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My design features a pendant by Andrew Thornton, Czech glass, shell, and gemstones paired with brass.
Read more over on my blog: sjdesignsjewelry.blogspot.com/2014/09/art-bead-scene-chal...
Recreational sailboats are the only craft passing under Port Stanley's King George VI Lift Bridge these days.
Nikon D300 - AIS Nikkor 300mm ED-IF 1:4.5 + TC-14B Teleconverter - 1/200 sec - f/.8 - ISO 250 - SB-600
Speedlight with Flash Extender
Dan takes his T-6 down the runway. Photographed on June 6, 2015.
To view a hi-res version and for more information visit my website:National Capitol Squadron Meetings
De musical 'Coming Out' is een productie van de derde- en vierdejaarsstudenten Musical van de Erasmushogeschool Brussel.
Het verhaal speelt zich af in de broeierige omgeving van een zwembad waar uiteenlopende pubers elkaar terroriseren ...
(Tekst: Don Duyns e.a., Muziek: 'Motown')
De voorstellingen vonden plaats op 8, 10, 11, 12, 13, 14, 16, 17, 18 en 19 december 2009.
Met: Laurenz Hoorelbeke, Maarten Schuermans, Annelies Spanoghe, Saartje Van Houtte, Abbi Abraham, Rudi Giron en Tine Priem
Regie: Ron Cornet
Muzikale leiding: Stephen Collins
Scenografie & Licht: Jan Van Driessche
Choreografie: Lulu Aertgeerts en Peter Kongs
Affiche en Kostuums: KASKA
Opleidingshoofd: Ronnie Commissaris
Nikon D5000 | ISO 200 | f/8 |1/1000s | 18mm | ND8 Grad Filter
Catching op with your streams soon.....
I can always tell when winter's coming - the guys lay down the "snow fence" in the field across the street -- it's supposed to control drifting snow...I go running to the closet for an extra blanket!
"Coming Soon" the billboard says.... under construction is what I presume to be a block of apartment flats which will be part of the new "Marshall's Rise" complex at the top of Sping Gardens. They have already poured the concrete for the ground floors, and like all modern buildings at this stage, it looks pretty grim, like a military bunker. However, the artists impression is of a building in a "Victorian Industrial" style, which is actually appropriate for the area - especially when you recall the building which stood on the site until approximately 2000 - the old Marshall's Tea Machine Shop.
Nikon F5, 28-70mm Nikkor Lens, Ektar 100 Film
De musical 'Coming Out' is een productie van de derde- en vierdejaarsstudenten Musical van de Erasmushogeschool Brussel.
Het verhaal speelt zich af in de broeierige omgeving van een zwembad waar uiteenlopende pubers elkaar terroriseren ...
(Tekst: Don Duyns e.a., Muziek: 'Motown')
De voorstellingen vonden plaats op 8, 10, 11, 12, 13, 14, 16, 17, 18 en 19 december 2009.
Met: Laurenz Hoorelbeke, Maarten Schuermans, Annelies Spanoghe, Saartje Van Houtte, Abbi Abraham, Rudi Giron en Tine Priem
Regie: Ron Cornet
Muzikale leiding: Stephen Collins
Scenografie & Licht: Jan Van Driessche
Choreografie: Lulu Aertgeerts en Peter Kongs
Affiche en Kostuums: KASKA
Opleidingshoofd: Ronnie Commissaris
It's my biggest MOC, First time exhibiting at a convention, my first use of United Bricks torsos and it has the most vehicles I've ever created in one moc... Coming soon
HMCS Iroquois arriving at it's home port of Halifax, Nova Scotia this past January, 2012. An ice coated focsle with the Canadian Navy Jack flying and the MacDonald Bridge in the distance.
Two 319s cross coming in and out of Smithfield Tunnels into Barbican Station. Keen eyed observers travelling through these tunnels will be able to see the old tunnel branching off that ran into the underground of Smithfield Meat Market.
Taken with ambient light (no flash) through my car windshield at 11:00 PM moments before a CSX manifest freight passed by eastbound. This is 20th Street at the Buckbee control point (CN milepost 83.55 west) on the CN Freeport Subdivision in southeast Rockford IL.
I love this part of the road coming into the village of Plumbridge, Co. Tyrone where you get a great view of the main chain of the Sperrin Mountains, particularly the rugged and rocky summit of Mullaghcarbatagh (centre).
Test shoot using my newly acquired Light Blaster (light-blaster.com) which allows you to project your own backdrop images. Since I also have a big photoshoot coming up for a local hair salon I thought I'd kill two birds with one stone and get some salon test shots as well.
The Light Blaster performed well overall but it definitely has strengths and weaknesses. I just used an old 18-55mm Canon kit lens, I found I needed to use a lot of power. If I used a faster lens (ie wider aperture) it should require a bit less light. A big issue is that you really need to limit spill from your key light or else it will completely wash out the projected background. I was shooting in a small space so this didn't help that fact, if I had more room the key light would have fallen off quicker too.
Strobist info:
Rim lights: YN460MKII
Location: Model left and right, behind a foot or so pointed down at hair.
Modifier: Gridded snoot.
Key light: Canon 580EX in 16" beauty dish
Location: In front of model, very close, angled down at a 45.
Modifier: Grid and diffusion screen.
Light Blaster
YN460MKII
Rough power ratios was as follows:
Rim 1/16
Key 1/4
Light Blaster 1/8 to 1/2 depending on slide.