View allAll Photos Tagged COMING
Winry after her blushing and faceup, still in a temporary wig and eyes. Might adjust the faceup again in the future, but not until I see her in her proper wig and eyes. Little Monica Irin in WS, blushed to NS.
Thank you to all for your comments, faves, notes and expos!.-
__
Posadas - Misiones - Argentina
More Info: - Wikipedia -.-
__
-|- | Large & Black Press "L" | -|- || Facebook || Tumblr. || 500px || Twitter ||
- -
Canon 5D Mark II
EF 70-200mm F4L IS USM @ 70mm
f/4
1/400
ISO 100
0 EV
Flash:NO
- Shoot in RAW and processed with Lightroom
__
© Pablo Reinsch Photography
Please don't use this image without my permission.
This same fellow from the other day, this time a front view. (A Milkweed Tussock Moth --thanks Dawn and Ash!) In this view, you can see what looks like a very small critter hanging onto it--not even sure what it is, but I am pretty sure it's a bug--it has legs. Got a note around the fellow, as well as the previous upload, in which you can see it too . . .
"Wake me up, wake me up! I have life yet to live! This tired spirit isn’t ready to call it quits! I’ve had my days and triumphs, and the most admirable may be behind, but don’t tell me I’m done when my lights can still yet shine!"
Working on making some new merch. This year I'd like to do some tee shirts, buttons, pencil cases and a few other things...
These buttons will be available as a set soonish.
At the top of the jungle gym you can cross the river via zipline (I found this is not the exit if you are doing the obstacle climb though. For that you use a slide)
De musical 'Coming Out' is een productie van de derde- en vierdejaarsstudenten Musical van de Erasmushogeschool Brussel.
Het verhaal speelt zich af in de broeierige omgeving van een zwembad waar uiteenlopende pubers elkaar terroriseren ...
(Tekst: Don Duyns e.a., Muziek: 'Motown')
De voorstellingen vonden plaats op 8, 10, 11, 12, 13, 14, 16, 17, 18 en 19 december 2009.
Met: Laurenz Hoorelbeke, Maarten Schuermans, Annelies Spanoghe, Saartje Van Houtte, Abbi Abraham, Rudi Giron en Tine Priem
Regie: Ron Cornet
Muzikale leiding: Stephen Collins
Scenografie & Licht: Jan Van Driessche
Choreografie: Lulu Aertgeerts en Peter Kongs
Affiche en Kostuums: KASKA
Opleidingshoofd: Ronnie Commissaris
My imaginary girlfriend Vicki, fresh from the shower, on her way to the clean sheets of the newly made bed, stood over me at my art table, and asked, "Coming to bed?"
I looked up.
"Yeah, right now! Yeah!"
Inspired by a photo-essay in a German men's lifestyle magazine
Both fashion from the 40's and the title of a Foreign Exchange's song were used as inspiration for this photo shoot. Coming Home tells the story of a person who comes home only to find an empty house. Make up by Natasja Arie.
What can I say about St Michaels? Well, I liked the church, however, those coming out of the church hall letting their children play in the gravestones! not very clever or nice if you ask me.
And then there is the church, all full of icons, shrines to St Mary and the air thick with incense, I guess this is about has high as you can get in Anglican.
Situated on a hill overlooking the old village set in a small valley, and over the road from the old Leper Hospital, the graveyard is overgrown, and is a Gothic nightmare if one were to come at night, all very large Victorian stones.
It is two weeks ago since we visited, so my memory is a little rusty, let's see what John has to say:
--------------------------------------------------------
Most people visit the chapel of St Nicholas Hospital in Harbledown, which is just as much a place of pilgrimage today as it was in the Middle Ages. However, the nearby church of St Michael is full of character despite the fact that it dates in the main from 1880. The south aisle is part of the original Norman church - one blocked window survives - and there is a damaged thirteenth-century piscina. There is also an unusual piece of carved stone of uncertain age which represents two bulls fighting, with a sun above them. The architect for the enlargement of 1880 was J.P. St Aubyn - never the most sensitive of architects. There is some pleasing nineteenth- and twentieth-century glass including a rare representation of the Search for the Holy Grail.
www.kentchurches.info/church.asp?p=Harbledown+1
-------------------------------------------------
On hilltop (c. 160ft. above sea level) in centre of village immediately north of sunken main road from London to Canterbury. Blean forest to north.
Until 1825, there was only a simple nave and chancel. Then a 'north transept' was built. This was demolished when the architect, St. Aubyn built a new chancel and nave (and north porch) along the north side of the old chancel and nave in 1880-1.
The original nave is early Norman, with Quarr stone quoins on the south-west corner. Also Quarr stone voussoirs in round arch above door on S.W. side of nave. The original extent of the nave to the east is marked by a 'megalithic' block of ragstone 3/4s of the way along the south wall. The coursed whole flintwork of the west wall of the original nave is also early, and there is a blocked round-headed window in the upper gable wall (also ? Quarr stone quoins). Inside the church the remains of rere-arch of another round-headed window has been uncovered in the south wall of the nave, and Petrie's early 19th century drawing appears to show another on the north side. There is the remains of a possible piscina in the south wall near the east end of the original nave. Nearby the so-called 'stone of Mithras' is set into the wall (it was discovered in 1881 and is perhaps medieval).
The nave was lengthened eastwards and a new chancel was built perhaps in the 13th/14th century. Only the rere-arch of the east window is medieval. The other windows and the chancel arch were all totally restored in 1880-1. There is the remains of a medieval crown-post roof in the nave, and of a little timber bell-turret above the west-end of the nave (probably late medieval, but supported internally in the roof by 19th century timbers. It is weather-boarded, but Hasted describes it as shingled. It contains 4 bells: Hatch, 1603; Palmer, 1670; and Henry Jordan (1442-68) inscribed 'Sancte Katerina ora pro nobis'.
A west gallery and timber porch outside the west doorway are said to have been demolished in 1879. Also a 'Tudor' arch is said to have been replaced as the original chancel arch by the present one in 1881. In 1979 the original chancel was partitioned off behind the arch and become the vestry with a W.C. and upper room.
A new door was cut on the south-east. The north transept, built in 1825 in brick (with a slate roof and timber window-frames and a gallery), was cased in flint and stone in 1855. A new high tiled roof and gable was built, and the windows were replaced in stone. This was swept away in 1880-1, when the new larger nave and chancel were built, with an arcade of three arches to connect with the old church. An organ was installed in the old chancel (moved to the west end of the south aisle in 1979).
BUILDING MATERIALS (incl. old plaster, paintings, glass, tiles etc.): Early Norman quoins of Quarr stone, also ragstone + Caen stone. The main material is flint. Restoration in 1880-1 in ? Bath stone.
CHURCHYARD AND ENVIRONS:
Size: - ? c. 2 acres.
Shape: Large L-shaped churchyard, still in use. Earlier burials around the church with great 19th and 20th century extension to the north and north-west.
Condition: Good.
Earthworks:
adjacent: - but very deep sunken main road (A2) to the south.
Building in churchyard or on boundary: Large 19th century rectory just to the east (and new small rectory alongside).
HISTORICAL RECORD (where known):
Earliest ref. to church: (Indirectly) Tithe of 200 sheaves mentioned in foundation charter of St. Gregory's Priory (1086-7).
Late med. status (rectory: List of rectors from 1316.
Patron: The Archbishop.
Other documentary sources: Hasted IX (1800). 18-21.
SURVIVAL OF ARCHAEOLOGICAL DEPOSITS:
Inside present church: Limited.
Jumpsuit - Ricielli
Necklace & Bangle - StarFashion
Earrings - Ryca
Bag - Sticky Fingers / Fanatik
Picture by Thati Boucher
After filling up with water, my bees head back to the hive. The water is deposited in cells in the frames, Bees stand at the front of the hive and fan with their wings towards the hive, this works just like an evaporative air cooler, thus lowering the temp of the hive.