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Technical Details
HDV camcorder with 1/2.7-inch CMOS image sensor; 24p Cinema Mode
High-definition 10x optical zoom lens; super-range optical image stabilizer
Advanced photo features: up to 3-megapixel stills, histogram display, built-in flash, and more
2.7-inch color widescreen LCD; color viewfinder
HDMI terminal; advanced accessory shoe
› See more technical details
This product is Certified for Windows Vista.
Only Certified for Windows Vista software and devices have undergone compatibility tests for ease of use, better performance, and enhanced security on PCs running the Windows Vista operating system. Find out more.
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Product Details
Product Dimensions: 8 pounds
Shipping Weight: 4 pounds (View shipping rates and policies)
Shipping: Currently, item can be shipped only within the U.S.
ASIN: B000MUV6BA
Item model number: HV20
Average Customer Review:
97 Reviews
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Amazon.com Sales Rank
Popular in these categories: (What's this?)
#20 in Camera & Photo > Camcorders > Digital MiniDV
#23 in Camera & Photo > Camcorders > High Definition
Date first available at Amazon.com: January 31, 2007
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Product Description
Manufacturer Description
To tech-savvy, sophisticated, and discerning videographers who demand a premium quality camcorder, the Canon's HV20 enables the ultimate in HD video and still photo quality. The HV20 offers an unparalled combination of a 10x optical zoom, a 2.96-megapixel CMOS sensor, and a stylish design. With HD and SD recording modes, you can make the move to HD while retaining compatibility standard-definition equipment. Capturing meticulous detail and superior color reproduction, the HV20 raises the bar for HD resolution quality.
HV20 Highlights
HDV format The HV20 records true 1080 high-definition resolution video, and is capable of recording and playing back HD images using MiniDV cassette tapes.
Canon True HD CMOS sensor The HV20 features a Canon-manufactured CMOS sensor. Similar to its use in Canon's EOS-series digital SLR cameras, CMOS reproduces high-resolution images with true HD information in movies. Canon's CMOS sensor acquires image information at 1920 x 1080. Canon's HD CMOS Sensor also features on-chip noise-reduction technology. The low noise technology feature means that even in dimly-lit scenes, the signals from each pixel are as pure as possible, with minimal "noise" or other aberrations.
RGB Primary Color Filter Whether you're shooting video or photos, you will appreciate the HV20's stunning, high-definition image production. For rich, accurate color, the HV20 uses an RGB Primary Color Filter. It separates light into red, green, and blue color components, resulting in vibrant images with natural-looking tones similar to what you'd obtain from 3CCD camcorders.
Genuine Canon 10x high-definition video lens The HV20 comes equipped with a Genuine Canon 10x HD video lens. An aspherical lens is used to help achieve low aberration and high resolution. The HV20 lens also features super-spectra coating technology, which lowers flare and ghosting. A new gradation ND system is used for better exposure in bright shooting situations. The lens design creates true HD image quality.
DIGIC DV II image processor DIGIC DV II is Canon's exclusive DIGIC DV signal processing technology designed specifically for HD. Even though video and still images have different color requirements, DIGIC DV II HD digital signal processing ensures optimal image quality for both HD video and still images. Thanks to DIGIC DV II image processing, the HV20 produces video with improved color reproduction -- especially in skin tones, and dark and light scenes. It also uses a hybrid noise reduction system that employs two types of noise reduction, for images that are crystal clear.
Super-Range Optical Image Stabilizer The HV20 features Super-Range Optical Image Stabilization (OIS). Utilizing a hybrid detection method (combining vector and gyro detection method), it corrects camera shake instantly for steady shots -- even when they're handheld at long focal lengths, or taken with the camera in motion. And unlike electronic stablization, which can cause a loss in image quality, the optical system corrects the shake while preserving the quality. It is even effective while taking photos.
24p Cinema Mode 24p Cinema Mode is a feature demanded by professional filmmakers and previously only available on pro-level camcorders. 24p Cinema Mode enables all aspiring moviemakers a professional "film look." This mode is actually two different features, which can be used independantly or together, depending on the user's preferences:
The frame rate changed to 24p -- the same frame rate as movie film
The HV20 changes the color and tonal characteristics to make you feel like you are watching a movie in the theatre.
Instant AF (Auto Focus) Instant AF is Canon's new and advanced autofocus system. Using a Hybrid Control system that combines an external sensor and a TVAF, Instant AF makes it easier to focus on previously difficult subjects. It dramatically decreases the time it takes to achieve proper focus and increases accuracy, especially in low-light and high-brightness situations.
HDMI terminal The HDMI terminal transports high-definition video signals (with audio in one cable) to your HD television.
Built-in electronic lens cover A built-in electronic lens cover automatically opens when the camcorder is turned on and closes when turned off. There is no dangling lens cover to lose.
Advanced accessory shoe terminal The advanced accessory shoe allows the use of additional accessories such as a video light and directional microphone.
Simultaneous photo shooting While shooting an HDV movie, you can simultaneously capture a 2-megapixel photo to a memory card by simply pressing the photo button. It's perfect for any time you don't want to miss a moment.
Histogram display Commonly used in Canon's line of digital SLR cameras, the HV20 features a histogram display. With just one push of a button, the brightness information of a still image is revealed. This allows you to monitor image quality so you can make adjustments for the next shot.
Program AE mode The HV20 gives you settings that automatically result in the best exposure settings for different conditions. Secen modes include: Portrait, Sports, Night, Snow, Beach, Sunset, Spotlight, and Fireworks. Each adjusts your camcorder's settings to compensate for different lighting conditions and different subjects.
9-Point Ai-AF mode Auto Intelligent Auto Focus ensures sharp images and creative flexibility. Even when your subject isn't in the center of the frame, the HV20's Ai-AF function will automatically select from 9 metering frames on the screen to help bring images into sharp focus.
Built-in flash Capture superb images in low light and indoor photography settings.
Built-in Ultra Video light Increase your low-light capabilities even further by shooting with the HV20. Featuring an Ultra Video light, the HV20 enables you to shoot subjects in color in low-light at distances up to 4.9 feet away.
Mic/headphone terminal The HV20 features a microphone terminal for attaching an external microphone. The audio/video terminal doubles as a headphone terminal for monitoring sound while recording. The HV20 also offers manual audio level adjustment, giving the user precise control.
Focus Assist function When shooting high definition, a properly focused subject is more critical than ever. With one push of the Focus Assist button (during manual focus setting), video zoom and peaking (for emphasizing image contours) are displayed. Not to worry, this is automatically cancelled when recording starts.
Level and grid markers It's easy to keep your D120 level for more professional-looking video. Simply press the Level Shot Control button, and a horizontal marker appears in your viewfinder. Line up any horizontal lines in your shot to the marker and you know your camcorder is level. Also, the grid marker is very convenient for setting up the special balance in your shots. Since background colors vary, you can select from two line colors to make the lines easily visible.
Variable zoom speed control with 5 presets With this innovative feature, you can always be sure of smooth, steady, professional-looking zoom shots. Simply select one of five pre-set zoom speeds.
3.1-megapixel photos Capture stunning 3.1-megapixel photos in 4:3 aspect ratio to a miniSD card, or 2-megapixel photos in 16:9 aspect ratio.
Capture 2-megapixel still images from tape While playing the recorded movie, you can capture 2-megapixel still images onto a miniSD card, simply by pressing the Photo button. If you prefer, you can even capture 2-megapixel photos while recording HD video to tape.
2.7-inch widescreen LCD and widescreen color viewfinder A widescreen LCD and widescreen viewfinder lets you see exactly what your camcorder is recording, and what your TV will display later.
Print/Share button For fast, easy, one-touch printing of your photos at home, simply press the camcorder's Print & Share button. The button can also be used for one-touch downloading of your images to a computer.
Product Description
You've heard of HDTV and expect to get one if you haven't already. Here's a camcorder that lets you record your own HDTV-compatible images. The stylish Canon HV20 gives you the ultimate in HD video and digital photo quality with advanced features. Its 10x optical zoom lens, 2.96 Megapixel CMOS image sensor and Canon's advanced DIGIC DVII image processor ensures meticulous detail and superior color reproduction. 24p Cinema Mode brings Film-Look options to the HV20 owner. And, with its HD and Standard Definition recording modes, you can make the move to HD without making your SD equipment obsolete. The HV20 is easy to use and delivers the high level of performance you've come to expect from Canon. Focal Length - f=6.1-61mm Zoom Speed - Variable/3 Fixed Zoom Speeds Max. F/Stop - f/1.8-3.0mm Filter Size - 43mm 2.7-inch Widescreen LCD Screen (Approx. 211,000 pixels) and color viewfinder High Definition miniDV (recommended) (63 minutes) or miniDV Cassette Recording Media Microphone Terminal - 3.5 mm Stereo Mini Jack HDMI USB 2.0 Full Speed Terminal for fast transfer of photos Analog-Digital Converter lets you share the precious video memories you have stored on analog videotapes Advanced Accessory Shoe Terminal - Attach extras such as a video light or directional microphone without additional wires or batteries to raise the production value of the video you shoot Dimensions - Width 3.5 x Height 3.2 x Depth 5.4 inch Weight - 1.2 pounds without lens and battery pack Canon 1 Year Parts And Labor Limited Warranty
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
88421462 :Piction ID--Tomahawk missile compatibility with SRAM rotary launcher---Please tag these photos so information can be recorded.---- Digitization of this image made possible by a grant from NEH: NEH and the San Diego Air and Space Museum
Hi Culties & Spookies, time for even more sales for your Sunday Leisure!!
★ For Manhood Weekly ★ Goreng ★
★ Rigged For ★ Legacy M ★ Jake ★ Gianni ★ Kario ★
★ Remember to always try the DEMOS!★Check for Body Type & Body MOD Compatibility★
★ Comes with a Color Control HUD for changeable color options
★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/33
★ Cult's Social Media Links ★
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some background:
Following Hungary's membership of NATO in 1999, there were several proposals to achieve a NATO-compatible fighter force. Considerable attention went into studying second-hand aircraft options as well as modifying the nation's existing MiG-29 fleet. In 2001, Hungary received several offers of new and used aircraft from various nations, including Sweden, Belgium, Israel, Turkey, and the US. Although the Hungarian government initially intended to procure the F-16, in November 2001 it was in the process of negotiating a 10-year lease contract for 12 Gripen aircraft from Sweden, with an option to purchase the aircraft at the end of the lease period.
As part of the procurement arrangements, Saab had offered an offset deal valued at 110 per cent of the cost of the 14 fighters. Initially, Hungary had planned to lease several Batch II Saab 39s; however, the inability to conduct aerial refueling and weapons compatibility limitations had generated Hungarian misgivings. The contract was then renegotiated and eventually signed on 2 February 2003 for a total of 14 Gripens, which had originally been A/B standard and had undergone an extensive upgrade process to the NATO-compatible C/D 'Export Gripen' standard. At the same time, the need for an advanced jet trainer as a replacement for the Hungarian Air Force’s last eight MiG-21UM aircraft became more and more imminent. The Gripen two-seaters alone could not cope with this task and were operationally too expensive to be used as trainers, so that Hungary requested an additional offer for a small number of Sk 90 trainers from Swedish surplus stock.
Developed under the designation FSK900, the Saab Sk 90 was a replacement for the Saab 105 (also known as Saab Sk 60) transitional trainer, light attack and reconnaissance aircraft. The FSK900 was a conservative design, with a configurational resemblance to the Dassault-Dornier Alpha Jet, even though the FSK900 was overall bigger and heavier, and the two machines could be easily told apart at a glance.
The Swedish Air Force accepted Saab’s design, leading to a contract for two nonflying static-test airframes and four flying prototypes. Detail design was complete by the end of 1993 and prototype construction began in the spring of 1994, leading to the initial prototype’s first flight on 29 July 1994. The first production Sk 90 A, how the basic trainer type was officially dubbed, was delivered to the Swedish Air Force in 1996.
A total of 108 production Sk 90s were built until 1999 for Sweden in several versions. The initial Sk 90 A trainer was the most common variant and the basis for the Sk 90 B version, which carried a weather radar as well as more sophisticated avionics that enabled the deployment of a wider range of weapons and other ordnance. However, this version was not adopted by the Swedish air force but exported to Austria as the Sk 90 Ö. Another variant was the S 90 C (for “Spaning” = reconnaissance); a small number was produced with a set of cameras in the nose for the Swedish Air Force, where it replaced the ground attack/reconnaissance Sk 60 Cs.
In service, the Sk 90 was regarded as strong, agile, and pleasant to fly, while being cheap to operate. But despite its qualities and potential, the Sk 90 did not attain much foreign interest, primarily suffering from bad timing and from the focus on domestic demands. The aircraft came effectively 10 years too late to become a serious export success, and in the end the Sk 90 was very similar to the Dassault/Dornier Alpha Jet (even though it was cheaper to operate), at a time when the German Luftwaffe started to prematurely phase out its attack-capable variant and flooded the global market with cheap secondhand aircraft in excellent condition. Furthermore, the Saab Sk 90 had on the global market with the BAe Hawk another proven competitor with a long and positive operational track record all over the world.
Beyond Hungary, potential Sk 90 buyers were Malaysia as well as Singapore, Myanmar, Finland, and Poland. Austria eventually procured 36 Sk 90 Ö in 2002, replacing its Saab 105 fleet and keeping up its close connection with Saab since the Seventies. A late operator became the independent Republic of Scotland in 2017, with a dozen leased secondhand Saab Sk 90 A trainers which were later purchased.
The Swedish Sk 90 offer for Hungary was a 10-year lease contract similar to the Gripen package, and comprised five refurbished Sk 90 A trainers from the first production batch, which had been stored in Sweden for spares. The Hungarian Sk 90 deal also included an option to purchase the aircraft at the end of their lease period. In parallel, to save maintenance costs for the relatively small fleet of a completely new/different aircraft type, an agreement with neighboring neutral Austria could be arranged to outsource major overhauls to the Austrian Air Force and its newly established Sk 90 Ö service base at Linz – a deal from which both sides benefited. However, to improve flight safety over Austria’s mountainous terrain during these transfer flights, the Hungarian Sk 90 As had a simple navigational radar retrofitted with a small radome in their noses. Otherwise, the machines were basically identical with the original Swedish aircraft.
The aircraft were flown under civil registration from Sweden to Hungary between April and September 2005. To keep the distance to their Austrian service station short, the machines were not allocated to the 59th Air Regiment at Kecskemét Air Base, where the Hungarian Gripen fleet was based, but rather to the 47th Air Regiment at Pápa Air Base in Northwestern Hungary, where the last Hungarian MiG-21UM trainers had been operated. These were fully retired in 2008.
Beyond their primary role as advanced/jet conversion trainers, the Hungarian Sk 90 As were also intended to be used for tactical reconnaissance duties with Orpheus pods with daylight cameras and an infrared line scanner, inherited from the Italian Air Force, as light attack aircraft and ─ armed with gun pods and air-to-air missiles ─ as (anti-tank) helicopter hunters. Reflecting these low-level tasks, the machines received a tactical camouflage in green and tan, similar to the former MiG-21s, instead of the Gripens’ all-grey air superiority scheme.
While the Hungarian Air Force operated its total of 14 Gripen and 5 Sk 90 aircraft under lease, in 2011, the country reportedly intended to purchase these aircraft outright. However, in January 2012, the Hungarian and Swedish governments agreed to extend the lease period for a further ten years. According to Hungarian Defence Minister Csaba Hende, this agreement represented considerable cost savings, so that the running business model was retained. The service agreement with Austria could be extended, too.
One Sk 90 A was lost in a landing accident in May 2016, and two Gripens had to be written off through accidents in the meantime, too. To fill these gaps, Hungary signed a replacement contract in 2018 to come back to its full fleet of 14 Gripen, and the Sk 90 A fleet was expanded to seven aircraft. These new machines were delivered in 2019.
General characteristics:
Crew: two pilots in tandem
Length incl. pitot: 13.0 m (42 ft 8 in)
Wingspan: 9.94 m (32 ft 7 in)
Height: 4.6 m (15 ft 1 in)
Empty weight: 3,790 kg (8,360 lb)
Max. takeoff weight: 7,500 kg (16,530 lb)
Powerplant:
2× Williams International FJ44-4M turbofans without reheat, rated at 16.89 kN (3,790 lbst) each
Performance:
Maximum speed: 1,038 km/h (645 mph)
Stall speed: 167 km/h (104 mph, 90 kn)
Range: 1,670 km (900 nm; 1,036 m) with two 450 L (99 imp gal; 120 US gal) drop tanks
Service ceiling: 15,240 m (50,000 ft)
Rate of climb: 51 m/s (10,000 ft/min)
Armament:
No internal gun; five hardpoints for 2,500 kg (5,500 lb) of payload and a variety of ordnance,
including AIM-9 Sidewinder missiles and a conformal, ventral gun pod (not used by the Hungarian
Air Force, instead, UPK-23-250 pods with a fixed twin-barrel GSh-23L cannon and 200-250 rounds
were carried under the fuselage and/or the inner wing hardpoints)
The kit and its assembly:
This additional member of my fictional Sk 90 family came spontaneously when I studied information concerning the MiG-21. I came across the Hungarian trainers and wondered with what they could have been replaced after 2000 – and “my” fictional Sk 90 came to my mind. I also had a suitable decal set in store, so I dug out a(nother) Hasegawa T-4 and created this whiffy Hungarian variant.
The kit is the old/first T-4 mold; Hasegawa did the T-4 twice, and both kits differ considerably from each other in their construction. The first one has a fuselage consisting of two simple halves with separate wings attached to it; the later mold features a separate cockpit section and a single dorsal wing section, so that the wings’ anhedral is ensured upon assembly.
The air intakes are also different: the old mold features ducts which are open at their ends, while the new mold comes with additional inserts for the intakes which end in a concave wall, making them hard to paint. The fin of the old kit consists of two full halves, while the new one has the rudder molded into just one half of the fin for a thinner trailing edge. The same goes for the wings’ upper halves: on the new mold, they comprise the full flaps and ailerons, while the old kit has them split up, resulting in a marginally thicker training edge. However, you can hardly recognize this and it’s IMHO not a flaw.
Personally, I prefer the old kit, because it is much more straightforward and pleasant to build – even though some details like the main landing gear struts are better on the new mold.
The (old) kit itself is relatively simple and fit is quite good, even though some PSR was necessary on almost every seam. The only mods I made are additional emergency handles on the seats (made from thin wire), and I added an Orpheus recce pod under the fuselage with an integral pylon, left over from an Italeri F-104G kit. The OOB underwing pylons were used, together with the original drop tanks.
Painting and markings:
The prime reason for a Hungarian Sk 90 was the paint scheme, and the fact that I have a sweet spot for Hungary in genarl. The livery was adapted from the late Hungarian MiG-21bis, a more or less symmetrical pattern consisting of a yellowish light tan and a bluish dark green, with light blue undersides. It’s actually a very simple paint scheme, and my adaptation is a free interpretation, since the T-4’s layout with shoulder-mounted wings is quite different from the sleek Fishbed with mid-mounted delta wings.
Finding good color matches was not easy, because pictures of reference Hungarian MiG-21s show a wide variety of green and brown shades, even though I assume that this is just weathering. I found some good pictures of a late MiG-21UM trainer with an apparently fresh paint job, and these suggested a hard contrast between the upper tones. With this benchmark I settled for Humbrol 63 (Sand), and Modelmaster 2091 (RLM 82, Dunkelgrün). The undersides were painted with Humbrol 47 (Sea Blue Gloss), since they appeared rather bright and pale in reference pictures.
The cockpit interior was painted in medium grey (Revell 47), the landing gear and the air intakes in white (Revell 301), very conservative. The Orpheus pod was painted in light grey (FS 36375, Humbrol 127) to set it apart from the light blue undersurfaces. The drop tanks were painted in green and blue.
National markings, the large orange “47” decoration and the small emblems on nose and fin came from a Mistercraft MiG-21UM decal sheet. The tactical code in red, etched with white, was created with single digits from a Hungarian Aero Decals (HAD) sheet for Mi-24s, reflecting the aircraft’s (fictional) serial numbers’ final three digits.
Finally, after some light weathering and post-shading (for a slightly sun-bleached look, esp. on the upper surfaces), the kit was sealed with matt acrylic varnish (Italeri).
Number four in my growing Sk 90 family, and certainly not the last one. A quick and simple project since the model itself was built almost OOB, and the “old” Hasegawa T-4 is really a simple build. However, I am amazed (once more) how much potential a T-4 travesty bears: even in Hungarian colors and markings this whif looks disturbingly convincing. The green/brown/blue paint scheme suits the aircraft well, too, even though it looks a lot like an Alpha Jet now, and there’s even a Su-25ish look to it?!
Newly shoes shop open
It is SD16 three girls shoes.
Compatibility information Hill, Hill leg
VOLKS SD16, VOLKS SDGR, SWITCH Humming Dolly 57girl, SQ-Lab SGBody-SD16High-heeled shoes size
Sales Period: December 05, 2013 ~ December 15, 2013
If the quantity is greater than expected, the sale can be an early exit.
Compatibility Information
Head size circumference : 8.5 inch
Eye size: 16~18mm
Skin type: normal skin & white skin
Compatible Available body: 60cm class BJD body
(Photo Model Body:volks SD13 boy)
*KeiKei is slightly open mouse.
homepage
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KC MESH JUMPER
⊡ 75L Weekend sale
☰ Items Included:
⋮ Color Hud
⋮ 8 colors
☰ Compatibility with:
☑ Maitreya ☑ Belleza ☑ Slink ☑ Ebody Curvy ☑ Tonic
maps.secondlife.com/secondlife/Northern%20Lights/32/195/2...
The new Twin Forestry series is the ultimate tribute to the business and the people who make it. Expect even better traction, stability and accessibility thanks to exclusive new tread designs, improved resistance properties and better-than-ever track compatibility.
OiOS 151a 9 OiOS Desktop
Imagine a UNIX based Enterprise Operating System, a scalable universally collaborative stable business platform capable of running on x86 Systems. Delivering support for Cloud enterprise features, ZFS file systems, Virtualisation, Advanced Security, and Compatibility. Enabling you to build new possibilities, enter new markets and harness human relationships in Open Source across the world. Whether you are a Systems Administrator, Recreational User or Information Technology Professional, OiOS supports the new economics of highly creative, diversified ways of doing business, and building networks.
OiOS Server
Imagine a UNIX based Enterprise Operating System, a scalable universally collaborative stable business platform capable of running on x86 Systems. Delivering support for Cloud enterprise features, ZFS file systems, Virtualisation, Advanced Security, and Compatibility. Enabling you to build new possibilities, enter new markets and harness human relationships in Open Source across the world. Whether you are a Systems Administrator, Business, or Information Technology Professional, OiOS supports the new economics of highly creative, diversified ways of doing business, and building networks.
OiOS 151a9 Increased migration by world exchanges financial exchanges to Unix and Linux opens development to stock trading platform giving more opportunities to run software on more stable Unix platforms. (See separate project for sparc systems)
Free open source enterprise systems available on live DVD or USB stick
Professionals Join in @
- Openindiana.org
- #openindiana on irc.freenode.net
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
Finnish Army Soldiers taking part in Exercise Arctic Sheild: The aim of the exercise was to develop the performance of the ground in arctic conditions, to test the skills of a trained group and to increase compatibility with Swedish soldiers December 2018
Photo: Maavoimat - Armén - The Finnish Army
Tokyo Soramachi of outlook floor is of the view is good, but the chemistry of the fish-eye lens is bad.
Indoor lighting is reflection, wall reflection, will be sad photo.
PNNL scientists have been investigating high-pressure hydrogen material compatibility and surface degradation of aluminum-coated lead zirconate titanate (PZT) surfaces for applications in clean-burning hydrogen internal combustion engines. This lead (Pb) spider-like formation was discovered during the research. It was imaged with the Environmental Molecular Sciences Laboratory’s helium ion microscope and may have battery applications. Contributing to this project are PNNL researchers Kyle Alvine, Vaithiyalingam Shutthanandan, Wendy Bennett and Stan Pitman.
This image was a part of the 2011 PNNL Science as Art contest.
Terms of Use: Our images are freely and publicly available for use with the credit line, "Courtesy of Pacific Northwest National Laboratory." Please use provided caption information for use in appropriate context.
SAL50F14 features the same optical design as its minolta ancestor (and likely the same coating, too). However, unlike the old minolta counterpart, sony added compatibility with ADI Flash metering and AF-D on the SLT-A99
Hi Culties & Spookies, time for even more sales for your Sunday Leisure!!
★ Item ★ The Narla Boots
★ Rigged For ★ Legacy F ★ Reborn ★ Kupra ★ Gen-X Curvy ★ Lara ★ Maitreya X ★
★ Remember to always try the DEMOS!★Check for Body Type & Body MOD Compatibility★
★ Comes with a Color Control HUD for changeable color options
★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/33
★ Cult's Social Media Links ★
Cult Mainstore: maps.secondlife.com/secondlife/Cult%20Coven/129/75/33
Cult Market Place: marketplace.secondlife.com/en-US/stores/199625
Cult Discord: discord.com/invite/6ebsHCN3qe
Cult Facebook: www.facebook.com/CULTSL
Cult PrimFeed: www.primfeed.com/cult/
Cult Flickr: www.flickr.com/photos/cultfashionsl
Cult Flickr Group: www.flickr.com/groups/cultsl/
Cult Inworld Group: secondlife:///app/group/b20930fc-db07-cece-79e7-b100c0154e19/about
Cult Social Card: cultfashion.carrd.co/
Notes: during the 1960s and 1970s cinema slides incorporated cut sheets of processed photographic film mounted between two sheets of plain glass, a technique that took advantage of advances in colour photography and was cheaper than using layers of glass. The slide dimensions were kept the same to ensure compatibility with existing projection equipment.
Format: glass cinema advertising slide, 82mm / 3½ inches square
Date Range: 1960s - 70s
Location: the original butcher shop was located at 43 main St, Lithgow, link below - www.property.com.au/nsw/lithgow-2790/main-st/43-pid-2507282/
Licensing: Attribution, share alike, creative commons.
Repository: Blue Mountains Library - library.bmcc.nsw.gov.au
Part of: Local Studies Collection - LS Images, Cinema collection
Provenance: Alan Smith worked as a projectionist at the Victory Theatre in Blackheath, the Savoy Theatre in Katoomba and the Liberty Theatre in Leura; also at theatres in Windsor and Gosford.
Links: www.nfsa.gov.au/latest/preserving-glass-slides-part-1
FITTLER AND GEDDES (Edward J. Fittler and Roy Geddes), 43 Main-st., Lithgow,... Dun's gazette for New South Wales - Butchers. On 1/7/43 George H. Fittler became a member. Reg. 8/10/43. nla.gov.au/nla.obj-769054308/view?sectionId=nla.obj-77638...
All Lithgow Meat Is Declared Black (1946, May 1). Lithgow Mercury (NSW : 1898 - 1954), p. 1. Retrieved November 10, 2025, from nla.gov.au/nla.news-article219617274
ALLEGED CATTLE DUFFING (1934, March 29). Lithgow Mercury (NSW : 1898 - 1954), p. 2 (TOWN EDITION). Retrieved November 10, 2025, from nla.gov.au/nla.news-article21959873
INDUSTRIAL MAGISTRATE'S COURT (1939, January 25). Lithgow Mercury (NSW : 1898 - 1954), p. 3. Retrieved November 10, 2025, from nla.gov.au/nla.news-article219635536
IMPORTANCE OF RECORDS (1944, November 15). Lithgow Mercury (NSW : 1898 - 1954), p. 4 (TOWN EDITION). Retrieved November 10, 2025, from nla.gov.au/nla.news-article220809808
Butchers Must Make Home Deliveries-- Says Minister (1949, February 17). Lithgow Mercury (NSW : 1898 - 1954), p. 2 (CITY EDITION). Retrieved November 10, 2025, from nla.gov.au/nla.news-article220836332
Bugatti Tourbillon
Another crazy MOC of mine. With the roof rack compatibility as well! 😀
Features:
8 to 9 wide build using the standard chassis piece
It fits 2 figs with hairpieces on.
See-through rear windows
Detailed interior
Detailed engine
Usable front trunk with luggage and money of course
Rubber band for taillights
And most importantly the special steering wheel mechanism from the real car😉😜
Insta:
www.instagram.com/p/DAysJlGOFf-/?img_index=1
Instructions available on my Catalogue page.
The awesome 3d printed wheels are made by Gt Créa Cars
gtcreacars.com/4x-Enjoliveurs-Bugatti-Tourbillion-p685558843
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
Created in Ultra Fractal.
Formula: Compatibility\Fractint.ufm.
Lambda c* fn(z)
Outside: em.ucl
Log Trichrome
DoubleClick for Publishers Small Business (AKA. DFP) is a free to use ad server owned by Google/DoubleClick. We have used many ad servers and have found DFP is best combination of:
+ Monetization capability
+ Optimization tools
+ Ease of use
+ Website compatibility
+ Reliability
+ Trafficking capabilities
+ Yield Management
+ Data Management
+ Security
+ Bang for your buck (Free)
The above list sounds great, but the biggest reason that DFP excels past the rest is: Google Ad Exchange dynamic allocation. No ad server in the world can setup dynamic allocation to the level DFP can. That is because both are Google owned.
To get started with a FREE DFP Implementation, sign-up to MonetizeMore and become a Premium Publisher first!
www.monetizemore.com/sign-up/p...
In this video, we'll show you how to generate AdX tags on Google DFP for Small Business.
For the detailed steps in text format, visit our blog post: goo.gl/T0xOHc
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Nikomat FTn + AI Nikkor 50mm f/1.2S
KODAK T-MAX400 / Compard R09 One Shot (Rodinal compatibility), 1+25
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
"Lantana Sphere"
One of the reasons that I employ mirrorless cameras, as part of my tools of the trade: a HUGE array of backwards-compatibility with old cine lenses.
Cine lenses (particularly those with a c-mount design) ... vintage remnants from the bygone era of 8mm and 16mm reel-to-reel motion picture format ... are finding a new lease (and resurrection) on life, thanks to the advent of mirror-less cameras which have a shorter FFD (flange focal distance), hence making these old "legacy lenses" backwards compatible with new digital technology while retaining infinity-focus of the native lens.
(Such an adaptation is not possible to accomplish with traditional SLR and DSLR cameras employing a mirror-box/optical filter design, because this results in a larger FFD due to the added space that these components take up. Therefore, mounting 8mm/16mm-format cine lenses on traditional SLR/DSLR camera bodies will not permit infinity-focus; meaning, their entire range of focusing will be crippled, and only permit for a limited degree of macro photography. Not so, when it comes to mirrorless cameras which have a smaller FFD, and hence permit an adapted cine lens to retain its entire focus range).
What's more, many of these re-purposed vintage cine lenses, which can be had for a mere pittance, can possess remarkably good resolution, extremely "fast" f-ratios for their focal lengths, and in some cases an interesting rendering of OOF (out-of-focus) regions of the photograph.
One such example is the Bell & Howell-made Super Comat 1-inch (25mm) F/1.9 cine lens - which exhibits a curious "swirly" bokeh/background blur (most strongly apparent when shot with the aperture wide-open at F/1.9), while rendering surprisingly sharp foreground subjects at such an aperture setting.
This "swirly background" phenomenon is due to what is known as 'Petzval Field Curvature' - a very specific type of optical aberration. But, as you can see by this image example, some of these optical "imperfections" can be considered a unique form of "character" for certain lens which generate these effects, and thus can be exploited in creative, surprising, and pleasing ways that are otherwise impossible to derive from more modern and "perfect" lens construction.
Indeed, the art of photography is not always about having a "flawless" lens. On the contrary, some "design flaws" inherent to more vintage lenses can be advantageous when implemented in certain ways.
____________________________
~ Location: Como, Mississippi
~ Camera: Olympus E-P2 (Micro-4/3 mirrorless system).
~ Lens: Bell & Howel/Super Comat 1-inch (25mm) F/1.9 cine lens, in c-mount. All-manual focusing and aperture setting.
~ Settings: ISO 100, Effective Focal length 50mm (25mm x 2, due to the 2x crop factor of a Micro-4/3 sensor), Shutter 1/2500 sec (photographed in partial shade!)
Additional notes: Minimal image editing/processing. Only a few moderate adjustments made to the photo, using a nudge of the shadow/highlight curve sliders and vibrance slider, in Photoshop Elements 10.
The significant reduction in weight compared to a conventional main battle tank makes the CV-120A1 well suited for rapid response units, both because of increased movement speed and compatibility with modern medium/heavy transport planes.
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
Studio Suite
Utilizing tools that the director has at hand, the Studio Suite is the system that can run a full production show. Utilizing some of the same software as the Filmer's Suite but adding the ability to synchronize video feeds from different camera sources, automatic color correction between cameras with video sync, works with virtually any camera, WIFI compatibility with audio and video sources and/or direct network, connection to other video sources over the Internet, can be used for presentation displays, record up to 3 HD sources at one time per server, clear slo-mo playback expansion packs depending on camera specs, adaptable to any type of usage, and works with Office 365 SharePoint or any SharePoint setup by using custom templates that can be installed and work with this suite.
Low Cost
Software for server should be low, no more than $99 per server and license, $299 for pro pack expansion (to be decided later).
Mobile phone software should be free, but cannot be used with the main software or access to the Office 365/SharePoint account. FREE
AnyCam Amateur Rack - connects any camera or video sources, transmitting via WIFI or network to the server. $99
GUEST Smartphone video can be synced with file-name entries and time code. FREE
- a separate mobile phone download can be used for this setup if a guest smartphone cam is used. FREE
Remote Tripod will connect to the AnyCam Amateur Rack or SereDev compatible cameras. $129 for amateur, $299 for pro.
SereDev cameras can cost anywhere between $399 and $10,000 depending on feature, manufacturer, and cost.
AnyCam Pro Rack can connect to the camera controls for remote camera use. $199
A mic can be instantly wireless via WIFI with WIFI Audio connectivity.
A/D inputs can be used with use of third party devices, we will help set this up if needed.
Lights
Compatible with DMX controllers.
Music
If there is a band who uses USB keyboards and devices, no need to mic the instruments. MIDI wireless and USB wireless can be used to control just about any sound pack available. The performer can use a tablet or smartphone to change sound, voice, pitch, and effect, or it can be programmed to follow a beat that can be preset to change automatically for concert venues.
Compatibility
Even though Windows Phone 8 and Windows 8 tablets will be the selling point for this, the software utilizing HTML5 can be used on iOS devices and Android.
Smartphones
Limited control to the entire studio depending on the permissions settings in Office 365/SharePoint site.
Tablets
Full controls utilizing the touch screens to control audio, lights, video switching, etc. Depending on budget, multiple tables can be used as switch boards.
Analog Control Feel
Also USB controlled mixing boards and light boards can also be used for those who are into knobs and levers.
Venues
Churches, concerts, live events, studios, etc.
WIFI
Settings up a chain of WIFI nodes may be needed for large venues making sure that the WIFI is covered. Traditional WIFI should be okay. Commercial WIFI will be provide more security. For smartphone broadcast and sharing from guest, a separate WIFI can be setup for open WIFI to capture guest video live.
Guest Smartphone - for live events, this will be a cool feature. If a user is directed to an app store, utilizing Microsoft Tag app link, it will direct the user to the downloads page to their OS app store. It will be a Guest Smartphone App. After installing the app, there will be a prompt asking the user to remind of uninstall in a set amount of hours. On a large sign at the live venue, all the user has to do is connect to the local WIFI. It will be recommended that the WIFI is connected to the Internet so to not cut off the users normal data. If the public WIFI is not available, then a QR Code can then be used to direct the users to a launch file that will launch the app. The video is then recorded into the phone's SD card where the default location for storing video is set and transmitted to the server. The server can record all video coming from the camera directly. If the director chooses, the director can place the video live in the feed.
In editing, because three HD feeds can be recorded at the same time, the director can always edit out the footage without pain because of the synced time code within the video file itself.
Studio Suite
Utilizing tools that the director has at hand, the Studio Suite is the system that can run a full production show. Utilizing some of the same software as the Filmer's Suite but adding the ability to synchronize video feeds from different camera sources, automatic color correction between cameras with video sync, works with virtually any camera, WIFI compatibility with audio and video sources and/or direct network, connection to other video sources over the Internet, can be used for presentation displays, record up to 3 HD sources at one time per server, clear slo-mo playback expansion packs depending on camera specs, adaptable to any type of usage, and works with Office 365 SharePoint or any SharePoint setup by using custom templates that can be installed and work with this suite.
Low Cost
Software for server should be low, no more than $99 per server and license, $299 for pro pack expansion (to be decided later).
Mobile phone software should be free, but cannot be used with the main software or access to the Office 365/SharePoint account. FREE
AnyCam Amateur Rack - connects any camera or video sources, transmitting via WIFI or network to the server. $99
GUEST Smartphone video can be synced with file-name entries and time code. FREE
- a separate mobile phone download can be used for this setup if a guest smartphone cam is used. FREE
Remote Tripod will connect to the AnyCam Amateur Rack or SereDev compatible cameras. $129 for amateur, $299 for pro.
SereDev cameras can cost anywhere between $399 and $10,000 depending on feature, manufacturer, and cost.
AnyCam Pro Rack can connect to the camera controls for remote camera use. $199
A mic can be instantly wireless via WIFI with WIFI Audio connectivity.
A/D inputs can be used with use of third party devices, we will help set this up if needed.
Lights
Compatible with DMX controllers.
Music
If there is a band who uses USB keyboards and devices, no need to mic the instruments. MIDI wireless and USB wireless can be used to control just about any sound pack available. The performer can use a tablet or smartphone to change sound, voice, pitch, and effect, or it can be programmed to follow a beat that can be preset to change automatically for concert venues.
Compatibility
Even though Windows Phone 8 and Windows 8 tablets will be the selling point for this, the software utilizing HTML5 can be used on iOS devices and Android.
Smartphones
Limited control to the entire studio depending on the permissions settings in Office 365/SharePoint site.
Tablets
Full controls utilizing the touch screens to control audio, lights, video switching, etc. Depending on budget, multiple tables can be used as switch boards.
Analog Control Feel
Also USB controlled mixing boards and light boards can also be used for those who are into knobs and levers.
Venues
Churches, concerts, live events, studios, etc.
WIFI
Settings up a chain of WIFI nodes may be needed for large venues making sure that the WIFI is covered. Traditional WIFI should be okay. Commercial WIFI will be provide more security. For smartphone broadcast and sharing from guest, a separate WIFI can be setup for open WIFI to capture guest video live.
Guest Smartphone - for live events, this will be a cool feature. If a user is directed to an app store, utilizing Microsoft Tag app link, it will direct the user to the downloads page to their OS app store. It will be a Guest Smartphone App. After installing the app, there will be a prompt asking the user to remind of uninstall in a set amount of hours. On a large sign at the live venue, all the user has to do is connect to the local WIFI. It will be recommended that the WIFI is connected to the Internet so to not cut off the users normal data. If the public WIFI is not available, then a QR Code can then be used to direct the users to a launch file that will launch the app. The video is then recorded into the phone's SD card where the default location for storing video is set and transmitted to the server. The server can record all video coming from the camera directly. If the director chooses, the director can place the video live in the feed.
In editing, because three HD feeds can be recorded at the same time, the director can always edit out the footage without pain because of the synced time code within the video file itself.
ORNL-led studies evaluated the compatibility of fueling infrastructure materials with test fuels representing various formulations of ethanol-blended gasoline, ranging from 10 to 85 percent ethanol. Shown here, materials specimens were exposed to the test fluid(s) in a large stainless steel tank with stainless steel hardware (stir chamber), then subjected to multiple tests after fluid exposure.
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I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
My Tokyo Marui extended magazine for my CYMA replica of the Glock 18C.
This answers a compatibility question concerning the TM & CYMA versions of the Glock, TM products do fit the Chinese made clone OK. The fit isn't absolutely perfect, there is a tiny bit of wobble, but I will fix this with a sliver of plastic card to hold the mag steady.
What did surprise me was the plastic construction of this mag. The original CYMA mag - seen in the photo - is metal and adds a nice balanced feel to the pistol. Perhaps a full metal extended mag would have added too much weight to the back end of the AEP, it would be interesting to find out if the CYMA extended mag is plastic or metal.
The extended magazine holds 100 rounds, and so makes this a great little CQB gun.
TM mag is £21.50, while the CYMA clone of this mag is just £14.50. I'm now tempted to get one of the CYMA extended mags in order to make a direct comparison.
By the way, everywhere I have read about these magazines it has been suggested that you lube them to help with efficient feeding.
2016 has been the year of “plus”–nearly every mountain bike manufacturer in the world has released a skinny-fat offering in its lineup. And while this new category of 3-inch-wide tires still needs to figure itself out, I can at least feel confident in saying that it’s great for trail hardtails.
Read more at www.bikemag.com/gear/bikes/trail-bikes-gear/jamis-dragons...
The Jamis Dragonslayer is the company’s latest addition to its line of steel hardtails, and it’s built for capability, durability and flexibility. Its 4130 chromoly tubing is triple butted for weight reduction and ride feel, and the frame features sliding dropouts for singlespeed compatibility. Since it is an obvious choice for bikepacking, it’s outfitted with rack mounts and a 3-hole bottle mount, and the traditional double triangle design means it’ll fit a large frame bag.
As for geometry, some of the Dragonslayer’s numbers are right where you’d expect them for a modern trail bike designed around a 120-mil fork, with 68- and 73-degree head and seat angles respectively and 17.2-inch chainstays. But the 19-inch size sports a 16.7-inch reach coupled with stock Ritchey Trail 720-mil bars and 80-mil stem, which could be considered conservative these days. The Dragonslayer might be perfect for riders not interested in running crazy short stems on super long frames, which is the way mountain bike fit is trending.
The 3-inch “plus-size” Vittoria Bomboloni tires mounted on WTB i45 TCS 27.5 rims provide oodles of traction in places where you’d expect none–a huge asset on the marbles-over-hardpack conditions at Bootleg canyon. They also grant an impressive amount of floatation in sand without feeling sluggish like a fatbike. They seemed pretty tough, too. I bottomed the tires hard enough to dent the rim at one point, without flatting or burping–and they survived the sharp, rocky terrain of Bootleg Canyon, which is a feat in and of itself.
Overall, I had an enlightening and fun ride on the Dragonslayer. Each slippery corner and technical climb came and went with increasing ease, and with surprisingly little compromise. And with a $2,700 price tag, it’s a bargain, too.
Read more at www.bikemag.com/gear/bikes/trail-bikes-gear/jamis-dragons...
www.bikemag.com/gear/bikes/trail-bikes-gear/jamis-dragons...
2016 has been the year of “plus”–nearly every mountain bike manufacturer in the world has released a skinny-fat offering in its lineup. And while this new category of 3-inch-wide tires still needs to figure itself out, I can at least feel confident in saying that it’s great for trail hardtails.
image: www.bikemag.com/wp-content/uploads/2015/09/Jamis-Dragonsl...
Jamis Dragonslayer
The Jamis Dragonslayer is the company’s latest addition to its line of steel hardtails, and it’s built for capability, durability and flexibility. Its 4130 chromoly tubing is triple butted for weight reduction and ride feel, and the frame features sliding dropouts for singlespeed compatibility. Since it is an obvious choice for bikepacking, it’s outfitted with rack mounts and a 3-hole bottle mount, and the traditional double triangle design means it’ll fit a large frame bag.
As for geometry, some of the Dragonslayer’s numbers are right where you’d expect them for a modern trail bike designed around a 120-mil fork, with 68- and 73-degree head and seat angles respectively and 17.2-inch chainstays. But the 19-inch size sports a 16.7-inch reach coupled with stock Ritchey Trail 720-mil bars and 80-mil stem, which could be considered conservative these days. The Dragonslayer might be perfect for riders not interested in running crazy short stems on super long frames, which is the way mountain bike fit is trending.
The 3-inch “plus-size” Vittoria Bomboloni tires mounted on WTB i45 TCS 27.5 rims provide oodles of traction in places where you’d expect none–a huge asset on the marbles-over-hardpack conditions at Bootleg canyon. They also grant an impressive amount of floatation in sand without feeling sluggish like a fatbike. They seemed pretty tough, too. I bottomed the tires hard enough to dent the rim at one point, without flatting or burping–and they survived the sharp, rocky terrain of Bootleg Canyon, which is a feat in and of itself.
Overall, I had an enlightening and fun ride on the Dragonslayer. Each slippery corner and technical climb came and went with increasing ease, and with surprisingly little compromise. And with a $2,700 price tag, it’s a bargain, too.
Read more at www.bikemag.com/gear/bikes/trail-bikes-gear/jamis-dragons...
2017 Jamis Dragonslayer 27.5+
The good old steel hardtail receives a technology injection
April 18, 2015 By Ryan Palmer
PO-ST HORIZONTAL SOCIAL SHARING BUTTONS
The 2017 Jamis Dragonslayer–a plus-size version of the company’s popular Dragon steel hardtail–will be hitting the trails later this summer with a whole lot of extra grip. Plus-size seems to be the theme here at his year’s Sea Otter Classic, with many of the top mountain bike manufacturers showing off their baby fat offerings for the first time. So why does everyone seem to be slapping 3-inch tires on bikes all at once? Boost 148, which made its debut on Trek’s Remedy 29 last year, was designed to create a stiffer, stronger 29-inch wheel–but it opened up a Pandora’s box of new bike design. The wider rear-end required bringing the chainrings out by a few millimeters, which gave bike designers much more real estate to play with. So people got creative, and tires and forks became available. All of a sudden, a new category was born.
2017 JAMIS DRAGONSLAYER |
It turns out that 3-inch tires are bringing forth the rebirth of the hardtail, and with it, a whole new beginning of mountain biking. When people started riding off-road, it was purely for fun. Since then, we somehow let things get serious on us. What better way to get back to our mountain biking roots than with a steel hardtail? With trail geometry and the added grip and confidence that plus-size tires bring to the table, we imagine the Dragonslayer will be a full-on grin machine. You can be sure that we’ll be throwing a leg over one when it becomes available later this year.
The Dragonslayer uses a now relatively narrow 73-millimeter standard English-threaded bottom bracket shell, so serious shaping is needed to get that wide, Boost 148 rear-end attached to the shell. It looks like Jamis was proud enough of its sleek chainstay yoke to slap some 3D branding on it. As you can see, tire clearance won’t be a problem on the Dragonslayer. The bike comes stock with the Vittoria Bombolini 27.5×3.0-inch tires pictured, with plenty of room for the wheel to come forward in the Dragon’s horizontal drops. Its 17.1-inch chainstays should be stubby enough for most riders as well.
The Dragonslayer comes spec’d with solid parts all around. Shimano supplies the brakes and drivetrain with a mix of Deore and SLX, while the bike rolls on WTB Scraper i45 rims.
Shimano is supporting Boost 148 now too, even though it was born from a Trek and SRAM partnership. This is good for everyone because for the price, you can’t beat the shift performance of Shimano’s mid-range groups.
Though its name hints at the bike’s trail-destroying nature, Jamis equips the Dragonslayer for the long slog too–rack mounts are provided for the adventurer in all of us.
Read more at www.bikemag.com/gear/2016-jamis-dragonslayer-27-5/#Di4z8j...
www.rbinc-sports.com/jamis-factory-outlet-store/jamis-201...
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
Visit of members of the CHEOPS science team and consortium to the Test Centre at ESA's technical centre in The Netherlands in September 2018, while the satellite was undergoing acoustic and radio-frequency compatibility tests.
Image credit: ESA–A. Conigli
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