Fred Weick ERCO Ercoupe
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Configuration: Mid-Engine
Engine: 400 C.I. V8 (6.6 L)
Transmission: 3 speed automatic
Original Engine: 4 rotor Wankel
Weight: 2600 lbs
The Aerovette started life as the XP-882, a mid engined Corvette, with a 6.2L Wankel rotary engine with four chambers that developed around 400hp. Under the design team of Bill Mitchell, the car was first unveiled as “The Four Rotor Corvette” during the 1970 New York Auto Show. The car featured bi-folding gull-wing doors and a clear cover showcasing the engine bay. Eventually, GM abandoned their rotary technology and replaced the four rotor with a small block Chevy V8, because they anticipated the gas crisis of the 1970s.
The Aerovette’s styling was formed through a wind tunnel to give it a streamlined form. The body of the car was constructed with fiberglass along with a steel and aluminum tubular frame. The Aerovette had an advanced rectangular headlight design that allowed the driver to see the road from further away, while remaining aerodynamic and in a low position. The Aerovette’s doors were a bi-folding gullwing
design that allowed the driver and passenger to enter and exit the vehicle quickly. The “V” design on the windshield was angled at 72° and wrapped around the doors to conceal the front pillars of the car. Glass louvers were placed on the rear quarter panel to aid with vision, and allow heat to be dispersed from the engine compartment. Cool air was channeled into the carburetors from the apertures that were located in front of the rear wheels. The engine’s radiator and air conditioning unit were mounted at the front of the car near the wheels to ensure maximum cooling and efficiency.
The technology in the Aerovette was quite advanced for the time. The interior of the car featured a telescopic steering wheel and digital display that allowed the driver to adjust it to their comfort level. The seats of the car were in a fixed position for weight distribution, but could be adjusted up and down. The driver would press a lever to move the pedals further away or closer to them. The Aerovette came with a number of safety and digital features as well. These included, a warning system that alerted the
driver if the doors were open or closed, if the seatbelts were unfastened, and front and rear energy absorbing bumpers that provided protection in car-to-car impacts up to 10 mph. A button could also be pressed to check on the fuel supply, water temperature, oil pressure, and voltage. The dashboard of the car had small lights to indicate what rpm the engine was spinning at, and would change from green to red when the driver was approaching redline. Additionally, the car had a built in lap timer, clock, calendar, and an am/fm radio.
Source: Audrain Auto Museum
First introduced in the 8C 2300, the Vittorio Jano designed eight cylinder engine scored at least one victory in every major race and championship. In its initial 1931 configuration, the engine displaced 2336 cc, it grew gradually to 2905 cc, primarily by increasing the stroke. The engine was created by mounting two alloy blocks of four cylinders on a single crankcase. On top of the two blocks an alloy head was installed, housing two camshafts. Aspiration was forced, through two Roots-Type Superchargers.
Although the engine increased in size throughout its career, its layout and auxiliaries remained very much similar to Jano's 1931 design. One of the best known racing cars powered by the 8 cylinder engine was the Tipo B or P3 of 1932, which is to date considered as one of the finest Grand Prix racers ever constructed. Run by Enzo Ferrari's Scuderia Ferrari, the Alfa Romeos were almost unbeatable.
From its 1931 introduction, the 8C 2300 took four straight victories in the 24 Hours of Le Mans, driven by talented drivers like Tazio Nuvolari and Luigi Chinetti. Tazio Nuvolari's brilliance was even more visible when driving the P3, the first single seater racer ever. The P3 was unbeaten in 1933, but eventually succumbed to defeat by the greater budgets being spent by Mercedes-Benz and Auto Union.
With the rise of the German Grand Prix teams, Alfa Romeo focused more of its attention on sportscar and road racing. Designed specifically for Italy's most legendary road race, the Mille Miglia, was the 8C 2900. Much like the contemporary Grand Prix racers, the 8C 2900 featured all-round independent suspension, with wishbones at the front and swing-axles at the rear. Installed in the chassis was a 220 bhp version of the 2.9 litre eight cylinder engine.
A total of six of these road racers, later known as 8C 2900A, were constructed. Three of these were entered in the 1936 running of the Mille Miglia. The new cars were immediately successful and occupied the first three places at the finish with the Brivio and Ongaro driven 8C on top. A year later a second victory was scored. With the winning cars as a base, a road going customer version was constructed. Dubbed 8C 2900B, the road car featured a de-tuned engine, but other than that is very similar to the racer.
Two versions were available, the 2800 mm short wheelbase (Corto) and 3000 mm long wheelbase (Lungo) versions. Most of these were sent to Touring to be fitted with Berlinetta, Spyder and Roadster bodies. With its competition chassis and high top speed it was faster and quicker than anything its competition had to offer. Due to its high price, only a very few of these supercars were constructed (10 Lungo and 20 Corto chassis).
Being very similar to the competition 8C 2900A, it came as no surprise the 8C 2900B was used as a racer as well. To suit this purpose Alfa Romeo constructed a further 13 8C 2900B chassis fitted with the 220 bhp engine. Many of these were fitted with roadster bodies and were competed in road races like the Mille Miglia. After the two 8C 2900A victories in 1936 and 1937, another two victories were scored by the 8C 2900B in 1938 and 1947. No other Alfa Romeo has scored as many 'MM' victories as the 8C 2900.
Although it was noted that a small number of these were produced, but the data on the car stated that this particular one was a one off, and I suspect it was by virtue of who custom bodied the car.
Que algú m'expliqui, això. En una raconada d'Oxford, dins els edificis de la universitat, hi ha aquesta porta amb escala, porta interior, i baraneta protectora tot davant d'ella. Una conjunció força enigmàtica.
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Somebody could explain this to me? In a corner of Oxford, in the middle of what are univeristy buildings (next to the Sheldonian Theatre), stands this very odd "door configuration". That's a door in a wall, enclosed by it's own minuscule barrier, that leads upstairs to another, enclosed door. Me-dont-understand.
This curious configuration in the landscape caught my eye as I was driving past... the light over the fields, the hedgerow adds interest, the tree to the left, lines in the crops in the foreground. Not much more to say really.
Captain Davie described the configuration of the great banking room. "Before conversion, three sets of four teller stations were placed between the square pillars on the right side. Each station included the main parts of classical architecture in reduced size, the horizontal entablature resting on the two vertical columns and consisting of cornice, frieze, and architrave. Strong structures supported a bronze hinged wicket at each of the 16 positions. Some of these groupings have been rearranged to accommodate hotel design requirements."
Although the use of the San Diego Trust & Savings Bank building changed ten years ago, from a bank and offices to a hotel with 245 guest rooms, the original features of the structure remain remarkably intact. The Courtyard-Marriott Hotel, located in the heart of a vibrant downtown San Diego, is a spectacular example of successful readapted use. The hotel stands proud in the bank's place, as the sentinel of an important piece of San Diego history.
Courtyard by Marriott - This excellent example of adaptive reuse was a 1999 People In Preservation award winner. 224
I love to catch Monarch Butterflies in flight. This is probably the strangest wing configurations that I have ever captured.
Damselflies and Dragonflies adopt this configuration when mating. They will stay together for hours, often flying around from perch to perch. When the female is inseminated, they will crawl down the reed until the female is almost submerged. She will deposit her eggs which can take up to five years to develop, going through several metamorphoses. The nymphs are extremely voracious, literally eating anything that moves. When ready, the nymph will climb out of the water and when dry, the back will split and a new damsel or dragonfly will emerge. Taken at Sidings Lane Nature Reserve, Rainford, UK
Instagram: Colin Poudroux Photography
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snapshat: colin_poudroux
email: colinpoudroux71@gmail.com
Pompeius pompeius (Latreille, [1824]) (Pompeius Skipper)
Pompeius pompeius occurs from Colombia to Brazil and Peru.
There are at least 1038 known species of Grass Skippers ( Hesperiinae ) found in the neotropical region. Many of them are dull brown in colour, and virtually devoid of recognisable markings. Some genera however such as Pompeius are easy to recognise due to strongly patterned undersides, or because they have a distinctive configuration of pale spots at the apex of the forewing.
www.learnaboutbutterflies.com/Amazon%20-%20Pompeius%20pom...
Taken in La Ceja, Colombia; 2.300 meters above sea level.
Madrid has its Railway Museum located in the old Delicias train station.
Locomotives and wagons from bygone times are on display there. Its technical configuration has been respected and some wagons have a very successful "old times" decoration.
The second weekend of each month a market is organized, which only lasts two days. Originally, the items sold at the market were related to the world of railways, such as models and other symbols of that world.
However, the items for sale have become widespread and items of all kinds are already being sold, such as handicrafts, costume jewellery, clothing, footwear, soaps, biscuits, nuts, honey, drinks...
The bulbs in the photo illuminate one of these craft counters.
Photo taken in the old Delicias station, Madrid, Spain.
BOMBILLAS EN UN MERCADO DE FIN DE SEMANA, 2020
Madrid tiene su Museo del Ferrocarril ubicado en la antigua estación de trenes de Delicias.
Allí se exhiben locomotoras y vagones de tiempos pasados. Se ha respetado su configuración técnica y algunos vagones tienen una decoración "de época" muy lograda.
El segundo fin de semana de cada mes se organiza un mercadillo, que sólo dura dos días. Originalmente los artículos que se vendían en el mercadillo eran de temas relacionados con el mundo de los ferrocarriles, como maquetas y otros símbolos de ese mundo.
Sin embargo, los artículos en venta se han generalizado y ya se venden artículos de todo tipo, como artesanía, bisutería, ropa, calzado, jabones, bizcochos, frutos secos, miel, bebidas...
Las bombillas de la foto iluminan uno de estos mostradores de artesanía.
Foto tomada en la antigua estación de Delicias, Madrid, España.
With golden hour sun casting long shadows, a loaded Roy Hill iron ore train cruises north with three ES44ACi's running in a 2x1 distributed power configuration. The train is about to enter a rock cut through the hill we are standing on near Hunter, Western Australia.
====Info====
RHA Main Line
Hunter, WA
Unknown Symbol (Iron Ore Loads; Roy Hill Mine, WA to Port Hedland, WA)
RHA 1004 ES44ACi Blt. 2014
RHA 1010 ES44ACi Blt. 2014
(DPU) RHA 1022 ES44ACi Blt. 2018
St. George monastery in Ubisa
Ubisa St. George monastery is located close to the main highway that runes all across the country till the Black Sea shore. It stands on the slope descanting toward Dzirula riverbed. The monastery was founded in 20-ies of IX c. At the insistence of the King of Abkhazs Demetre II this place has been selected by St. Grigol (Gregory) of Khandzta, famous clerical and founder of many monasteries and save heavens in southern Georgia. A rather lengthy single-nave temple faced with gallstone slabs is the main construction of Ubisa monastery. It is contemporaneous of St. Grigol Khandzteli. The construction is rather simple with shallow wall in the interior and triangular decoration arranged just over the sanctuary window from the outside – the only adornment of the monastery exterior (besides the mentioned decoration patterns, there are several slabs with inscriptions, performed within the fretwork frame, or on slabs with images, for example of a lion). Columned iconostases in the church interior – on of the best samples of architrave iconostases in Georgia, also seems to be of the initial times.
Later on chapels were attached to the large main hall of the church from three sides. The western one with the configuration of domed church in the most noteworthy of all three annexes, where the ossuary of the late-time owners of Ubisa – the noble house of the Prince Abashidzes was arranged. In XVI c. one of the representatives of the same House, someone Demetre built another attachment from the west, richly adorned with fretwork. Wall painting preserved in the interior of the church is one of the most precious adornments of Ubisa monastery. The XIV c. paintings performed by the artist Gerasim, apparently representative of the local artistic school is one of the best samples of so called Palaeologus style church painting. All painting icons, two of which are with doors, coupled with a range of plea icons – integral parts of the iconostas, ordered by someone Bablak Laklakisdze should be contemporaneous to wall painting as they reveal strong closeness to it both artistically and principally (the icons are currently exposed in Sh. Amiranashvili State Museum of Art of the National Museum of Georgia).
There are several other buildings on the territory of Ubisa monastery with different degrees of damages. The residential tower is the most important of them. According to the construction inscription curved on one of the stone slabs Svimeon the archbishop of Chkondidi built the tower in 1141. This fore-storied building contains the residential area (with a large fireplace and a dressing/rest room) a shrine and a square for training and contests. This construction faced with gallstone slabs and with the exterior adorned with brickwork arcades or hoops is one of the best and perfectly preserved samples of Georgian medieval secular architecture.
Убиса – средневековый монастырский комплекс в Грузии, в регионеИмерети, около Харагаули.Монастырский комплекс включает в себя монастырь Св. Георгия 9-го века, основанный святым Григорием из Хандзты, 4-этажное здание (1141), фрагменты оборонительных стен 12-го века и несколько других зданий и сооружений. В монастыре находится уникальный цикл фресок с конца 14 века сделаны Дамианом видимо под влиянием искусства византийского Палаилоганского периода (1261-1453).
Монастырь также известен своим медом, сделанным монахами.
The image operates through reduction and control, a set of contingent elements is subjected to a strict organization, producing a legible, autonomous configuration free of anecdote.
🇫🇷 Sa première configuration en forme de croix latine avec un plafond en bois était composée de trois nefs.. Au fil du temps elle a subi de nombreuses restaurations, les plus importantes sont celles du XVIIème siècle.
on a modifié la structure romano-pisane de l'église en élevant les murs portants, en créant des voûtes et des coupoles pour remplacer le plafond en bois, et donner une forme baroque à toute la structure.
🇬🇧 Its original layout, in the form of a Latin cross with a wooden ceiling, consisted of three naves. Over time it has undergone numerous restorations, the most important of which took place in the 17th century.
The Romanesque-Pisan structure of the church was modified by raising the supporting walls, creating vaults and domes to replace the wooden ceiling, and giving the whole structure a Baroque form.
🇮🇹 La sua configurazione originaria, a croce latina con soffitto ligneo, era a tre navate. Nel corso del tempo è stata sottoposta a numerosi restauri, i più importanti dei quali sono stati effettuati nel XVII secolo.
La struttura romanico-pisana della chiesa fu modificata alzando i muri portanti, creando volte e cupole in sostituzione del soffitto ligneo e dando una forma barocca all'intera struttura.
🇩🇪 Ursprünglich hatte sie die Form eines lateinischen Kreuzes mit einer Holzdecke und bestand aus drei Schiffen. Im Laufe der Zeit wurde sie zahlreichen Restaurierungen unterzogen, von denen die wichtigsten im 17.
Jahrhundert. Die romanisch-pisanische Struktur der Kirche wurde verändert, indem die tragenden Mauern erhöht, Gewölbe und Kuppeln errichtet wurden, um die Holzdecke zu ersetzen und der gesamten Struktur eine barocke Form zu geben.
🇪🇸 Su configuración original, en forma de cruz latina con techo de madera, constaba de tres naves. Con el tiempo, sufrió numerosas restauraciones, las más importantes de las cuales se llevaron a cabo en el siglo XVII.
La estructura románico-pisana de la iglesia se modificó elevando los muros de carga, creando bóvedas y cúpulas para sustituir el techo de madera y dando una forma barroca a toda la estructura.
Structural configuration: The tower has a square base with a shoe base. The mixed stone walls are punctuated by angular bands in square stone. The upper cell is characterised by four three-light windows with terracotta frames. The terminal crowning is underlined by a series of blind arches on shelves and a dentil terracotta frame.
Property of Catholic religious body.
Indirizzo: via Guido Cagnola 21 - Gazzada Schianno (VA)
Tipologia generale: architettura per la residenza, il terziario e i servizi
Tipologia specifica: torre
Configurazione strutturale: La torre ha una base quadrata con un basamento a scarpa. Le pareti in pietrame misto sono scandite da fasce angolari in pietra squadrata. La cella superiore è caratterizzata da quattro trifore con cornici in cotto. Il coronamento terminale è sottolineato da una serie di archetti ciechi su mensole e da un cornice in cotto a dentelli.
Uso storico: intero bene: torre
Condizione giuridica: proprietà Ente religioso cattolico
Different configurations of collected steel sculptural forms. Two being magnetic allowing for reconfiguration at the whim of the owner/curator. The diameter of the round base is about 200mm.
An orderly configuration of tinted corrugated fiberglas, weathered paint, partially blocked-in windows, rust stains, and asphalt, but not too orderly, which might be a bit boring, even if somewhat more satisfying. I meditated for a while on the shapes and patterns of the gray cinderblock filling in the bottom half of the windows, like pieces of a puzzle that don't fit. I can also zone out on the white area with its various crack patters, stains, and worn-down spots.
Wikipedia: The Indian 841 was a motorcycle designed by the Indian Motocycle Manufacturing Co. for desert warfare. It pioneered the drivetrain configuration later popularized by Moto Guzzi, having a longitudinally mounted air-cooled 90-degree V-twin with shaft drive to the rear wheel.
During World War II, the US Army requested experimental motorcycle designs suitable for desert fighting and offered Indian $350,000 in exchange for 1,000 shaft-drive, side-valve, twin-cylinder test motorcycles. In response to this request, Indian designed and built the 841 (8 for the new engine design and 41 for the year). 1,056 were produced.
La Plaza de Santa Ana es una pequeña plaza anexa a la Plaza Nueva. Se encuentra al pie del barrio histórico del Almanzora en la ciudad española de Granada, comunidad autónoma de Andalucía, justo enfrente de la iglesia de San Gil y Santa Ana, al comienzo de la Carrera del Darro,
La plaza se redujo inicialmente al compás de la iglesia de San Gil y Santa Ana, que había sido erigida entre 1540 y 1560, en el emplazamiento de la antigua mezquita del barrio situada a los pies de la Alhambra, en la margen izquierda del río Darro. Junto a esta plazoleta de entrada al templo se encontraba el puente de los Barberos, que años más tarde sería conocido como el puente de Santa Ana. Esta estructura facilitaba la comunicación entre la margen derecha del río Darro y los barrios situados en su margen izquierda. En 1878, debido a las continuas inundaciones que sufría la ciudad, se acordó canalizar el río entre la Plaza Nueva y la Iglesia de San Gil y Santa Ana. Este proyecto determinaría la configuración actual de la plaza, pero supuso la demolición completa del antiguo viaducto.
es.wikipedia.org/wiki/Plaza_de_Santa_Ana_(Granada)
es.wikipedia.org/wiki/Iglesia_de_Santa_Ana_(Granada)
The Plaza de Santa Ana is a small square attached to Plaza Nueva. It is located at the foot of the historic district of Almanzora in the Spanish city of Granada, autonomous community of Andalusia, just in front of the church of San Gil and Santa Ana, at the beginning of the Carrera del Darro,
The square was initially reduced to the iron-barred compass of the church of San Gil y Santa Ana, which had been erected between 1540 and 1560, on the site of the old mosque of the district located at the foot of the Alhambra on the left bank of the river Darro. Next to this small square at the entrance to the temple was the bridge of the Barbers, which years later would be known as the bridge of Santa Ana. This structure facilitated communication between the right bank of the River Darro and the neighbourhoods located on its left bank. In 1878, due to the continuous flooding that the city suffered, it was agreed to channel the river between Plaza Nueva and the Church of San Gil and Santa Ana. This project would determine the current configuration of the square, but involved the complete demolition of the old viaduct.
One arm of (please forgive me...) a four-armed third hand bent into this week's thematic shape.
From a bit of web research, I found out it is made from modular hose, a product normally used in metalworking and woodworking machinery but adaptable to other applications.
Linked picture now available!
The 1961 Chrysler 300G was the final year for fins on the 300, marking the end of Virgil Exner's FlightSweep designs, but they did go out in a grand way!
Chrysler's first-generation Letter Cars hammered the competition during the 1955-'56 NASCAR seasons. The full-size fliers then went on to set speed records at Daytona in '57, prior to both the AMA ban on motorsports and NASCAR's embargo on elaborate fuel delivery systems. In spite of those two apparent setbacks, Chrysler continued to improve its top-of-the- line V-8 engine as well as the now-legendary luxury performance machine that engine came wrapped in. So, the mighty Letter Cars thundered on, in production form, at the command of well-heeled owners seeking grown-up thrills. By 1961, Chrysler had moved up the alphabet to the letter "G."
The post-'57 Letter Cars were no longer eligible for circle track racing, but the 300G was still a force to be reckoned with in street trim, thanks to performance equipment that not only sounded good—413 cubic inches, Cross-Ram, dual four-barrels—but backed it up with 375 or an optional 400 horsepower, delivering a 0-60-mph time of 8.2 seconds (Motor Life, April 1961). Though not the fastest time turned by contemporary road test periodicals, it occurred during a period when most full-size cars could barely achieve 60 mph in less than 10 or 11 seconds while simultaneously maintaining an air of luxury.
Today, the 1961 300G is among the legion of groundbreaking Mopar performance cars, respected for its stunning combination of power and styling. Its value is bolstered by low production numbers— just 1,280 hardtops and 337 convertibles were built. These cars remain in the upper stratosphere of postwar American collector cars, but prices in recent years have held steady. Is this your time to grab one of the few remaining pieces of Letter Car history? Here's what you should keep in mind when you begin to shop.
The Cross-Ram Induction system's 30-inch "Long Rams" hide the big 413 V-8 from view.
Engines
Chrysler engineers specified a 413-cu.in. wedge to go under the hood of every 300G. Introduced into the RB-Series of V-8s in 1959, the 413 had a 4.18-inch bore and a 3.75-inch stroke with a forged-steel crankshaft. Compression was advertised as 10.1:1 and the cylinder heads breathed through 2.08/1.60-inch intake/exhaust valves, while a .430-inch lift, 268-degree camshaft dictated valve action. Also included was a pair of Carter AFB four-barrel carburetors. There were, however, two versions of the 413 installed, which were differentiated by the intake manifolds.
Referred to as Ram Induction and initially appearing in 1960, the elongated aluminum intakes were designed based on much older principles involving resonance and its effect on a compression wave of, in this case, the fuel/air mixture. Though we won't go into greater depth regarding the physics here, intake tube length had a direct effect on the timing of the fuel delivery, or ramming, into each cylinder bore, maximizing engine output at certain rpm ranges.
A pair of Carter AFB four-barrel carburetors provide the fuel/air mix.
With these basics in mind, expansion of midrange output was the main target of the base 300G 413 and the engineers thus calculated 30-inch runners would be ideal. Referred to as the Long Ram intakes, they were designed to fit neatly under the hood and crisscross (hence the Cross Ram moniker) over the top of the engine, each fitted with a single four-barrel carburetor at the outboard location. In this configuration, the engine hit 375 hp at 5,000 rpm and 495 lb-ft of torque at 2,800 rpm, effectively providing passing power on demand without sacrificing full-throttle acceleration.
Optional was the high-performance Short Ram version. Though this intake system looked identical to the Long Ram at first blush, the separate internal runners measured only 15 inches in length, raising the engine's power band and enabling it to make peak horsepower at 5,200 rpm, with peak torque at 3,600 rpm. This meant that Chrysler's advertised Short Ram ratings were 400 hp and 465 lb-ft of torque.
Visually, a keen eye can spot the difference between the Long and Short Ram intakes. The Long Rams feature a visible valley between each pair of runners for the entire length; they also have a seven-digit casting number that begins with "19." Short Rams sport only a partial valley between runners; their seven-digit casting number begins with "21." Finally, Short Ram 413 engines were designed for those more interested in straight-line contests and are therefore the rarer of the two.
Transmissions
Backing either engine was the already-durable 727 TorqueFlite automatic, which was issued as standard equipment. Like other Chryslers of the day, the three-speed unit was shifted via pushbutton on the dash; it contained first and second gear ratios of 2.45:1 and 1.45:1, respectively. Replacing the French-made four-speed on the option chart was a floor-shifted three-speed manual, which is a relative rarity today. First and second gear ratios were 2.55:1 and 1.49:1; the two gears were not synchronized, making for some uncomfortable downshifts for the uninitiated. Furthermore, contemporary road tests complained of a long second-to-third gate while hinting that the better performer in transferring torque to the differential was the TorqueFlite.
Swivel front seats, upholstered in ventilated leather, were standard on the 300G.
Differential
The final transfer point for the torque from either engine was a standard 8.-inch open differential with semi-floating axles and a 3.23:1 final drive ratio, although some printed material suggests that a 3.15:1 ratio was employed when the three-speed manual was installed. While this unit was known for its durability, dealers were also able to provide a number of more highway-friendly or performance-oriented grear ratios, even if the optional Sure-Grip (positive traction) unit was installed on the assembly line.
Contemporary magazines reported an average mpg rating of 9 to 13 with a three-speed/3.23 arrangement, yet in terms of power off the line, both Motor Trend (8.3-second 0-60 mph) and Motor Life (8.2 seconds) stated that the 300G had more acceleration potential waiting to be unleashed if geared accordingly.
The center console provided some storage and housed a tachometer.
Chassis
Each 300G hardtop and convertible was derived from the New Yorker, which meant they shared the same basic unit-body/subframe platform and 126-inch wheelbase; however, the similarities were limited beyond that. For instance, though an independent front torsion bar suspension system was used, the 44 x 1.08-inch torsion bars were thicker and 40 percent stiffer than those on other Chryslers, rated for 175 lb-in. The same can be said of the rear semi-elliptic leaf-sprung suspension, rated for 135 lb-in (or 50 percent stiffer) than those on the New Yorker. For reference, the rear springs were comprised of seven leaves, measuring 60 x 2.50 inches. Power steering, with its 15.7:1 gear ratio, was also standard equipment, as were heavy-duty shocks.
In short, the chassis was engineered and better suited for high-speed highway travel and maneuverability rather than a short drive across the city. It could also handle short, quarter-mile blasts if, as discussed, geared accordingly.
Brakes
Although equipment upgrades were made in other areas, the hydraulic drum-brake system was the same as found in the New Yorker series. Drum brakes, measuring 12 x 2.50-inches, were utilized at each corner. Power assist was standard, so stopping the roughly 4,200-pound performer was easier; however, as with other drumbrake systems, each corner needed to be adjusted equally to prevent directional pull during sudden stops. Additionally, Chrysler employed two wheel cylinders per front assembly—a fact to keep in mind when seeking replacement parts.
Wheels and Tires
Unlike the previous 300F, the new 300G was bestowed with larger 15 x 6-inch pressed-steel wheels, which were then shod with 8.00-15 Goodyear Blue Streak "racing-type" tires that featured white sidewalls. According to one report, the width of the whitewall itself ranged from 3- to 3 3/16-inches. Vented "300" wheel covers completed the ensemble, and no options were available.
Body and Interior
Styling updates made to the '61 Chryslers, including the 300G, probably did more to generate higher sales than printed virtues touting the fleet's combination of power and comfort, marking the end of Virgil Exner's FlightSweep designs. The changes began with a complete revamp of the front end, where the grille was simply inverted. The top-to-bottom inward canted grille sides were harmoniously complemented by equally canted quad headlamps, running lamps, and bumper ends, while also matching the angle of the rear fins— which were also slightly redesigned. At the opposite end, the faux spare tire decklid inlay was scrapped, providing a cleaner expanse of sleek sheetmetal. Other than appropriate badging denoting the letter "G," little else appeared to change on the 219.8-inch-long body; the greenhouse and rear fenders were carry-over items, with the exception of the leading edge of the fins found on each door.
Interiors remained exquisitely plush. A full-length, front-to-rear tunneled center console divided the interior in two, creating four truly individual buckets seats wrapped in ventilated leather. Those front seats retained the swivel feature, making for easy ingress/egress, while the console was trimmed with ample amounts of chrome and padded armrests that flipped open to expose additional storage areas. The console also housed optional power window controls, ashtrays, and a tachometer.
Primary instruments resided in a dome-like, easy-to-read bubble; potential glare concerns were eliminated by means of a matching padded dash arch. The transmission's pushbutton controls resided to the left of the instrument cluster, balanced by radio, heat, and air controls to the right. Comfort and convenience options included power seats, power antenna, rear window defroster, and air conditioning.
Source: Hemmings