View allAll Photos Tagged Culpability,
The Postcard
A postally unused postcard bearing no publisher's name.
Although the card was not posted, someone has written on the back:
"August 30th. 1950
by Seagull coach.
Showing the blacksmith's
shop across which weddings
took place from Robert Burns'
day up until 1943.
A man trap is also shown".
Gretna Green
Gretna Green is a village in the south of Scotland famous for runaway weddings.
It is in Dumfriesshire, near the mouth of the River Esk, and was historically the first village in Scotland, following the old coaching route from London to Edinburgh.
The Quintinshill Rail Disaster
The worst rail crash in British history (227 recorded deaths), occurred near Gretna Green.
It was a multi-train rail crash which occurred on the 22nd. May 1915 outside the Quintinshill signal box near Gretna Green.
Quintinshill box controlled two passing loops, one on each side of the double-track Caledonian Main Line linking Glasgow and Carlisle. At the time of the accident, both passing loops were occupied with goods trains, and a northbound local passenger train was standing on the southbound main line.
The first collision occurred when a southbound troop train travelling to Liverpool collided with the stationary local train.
A minute later the wreckage was struck by a northbound sleeping car express train travelling from London to Glasgow. Gas from the lighting system of the old wooden carriages of the troop train ignited, starting a fire which soon engulfed all five trains.
Such was the intensity of the fire that all the coal in the locomotive tenders was consumed. Gunfire added an eerie effect to the scene as small arms and rifle shells in the luggage vans began to explode in the intense heat.
Only half the soldiers on the troop train survived. Those killed were mainly Royal Scots soldiers heading for Gallipoli. The precise death toll was never established with confidence as some bodies were never recovered, having been wholly consumed by the fire, and the roll list of the regiment was also destroyed in the fire.
The last known survivor of the accident, Peter Stoddart, was interviewed by Michael Simkins in 1985. Simkins wrote in The Guardian in 2001:
I asked him about a story I had heard of an officer who went about the scene shooting men trapped in the burning wreckage. He replied:
"That was true. I saw that. He
was a Scottish gentleman.
But he had to".
There was a suspicion of a chuckle in his voice as he added:
"And there were one or two
other survivors who made
themselves scarce. They took
their opportunity".
The official death toll was 227 (215 soldiers, 9 passengers and three railway employees). Not counted in the 227 were four victims thought to be children, but whose remains were never claimed or identified. The soldiers were buried together in a mass grave in Edinburgh's Rosebank Cemetery, where an annual remembrance service is held.
An official inquiry, completed on the 17th. June 1915 for the Board of Trade, found the cause of the collision to be neglect of the rules by two signalmen. Both were charged with manslaughter in England, then convicted of culpable homicide after trial in Scotland. After they were released from a Scottish jail in 1916, they were re-employed by the railway company, although not as signalmen.
The Postcard
A postally unused M & L National Series postcard. The card was produced in Great Britain.
Gretna Green
Gretna Green is a village in the south of Scotland famous for runaway weddings.
It is in Dumfriesshire, near the mouth of the River Esk, and was historically the first village in Scotland, following the old coaching route from London to Edinburgh.
The Quintinshill Rail Disaster
The worst rail crash in British history (227 recorded deaths), occurred near Gretna Green.
It was a multi-train rail crash which occurred on the 22nd. May 1915 outside the Quintinshill signal box near Gretna Green.
Quintinshill box controlled two passing loops, one on each side of the double-track Caledonian Main Line linking Glasgow and Carlisle. At the time of the accident, both passing loops were occupied with goods trains, and a northbound local passenger train was standing on the southbound main line.
The first collision occurred when a southbound troop train travelling to Liverpool collided with the stationary local train.
A minute later the wreckage was struck by a northbound sleeping car express train travelling from London to Glasgow. Gas from the lighting system of the old wooden carriages of the troop train ignited, starting a fire which soon engulfed all five trains.
Such was the intensity of the fire that all the coal in the locomotive tenders was consumed. Gunfire added an eerie effect to the scene as small arms and rifle shells in the luggage vans began to explode in the intense heat.
Only half the soldiers on the troop train survived. Those killed were mainly Royal Scots soldiers heading for Gallipoli. The precise death toll was never established with confidence as some bodies were never recovered, having been wholly consumed by the fire, and the roll list of the regiment was also destroyed in the fire.
The last known survivor of the accident, Peter Stoddart, was interviewed by Michael Simkins in 1985. Simkins wrote in The Guardian in 2001:
I asked him about a story I had heard of an officer who went about the scene shooting men trapped in the burning wreckage. He replied:
"That was true. I saw that. He
was a Scottish gentleman.
But he had to".
There was a suspicion of a chuckle in his voice as he added:
"And there were one or two
other survivors who made
themselves scarce. They took
their opportunity".
The official death toll was 227 (215 soldiers, 9 passengers and three railway employees). Not counted in the 227 were four victims thought to be children, but whose remains were never claimed or identified. The soldiers were buried together in a mass grave in Edinburgh's Rosebank Cemetery, where an annual remembrance service is held.
An official inquiry, completed on the 17th. June 1915 for the Board of Trade, found the cause of the collision to be neglect of the rules by two signalmen. Both were charged with manslaughter in England, then convicted of culpable homicide after trial in Scotland. After they were released from a Scottish jail in 1916, they were re-employed by the railway company, although not as signalmen.
Cerca de los flamencos, cámara en mano, harta paciencia y una visita inesperada. Un can vecino, juguetón, cachorro presumo, se dedicó a espantar todas las aves cercanas. De todas maneras fue impresionante verles volar sobre nosotros.
Fuego, agua, explosiones de confetti, saltos de plataformas, y muchas cosas más hubo durante el rodaje en Banzai Studio de “Culpable” el recién estrenado video clip de David Bisbal dirigido por Dani de la Orden.
“Culpable” contiene un magnífico plano secuencia en el que aparecen unos 10 decorados. En Banzai Studio construimos todos los sets.
Productora: Playtime Movies
Director: Dani de la Orden
1r Ayudante dirección: Dídac Meya
2º Ayudante dirección: Júlia Martín
Auxiliar dirección: Carlota Meya
Directora de producción: Cristina Tapia
Ayudante producción: Armando J. Rios
Auxiliar de producción: Anna Salgado
DoP: Ricard Canyellas Guasch
Foquista: Andrea Leria
Co-Directora de Arte: Carla Moreno Coll
Co-Directora de Arte: Vicki Viñas
Ayudante de Arte: Marta Salazar
Ayudante de Arte: Guille Fernández Santana
Ayudante de arte: Gemma Tagliata Vinyals
Maquillaje y Peluquería: Ana Cano
Vestuario: Núria Sala Huguet
Supervisor MFX: Lluís Rivera
Actriz: Kimberley Tell
www.youtube.com/watch?v=X6FUrfHYRQE
www.vevo.com/watch/david-bisbal/culpable/ES1701400151
Making of:
letter of candidature to be invited with the BIENNALIST format to expose at the Vatican pavilion at the Venice Biennale 2013
dear Cardinal Gianfranco Ravasi ,
Please take in consideration my canditature to be include in the Vatican pavi
lion .
I am interest to exhibiti the BIENNALIST format activate the GENESIS .
I read you were looking for sponsors and I think it is an interesting issue as sometimes they can be the origin of our misery . I am also interest in the artistic work about Adam and EVE and culpability as well a reflection about power and encyclopedie .
I can come to a meeting at the Vatican and debate further proposition
best regards
Geoffroy
The Postcard
A postally unused postcard bearing no publisher's name.
Gretna Green
Gretna Green is a village in the south of Scotland famous for runaway weddings.
It is in Dumfriesshire, near the mouth of the River Esk, and was historically the first village in Scotland, following the old coaching route from London to Edinburgh.
The Quintinshill Rail Disaster
The worst rail crash in British history (227 recorded deaths), occurred near Gretna Green.
It was a multi-train rail crash which occurred on the 22nd. May 1915 outside the Quintinshill signal box near Gretna Green.
Quintinshill box controlled two passing loops, one on each side of the double-track Caledonian Main Line linking Glasgow and Carlisle. At the time of the accident, both passing loops were occupied with goods trains, and a northbound local passenger train was standing on the southbound main line.
The first collision occurred when a southbound troop train travelling to Liverpool collided with the stationary local train.
A minute later the wreckage was struck by a northbound sleeping car express train travelling from London to Glasgow. Gas from the lighting system of the old wooden carriages of the troop train ignited, starting a fire which soon engulfed all five trains.
Such was the intensity of the fire that all the coal in the locomotive tenders was consumed. Gunfire added an eerie effect to the scene as small arms and rifle shells in the luggage vans began to explode in the intense heat.
Only half the soldiers on the troop train survived. Those killed were mainly Royal Scots soldiers heading for Gallipoli. The precise death toll was never established with confidence as some bodies were never recovered, having been wholly consumed by the fire, and the roll list of the regiment was also destroyed in the fire.
The last known survivor of the accident, Peter Stoddart, was interviewed by Michael Simkins in 1985. Simkins wrote in The Guardian in 2001:
I asked him about a story I had heard of an officer who went about the scene shooting men trapped in the burning wreckage. He replied:
"That was true. I saw that. He
was a Scottish gentleman.
But he had to".
There was a suspicion of a chuckle in his voice as he added:
"And there were one or two
other survivors who made
themselves scarce. They took
their opportunity".
The official death toll was 227 (215 soldiers, 9 passengers and three railway employees). Not counted in the 227 were four victims thought to be children, but whose remains were never claimed or identified. The soldiers were buried together in a mass grave in Edinburgh's Rosebank Cemetery, where an annual remembrance service is held.
An official inquiry, completed on the 17th. June 1915 for the Board of Trade, found the cause of the collision to be neglect of the rules by two signalmen. Both were charged with manslaughter in England, then convicted of culpable homicide after trial in Scotland. After they were released from a Scottish jail in 1916, they were re-employed by the railway company, although not as signalmen.
Fuego, agua, explosiones de confetti, saltos de plataformas, y muchas cosas más hubo durante el rodaje en Banzai Studio de “Culpable” el recién estrenado video clip de David Bisbal dirigido por Dani de la Orden.
“Culpable” contiene un magnífico plano secuencia en el que aparecen unos 10 decorados. En Banzai Studio construimos todos los sets.
Productora: Playtime Movies
Director: Dani de la Orden
1r Ayudante dirección: Dídac Meya
2º Ayudante dirección: Júlia Martín
Auxiliar dirección: Carlota Meya
Directora de producción: Cristina Tapia
Ayudante producción: Armando J. Rios
Auxiliar de producción: Anna Salgado
DoP: Ricard Canyellas Guasch
Foquista: Andrea Leria
Co-Directora de Arte: Carla Moreno Coll
Co-Directora de Arte: Vicki Viñas
Ayudante de Arte: Marta Salazar
Ayudante de Arte: Guille Fernández Santana
Ayudante de arte: Gemma Tagliata Vinyals
Maquillaje y Peluquería: Ana Cano
Vestuario: Núria Sala Huguet
Supervisor MFX: Lluís Rivera
Actriz: Kimberley Tell
www.youtube.com/watch?v=X6FUrfHYRQE
www.vevo.com/watch/david-bisbal/culpable/ES1701400151
Making of:
Fuego, agua, explosiones de confetti, saltos de plataformas, y muchas cosas más hubo durante el rodaje en Banzai Studio de “Culpable” el recién estrenado video clip de David Bisbal dirigido por Dani de la Orden.
“Culpable” contiene un magnífico plano secuencia en el que aparecen unos 10 decorados. En Banzai Studio construimos todos los sets.
Productora: Playtime Movies
Director: Dani de la Orden
1r Ayudante dirección: Dídac Meya
2º Ayudante dirección: Júlia Martín
Auxiliar dirección: Carlota Meya
Directora de producción: Cristina Tapia
Ayudante producción: Armando J. Rios
Auxiliar de producción: Anna Salgado
DoP: Ricard Canyellas Guasch
Foquista: Andrea Leria
Co-Directora de Arte: Carla Moreno Coll
Co-Directora de Arte: Vicki Viñas
Ayudante de Arte: Marta Salazar
Ayudante de Arte: Guille Fernández Santana
Ayudante de arte: Gemma Tagliata Vinyals
Maquillaje y Peluquería: Ana Cano
Vestuario: Núria Sala Huguet
Supervisor MFX: Lluís Rivera
Actriz: Kimberley Tell
www.youtube.com/watch?v=X6FUrfHYRQE
www.vevo.com/watch/david-bisbal/culpable/ES1701400151
Making of:
Respirando tu aire soñando tus sueños hoy quiero que sepas que tu estas en ellos, que eres la culpable de todos mis desvelos quiero que comprendas que tu eres mi anelo me paso los dias,las noches enteras pensando en el amor que corre por mis venas pensando que buscaban y que me quiesiera y que al final encontre alguien que vale la pena y quiero confezarte que mi vida eres tu
el angel de mi guarda la que me entrega su luz el que ilumina el callejon sin salida el que le ha dado una esperanza a mi vida... ♫ ♥
A fairly standard (if somewhat blurry) picture of an late 19th century footballer. So why have I bothered to colourise him?
This is John McCoy (alias John McKie) of Southampton, a fairly competent right-back. Nothing to separate him from the bulk of players around in the late 1890s.
But on a Tuesday morning, October 23, 1906, the ex-Southampton footballer walked into Cumnock Police station in Ayrshire and, according to the Cumnock Chronicle, “quietly” informed the on-duty sergeant that he had “just cut his wife’s throat and he had called to give himself up”.
And so it was.
What had driven John McCoy to such a desperate act? Unfortunately, he chose not to take the stand during his trial, his defence team instead stating “that at the time when the accused is alleged to have committed the crime charged against him he was insane, and was subject to and acted under the influence of a maniacal paroxysm and sudden uncontrollable insane impulse which deprived him of his senses”.
The Southern Evening Echo – who were also reporting the story with great interest - remembered him as being “a dashing defender, just over average height, lithe in build and with curly flaxen hair; he was the ‘beau ideal’ of a footballer”.
A picture emerged of a tortured soul temporarily unbalanced by a massive sustained indulgence in alcohol, in the days leading up to the murder, a lack of any clear motive and the fact the case for the Crown did not produce sufficient medical evidence to “meet the special plea of the defence” was, just about, enough to spare John the hangman’s noose.
After just 20 minutes, the jury – following direction from the judge - returned with a verdict of culpable homicide and John McCoy, ex-Southampton and Hampshire County footballer was sentenced to ten years penal servitude.
We talk today of players under stress and acting out of character. Bear a thought for the tortured mind of John McCoy.
(Original image and background information from Duncan Holley)
letter of candidature to be invited with the BIENNALIST format to expose at the Vatican pavilion at the Venice Biennale 2013
dear Cardinal Gianfranco Ravasi ,
Please take in consideration my canditature to be include in the Vatican pavi
lion .
I am interest to exhibiti the BIENNALIST format activate the GENESIS .
I read you were looking for sponsors and I think it is an interesting issue as sometimes they can be the origin of our misery . I am also interest in the artistic work about Adam and EVE and culpability as well a reflection about power and encyclopedie .
I can come to a meeting at the Vatican and debate further proposition
best regards
Geoffroy
TITLE: Synthajoy
AUTHOR: D.G. Compton 1930-
TYPE: paperback novel
PUBLISHER: Ace SF Special [1] #H-86 / #020-08086
COVER PRICE: $.60
ISBN:
PAGES: 189
COPYRIGHT by author
PUB DATE: 1968
EDITION: 1st edition
COVER ARTIST: Leo Dillon and Diane Dillon
ISFDB: Yes
NOTATION:
INDEX: 0373b - Synthajoy - DJC - 01 - IFB
CULPABILITY: All images posted are from publications owned by Cadlwalader Ringgold /\ Weazel. Cadwalader Ringgold /\ Weazel performed image scanning, editing and the compiling of bibliographic data.
ISFDB: Internet Speculative Fiction Data Base.
RATING: On a scale of 1 to 10 with 10 being great and 1 don’t read.
NO: entry indicates specific information not available from book.
Fuego, agua, explosiones de confetti, saltos de plataformas, y muchas cosas más hubo durante el rodaje en Banzai Studio de “Culpable” el recién estrenado video clip de David Bisbal dirigido por Dani de la Orden.
“Culpable” contiene un magnífico plano secuencia en el que aparecen unos 10 decorados. En Banzai Studio construimos todos los sets.
Productora: Playtime Movies
Director: Dani de la Orden
1r Ayudante dirección: Dídac Meya
2º Ayudante dirección: Júlia Martín
Auxiliar dirección: Carlota Meya
Directora de producción: Cristina Tapia
Ayudante producción: Armando J. Rios
Auxiliar de producción: Anna Salgado
DoP: Ricard Canyellas Guasch
Foquista: Andrea Leria
Co-Directora de Arte: Carla Moreno Coll
Co-Directora de Arte: Vicki Viñas
Ayudante de Arte: Marta Salazar
Ayudante de Arte: Guille Fernández Santana
Ayudante de arte: Gemma Tagliata Vinyals
Maquillaje y Peluquería: Ana Cano
Vestuario: Núria Sala Huguet
Supervisor MFX: Lluís Rivera
Actriz: Kimberley Tell
www.youtube.com/watch?v=X6FUrfHYRQE
www.vevo.com/watch/david-bisbal/culpable/ES1701400151
Making of:
Fuego, agua, explosiones de confetti, saltos de plataformas, y muchas cosas más hubo durante el rodaje en Banzai Studio de “Culpable” el recién estrenado video clip de David Bisbal dirigido por Dani de la Orden.
“Culpable” contiene un magnífico plano secuencia en el que aparecen unos 10 decorados. En Banzai Studio construimos todos los sets.
Productora: Playtime Movies
Director: Dani de la Orden
1r Ayudante dirección: Dídac Meya
2º Ayudante dirección: Júlia Martín
Auxiliar dirección: Carlota Meya
Directora de producción: Cristina Tapia
Ayudante producción: Armando J. Rios
Auxiliar de producción: Anna Salgado
DoP: Ricard Canyellas Guasch
Foquista: Andrea Leria
Co-Directora de Arte: Carla Moreno Coll
Co-Directora de Arte: Vicki Viñas
Ayudante de Arte: Marta Salazar
Ayudante de Arte: Guille Fernández Santana
Ayudante de arte: Gemma Tagliata Vinyals
Maquillaje y Peluquería: Ana Cano
Vestuario: Núria Sala Huguet
Supervisor MFX: Lluís Rivera
Actriz: Kimberley Tell
www.youtube.com/watch?v=X6FUrfHYRQE
www.vevo.com/watch/david-bisbal/culpable/ES1701400151
Making of:
A Kano Chief Magistrates’ Court, on Tuesday remanded a 16-year-old housewife, for allegedly poisoning her husband to death.
The defendant, who lives at Shittar village, Danbatta Local Government Area of Kano State, is facing a count charge of culpable homicide.
She was accused of poisoning t...
famzn.com/shocking-see-how-teenage-wife-killed-her-own-hu...
Fuego, agua, explosiones de confetti, saltos de plataformas, y muchas cosas más hubo durante el rodaje en Banzai Studio de “Culpable” el recién estrenado video clip de David Bisbal dirigido por Dani de la Orden.
“Culpable” contiene un magnífico plano secuencia en el que aparecen unos 10 decorados. En Banzai Studio construimos todos los sets.
Productora: Playtime Movies
Director: Dani de la Orden
1r Ayudante dirección: Dídac Meya
2º Ayudante dirección: Júlia Martín
Auxiliar dirección: Carlota Meya
Directora de producción: Cristina Tapia
Ayudante producción: Armando J. Rios
Auxiliar de producción: Anna Salgado
DoP: Ricard Canyellas Guasch
Foquista: Andrea Leria
Co-Directora de Arte: Carla Moreno Coll
Co-Directora de Arte: Vicki Viñas
Ayudante de Arte: Marta Salazar
Ayudante de Arte: Guille Fernández Santana
Ayudante de arte: Gemma Tagliata Vinyals
Maquillaje y Peluquería: Ana Cano
Vestuario: Núria Sala Huguet
Supervisor MFX: Lluís Rivera
Actriz: Kimberley Tell
www.youtube.com/watch?v=X6FUrfHYRQE
www.vevo.com/watch/david-bisbal/culpable/ES1701400151
Making of:
Os deseo un feliz año nuevo/nueve.
Con buenas relaciones con
los humanos que te rodean
los perros, perritos y perritas,
tu cuerpo y el de los demás,
el medio ambiente que te rodea.
1. En casa, 2. nux i hanna 0, 3. eyes of hanna, 4. On the table, 5. hanna observant, 6. Drop I, 7. Dansa Spacial, 8. The beach & Hanna 4,
9. Color i reflexes, 10. hanna sobre taula, 11. A day at the beach VIII, 12. Casi casi, 13. boies, 14. ROSES, 15. Cotó-en-pel, 16. Invitación,
17. Es van obrir les portes del cel ..., 18. loba rompe-macetas y rompe-regadíos, 19. Llàpissos 3, 20. The beach & Hanna 3, 21. Nux i el joguet roig, 22. Hanna and friends in a beach day I, 23. Solitud, 24. ARC,
25. vaixell, 26. hanna, 27. hannna, 28. está detrás de la palmera (creo yo), 29. M, 30. Ombres, 31. Posta de Sol, 32. Retrat,
33. ulls blaus, 34. A day at the beach IV, 35. A mí que me registren !, 36. Nux i Hanna, taques i taques, 37. two lips, 38. Hanna and friends in a beach day XI, 39. Joc 1, 40. the car,
41. Dancing, 42. hanna - white tail - rabo blanc, 43. Me enamoré de una bruja, 44. A punto de, 45. Eres un muermo, 46. Vértigo, 47. Tormenta sobre naranjos, 48. Hanna and friends in a beach day X,
49. Hi !, 50. NBA champion, 51. Flor de la figuera de pala, 52. Perseguint un reflex d'un CD - i 2, 53. hanna menjant sabates 1, 54. nux i hanna 4, 55. Hanna ja és una senyoreta, 56. hanna i nux,
57. Solaris, 58. A small kiss, 59. Segària, 60. Drop II, 61. b/n, 62. Hanna and friends in a beach day XIII, 63. Maçoneria 1, 64. Recuerda,
65. Dimarts Sant, 66. Parecen culpables, 67. Posta 2, 68. Museu de Murano, macro 1, 69. Cadena, 70. On vas ?, 71. Sant Blai de nit, 72. 22 days of life 11
Cando era neno e no tempo do inverno sobre todo era común ver aos rapaces con esta flor na boca chuchando nela e roendo ata sacar ese zume acedo e fresco que tanto nos agradaba. Esta especie de orixe africana é rica en ácido oxálico, culpable dese sabor tan particular, e resulta moi invasora, desprazando a outras propias do noso medio en prados, beiras de camiños e leiras abandoadas.
MÚSICA: Ludovico Einaudi - Yerevan
Fuego, agua, explosiones de confetti, saltos de plataformas, y muchas cosas más hubo durante el rodaje en Banzai Studio de “Culpable” el recién estrenado video clip de David Bisbal dirigido por Dani de la Orden.
“Culpable” contiene un magnífico plano secuencia en el que aparecen unos 10 decorados. En Banzai Studio construimos todos los sets.
Productora: Playtime Movies
Director: Dani de la Orden
1r Ayudante dirección: Dídac Meya
2º Ayudante dirección: Júlia Martín
Auxiliar dirección: Carlota Meya
Directora de producción: Cristina Tapia
Ayudante producción: Armando J. Rios
Auxiliar de producción: Anna Salgado
DoP: Ricard Canyellas Guasch
Foquista: Andrea Leria
Co-Directora de Arte: Carla Moreno Coll
Co-Directora de Arte: Vicki Viñas
Ayudante de Arte: Marta Salazar
Ayudante de Arte: Guille Fernández Santana
Ayudante de arte: Gemma Tagliata Vinyals
Maquillaje y Peluquería: Ana Cano
Vestuario: Núria Sala Huguet
Supervisor MFX: Lluís Rivera
Actriz: Kimberley Tell
www.youtube.com/watch?v=X6FUrfHYRQE
www.vevo.com/watch/david-bisbal/culpable/ES1701400151
Making of:
Fuego, agua, explosiones de confetti, saltos de plataformas, y muchas cosas más hubo durante el rodaje en Banzai Studio de “Culpable” el recién estrenado video clip de David Bisbal dirigido por Dani de la Orden.
“Culpable” contiene un magnífico plano secuencia en el que aparecen unos 10 decorados. En Banzai Studio construimos todos los sets.
Productora: Playtime Movies
Director: Dani de la Orden
1r Ayudante dirección: Dídac Meya
2º Ayudante dirección: Júlia Martín
Auxiliar dirección: Carlota Meya
Directora de producción: Cristina Tapia
Ayudante producción: Armando J. Rios
Auxiliar de producción: Anna Salgado
DoP: Ricard Canyellas Guasch
Foquista: Andrea Leria
Co-Directora de Arte: Carla Moreno Coll
Co-Directora de Arte: Vicki Viñas
Ayudante de Arte: Marta Salazar
Ayudante de Arte: Guille Fernández Santana
Ayudante de arte: Gemma Tagliata Vinyals
Maquillaje y Peluquería: Ana Cano
Vestuario: Núria Sala Huguet
Supervisor MFX: Lluís Rivera
Actriz: Kimberley Tell
www.youtube.com/watch?v=X6FUrfHYRQE
www.vevo.com/watch/david-bisbal/culpable/ES1701400151
Making of:
Cast in 1993, originally for the 50th anniversary for the founding of Oak Ridge, and later as a symbol of nuclear peace between the United States and Japan, this traditional Kyoto bell was finally installed in this pavilion designed like a Tennessee cantilevered barn with mixed Asian motifs in 1996. This occurred after long controversy over the suitability of a Japanese monument in the location where the nuclear bomb was developed, whether it would show American culpability in war crimes, and whether the bell was a religious symbol.
Oak Ridge, Tennessee
Aún no te has ido y ya te echo de menos.Cuento las horas para vernos de nuevo. Guardo tu aroma para olerlo luego,¿Qué más quieres de mi?
Aún no te has ido y yo ya quiero que vuelvas.Sentir como poquito a poco te acercas,que si me caigo, tú me sostengas, ¿Qué más se puede pedir?
Te das la vuelta y yo te clavo mis ojos, me quedo quieta hasta perderte de vista. Y lo peor NO quiero enamorarme, no puedo resistir.
Y te vas, no olvides vida mía que te prometí,y amarte, escribirte,pensarte,soñarte, pero antes de todo ya empiezo a extrañarme. Y te vas contigo y sin ti,no olvides vida mía que te prometí, y amarte, escribirte, pensarte, soñarte, pero antes de todo ya empiezo a extrañarte...
Tú eres el viento que empuja mi vela, la tinta que define toda mi letra, la gota de agua que toca mis labios que me quita mi sed.
Y es que sin irte yo ya empiezo a extrañarte, sin despedirte yo empiezo a desarmarme. Aunque tardemos en volver a vernos dime 'hasta luego' y no 'adios'
Y te vas, no olvides vida mía que te prometí,y amarte, escribirte, pensarte, soñarte, pero antes de todo ya empiezo a extrañarte.,..
Y te vas conmigo y sin ti, no olvides vida mía....
Came across this today, I'm afraid this sort of rhetoric pisses me off like anything, so I rewrote it...
Just don’t give me that crap
What’s happened to England? It’s turned paranoid!
On a pathway to nowhere, an intelligence void.
Feeling so jealous that for others life’s better
Than it is for us, the political correctness trendsetter.
The Germans are Germans and the French are the French
They have identities that are deeply entrenched
The “patriots” wonder “what’s happened to ours?”
I’ll tell you – it’s turned ugly from nationalist scars.
They’ll seek scapegoats to blame for the loss of “free speech”
Europe, the BBC – “All evil!” they preach
But I think a quick bit of research will expose
The stench of culpability under your nose.
At school I learnt Shakespeare but found it too hard
And did not want to measure by inch or by yard
But I learnt about the disastrous effects of a war
The scandal of Somme – that and much more
We are Europeans, in Europe we dwell
Anyone who fails to see must be thick as hell
Why do we always obsess over our roots?
Do you want to return to the past in jackboots?
Fuck New Labour, Conservative, all are corrupt
But that’s no reason to see nationalism erupt
Burn European stars and the Red White and Blue
Resist the bullshit that’s force-fed to you!
Uno de mis placeres culpables de la basuresca farándula argentina.
La pueden ver aquí. [ www.youtube.com/watch?v=lxgQSF0LN-Y ]
La frase «RESISTIRÉ» está compuesta en Andes Condensed, de Latinotype.
Chema y yo interpretamos a los científicos del departamento de cósmica que se dan cuenta de que los micrrrrroorrrrganismos marrrrcianos han acabado en otro departamento (el de cosmética!!)... pero no vivieron para contarlo. Más que nada porque el prrrofesooorrrr aquí presente hizo explosionar un compuesto químico que me saltó en toda la cara... aish.
Ahora todo el mundo estará lleno de zombies sedientos de glamour y nosotros no hemos podido evitarlo ^^UUUUU
(Chema tapándose los oídos antes de que explote el compuesto y yo con mi frase estrella: CIELO SANTO!!! XDDD).
Foto by Dorota.