View allAll Photos Tagged Compatibility
Notes: during the 1960s and 1970s cinema slides incorporated cut sheets of processed photographic film mounted between two sheets of plain glass, a technique that took advantage of advances in colour photography and was cheaper than using layers of glass. The slide dimensions were kept the same to ensure compatibility with existing projection equipment.
Format: glass cinema advertising slide, 82mm / 3½ inches square
Date Range: 1960s - 70s
Location: the original butcher shop was located at 43 main St, Lithgow, link below - www.property.com.au/nsw/lithgow-2790/main-st/43-pid-2507282/
Licensing: Attribution, share alike, creative commons.
Repository: Blue Mountains Library - library.bmcc.nsw.gov.au
Part of: Local Studies Collection - LS Images, Cinema collection
Provenance: Alan Smith worked as a projectionist at the Victory Theatre in Blackheath, the Savoy Theatre in Katoomba and the Liberty Theatre in Leura; also at theatres in Windsor and Gosford.
Links: www.nfsa.gov.au/latest/preserving-glass-slides-part-1
FITTLER AND GEDDES (Edward J. Fittler and Roy Geddes), 43 Main-st., Lithgow,... Dun's gazette for New South Wales - Butchers. On 1/7/43 George H. Fittler became a member. Reg. 8/10/43. nla.gov.au/nla.obj-769054308/view?sectionId=nla.obj-77638...
All Lithgow Meat Is Declared Black (1946, May 1). Lithgow Mercury (NSW : 1898 - 1954), p. 1. Retrieved November 10, 2025, from nla.gov.au/nla.news-article219617274
ALLEGED CATTLE DUFFING (1934, March 29). Lithgow Mercury (NSW : 1898 - 1954), p. 2 (TOWN EDITION). Retrieved November 10, 2025, from nla.gov.au/nla.news-article21959873
INDUSTRIAL MAGISTRATE'S COURT (1939, January 25). Lithgow Mercury (NSW : 1898 - 1954), p. 3. Retrieved November 10, 2025, from nla.gov.au/nla.news-article219635536
IMPORTANCE OF RECORDS (1944, November 15). Lithgow Mercury (NSW : 1898 - 1954), p. 4 (TOWN EDITION). Retrieved November 10, 2025, from nla.gov.au/nla.news-article220809808
Butchers Must Make Home Deliveries-- Says Minister (1949, February 17). Lithgow Mercury (NSW : 1898 - 1954), p. 2 (CITY EDITION). Retrieved November 10, 2025, from nla.gov.au/nla.news-article220836332
Bugatti Tourbillon
Another crazy MOC of mine. With the roof rack compatibility as well! 😀
Features:
8 to 9 wide build using the standard chassis piece
It fits 2 figs with hairpieces on.
See-through rear windows
Detailed interior
Detailed engine
Usable front trunk with luggage and money of course
Rubber band for taillights
And most importantly the special steering wheel mechanism from the real car😉😜
Insta:
www.instagram.com/p/DAysJlGOFf-/?img_index=1
Instructions available on my Catalogue page.
The awesome 3d printed wheels are made by Gt Créa Cars
gtcreacars.com/4x-Enjoliveurs-Bugatti-Tourbillion-p685558843
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
Created in Ultra Fractal.
Formula: Compatibility\Fractint.ufm.
Lambda c* fn(z)
Outside: em.ucl
Log Trichrome
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
DoubleClick for Publishers Small Business (AKA. DFP) is a free to use ad server owned by Google/DoubleClick. We have used many ad servers and have found DFP is best combination of:
+ Monetization capability
+ Optimization tools
+ Ease of use
+ Website compatibility
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+ Bang for your buck (Free)
The above list sounds great, but the biggest reason that DFP excels past the rest is: Google Ad Exchange dynamic allocation. No ad server in the world can setup dynamic allocation to the level DFP can. That is because both are Google owned.
To get started with a FREE DFP Implementation, sign-up to MonetizeMore and become a Premium Publisher first!
www.monetizemore.com/sign-up/p...
In this video, we'll show you how to generate AdX tags on Google DFP for Small Business.
For the detailed steps in text format, visit our blog post: goo.gl/T0xOHc
SIGN-UP TO DOUBLECLICK AD EXCHANGE:
ABOUT MONETIZEMORE
MonetizeMore is the premium source for outsourced ad optimization tailored for online publishers. We specialize in dramatically increasing your ad revenues with the same traffic levels and ads per page.
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Nikomat FTn + AI Nikkor 50mm f/1.2S
KODAK T-MAX400 / Compard R09 One Shot (Rodinal compatibility), 1+25
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
"Lantana Sphere"
One of the reasons that I employ mirrorless cameras, as part of my tools of the trade: a HUGE array of backwards-compatibility with old cine lenses.
Cine lenses (particularly those with a c-mount design) ... vintage remnants from the bygone era of 8mm and 16mm reel-to-reel motion picture format ... are finding a new lease (and resurrection) on life, thanks to the advent of mirror-less cameras which have a shorter FFD (flange focal distance), hence making these old "legacy lenses" backwards compatible with new digital technology while retaining infinity-focus of the native lens.
(Such an adaptation is not possible to accomplish with traditional SLR and DSLR cameras employing a mirror-box/optical filter design, because this results in a larger FFD due to the added space that these components take up. Therefore, mounting 8mm/16mm-format cine lenses on traditional SLR/DSLR camera bodies will not permit infinity-focus; meaning, their entire range of focusing will be crippled, and only permit for a limited degree of macro photography. Not so, when it comes to mirrorless cameras which have a smaller FFD, and hence permit an adapted cine lens to retain its entire focus range).
What's more, many of these re-purposed vintage cine lenses, which can be had for a mere pittance, can possess remarkably good resolution, extremely "fast" f-ratios for their focal lengths, and in some cases an interesting rendering of OOF (out-of-focus) regions of the photograph.
One such example is the Bell & Howell-made Super Comat 1-inch (25mm) F/1.9 cine lens - which exhibits a curious "swirly" bokeh/background blur (most strongly apparent when shot with the aperture wide-open at F/1.9), while rendering surprisingly sharp foreground subjects at such an aperture setting.
This "swirly background" phenomenon is due to what is known as 'Petzval Field Curvature' - a very specific type of optical aberration. But, as you can see by this image example, some of these optical "imperfections" can be considered a unique form of "character" for certain lens which generate these effects, and thus can be exploited in creative, surprising, and pleasing ways that are otherwise impossible to derive from more modern and "perfect" lens construction.
Indeed, the art of photography is not always about having a "flawless" lens. On the contrary, some "design flaws" inherent to more vintage lenses can be advantageous when implemented in certain ways.
____________________________
~ Location: Como, Mississippi
~ Camera: Olympus E-P2 (Micro-4/3 mirrorless system).
~ Lens: Bell & Howel/Super Comat 1-inch (25mm) F/1.9 cine lens, in c-mount. All-manual focusing and aperture setting.
~ Settings: ISO 100, Effective Focal length 50mm (25mm x 2, due to the 2x crop factor of a Micro-4/3 sensor), Shutter 1/2500 sec (photographed in partial shade!)
Additional notes: Minimal image editing/processing. Only a few moderate adjustments made to the photo, using a nudge of the shadow/highlight curve sliders and vibrance slider, in Photoshop Elements 10.
The significant reduction in weight compared to a conventional main battle tank makes the CV-120A1 well suited for rapid response units, both because of increased movement speed and compatibility with modern medium/heavy transport planes.
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
Teams from ESA and NASA worked during the week of 19 July 2013 at a Zurich, Switzerland, facility owned by ESA’s industrial partner RUAG to conduct compatibility testing between the Ladee orbiter terminal and the ESA ground station terminal. The NASA team, supported by the Massachusetts Institute of Technology, Lincoln Laboratory and the Jet Propulsion Laboratory, brought over their laser terminal simulator, while ESA together with RUAG and Axcon of Denmark set up the European equipment to test compatibility between the two sets of hardware. All images credit: ESA
Studio Suite
Utilizing tools that the director has at hand, the Studio Suite is the system that can run a full production show. Utilizing some of the same software as the Filmer's Suite but adding the ability to synchronize video feeds from different camera sources, automatic color correction between cameras with video sync, works with virtually any camera, WIFI compatibility with audio and video sources and/or direct network, connection to other video sources over the Internet, can be used for presentation displays, record up to 3 HD sources at one time per server, clear slo-mo playback expansion packs depending on camera specs, adaptable to any type of usage, and works with Office 365 SharePoint or any SharePoint setup by using custom templates that can be installed and work with this suite.
Low Cost
Software for server should be low, no more than $99 per server and license, $299 for pro pack expansion (to be decided later).
Mobile phone software should be free, but cannot be used with the main software or access to the Office 365/SharePoint account. FREE
AnyCam Amateur Rack - connects any camera or video sources, transmitting via WIFI or network to the server. $99
GUEST Smartphone video can be synced with file-name entries and time code. FREE
- a separate mobile phone download can be used for this setup if a guest smartphone cam is used. FREE
Remote Tripod will connect to the AnyCam Amateur Rack or SereDev compatible cameras. $129 for amateur, $299 for pro.
SereDev cameras can cost anywhere between $399 and $10,000 depending on feature, manufacturer, and cost.
AnyCam Pro Rack can connect to the camera controls for remote camera use. $199
A mic can be instantly wireless via WIFI with WIFI Audio connectivity.
A/D inputs can be used with use of third party devices, we will help set this up if needed.
Lights
Compatible with DMX controllers.
Music
If there is a band who uses USB keyboards and devices, no need to mic the instruments. MIDI wireless and USB wireless can be used to control just about any sound pack available. The performer can use a tablet or smartphone to change sound, voice, pitch, and effect, or it can be programmed to follow a beat that can be preset to change automatically for concert venues.
Compatibility
Even though Windows Phone 8 and Windows 8 tablets will be the selling point for this, the software utilizing HTML5 can be used on iOS devices and Android.
Smartphones
Limited control to the entire studio depending on the permissions settings in Office 365/SharePoint site.
Tablets
Full controls utilizing the touch screens to control audio, lights, video switching, etc. Depending on budget, multiple tables can be used as switch boards.
Analog Control Feel
Also USB controlled mixing boards and light boards can also be used for those who are into knobs and levers.
Venues
Churches, concerts, live events, studios, etc.
WIFI
Settings up a chain of WIFI nodes may be needed for large venues making sure that the WIFI is covered. Traditional WIFI should be okay. Commercial WIFI will be provide more security. For smartphone broadcast and sharing from guest, a separate WIFI can be setup for open WIFI to capture guest video live.
Guest Smartphone - for live events, this will be a cool feature. If a user is directed to an app store, utilizing Microsoft Tag app link, it will direct the user to the downloads page to their OS app store. It will be a Guest Smartphone App. After installing the app, there will be a prompt asking the user to remind of uninstall in a set amount of hours. On a large sign at the live venue, all the user has to do is connect to the local WIFI. It will be recommended that the WIFI is connected to the Internet so to not cut off the users normal data. If the public WIFI is not available, then a QR Code can then be used to direct the users to a launch file that will launch the app. The video is then recorded into the phone's SD card where the default location for storing video is set and transmitted to the server. The server can record all video coming from the camera directly. If the director chooses, the director can place the video live in the feed.
In editing, because three HD feeds can be recorded at the same time, the director can always edit out the footage without pain because of the synced time code within the video file itself.
GET SLES(AES) 70% HERE!
It is a kind of anionic surfactant with excellent performance. It has good cleaning, emulsifying, wetting, densifying and foaming performance; good solvency, wide compatibility and strong resistance to hard water; high biodegradation, and low irritation to skin and eyes. It is widely used in liquid detergent, such as dishware, shampoo, bubble bath, hand cleaner, etc.
Price: competitive price with super quality
Linear Alkyl Benzene Sulfonic Acid (LAS or LABSA) CAS NO.: 27176-87-0
Molecular Formula: R-C6H4-SO3H(R=C12)
Molecular Weight: 323
UN Number: 2586
Hazard Class: 8
HS Code: 3402.1000
Property: brown adhesive liquid, organic weak acid, soluble in water, produce heat when diluted with water
Packing: 210/215KGS PLASTIC DRUMS
Quality Standard: GB/T 8447-1995
PLEASE REFER FIRST GRADE.
ITEM INDEX
FIRST QUALITY
CONTENT OF LABSA ≥96%
CONTENT OF FREE OIL ≤2.0%
CONTENT OF SULFURIC ACID ≤1.5%
COLOR AND LUSTE (KLETT) ≤70
MOISTURE: 1%Max.
AVERAGE MOLECULAR WEIGHT: 321+-/4
Mainly used for cleaning agent, detergent, surfactant, etc. LABSA is main raw material for producing detergent and liquid detergent.
Mark: Normally the first grade as per quality standard.
Packing: 215kgs drums; 80drums can be loaded into one 20feet FCL with 17.2 tons.
Studio Suite
Utilizing tools that the director has at hand, the Studio Suite is the system that can run a full production show. Utilizing some of the same software as the Filmer's Suite but adding the ability to synchronize video feeds from different camera sources, automatic color correction between cameras with video sync, works with virtually any camera, WIFI compatibility with audio and video sources and/or direct network, connection to other video sources over the Internet, can be used for presentation displays, record up to 3 HD sources at one time per server, clear slo-mo playback expansion packs depending on camera specs, adaptable to any type of usage, and works with Office 365 SharePoint or any SharePoint setup by using custom templates that can be installed and work with this suite.
Low Cost
Software for server should be low, no more than $99 per server and license, $299 for pro pack expansion (to be decided later).
Mobile phone software should be free, but cannot be used with the main software or access to the Office 365/SharePoint account. FREE
AnyCam Amateur Rack - connects any camera or video sources, transmitting via WIFI or network to the server. $99
GUEST Smartphone video can be synced with file-name entries and time code. FREE
- a separate mobile phone download can be used for this setup if a guest smartphone cam is used. FREE
Remote Tripod will connect to the AnyCam Amateur Rack or SereDev compatible cameras. $129 for amateur, $299 for pro.
SereDev cameras can cost anywhere between $399 and $10,000 depending on feature, manufacturer, and cost.
AnyCam Pro Rack can connect to the camera controls for remote camera use. $199
A mic can be instantly wireless via WIFI with WIFI Audio connectivity.
A/D inputs can be used with use of third party devices, we will help set this up if needed.
Lights
Compatible with DMX controllers.
Music
If there is a band who uses USB keyboards and devices, no need to mic the instruments. MIDI wireless and USB wireless can be used to control just about any sound pack available. The performer can use a tablet or smartphone to change sound, voice, pitch, and effect, or it can be programmed to follow a beat that can be preset to change automatically for concert venues.
Compatibility
Even though Windows Phone 8 and Windows 8 tablets will be the selling point for this, the software utilizing HTML5 can be used on iOS devices and Android.
Smartphones
Limited control to the entire studio depending on the permissions settings in Office 365/SharePoint site.
Tablets
Full controls utilizing the touch screens to control audio, lights, video switching, etc. Depending on budget, multiple tables can be used as switch boards.
Analog Control Feel
Also USB controlled mixing boards and light boards can also be used for those who are into knobs and levers.
Venues
Churches, concerts, live events, studios, etc.
WIFI
Settings up a chain of WIFI nodes may be needed for large venues making sure that the WIFI is covered. Traditional WIFI should be okay. Commercial WIFI will be provide more security. For smartphone broadcast and sharing from guest, a separate WIFI can be setup for open WIFI to capture guest video live.
Guest Smartphone - for live events, this will be a cool feature. If a user is directed to an app store, utilizing Microsoft Tag app link, it will direct the user to the downloads page to their OS app store. It will be a Guest Smartphone App. After installing the app, there will be a prompt asking the user to remind of uninstall in a set amount of hours. On a large sign at the live venue, all the user has to do is connect to the local WIFI. It will be recommended that the WIFI is connected to the Internet so to not cut off the users normal data. If the public WIFI is not available, then a QR Code can then be used to direct the users to a launch file that will launch the app. The video is then recorded into the phone's SD card where the default location for storing video is set and transmitted to the server. The server can record all video coming from the camera directly. If the director chooses, the director can place the video live in the feed.
In editing, because three HD feeds can be recorded at the same time, the director can always edit out the footage without pain because of the synced time code within the video file itself.
ORNL-led studies evaluated the compatibility of fueling infrastructure materials with test fuels representing various formulations of ethanol-blended gasoline, ranging from 10 to 85 percent ethanol. Shown here, materials specimens were exposed to the test fluid(s) in a large stainless steel tank with stainless steel hardware (stir chamber), then subjected to multiple tests after fluid exposure.
A new lens in my bag. Damn, it's bloody heavy!
Full description about compatibility issue between the Canon EOS5D mkII and the Sigma 400mm/5.6 here www.flickr.com/photos/dominique_filippi/3618888258/in/set...
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
My Tokyo Marui extended magazine for my CYMA replica of the Glock 18C.
This answers a compatibility question concerning the TM & CYMA versions of the Glock, TM products do fit the Chinese made clone OK. The fit isn't absolutely perfect, there is a tiny bit of wobble, but I will fix this with a sliver of plastic card to hold the mag steady.
What did surprise me was the plastic construction of this mag. The original CYMA mag - seen in the photo - is metal and adds a nice balanced feel to the pistol. Perhaps a full metal extended mag would have added too much weight to the back end of the AEP, it would be interesting to find out if the CYMA extended mag is plastic or metal.
The extended magazine holds 100 rounds, and so makes this a great little CQB gun.
TM mag is £21.50, while the CYMA clone of this mag is just £14.50. I'm now tempted to get one of the CYMA extended mags in order to make a direct comparison.
By the way, everywhere I have read about these magazines it has been suggested that you lube them to help with efficient feeding.
2016 has been the year of “plus”–nearly every mountain bike manufacturer in the world has released a skinny-fat offering in its lineup. And while this new category of 3-inch-wide tires still needs to figure itself out, I can at least feel confident in saying that it’s great for trail hardtails.
Read more at www.bikemag.com/gear/bikes/trail-bikes-gear/jamis-dragons...
The Jamis Dragonslayer is the company’s latest addition to its line of steel hardtails, and it’s built for capability, durability and flexibility. Its 4130 chromoly tubing is triple butted for weight reduction and ride feel, and the frame features sliding dropouts for singlespeed compatibility. Since it is an obvious choice for bikepacking, it’s outfitted with rack mounts and a 3-hole bottle mount, and the traditional double triangle design means it’ll fit a large frame bag.
As for geometry, some of the Dragonslayer’s numbers are right where you’d expect them for a modern trail bike designed around a 120-mil fork, with 68- and 73-degree head and seat angles respectively and 17.2-inch chainstays. But the 19-inch size sports a 16.7-inch reach coupled with stock Ritchey Trail 720-mil bars and 80-mil stem, which could be considered conservative these days. The Dragonslayer might be perfect for riders not interested in running crazy short stems on super long frames, which is the way mountain bike fit is trending.
The 3-inch “plus-size” Vittoria Bomboloni tires mounted on WTB i45 TCS 27.5 rims provide oodles of traction in places where you’d expect none–a huge asset on the marbles-over-hardpack conditions at Bootleg canyon. They also grant an impressive amount of floatation in sand without feeling sluggish like a fatbike. They seemed pretty tough, too. I bottomed the tires hard enough to dent the rim at one point, without flatting or burping–and they survived the sharp, rocky terrain of Bootleg Canyon, which is a feat in and of itself.
Overall, I had an enlightening and fun ride on the Dragonslayer. Each slippery corner and technical climb came and went with increasing ease, and with surprisingly little compromise. And with a $2,700 price tag, it’s a bargain, too.
Read more at www.bikemag.com/gear/bikes/trail-bikes-gear/jamis-dragons...
www.bikemag.com/gear/bikes/trail-bikes-gear/jamis-dragons...
2016 has been the year of “plus”–nearly every mountain bike manufacturer in the world has released a skinny-fat offering in its lineup. And while this new category of 3-inch-wide tires still needs to figure itself out, I can at least feel confident in saying that it’s great for trail hardtails.
image: www.bikemag.com/wp-content/uploads/2015/09/Jamis-Dragonsl...
Jamis Dragonslayer
The Jamis Dragonslayer is the company’s latest addition to its line of steel hardtails, and it’s built for capability, durability and flexibility. Its 4130 chromoly tubing is triple butted for weight reduction and ride feel, and the frame features sliding dropouts for singlespeed compatibility. Since it is an obvious choice for bikepacking, it’s outfitted with rack mounts and a 3-hole bottle mount, and the traditional double triangle design means it’ll fit a large frame bag.
As for geometry, some of the Dragonslayer’s numbers are right where you’d expect them for a modern trail bike designed around a 120-mil fork, with 68- and 73-degree head and seat angles respectively and 17.2-inch chainstays. But the 19-inch size sports a 16.7-inch reach coupled with stock Ritchey Trail 720-mil bars and 80-mil stem, which could be considered conservative these days. The Dragonslayer might be perfect for riders not interested in running crazy short stems on super long frames, which is the way mountain bike fit is trending.
The 3-inch “plus-size” Vittoria Bomboloni tires mounted on WTB i45 TCS 27.5 rims provide oodles of traction in places where you’d expect none–a huge asset on the marbles-over-hardpack conditions at Bootleg canyon. They also grant an impressive amount of floatation in sand without feeling sluggish like a fatbike. They seemed pretty tough, too. I bottomed the tires hard enough to dent the rim at one point, without flatting or burping–and they survived the sharp, rocky terrain of Bootleg Canyon, which is a feat in and of itself.
Overall, I had an enlightening and fun ride on the Dragonslayer. Each slippery corner and technical climb came and went with increasing ease, and with surprisingly little compromise. And with a $2,700 price tag, it’s a bargain, too.
Read more at www.bikemag.com/gear/bikes/trail-bikes-gear/jamis-dragons...
2017 Jamis Dragonslayer 27.5+
The good old steel hardtail receives a technology injection
April 18, 2015 By Ryan Palmer
PO-ST HORIZONTAL SOCIAL SHARING BUTTONS
The 2017 Jamis Dragonslayer–a plus-size version of the company’s popular Dragon steel hardtail–will be hitting the trails later this summer with a whole lot of extra grip. Plus-size seems to be the theme here at his year’s Sea Otter Classic, with many of the top mountain bike manufacturers showing off their baby fat offerings for the first time. So why does everyone seem to be slapping 3-inch tires on bikes all at once? Boost 148, which made its debut on Trek’s Remedy 29 last year, was designed to create a stiffer, stronger 29-inch wheel–but it opened up a Pandora’s box of new bike design. The wider rear-end required bringing the chainrings out by a few millimeters, which gave bike designers much more real estate to play with. So people got creative, and tires and forks became available. All of a sudden, a new category was born.
2017 JAMIS DRAGONSLAYER |
It turns out that 3-inch tires are bringing forth the rebirth of the hardtail, and with it, a whole new beginning of mountain biking. When people started riding off-road, it was purely for fun. Since then, we somehow let things get serious on us. What better way to get back to our mountain biking roots than with a steel hardtail? With trail geometry and the added grip and confidence that plus-size tires bring to the table, we imagine the Dragonslayer will be a full-on grin machine. You can be sure that we’ll be throwing a leg over one when it becomes available later this year.
The Dragonslayer uses a now relatively narrow 73-millimeter standard English-threaded bottom bracket shell, so serious shaping is needed to get that wide, Boost 148 rear-end attached to the shell. It looks like Jamis was proud enough of its sleek chainstay yoke to slap some 3D branding on it. As you can see, tire clearance won’t be a problem on the Dragonslayer. The bike comes stock with the Vittoria Bombolini 27.5×3.0-inch tires pictured, with plenty of room for the wheel to come forward in the Dragon’s horizontal drops. Its 17.1-inch chainstays should be stubby enough for most riders as well.
The Dragonslayer comes spec’d with solid parts all around. Shimano supplies the brakes and drivetrain with a mix of Deore and SLX, while the bike rolls on WTB Scraper i45 rims.
Shimano is supporting Boost 148 now too, even though it was born from a Trek and SRAM partnership. This is good for everyone because for the price, you can’t beat the shift performance of Shimano’s mid-range groups.
Though its name hints at the bike’s trail-destroying nature, Jamis equips the Dragonslayer for the long slog too–rack mounts are provided for the adventurer in all of us.
Read more at www.bikemag.com/gear/2016-jamis-dragonslayer-27-5/#Di4z8j...
www.rbinc-sports.com/jamis-factory-outlet-store/jamis-201...
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
Visit of members of the CHEOPS science team and consortium to the Test Centre at ESA's technical centre in The Netherlands in September 2018, while the satellite was undergoing acoustic and radio-frequency compatibility tests.
Image credit: ESA–A. Conigli
SWEET HONEY LINGERIE
75L Weekend sale
☰ Items Included:
⋮ Color Hud
⋮ 10 colors
☰ Compatibility with:
☑ Maitreya ☑ Belleza ☑ Slink ☑ Ebody Curvy maps.secondlife.com/secondlife/Northern%20Lights/32/195/2...
Finnish Army Soldiers taking part in Exercise Arctic Sheild: The aim of the exercise was to develop the performance of the ground in arctic conditions, to test the skills of a trained group and to increase compatibility with Swedish soldiers December 2018
Photo: Maavoimat - Armén - The Finnish Army
Finnish Army Soldiers taking part in Exercise Arctic Sheild: The aim of the exercise was to develop the performance of the ground in arctic conditions, to test the skills of a trained group and to increase compatibility with Swedish soldiers December 2018
Photo: Maavoimat - Armén - The Finnish Army
SPECS AND DETAILS
Focal Length: 60mm
Primary Effect: Petzval/Swirl
Optic Swap Compatible: Yes
Aperture Range: f/2.5 - 22
Minimum Focus Distance: 460mm (18in)
Maximum Focus Distance: Infinity
46mm filter threads
Format Compatibility: 35mm Full Frame; APS-C; and 4/3rds Sensors
Camera Compatibility: SLR and MIL cameras
Focus Type: Manual barrel focus
Diagonal Angle of View: Full Frame: 37.6°; APS-C (1.5x): 25.1°; 4/3rds: 19.3°
Diaphragm Blades: 12
Elements/Groups: 4 elements / 3 groups
Coating: Broadband multi coated anti-reflective
Mary and Joseph had been chosen for the nativity because of their compatibility, they got on really well together. The year was 1971 and we had the last group of youngsters for the year staying with us at the Jane Hodge Holiday Home. I'm not sure why we decided to do a nativity play that year, we'd never done one before, but it must have seemed a good idea at the time. I don't know where our congregation was coming from either, it certainly wouldn't have been any parents of the youngsters staying with us as they would have lived too far away to attend, I think it was mostly staff members and their families and voluntary workers that would have been there, plus maybe a few villagers.
This particular group of youngsters got on well with one another, and a number of boy/girl friendships developed particularly with Mary and Joseph who would have been perhaps twelve and thirteen at the time. I don't quote know what happened but just before the dress rehearsal, when this photo was taken, Mary and Joseph fell out with one another and it was with some difficulty we managed to persuade Mary to carry on in her role. I took a number of photos with the youngsters staged at various points of the rehearsal, and in every single one we have a Sulking Mary!
Listen to the children singing Away in a Manger www.youtube.com/watch?v=fk9_iSaJUcY
This image is the copyright of © Michael John Stokes; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at mjs@opobs.co.uk for permission to use any of my photographs.
PLEASE NOTE: Before adding any of my photographs to your 'Favorites', please check out my policy on this issue on my profile.
OiOS Desktop
Imagine a UNIX based Enterprise Operating System, a scalable universally collaborative stable business platform capable of running on x86 Systems. Delivering support for Cloud enterprise features, ZFS file systems, Virtualisation, Advanced Security, and Compatibility. Enabling you to build new possibilities, enter new markets and harness human relationships in Open Source across the world. Whether you are a Systems Administrator, Recreational User or Information Technology Professional, OiOS supports the new economics of highly creative, diversified ways of doing business, and building networks.
OiOS Server
Imagine a UNIX based Enterprise Operating System, a scalable universally collaborative stable business platform capable of running on x86 Systems. Delivering support for Cloud enterprise features, ZFS file systems, Virtualisation, Advanced Security, and Compatibility. Enabling you to build new possibilities, enter new markets and harness human relationships in Open Source across the world. Whether you are a Systems Administrator, Business, or Information Technology Professional, OiOS supports the new economics of highly creative, diversified ways of doing business, and building networks.
OiOS Increased migration by world exchanges financial exchanges to Unix and Linux opens development to stock trading platform giving more opportunities to run software on more stable Unix platforms
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overview
www.youtube.com/watch?v=6Vq30AR_McY
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I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
Most important criteria for a sculpt to be Ying: compatibility with my favourite boy! XD Ryoya's head is slightly bigger than Jasper's, but I still think they look really good together~~ SO. HAPPYYY!
Teams from ESA and NASA worked during the week of 19 July 2013 at a Zurich, Switzerland, facility owned by ESA’s industrial partner RUAG to conduct compatibility testing between the Ladee orbiter terminal and the ESA ground station terminal. The NASA team, supported by the Massachusetts Institute of Technology, Lincoln Laboratory and the Jet Propulsion Laboratory, brought over their laser terminal simulator, while ESA together with RUAG and Axcon of Denmark set up the European equipment to test compatibility between the two sets of hardware. All images credit: ESA
The truth is you can be compatible with any partner if you don’t insist on being right about everything
How invested are you in getting your own way?
I was recently asked “Do couples have to like the same things or think the same way to make their relationship work”? My ...
howdoidate.com/relationships/compatibility-relationships/...
Members of the joint Virgin Trains, ALSTOM and Network Rail test team rejoin 390 104 at Preston prior to the third test run , 5Q03 the 0234 Preston to Manchester Piccadilly via Chorley and Bolton whilst route proving clearances and compatibility with the OHL equipment.
12-12-18
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PMW Triple Saddle Stop CS2322 : 1x11 w/ SS Option. Sports a 34.9mm radius seat tube with a Solid Bikes 30.9mm CNC insert for dropper post compatibility.
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Probably the best lens a person aiming for clinical image quality for dSLR can get today (although getting the Olympus equivalent would most probably triple-outresolve this in a click). Although, getting with the calibrating USB dock is probably the right course of action. I would have to say, thx to my friends, that I had the opportunity to try this very hyped lens on a Canon 7D, Canon 5D and 6D as well as on my Nikon D750.
The lens performance is top notch: fast focus, unreal top of the class sharpness, excellent build quality. The review would stop there with a high recommendation, shouting OMG and embracing this lens as the saviour of photography, but I am sorry to tell you that for now, I do not like this lens.
It has everything going for it, but the list of downsides for me was way too long to justify a purchase. I was probably a victim of the Sigma lottery. It’s just plagued by lens-body compatibility issues (which probably would have been solved with the USB dock and yes you probably would say that my friends and the many copies of stores I have tried have the wrong copy).
On the 7D, it was irregular in its micro-adjustment sometimes in the positive, sometimes in the negatives, never right. On the 5D, I was lucky for its accuracy. On the 6D, the micro-adjustment nightmare began again. I compare it to a nifty-fifty f1.8 on Canon and that lens was more accurate than the Sigma. On the D750, I adjusted it once and it was consistent from there on (nothing fools the D750 AF… it’s just that good).
The lens also lacked soul. There was something about its clinicality that threw me off. The in-focus zone would be degradingly sharp on my human subjects, the out of focus zone wouldn’t fade in fast enough to balance the sharpness out as it felt like the circles were confused between halfway fading or halfway showing. Then the faded veiled somewhat faded colors are a thing need to get used to. If you have used Nikkor lenses, you know how saturated and nicely contrasty they can get, this lens just isn’t it.
To top that off, the weight of the lens was close to uncomfortable. I believe my work with the 35mm focal length is of the street photography and candid. Having to move nimble with the ART35 was definitely more blocking than flowing. The ART35 needs to be used with two hands like my 24-70. It wasn’t long until I ran out of passion in using it.
Of course all those problems and whining could be solved by time and getting used to it. Time nowadays is a luxury I have less and less. If I purchase a piece of equipment, I’d rather have it working and pleasing me at my current state. After all, photography is an instinctive sport. This last problem was the one that made me drop the idea of getting the lens: exposure consistency or the lack thereof. I mostly shoot AUTO-ISO on Program, Shutter and Aperture priority. I go Manual only when absolutely needed. The lens and the camera wouldn’t agree on the proper exposure. If the subject is in the “vignetted” zone (not in the center), the camera would overexpose and under if the subject was in the center. I suppose I trust my “matrix metering” a lot more than I should, but this is how Nikkor lenses are used and work perfectly.
The Sigma ART35 and me never connected yet. It might take time, a lot of it. I’m not saying it’s bad. For many, it will probably be THE BEST LENS they would have purchased in a long time and perhaps the best 1000$ lens investment in their gear. They’d even have enough time to work around the problems and make it shine. I just have the downside of being optically spoiled by way too many more interesting options and I’m looking for something with a better balance of personality and optical performance in which using the Sigma was like dating a lifeless incredibly pretty yet expensive girl. Wouldn’t mind meeting her again on special specific occasions. We all need one like that ;)
Please note that this Flickr account, and the link to the following Webstore is completely unofficial, and its contents are in no way endorsed, or affiliated with Games Workshop.
Customized Imperial Knight Titan: I have designed, in 3D a multitude of new components to use on the standard GW kit that transforms the Titan into a "Iron Werewolf".
This unit still counts as a standard Knight Titan, but I wanted to make its theme match the rest of my wolf army. The custom components are available for purchase through my shapeways site: www.shapeways.com/shops/GadgetsPlus
The customized parts include: (Note that details of some designs have CHANGED! Please follow the detailed images/ renderings on the Shapeways page to see the final designs!)
-Iron Wolf - Head
-Iron Wolf - Ice Cannon
-Iron Wolf - Feet
-Iron Wolf - Knee pad
-Iron Wolf - Shoulder Pads
This Flickr account, and the link to the following Webstore is completely unofficial and is in no way endorsed by Games Workshop Limited. Imperial Knight Titan, Imperial Knight Warden, Imperial Knight Paladin, Imperial Knight Errant, Imperial Knight Crusader, Imperial Knight Gallant, and the Warhammer 40,000 name are used only to demonstrate the compatibility of the accessories found on this page. Used without permission. No challenge to their status intended. All Rights Reserved to their respective owners.