that time witness saw deceased on the joists of the No. 2 coal shed, where he was at the time engaged knocking stray pieces of coal off the joists. Work of that description might be dangerous. It was the duty of the day shift to see that the coal traps were full for the night. Deceased met his death at the first trap on the left. A man named William McArthur, a coaler, had told witness shortly before noon on Tuesday that there was no coal in the No.1 trap on the left, and that he was "far enough." By that he meant that he had gone as far with his work as he considered safe for himself. Witness told McArthur to work on the right side of the tunnel until he could get coal trimmed to the left. The deceased would not have known of the conversation. Witness knew that deceased was still working at the No 1 trap, on the left. About three o'clock witness had a conversation with the deceased—no one else was present. The deceased then asked witness what he as going to do about the No. 1 trap. Witness said he had not seen it, and asked deceased how it looked. Deceased said he thought he could get the planks up. That meant closing the trap up from below, and witness advised deceased "to take no chances," or words to that effect. Deceased said, "That will be all right. I can fix it." As soon as witness heard what had happened he went to the coal shed above, but from there could see no signs of deceased. The capacity of the big shed was, roughly speaking, about 4000 tons. The shed was where the fatality happened. As far as witness was aware the deceased had not been working at the No. 1 trap, on the left, prior to the conversation between them at three o'clock.
At this stage the coroner adjourned the Court till Monday, the 28th inst., at ten a.m., the jury being bound over in £10 each.
paperspast.natlib.govt.nz/newspapers/NZH19020724.2.78
THE GASWORKS FATALITY.
INQUEST.
The adjourned inquest touching the death of James Watts at the gas works on July 22 was resumed at Gleeson's Hotel this morning. Mr. Martin (of Devore & Martin) represented the widow and relatives of the deceased. Continuing his evidence, James Lawford said in his opinion deceased had gone up into the big shed to turn the coal into the tunnel, and in so doing was carried through the tunnel and into the position found. He considered that work in the shed was dangerous. It would be a safeguard against accident if ropes were placed on beams overhead. It was optional with the deceased to call in his mate to help him in the shed. Had deceased been in the company of another man it was probable that the accident would not have ended fatally. About four years ago a man was entombed by a fall of coal from an open trap. Since then printed orders had been issued instructing the men not to pass under open traps. After a short retirement the jury returned a verdict. "That death resulted from suffocation and pressure of coal." The jury were of opinion that nobody was culpably responsible for the death. They were also of opinion that work in the shed was dangerous, and two men should be employed, and ropes suspended from beams over each trap, and that the attention of the inspector of buildings be called to the case.
paperspast.natlib.govt.nz/newspapers/AS19020728.2.47
Plot 43: Ethel Ann Watts – Convulsions
James Watts – Stoker – Accidental death
Kate Charlton Watts (80) 28/1/1955
Plot 45: Henry Watts (65) 6/8/1928 – Gardener
John Thomas Watts (84) 24/10/1955
In Loving Memory of
JAMES,
dearly beloved husband
of Kate WATTS
accidentally killed at
the Auckland Gas Works
22nd July 1902
aged 35 years
Not gone from memory
Not gone from love
But gone to a Father's
Home above.
ETHEL ANN daughter of the above
died 15th April 1898: aged 1 year & 10 days
R.I.P
Erected by the employees of the
Auckland Gas Co.
DEATHS
WATTS.—Accidentally killed on July 22, 1902, James Watts, aged 35 years. The funeral will leave his late residence Brown-st., Ponsonby, to-morrow (Thursday), at 1.30 p.m., for Waikomiti. Frineds please accept this intimation.
paperspast.natlib.govt.nz/newspapers/AS19020723.2.59
WATTS.—On August 6, at Jellicoe Road, Manurewa, Henry, dearly beloved husband of Sarah Ann Watts; aged 65 years. Funeral will leave the above address to-morrow (Tuesday), at 2 p.m., for Waikumete.